DOCSLIB.ORG

The Producers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

presents The Producers Book by Music & Lyrics by Mel Brooks Mel Brooks & Thomas Meehan Sound Design Costume Design MICHAEL SANTANGELO RONALD R. GREEN III Lighting Design Scenic Design ZACH BLANE MICHAEL MEHMET Production Stage Manager Musical Direction by ERIN DONAHUE CRAIG COYLE Choreographed by ALYSE NICOLE ARPINO Directed and Produced by NOEL S. RUIZ Artistic Director BERNADETTE MESCALL RODRIGUEZ CAST OF CHARACTERS (In order of appearance) Max Bialystock..............................................................................MICHAEL BUSCEMI Leo Bloom………………………………………………………...….….….CRAIG BOCCIA Roger de Bris.……………………………………………….………………...RYAN NOLIN Ulla Inga Hansen…………………………………………………...LINDSAY DEFRANCO Franz Leibkind....................................................................................DAN FERRANTE Carmen Ghia………………………………………………………………...KEVIN BURNS Storm Trooper/ProductionTenor………………………….…...........….MARK MAURICE Mr. Marks.................................................................................…...JOHN PASSADINO Judge………………………………………………….…………………...MICHAEL HORN Sergeant O’Houlihan………………………………………………..…....MICHAEL HORN Usherettes………...........................................ANTONETTE KNOEDL, ERIN SFORZA Jack Lapidus………………………….……………….…………………..MICHAEL HORN Kevin……………………………………………………………...………..MARK MAURICE Scott…………………………………………………………………...……….MIKE BURKE Hold Me, Touch Me…………………………………................................…KAITY CAVE Kiss Me, Feel Me...................................................................................ERIN SFORZA Lick Me, Bite Me………………………………………...…………ANTONETTE KNOEDL ENSEMBLE ANTHONY ARPINO, BRENDA BIRKELAND, MIKE BURKE, KAITY CAVE, LUKE CONNORS, ZACH FORBES, MACKENZIE GALLO, MICHAEL HORN, COURTNEY KENYON, ANTONETTE KNOEDL, MARK MAURICE, JACKIE MIEKIEWICZ, JOHNNY PASSADINO SR., JIM RHODES, ERIN SFORZA, BYRAN SPERONI, JULIE SPERONI, MARQUEZ STEWART MUSICANS Conductor/Keyboard…………………………………………………….….CRAIG COYLE Trumpet……………………………………………………………………..KEVIN MERKEL Trombone………………………………………………………...………….ED DECORSIA Woodwind……………………….…………………………………KATIE BAUERNFIEND, MARY SHAW, REX SITA Bass……………………………………………….……………………CHAD GOODSTEIN MUSICAL NUMBERS ACT I Overture…………………………………………………………………….....…...Orchestra “Its Opening Night………………………………………………..….Usherettes, Company “The King of Broadway”……………............…………….……………...…Max, Company “We Can Do It”………………………………………….…………………..…..…..Max, Leo “I Wanna Be a Producer”…………………………………………..…….….Leo, Company “We Can Do It”(Reprise)……………………………………………………..…….Max, Leo “I Wanna Be a Producer”(Reprise)………………………………………….……Max, Leo “In Old Bavaria”…………………………….……………….…………………………..Franz “Der Gutten Tag Hop-Clop”…………….…………………………..……..Franz, Max, Leo “To Be or Not To Be”…………………………………………..……………Roger, Carmen “Keep It Gay”…………………….……………………………….…..Roger, Carmen, Staff “When You’ve Got It, Flaunt It”……………………………………………………….....Ulla “Along Came Bialy”…………...……………………………..……...Max, Little Old Ladies, Company INTERMISSION ACT II “Entr’acte……………………………………………………………………………Orchestra “That Face”………………………………………………………………..…………Leo, Ulla “That Face”(Reprise)…………………………………………………………Leo, Max, Ulla “Auditioning Opening”...…………………………………………………….Roger, Carmen “A Wand’ring Minstrel”…………………………………………………………………Roger “The Little Wooden Boy”…………………………………………….……………….Donald “Have You Ever Heard The…”(Interrupted)……………...……………….…………Jason “Have You Ever Heard The German Band”…………………………………………Jason “It’s Opening Night”(Reprsie)………………………………………………....…Usherettes “It’s Bad Luck to Say Good Luck on Op’ning Night”…..........................Roger, Carmen, Franz, Leo, Max “Springtime For Hitler”………………………………….Roger, Storm Trooper, Company “Where Did We Go Right”………………………..……………………………......Max, Leo “Leo Goes to Rio”…………………………………………………………………...Leo, Ulla “Betrayed”…………………………………………………………………………………Max “Tell Him”…………………..……………………………………Max, Leo, Little Old Ladies “Prisoners of Love”…………………………………………………………………Company “Goodbye”...………………………………………………………………………...Company CM Performing Arts Center Staff Board of Directors Production President..........................................................Noel S. Ruiz Production Stage Manager.............................Erin Donahue Chairman....................................................Richard Panetta Costumes Construction.................................Ronald Green, Treasurer..............................Bernadette Mescall Rodriguez Gail Kieser, Sandra Green Secretary.....................................................Tim Pappalardo Specialty Costumes Provided by....................Barbara Kirby Trustees……………………...……..Danny Amy, John Barry, & Herricks Community Players Loret Bengston, Nick Hernadez, Maria Pancella Sound Board Operator..........................Michael Santangelo Stage Crew.................Emily Hannaway, Johnny Passadino Administrative Props..............................................................Erin Donahue Executive Director............................................Noel S. Ruiz Marketing Director..............................................Erin Sforza House Staff Volunteer Coordinator....................................Lois Culmone House Managers.............................Kate Arso, Bob Byrnes, Planning Committee……………...……………...Danny Amy, John D’Orta, Chris Farley, Tony Musumeci, Joseph Campanello, Christina D’Orta, Denise Sidoroiwicz, Cathy Stephani, Ronnie Green, Patrick Grossman, Tony Stopiano Michael Mandato, Michael Mehmet, Ushers........................................Kate Arso, Yvonne Banks, Ryan Nolin, Tim Pappalardo, Loret Bengston, Laurie Coffey, Marie Calcagano, Bernadette Mescall Rodriguez, Mildred Coltin, Doreen D’Orta, Marilyn Duffy, Gregory Rodriguez Kathy Howe, Charlie Huberman, Carol Gallo, Anita Lalor, Pat Mulcahy, Pat Mesisco, Artistic Peggy Neuberger, Susan Pausel, Roseann Petrizzo, Artistic Director.....................Bernadette Mescall Rodriguez Josephine Pisano, Maryann Ruocco, Producer...........................................................Noel S. Ruiz Norm & Sue Roscoe, Sue Scardace, Director.............................................................Noel S. Ruiz Denise Sidoroiwicz, Christopher Toy, Choreographer......................................Alyse Nicole Arpino Kathy Tomasky, Alan Wasenius Musical Director.................................................Craig Coyle Maintenance................................Jim Rhodes, Zach Forbes Scenic Designer.....................................Michael T. Mehmet Lighting Designer...............................................Zach Blane Asst. Lighting Designer……………...….Johnathan Ramage Asst. Lighting Designer……………...Zephan H. Ellenbogen WARNING – The photographing or sound recording of any performance is strictly Costume Designer.................................Ronald R. Green III prohibited. Assistant Costume Designer...............................Gail Kieser FIRE NOTICE— The exit indicated by a red light and sign nearest to the seat you Sound Designer....................................Michael Santangelo occupy, is the shortest route to the outside. In the event of fire or other emergency, Wigs Provided by...................................Ronald R. Green III please do NOT run. WALK to that Exit. However, under normal circumstances, when leaving the Theatre, use the left rear exit, in which you entered. SMOKING is prohibited in the BUILDING, as required by the Suffolk County NO SMOKING Operations Ordinance. Smoking in any area designated “No Smoking” renders the offenders subject to a fine, or imprisonment, or both. Office Staff.............................Kristen Digilio, Susan Pausel, Erin Sforza, Jillian Torre CELL PHONES & PAGERS – Please silence or turn off all cellular devices and Graphic Designer...............................................Tammy Lea pagers. Web Page Design…………….......D.J. Lactose Productions Playbill Coordinators…,,,,,,,,,,,,,..Joseph Naftal, Jillian Torre FOOD & DRINKS – Food and Drinks, other than water, are not permitted in the theater. Box Office PARKING – If you have parked your car directly in front of a storefront or in front Box Office Manager.....................................Marie Schindlar of the theater, kindly move your car to another location. Director of Group Sales......................................Erin Sforza Box Office Staff…………...Pat Greenberg, Susanne Jones, Maria Lewis, Camille Renner, Maryann Ruocco, Marie Schindlar, Cathy Stephani, Kathy Tomasky WHO’S WHO ANTHONY ARPINO (Accountant, Costume years. Notable CM credits include Evita, King Designer, Prisoner) Anthony is excited to and I, and Oliver. Many special thanks to the make his CM mainstage debut. Past credits people that have given him love and support. include Jekyll and Hyde in Jekyll and Hyde, Jean Valjean in Les Miserables, Nicely Nicely Lindsay DeFranco (Ulla) This show marks in Guys and Dolls, Charlamagne in Pippin, Lindsay's return to the CM stage after and Leading Player in Pippin. Anthony receiving a degree in Acting from Point Park attends Five Towns College and will graduate University in Pittsburgh, PA. Recent Long with a B.F.A. in theatre arts. He can be seen Island credits include Curtains (Jan Setler), La as Prez in Pajama Game in the fall. Cage (Colette) and A Funny Thing Happened on the Way to the Forum (Gymnasia). Craig Michael Boccia(Leo Bloom) Craig is Pittsburgh credits include The Vagina not a newcomer to the CM stage celebration Monologues, The Rover and Vital his 18th year here. Past roles here at CM Signs. Lindsay would like to send her love to include Thuy
Recommended publications
  • THE PRODUCERS Matt Byrne Media

    THE PRODUCERS Matt Byrne Media

    www.theatreguide.com.au Supporting live theatre in Adelaide PO Box 10278 [email protected] ADELAIDE BC SA 5000 ABN : 93 297 960 525 THE PRODUCERS Matt Byrne Media Arts Theatre Until 4 August 2007 (Shedley Theatre 9-11 August) Review by John Wells I could smell hubris in the air. An Adelaide company doing “The Producers” – the Mel Brooks show that took Broadway by the scruff of its neck and was showered with Tonys? Could an Adelaide amateur company do this show? Attempting a production of this impeccable and brilliantly-credentialed show is remarkably ambitious. With two films and the wildly successful stage musical already seared into the public consciousness, it is impossible to create an original rendering. Add to this the limited budget of amateur theatre and the risks of presenting a spectacular dud are high. But this is no dud. “The Producers” is by no means perfect, but it is an enjoyable, tight and funny show. With disciplined performances, and comical and precise characterisations, Director Glenn Vallen must take the credit for the success of this production. “The Producers” is the story of the failed, bombastic Broadway producer Max Bialystock and his mousy accountant Leo Bloom. They plan to raise millions of dollars to produce a sure-fire flop, and then run off with the investors’ cash when the show closes. When they find “Springtime for Hitler”, a musical honouring the Fuhrer by a local Nazi, they think they’ve found their perfect turkey. “The Producers” depends primarily on Bialystock and Bloom. If they are ineffective, the show cannot succeed.
  • 42Nd Street Center for Performing Arts

    42Nd Street Center for Performing Arts

    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-25-1996 42nd Street Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "42nd Street" (1996). Center for Performing Arts Memorabilia. Book 82. http://opus.govst.edu/cpa_memorabilia/82 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. 42ND STREET Saturday, May 25 IP Ml" :• i fi THE CENTER FOR ARTS AND TECHNOLOGY AT GOVERNORS STATE UNIVERSITY The Troika Organization, Music Theatre Associates, The A.C. Company, Inc., Nicholas Hovvey, Dallett Norris, Thomas J. Lydon, and Stephen B. Kane present Music by Lyrics by HARRY WARREN AL DUBIN Book by MICHAEL STEWART & MARK BRAMBLE Based on the novel by BRADFORD ROPES Original Direction and Dances by Originally Produced on Broadway by GOWER CHAMPION DAVID MERRICK Featuring ROBERT SHERIDAN REBECCA CHRISTINE KUPKA MICHELLE FELTEN MARC KESSLER KATHY HALENDA CHRISTOPHER DAUPHINEE NATALIE SLIPKO BRIANW.WEST SHAWN EMAMJOMEH MICHAEL SHILES Scenic Design by Costume Design by Lighting Design by JAMES KRONZER NANZI ADZIMA MARY JO DONDLINGER Sound Design by Hair and Makeup Design by Asst. Director/Choreographer KEVIN HIGLEY JOHN JACK CURTIN LeANNE SCHINDLER Orchestral & Vocal Arranger Musical Director & Conductor STEPHEN M. BISHOP HAMPTON F. KING, JR.
  • MUSICAL NOTES a Guide to Goodspeed Musicals Productions 2009 Season

    MUSICAL NOTES a Guide to Goodspeed Musicals Productions 2009 Season

    MUSICAL NOTES A Guide to Goodspeed Musicals Productions 2009 Season Musical Notes is made possible through the generosity of Music by HARRY WARREN Lyrics by AL DUBIN Book by MICHAEL STEWART and MARK BRAMBLE Directed by RAY RODERICK Choreographed by RICK CONANT Scenery Design Costume Design Lighting Design HOWARD JONES DAVID H. LAWRENCE CHARLIE MORRISON Hair and Wig Design Sound Orchestrations Music Supervisor Music Director MARK ADAM RAMPMEYER JAY HILTON DAN DELANGE MICHAEL O’FLAHERTY WILLIAM J. THOMAS Production Manager Production Stage Manager Casting R. GLEN GRUSMARK BRADLEY G. SPACHMAN STUART HOWARD ASSOCIATES, PAUL HARDT Associate Producer Line Producer BOB ALWINE DONNA LYNN COOPER HILTON Produced for Goodspeed Musicals by MICHAEL P. PRICE Cast of Characters Andy Lee………………………………………………………TIM FALTER Maggie Jones…………………………………………………..DOROTHY STANLEY Bert Barry………………………………………………………DALE HENSLEY Phyllis Dale…………………………………………………….ELISE KINNON Lorraine Fleming……………………………………………….ERIN WEST Ann Reilly……………………………………………………....JENIFER FOOTE Billy Lawlor…………………………………………………….AUSTIN MILLER Peggy Sawyer…………………………………………………..KRISTEN MARTIN Julian Walsh…………………………………………………….JAMES LLOYD REYNOLDS Dorothy Brock………………………………………………….LAURIE WELLS Abner Dillon……………………………………………………ERICK DEVINE Pat Denning…………………………………………………….JONATHAN STEWART Ensemble……………………………………………………….ALISSA ALTER KELLY DAY BRANDON DAVIDSON ERIN DENMAN TIM FALTER JOE GRANDY CHAD HARLOW ELISE KINNON ASHLEY PEACOCK KRISTYN POPE COLIN PRITCHARD ERNIE PRUNEDA TARA JEANNE VALLEE ERIN WEST Swings TYLER ALBRIGHT EMILY THOMPSON Biographies Harry Warren and Al Dubin (Music and Lyrics) Harry Warren and Al Dubin were legendary tunesmiths both as a team and as individuals. Between the two, their prodigious careers spanned six decades. They wrote Broadway shows and revues and were pioneer song- writers for sound pictures. Their combined output of songs can only be described as astonishing. Al Dubin, born in Switzerland in 1891, died in New York in 1945.
  • Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: the Musical Katherine B

    Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: the Musical Katherine B

    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2016 "Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The Musical Katherine B. Marcus Reker Scripps College Recommended Citation Marcus Reker, Katherine B., ""Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The usicalM " (2016). Scripps Senior Theses. Paper 876. http://scholarship.claremont.edu/scripps_theses/876 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “CAN WE DO A HAPPY MUSICAL NEXT TIME?”: NAVIGATING BRECHTIAN TRADITION AND SATIRICAL COMEDY THROUGH HOPE’S EYES IN URINETOWN: THE MUSICAL BY KATHERINE MARCUS REKER “Nothing is more revolting than when an actor pretends not to notice that he has left the level of plain speech and started to sing.” – Bertolt Brecht SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS GIOVANNI ORTEGA ARTHUR HOROWITZ THOMAS LEABHART RONNIE BROSTERMAN APRIL 22, 2016 II ACKNOWLEDGEMENTS This thesis would not be possible without the support of the entire Faculty, Staff, and Community of the Pomona College Department of Theatre and Dance. Thank you to Art, Sherry, Betty, Janet, Gio, Tom, Carolyn, and Joyce for teaching and supporting me throughout this process and my time at Scripps College. Thank you, Art, for convincing me to minor and eventually major in this beautiful subject after taking my first theatre class with you my second year here.
  • The Maple Shade Arts Council Summer Theatre the MAPLE SHADE Announces Our Summer Children's Show ARTS COUNCIL Once Upon a Mattress PROUDLY PRESENTS

    The Maple Shade Arts Council Summer Theatre the MAPLE SHADE Announces Our Summer Children's Show ARTS COUNCIL Once Upon a Mattress PROUDLY PRESENTS

    The Maple Shade Arts Council Summer Theatre THE MAPLE SHADE announces our summer children's show ARTS COUNCIL Once Upon A Mattress PROUDLY PRESENTS PERFORMANCES: August 6 @ 7:30PM August 7 @ 7:30PM August 8 @ 2:00PM and 7:30PM Tickets: $10—adults $8—children/senior citizens Visit www.msartscouncil.org to purchase tickets today! For more information about the Summer Theatre program and how to register for next year, email [email protected] Bring in your playbill or ticket to July 10, 11, 12, 17, 18, 19 @ 7:30PM 114-116 E. MAIN ST. receive a 15% discount off your Maple Shade High School MAPLE SHADE, NJ 08052 bill. Valid before or after the (856)779-8003 performances on July 10-12 and Auditorium 17-19. Not valid with any other coupons, offers, or discounts. 2014 Sponsors OUR MISSION STATEMENT The Maple Shade Arts Council wishes to express our sincere gratitude to the many sponsors to our organization. The Maple Shade Arts Council is a non-profit organization We appreciate your support of the Arts Council. comprised of educators, parents, and community members whose objective is to provide artistic programs and events that will be entertaining, educational, and inspirational for the community. The Arts Council's programming emphasizes theatrical productions and workshops, yet also includes programming for the fine and performing arts. Maple Shade Arts Council Executive Board 2014 President Michael Melvin Vice President Jillian Starr-Renbjor Secretary AnnMarie Underwood Treasurer Matthew Maerten Publicity Director Rose Young Fundraising Director Debra Kleine Fine Arts Director Nancy Haddon *ALL CONCESSIONS WILL BE SOLD PRIOR TO THE SHOW BETWEEN 6:45PM-7:25PM—THERE WILL ONLY BE A BRIEF 10 MINUTE BATHROOM/SNACK BREAK AT INTERMISSION.
  • Meeting Planner's Guide 2019

    Meeting Planner's Guide 2019

    AN ADVERTISING SUPPLEMENT TO CRAin’S NEW YORK BUSINESS MEETING Planner’S GUIDE 2019 YOUR RESOURCE FOR SUCCESSFUL MEETINGS AND EVENTS IF YOU ARE A MEETING or event hotels in the New York City area. than other channels. A lot of that a trend toward “bleisure,” the walk the line between creating planner you are part of an elite, Our goal is to keep you ahead value comes from networking in combining of business travel and experiences that resonate with multi-talented group. Being a of the curve and one up on the person. One-on-one meetings leisure. Today’s event attendees the whole audience, as well as planner calls for a wide range of competition in 2019. have become a hot commodity; expect event planners to be equal with individual attendees. expert skills and qualifications, To that end, here are some research has shown that, after parts manager and travel agent. such as managing, budgeting and of the meeting and event trends content, networking is the sec- Everything from programming to GIVE THEM execution, knowledge of tech- to consider when planning ond biggest motivator for event catering is likely to reference the A SHOW nology, creative talent—not to this year: attendees today. And the term locality and culture of the desti- 2019 also sees a trend for the mention leadership, adaptability, “networking” covers everything nation both on-site and off. “festivalization” of meetings and people skills, patience and energy IN YOUR FACE from spontaneous conversations events. A growing number of (to name just a few). When you “Face time” is the buzzword to huddle rooms and meet-and- TAKE IT PERSONAlly gatherings are adding perfor- possess all of these qualities you in meetings and events for greets.
  • 42Nd St Synopsis Characters

    42Nd St Synopsis Characters

    42nd St Synopsis One of showbusiness's most classic and beloved tales, 42nd Street tells the story of Peggy Sawyer, a talented young performer with stars in her eyes who gets her big break on Broadway. Peggy arrives in New York City from her hometown of Allentown, Pennsylvania, armed with her tap shoes, her lucky yellow scarf and big dreams. Peggy’s talent catches the eye of legendary Broadway director Julian Marsh, who gives her a spot in the chorus of Pretty Lady, his newest show. Pretty Lady stars Dorothy Brock, the classic Broadway diva, who takes an instant dislike to the new girl in the cast. When Dorothy is injured during the show’s previews, Pretty Lady looks like it will have to close, unless a new girl talented enough to lead the show can be found — someone like Peggy Sawyer! Characters Age requirements are approximate, however the dance ensemble must look young. PEGGY SAWYER A young, starry-eyed, naïve, and humble chorus girl who assumes the Lead role in Pretty Lady when Dorothy breaks her ankle. She is the triple threat in the show - must sing, act, and dance (tap) very well. Alto-mezzo soprano: should belt and be able to easily transition to head voice. Age: 17-25 (must look young - character is referred to as ‘21’) DOROTHY BROCK A past-her-prime and well-known, Broadway diva. She is supposed to be the female lead in Pretty Lady because she is dating Abner who is paying for the show. While very selfish and mean to everyone at first, she comes to understand what’s really important in life after breaking her ankle and therefore unable to perform.
  • A Career Overview 2019

    A Career Overview 2019

    ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour)
  • Character Breakdown

    Character Breakdown

    6 Catherine Street London WC2B 5JY +44 (0)20 3475 7923 Evita CHARACTER BREAKDOWN Principals EVA E below middle C – F 1 ½ octave above middle C. Strong mixed belt. An experienced performer at every level with an amazing singing voice and strong dance ability. Must have all the acting qualities of a serious leading actress with a period look. She must be able to display pain, sympathy, anger, wit and real authority all in equal measure with many other emotions thrown in. CHE Rock Tenor to C The narrator. Must be able to relate to the audience and take them with him on the dramatic journey of the piece. Strong dance and singing ability. Must be able to offer an extraordinary range of versatility to take on the Everyman nature of the part. Latin American in personality and feel. PERON Strong Baritone to G, with Falsetto to C. Must be able to sing, move and provide a strong sense of authority on stage. Man of the people. An impressive, charismatic politician who brings all the trappings of power with him. Authoritative, persuasive, charming and impressive. MAGALDI “Cheesy” Baritone to G. Charming loser – never quite made it. Has the first number in the show and sets up the world in which Eva exists and establishes a Latin flavour to the piece which is essential. Should have a slightly awkward and Latin physicality. The Really Useful Group Limited. Registered in England No. 1240524. Registered Office: 6 Catherine Street, London WC2B 5JY 6 Catherine Street London WC2B 5JY +44 (0)20 3475 7923 MISTRESS Light contemporary mix to E Beautiful.
  • The Magic Flute \

    The Magic Flute \

    ® A NEW 42ND STREET ® PROJECT SHOW TOM ART: SLAUGHTER, ILLUSTRATIONS: KATIE DIAMOND, PHOTOS: KEITH PATTISON INSIDE BEFORE EN ROUTE AFTER BEYOND © THE NEW 42ND STREET, INC. © THE NEW 42ND STREET, INC. 1 ® welcome INSIDE BEFORE EN ROUTE AFTER BEYOND NEW VICTORY® SCHOOL TOOLTM RESOURCE GUIDES Available to Education Partners for every THE NEW VICTORY THEATER show in our season, NEW VICTORY SCHOOL TOOL Resource Guides provide educators with The New Victory Theater is New York City’s first full-time performing comprehensive materials that explore the arts theater for kids, their families and classmates. Since it opened in 1995, artistry and key themes of each production. The New Victory has quickly become an integral part of the cultural Filled with practical, ready-to-implement landscape in New York City, presenting a full season of adventurous activities that allow any teacher to incorporate multidisciplinary works from around the globe and close to home. The New Victory into their classroom, the The New Vic seeks out sophisticated, thought-provoking, professional NEW VICTORY SCHOOL TOOL Resource Guides productions that are as artistically rich as they are entertaining. are designed to enrich the performance experience before, during and after the The international productions on NEW VICTORY stages inform and inspire students’ trip to the theater. the work of the award-winning NEW VICTORY Education Program through a dynamic combination of school and public programs. Our school programs serve over 34,000 Pre-K through 12th grade students and teachers each THE NEW VICTORY THEATER season at almost no cost to the kids or their schools.
  • Due to Popular Demand Mame Has Been Extended!

    Due to Popular Demand Mame Has Been Extended!

    NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] FOR IMMEDIATE RELEASE: May 2, 2012 Due to popular demand Mame has been Extended! - Unprecedented attendance spurs one week extension- - Star of Broadway’s Mamma Mia! Louise Pitre, draws fans from across the U.S. and Canada - EAST HADDAM, CONN., MAY 2, 2012: Goodspeed Musicals, the first two time Tony Award-winning theatre in the country, announced today that the tremendously popular Mame will now to play to enthusiastic audiences for 8 additional performances. This joyful and spirited musical comedy has been extended through July 7, 2012. Mame is sponsored by Liberty Bank, Mohegan Sun, and The Shops at Mohegan Sun. “Audiences are falling in love with Auntie Mame and are even coming back a second time with family and friends. We wish we could extend further, but we cannot. Our message to potential visitors? Get your tickets now!” exclaimed Executive Director Michael Price. Performances are Wednesdays at 2 and 7:30 p.m.; Thursdays at 2 and 7:30 p.m.; Fridays at 8 p.m.; Saturdays at 3 and 8 p.m.; and Sundays at 2 p.m. Added performances are: Tuesday, July 3 at 2 and 7:30 p.m.; Wednesday, July 4 at 2 p.m.; Thursday, July 5, at 2 and 7:30 p.m.; Friday, July 6, at 8 p.m.; and Saturday, July 7, at 2 and 6:30 p.m. For a complete schedule and tickets call the Box Office at 860.873.8668, open seven days a week or visit us online at www.goodspeed.org.
  • Hitler's Doubles

    Hitler's Doubles

    Hitler’s Doubles By Peter Fotis Kapnistos Fully-Illustrated Hitler’s Doubles Hitler’s Doubles: Fully-Illustrated By Peter Fotis Kapnistos [email protected] FOT K KAPNISTOS, ICARIAN SEA, GR, 83300 Copyright © April, 2015 – Cold War II Revision (Trump–Putin Summit) © August, 2018 Athens, Greece ISBN: 1496071468 ISBN-13: 978-1496071460 ii Hitler’s Doubles Hitler’s Doubles By Peter Fotis Kapnistos © 2015 - 2018 This is dedicated to the remote exploration initiatives of the Stargate Project from the 1970s up until now, and to my family and friends who endured hard times to help make this book available. All images and items are copyright by their respective copyright owners and are displayed only for historical, analytical, scholarship, or review purposes. Any use by this report is done so in good faith and with respect to the “Fair Use” doctrine of U.S. Copyright law. The research, opinions, and views expressed herein are the personal viewpoints of the original writers. Portions and brief quotes of this book may be reproduced in connection with reviews and for personal, educational and public non-commercial use, but you must attribute the work to the source. You are not allowed to put self-printed copies of this document up for sale. Copyright © 2015 - 2018 ALL RIGHTS RESERVED iii Hitler’s Doubles The Cold War II Revision : Trump–Putin Summit [2018] is a reworked and updated account of the original 2015 “Hitler’s Doubles” with an improved Index. Ascertaining that Hitler made use of political decoys, the chronological order of this book shows how a Shadow Government of crisis actors and fake outcomes operated through the years following Hitler’s death –– until our time, together with pop culture memes such as “Wunderwaffe” climate change weapons, Brexit Britain, and Trump’s America.