Lyrics by Tim Rice Music by Andrew Lloyd Webber Directed by Rob Ruggiero
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Beneath the Surface: Argentine-United States Relations As Perón Assumed the Presidency
Beneath the Surface: Argentine-United States Relations as Perón Assumed the Presidency Vivian Reed June 5, 2009 HST 600 Latin American Seminar Dr. John Rector 1 Juan Domingo Perón was elected President of Argentina on February 24, 1946,1 just as the world was beginning to recover from World War II and experiencing the first traces of the Cold War. The relationship between Argentina and the United States was both strained and uncertain at this time. The newly elected Perón and his controversial wife, Eva, represented Argentina. The United States’ presence in Argentina for the preceding year was primarily presented through Ambassador Spruille Braden.2 These men had vastly differing perspectives and visions for Argentina. The contest between them was indicative of the relationship between the two nations. Beneath the public and well-documented contest between Perón and United States under the leadership of Braden and his successors, there was another player whose presence was almost unnoticed. The impact of this player was subtlety effective in normalizing relations between Argentina and the United States. The player in question was former United States President Herbert Hoover, who paid a visit to Argentina and Perón in June of 1946. This paper will attempt to describe the nature of Argentine-United States relations in mid-1946. Hoover’s mission and insights will be examined. In addition, the impact of his visit will be assessed in light of unfolding events and the subsequent historiography. The most interesting aspect of the historiography is the marked absence of this episode in studies of Perón and Argentina3 even though it involved a former United States President and the relations with 1 Alexander, 53. -
Islander's Long Journey of Activism Bridge Update
Periodicals Paid at Bronx, N.Y. USPS 114-590 Volume 43 Number 9 November 2014 One Dollar Islander’s LONG JOURNEY est in advocacy on behalf of the Hunting- about her recent advocacy trip and asked her ton’s Disease Parity Act first began in June to appear on the show. Surprised, honored of this year, when she traveled to Louisville, and nervous all at once, MaryAnn accepted OF ACTIVISM KY, to attend HDSA’s annual convention. the offer, and on Oct. 3, she took part in a By MARIA CHRISTINA SWIECIKI She met with hundreds of other Americans televised interview with Fox News corre- affected by the disease, including Jason spondent Lauren Green. MaryAnn discussed Gromley, the head lobbyist in Washington, what Huntington’s disease entails, what is DC, for the HDSA and the Huntington’s being done regarding awareness and action Disease Parity Act. and, of course, her personal connection to After the convention, MaryAnn was in- the disease. formed by her chapter president, Tracy To- Although MaryAnn claims that her in- scano, that City Island’s Congressman, Jo- terviewer threw her a curveball by deviating seph Crowley, had yet to sign on to the act. from the questions provided to her before the Although she had doubts that Congressman segment was filmed, she remained poised, Crowley would respond, MaryAnn took the well-spoken and knowledgeable through- initiative to reach out to him via email. Much out the interview. Since the interview aired, to her surprise, he answered her and set up a MaryAnn has received nothing but positive meeting in August. -
PROGRAM NOTES Wolfgang Mozart Clarinet Concerto in a Major, K
PROGRAM NOTES by Phillip Huscher Wolfgang Mozart Born January 27, 1756, Salzburg, Austria. Died December 5, 1791, Vienna, Austria. Clarinet Concerto in A Major, K. 622 Mozart composed this concerto between the end of September and mid-November 1791, and it apparently was performed in Vienna shortly afterwards. The orchestra consists of two flutes, two bassoons, two horns, and strings. Performance time is approximately twenty-nine minutes. The Chicago Symphony Orchestra’s first performance of Mozart’s Clarinet Concerto was given at the Ravinia Festival on July 25, 1957, with Reginald Kell as soloist and Georg Solti conducting. The Orchestra’s first subscription concert performance was given at Orchestra Hall on May 2, 1963, with Clark Brody as soloist and Walter Hendl conducting. Our most recent subscription concert performances were given on October 11 and 12, 1991, with Larry Combs as soloist and Sir Georg Solti conducting. The Orchestra most recently performed this concerto at the Ravinia Festival on July 15, 2001, with Larry Combs as soloist and Sir Andrew Davis conducting. This concerto is the last important work Mozart finished before his death. He recorded it in his personal catalog without a date, right after The Magic Flute and La clemenza di Tito. The only later entry is the little Masonic Cantata, dated November 15, 1791. The Requiem, as we know, didn’t make it into the list. For decades the history of the Requiem was full of ambiguity, while that of the Clarinet Concerto seemed quite clear. But in recent years, as we learned more about the unfinished Requiem, questions about the concerto began to emerge. -
The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
Krt Madonna Knight Ridder/Tribune
FOLIO LINE FOLIO LINE FOLIO LINE “Music” “Ray of Light” “Something to Remember” “Bedtime Stories” “Erotica” “The Immaculate “I’m Breathless” “Like a Prayer” “You Can Dance” (2000; Maverick) (1998; Maverick) (1995; Maverick) (1994; Maverick) (1992; Maverick) Collection”(1990; Sire) (1990; Sire) (1989; Sire) (1987; Sire) BY CHUCK MYERS Knight Ridder/Tribune Information Services hether a virgin, vamp or techno wrangler, Madon- na has mastered the public- image makeover. With a keen sense of what will sell, she reinvents herself Who’s That Girl? and transforms her music in Madonna Louise Veronica Ciccone was ways that mystify critics and generate fan interest. born on Aug. 16, 1958, in Bay City, Mich. Madonna staked her claim to the public eye by challenging social norms. Her public persona has Oh Father evolved over the years, from campy vixen to full- Madonna’s father, Sylvio, was a design en- figured screen siren to platinum bombshell to gineer for Chrysler/General Dynamics. Her leather-clad femme fatale. Crucifixes, outerwear mother, Madonna, died of breast cancer in undies and erotic fetishes punctuated her act and 1963. Her father later married Joan Gustafson, riled critics. a woman who had worked as the Ciccone Part of Madonna’s secret to success has been family housekeeper. her ability to ride the music video train to stardom. The onetime self-professed “Boy Toy” burst onto I’ve Learned My Lesson Well the pop music scene with a string of successful Madonna was an honor roll student at music video hits on MTV during the 1980s. With Adams High School in Rochester, Mich. -
Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: the Musical Katherine B
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2016 "Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The Musical Katherine B. Marcus Reker Scripps College Recommended Citation Marcus Reker, Katherine B., ""Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The usicalM " (2016). Scripps Senior Theses. Paper 876. http://scholarship.claremont.edu/scripps_theses/876 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “CAN WE DO A HAPPY MUSICAL NEXT TIME?”: NAVIGATING BRECHTIAN TRADITION AND SATIRICAL COMEDY THROUGH HOPE’S EYES IN URINETOWN: THE MUSICAL BY KATHERINE MARCUS REKER “Nothing is more revolting than when an actor pretends not to notice that he has left the level of plain speech and started to sing.” – Bertolt Brecht SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS GIOVANNI ORTEGA ARTHUR HOROWITZ THOMAS LEABHART RONNIE BROSTERMAN APRIL 22, 2016 II ACKNOWLEDGEMENTS This thesis would not be possible without the support of the entire Faculty, Staff, and Community of the Pomona College Department of Theatre and Dance. Thank you to Art, Sherry, Betty, Janet, Gio, Tom, Carolyn, and Joyce for teaching and supporting me throughout this process and my time at Scripps College. Thank you, Art, for convincing me to minor and eventually major in this beautiful subject after taking my first theatre class with you my second year here. -
The Maple Shade Arts Council Summer Theatre the MAPLE SHADE Announces Our Summer Children's Show ARTS COUNCIL Once Upon a Mattress PROUDLY PRESENTS
The Maple Shade Arts Council Summer Theatre THE MAPLE SHADE announces our summer children's show ARTS COUNCIL Once Upon A Mattress PROUDLY PRESENTS PERFORMANCES: August 6 @ 7:30PM August 7 @ 7:30PM August 8 @ 2:00PM and 7:30PM Tickets: $10—adults $8—children/senior citizens Visit www.msartscouncil.org to purchase tickets today! For more information about the Summer Theatre program and how to register for next year, email [email protected] Bring in your playbill or ticket to July 10, 11, 12, 17, 18, 19 @ 7:30PM 114-116 E. MAIN ST. receive a 15% discount off your Maple Shade High School MAPLE SHADE, NJ 08052 bill. Valid before or after the (856)779-8003 performances on July 10-12 and Auditorium 17-19. Not valid with any other coupons, offers, or discounts. 2014 Sponsors OUR MISSION STATEMENT The Maple Shade Arts Council wishes to express our sincere gratitude to the many sponsors to our organization. The Maple Shade Arts Council is a non-profit organization We appreciate your support of the Arts Council. comprised of educators, parents, and community members whose objective is to provide artistic programs and events that will be entertaining, educational, and inspirational for the community. The Arts Council's programming emphasizes theatrical productions and workshops, yet also includes programming for the fine and performing arts. Maple Shade Arts Council Executive Board 2014 President Michael Melvin Vice President Jillian Starr-Renbjor Secretary AnnMarie Underwood Treasurer Matthew Maerten Publicity Director Rose Young Fundraising Director Debra Kleine Fine Arts Director Nancy Haddon *ALL CONCESSIONS WILL BE SOLD PRIOR TO THE SHOW BETWEEN 6:45PM-7:25PM—THERE WILL ONLY BE A BRIEF 10 MINUTE BATHROOM/SNACK BREAK AT INTERMISSION. -
A Career Overview 2019
ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour) -
Character Breakdown
6 Catherine Street London WC2B 5JY +44 (0)20 3475 7923 Evita CHARACTER BREAKDOWN Principals EVA E below middle C – F 1 ½ octave above middle C. Strong mixed belt. An experienced performer at every level with an amazing singing voice and strong dance ability. Must have all the acting qualities of a serious leading actress with a period look. She must be able to display pain, sympathy, anger, wit and real authority all in equal measure with many other emotions thrown in. CHE Rock Tenor to C The narrator. Must be able to relate to the audience and take them with him on the dramatic journey of the piece. Strong dance and singing ability. Must be able to offer an extraordinary range of versatility to take on the Everyman nature of the part. Latin American in personality and feel. PERON Strong Baritone to G, with Falsetto to C. Must be able to sing, move and provide a strong sense of authority on stage. Man of the people. An impressive, charismatic politician who brings all the trappings of power with him. Authoritative, persuasive, charming and impressive. MAGALDI “Cheesy” Baritone to G. Charming loser – never quite made it. Has the first number in the show and sets up the world in which Eva exists and establishes a Latin flavour to the piece which is essential. Should have a slightly awkward and Latin physicality. The Really Useful Group Limited. Registered in England No. 1240524. Registered Office: 6 Catherine Street, London WC2B 5JY 6 Catherine Street London WC2B 5JY +44 (0)20 3475 7923 MISTRESS Light contemporary mix to E Beautiful. -
“Ein Deutsches Requiem” De Brahms : Una Aproximación Hermeneútica
Scarabino, Guillermo Religiosidad en “Ein deutsches requiem” de Brahms : una aproximación hermeneútica Revista del Instituto de Investigación Musicológica “Carlos Vega” Año XXVI, Nº 26, 2012 Este documento está disponible en la Biblioteca Digital de la Universidad Católica Argentina, repositorio institucional desarrollado por la Biblioteca Central “San Benito Abad”. Su objetivo es difundir y preservar la producción intelectual de la institución. La Biblioteca posee la autorización del autor para su divulgación en línea. Cómo citar el documento: Scarabino, Guillermo. “Religiosidad en Ein deutsches requiem de Brahms : una aproximación hermeneútica” [en línea]. Revista del Instituto de Investigación Musicológica “Carlos Vega” 26,26 (2012). Disponible en: http://bibliotecadigital.uca.edu.ar/repositorio/revistas/religiosidad-ein-deutsches-requiem-brahms.pdf [Fecha de consulta:..........] (Se recomienda indicar fecha de consulta al final de la cita. Ej: [Fecha de consulta: 19 de agosto de 2010]). Revista del Instituto de Investigación Musicológica “Carlos Vega” Año XXVI, Nº 26, Buenos Aires, 2012, pág. 657 RELIGIOSIDAD EN EIN DEUTSCHES REQUIEM DE BRAHMS. UNA APROXIMACIÓN HERMENÉUTICA GUILLERMO SCARABINO Resumen El Requiem Alemán de Brahms ha sido objeto de numerosos análisis teológico- musicológicos, debido principalmente a dos características peculiares: 1. es una obra del género requiem que no utiliza el texto de la Missa pro defunctis, sino que emplea una selección de textos bíblicos elegidos por su autor, y 2. su contenido motívico deriva de manipulaciones sobre la melodía del coral Wer nur den lieben Gott lässt walten, que aparecen a lo largo de los 7 números de la obra. Este trabajo pone de relieve la existencia de un motivo autónomo, independiente del contenido del coral, que aparece en cinco de los siete números y al que el autor asigna la representación simbólica de la Redención. -
An Afternoon on Broadway Marks the Beginning of the Band’S 33Rd Season
Purpose and History The Community Band of Brevard exists to educate its members, to entertain its audiences, and to serve its community. Our musical director is Mr. Marion Scott. Mr. Scott formed the Band in 1985 to provide a performance outlet for adult musicians in the area. Our membership, currently numbering about 80, includes people of all ages representing many occupations. Most of our concerts have a specific theme upon which the music focuses. Those themes have often led us to include exceedingly difficult works, which we willingly do, and to include special guest artists. The Band gives several concerts throughout the year. Our concerts include many diverse musical genres, composers, and often previously unpublished works for band. Each program is planned to please a variety of musical tastes. If you would like more information about the Band, or wish to join, send us a message to [email protected] or contact David Scarborough at (321) 338-6210. Like us on Facebook at Community Band of Brevard and visit our Web site at http://www.CommunityBandOfBrevard.com. CBOB’S FL DEPARTMENT OF AGRICULTURE & CONSUMER SERVICES REGISTRATION NUMBER IS CH35170. A COPY OF THE OFFICIAL REGISTRATION AND FINANCIAL INFORMATION MAY BE OBTAINED FROM THE DIVISION OF CONSUMER SERVICES BY CALLING TOLL-FREE (800- 435-7352) WITHIN THE STATE. REGISTRATION DOES NOT IMPLY ENDORSEMENT, APPROVAL, OR RECOMMENDATION BY THE STATE. Board of Directors Conductor .............................................................. Marion Scott Chairman ...................................................... -
Eva Perón: El Poder Del Deseo
Nuevo Itinerario Revista Digital de Filosofía ISSN 1850-3578 2015 – Vol. 10 – Número X – Resistencia, Chaco, Argentina Eva Perón: el poder del deseo Teresa Rinaldi College of Arts and Sciences National University, San Diego (USA) [email protected] Recibido: 10/06/2015 Aceptado: 22/08/2015 Resumen: El estudio del cuerpo y en sus diversas formas y contextos debe abordarse desde una perspertiva interdisiplinaria que incluye desde el arte y la literatura hasta la medicina y las artes plásticas en búsqueda constante de la significación social del mismo. María Eva Duarte de Perón (1919-1952) fue el centro de una serie de eventos que no solo cambiaron el rumbo de su vida sino también el del mundo político y social de Argentina. Su vida se llama a la observación, el análisis y la búsqueda de respuestas a cómo una simple e ilegítima niña logró llegar a las más altas cumbres de la sociedad argentina. La capacidad de Eva para adaptarse y sobrepasar contratiempos conjuntamente con su estilo único y astucia la catapultaron al estrellato marcando la memoria del pueblo argentino y la comunidad internacional. Dentro de vasto material literario y artístico sobre la vida y obra de Eva, se pueden mencionar: Eva Perón (1970) de Otelo Borroni y Roberto Vacca, La pasión según Eva (1994) de Abel Posse, Eva Perón, the bibliography (1995) de Alicia Dujovne Ortíz, El misterio de Eva Perón (1988,documental) de Tulio Demicheli, Evita Pre-Madonna (1995, documental) de Claudia Nie, Santa Evita (1995) de Tomás Eloy Martínez, Evita (1996, film) de Alan Parker y Evita: Santa o Demonio (1996, film) de Juan Carlos de Sanzo.