Chance the Rapper & Kendrick Lamar's Lyrical Use of Th
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2017 JUNO Award Nominees Updated: February 7, 2017
2017 JUNO Award Nominees Updated: February 7, 2017 JUNO FAN CHOICE (PRESENTED BY TD) Alessia Cara Def Jam*Universal Belly Roc Nation*Universal Drake Cash Money*Universal Hedley Universal Justin Bieber Def Jam*Universal Ruth B Columbia*Sony Shawn Mendes Island*Universal The Strumbellas Six Shooter*Universal The Weeknd The Weeknd XO*Universal Tory Lanez Interscope*Universal SINGLE OF THE YEAR Wild Things Alessia Cara Def Jam*Universal One Dance ft. Wizkid & Kyla Drake Cash Money*Universal Treat You Better Shawn Mendes Island*Universal Spirits The Strumbellas Six Shooter*Universal Starboy ft. Daft Punk The Weeknd The Weeknd XO*Universal INTERNATIONAL ALBUM OF THE YEAR (SPONSORED BY IDLA ASSOCIATED LABEL DISTRIBUTION) Dangerous Woman Ariana Grande Republic*Universal A Head Full of Dreams Coldplay Parlophone*Warner Made in the A.M. One Direction Sony ANTI Rihanna Westbury Road*Universal This is Acting Sia RCA*Sony ALBUM OF THE YEAR (SPONSORED BY MUSIC CANADA) Encore un Soir Céline Dion Sony Views Drake Cash Money*Universal You Want It Darker Leonard Cohen Sony Illuminate Shawn Mendes Island*Universal Starboy The Weeknd The Weeknd XO*Universal ARTIST OF THE YEAR Alessia Cara Def Jam*Universal Drake Cash Money*Universal Leonard Cohen Sony Shawn Mendes Island*Universal The Weeknd The Weeknd XO*Universal GROUP OF THE YEAR Arkells Arkells*Universal Billy Talent Warner Tegan and Sara Warner Bros. -
Spring/Summer 2014 Newsletter of Rocky Mountain Bird Observatory Number 45 the PRIMARY SOURCE
Spring/Summer 2014 Newsletter of Rocky Mountain Bird Observatory Number 45 THE PRIMARY SOURCE Our mission is to conserve birds and their habitats. RMBO Leads Landmark Meeting in Costa Rica By Teddy Parker-Renga to breeding, threats to non-breeding and it’s important for RMBO and partners to Communications Manager population trend) using the Partners In support and advance conservation abroad, In March, Rocky Mountain Bird Flight species assessment process. Scores he said. Observatory spearheaded the first-ever ranged from 1 (low vulnerability) to 5 Next steps include developing com- conservation assessment of the birds of (high vulnerability) for each factor, with munication tools and messages to engage Central America. a higher overall score indicating a greater stakeholders in conserving at-risk species. At the meeting held in San Vito, Costa vulnerability to population decline or Thank you to all of the partners who Rica, 30 participants representing the extinction. attended the meeting and Environment seven Central American countries, Mexico International Director Arvind Panjabi Canada, Missouri Department of Conser- and the U.S. assessed all 407 bird species said partners who attended the meeting vation and USGS for funding. unique to Central America, as well as 500- saw tremendous value in the process as View photos from the meeting and the plus species shared between Mexico and a way to establish conservation priori- amazing species we saw birding in Costa Central America. This included landbirds, ties for birds and habitat in their own Rica at www.facebook.com/RMBObirds. shorebirds, waterbirds and waterfowl. countries. Since many bird species that To learn more about the Partners In During the assessment, birds were breed in the Rockies and elsewhere in the Flight species assessment process, visit http:// assigned scores for three factors (threats western U.S. -
Puma Kylie Rihanna 1
Buzz Queens Why Rihanna and Kylie Jenner are critical to Puma’s ambitious new women’s push. By Sheena Butler-Young GE CHINSEE R O E S: G R THE O L AL AND; R B F O Y S E T R U O C : BU AM J OCK; ST R SHUTTE X Behind S: LEPORE: RE the scenes ofO a recent FentyOT design meetingPH ver Easter weekend, why Puma is making the trendset- are nothing new, but the German Rihanna was relishing ting songstress a cornerstone of its footwear-and-apparel maker’s col- a rare few hours of business strategy. laborations with two of pop culture’s O downtime in New But the brand isn’t stopping there. most influential women are not of Last week, the highly anticipated the garden variety. from her Anti World Tour. Scores sneaker from Puma’s campaign with Rihanna, Puma’s women’s creative of paparazzi snapped flicks of the Kylie Jenner hit stores, fueling a new director since December 2014, and UMA P star as she ran errands in a black wave of buzz after the queen of social Kylie Jenner, the brand’s newest F O Vetements hoodie and fur slides media teased her partnership for the ambassador, represent a strategic Y S E T from her Fenty x Puma collection. past month on Instagram. R U O Make no mistake about it: Puma to the women’s market in an unprec- C S: Rihanna’s every fashion move is a is serious about girl power. edented way. O OT statement for the masses. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Oral History Interview with Howard Finster, 1984 June 11
Oral history interview with Howard Finster, 1984 June 11 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface Preface Interview with The Reverend Howard Finster conducted by Liza Kirwin in the Finley Conference Room at the National Museum of American Art and National Portrait Gallery building, Washington, D.C., June 11, 1984. Preface The following oral history transcript is the result of a tape recorded interview with Howard Finster on June 11, 1984. The interview took place in Washington, D.C., and was conducted by Liza Kirwin for the Archives of American Art, Smithsonian Institution. While we have made an attempt to convey The Reverend Finster’s speech pattern and dialect, the reader should bear in mind that this is a verbatim transcript of spoken, rather than written prose Interview LIZA KIRWIN: Mr. Finster, could you begin by talking about when and where you were born, and a little bit about your family background? HOWARD FINSTER: Yeah, I’ll start talking and you just break in when you want to because I never quit, you know. Just break if I talk too long. I was born at Valley Head, Alabama. It’s about 42 miles south of Chattanooga and about 200 miles west of Atlanta. I was born there in Alabama. I stayed on the farm a good while–with my father and mother and farm. -
EXTENSIONS of REMARKS December 4, 1973 Port on S
39546 EXTENSIONS OF REMARKS December 4, 1973 port on S. 1443, the foreign aid author ADJOURNMENT TO 11 A.M. Joseph J. Jova, of Florida, a Foreign Serv ization bill. ice officer of the class of career minister, to Mr. ROBERT C. BYRD. Mr. Presi be Ambassador Extraordinary and Plenipo There is a time limitaiton thereon. dent, if there be no further business to tentiary of the United States of America to There will be at least one yea-and-nay come before the Senate, I move, in ac Mexico. vote, I am sure, on the adoption of the cordance with the previous order, that Ralph J. McGuire, of the District of Colum. bia, a Foreign Service officer of class 1, to be conference report, and there may be the Senate stand in adjournment until Ambassador Extraordinary and Plenipoten other votes. the hour of 11 o'clock a.m. tomorrow. t iary cf the United States of America to the On the disposition of the conference The motion was agreed to; and at 6: 45 Republic of Mali. report on the foreign aid authorization p.m., the Senate adjourned until tomor Anthony D. Marshall, of New York, to be row, Wednesday, December 5, 1973, at Ambassador Extraordinary and Plenipoten bill, S. 1443, the Senate will take up tiary of the United States of America to the Calendar Order No. 567, S. 1283, the so lla.m. Republic of Kenya. called energy research and development Francis E. Meloy, Jr., of the District of bill. I am sure there will be yea and Columbia, a Foreign Service officer of the NOMINATIONS class of career minister, to be Amb1ssador nay votes on amendments thereto to Extraordinary and Plenipotentiary of the morrow. -
Faculty/Staff Names
Emergency Phone Numbers FOR ALL EMERGENCIES ................................... 911 TDD/TTY (Emergency & Non-Emergency) ........................ 513-556-9933 Non Emergency Service Contacts Directory Assistance On Campus ........................................................................... 0 Off-Campus ....................................................... 513-556-6000 Public Safety http://www.uc.edu/publicsafety.html ........................ 513-556-1111 IT@UC Help Desk http://www.uc.edu/ucit/helpdesk.html .......... 513-556-HELP(4357) Work Control http://www.uc.edu/af/facilities.html .......................... 513-558-2500 After Hours ............................................................... 513-556-1111 Emergency Procedures In an emergency: 1. Call 911 using any phone and report the problem. Give the telephone number from which you are calling and your exact location—Building, floor, and room number. 2. If there’s smoke or a fire, pull the fire alarm to get everyone who is able out of the building. Do not use elevators. Go to assigned outside assembly area. If there is a serious contamination problem, pull the fire alarm to get everyone outside. 3. Relocate/evacuate those in immediate danger. Disabled persons are to assemble in defined rescue areas preferably a room with an external window, phone, and solid door. 4. Assign one staff person to relay information to others. 5. If a tornado warning, go to the tornado safe area for your building (i.e., basement, interior hallway, non- glass stairwell). 6. If a bomb threat, complete the bomb threat checklist below. Bomb Threat Checklist 1. Remain calm, do not interrupt the caller. Note time of call. Note phone number where the call was received. 2. As best you can, write down the exact words of the caller. 3. What did the voice sound like? (angry, raspy, stutter, whispered, excited, drunken, male, female, etc.) 4. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
2021 Song Index
FEB 20 2021 SONG INDEX 100 (Ozuna Worldwide, BMI/Songs Of Kobalt ASTRONAUT IN THE OCEAN (Harry Michael BOOKER T (RSM Publishing, ASCAP/Universal DEAR GOD (Bethel Music Publishing, ASCAP/ FIRE FOR YOU (SarigSonnet, BMI/Songs Of GOOD DAYS (Solana Imani Rowe Publishing Music Publishing America, Inc., BMI/Music By Publishing Deisginee, APRA/Tyron Hapi Publish- Music Corp., ASCAP/Kid From Bklyn Publishing, Cory Asbury Publishing, ASCAP/SHOUT! MP Kobalt Music Publishing America, Inc., BMI) Designee, BMI/Songs Of Universal, Inc., BMI/ RHLM Publishing, BMI/Sony/ATV Latin Music ing Designee, APRA/BMG Rights Management ASCAP/Irving Music, Inc., BMI), HL, LT 14 Brio, BMI/Capitol CMG Paragon, BMI), HL, RO 23 Carter Lang Publishing Designee, BMI/Zuma Publishing, LLC, BMI/A Million Dollar Dream, (Australia) PTY LTD, APRA) RBH 43 BOX OF CHURCHES (Lontrell Williams Publish- CST 50 FIRES (This Little Fire, ASCAP/Songs For FCM, Tuna LLC, BMI/Warner-Tamerlane Publishing ASCAP/WC Music Corp., ASCAP/NumeroUno AT MY WORST (Artist 101 Publishing Group, ing Designee, ASCAP/Imran Abbas Publishing DE CORA <3 (Warner-Tamerlane Publishing SESAC/Integrity’s Alleluia! Music, SESAC/ Corp., BMI/Ruelas Publishing, ASCAP/Songtrust Publishing, ASCAP), AMP/HL, LT 46 BMI/EMI Pop Music Publishing, GMR/Olney Designee, GEMA/Thomas Kessler Publishing Corp., BMI/Music By Duars Publishing, BMI/ Nordinary Music, SESAC/Capitol CMG Amplifier, Ave, ASCAP/Loshendrix Production, ASCAP/ 2 PHUT HON (MUSICALLSTARS B.V., BUMA/ Songs, GMR/Kehlani Music, ASCAP/These Are Designee, BMI/Slaughter -
Sho-Yr = Ckc Show Number #B =Number of Dogs at Breed
GROUP JUDGING: 1988-2007 DATA: SHO-YR = CKC SHOW NUMBER #B =NUMBER OF DOGS AT BREED LEVEL #GR=NUMBER OF DOGS AT GROUP LEVEL #SHO=NUMBER OF DOGS IN SHOW P = GROUP PLACEMENT (1-4; 0=NONE) BIS=BEST IN SHOW (1=BIS; 0=NONE) NDD=NUMBER OF DOGS DEFEATED DOG: Ch. Bravamar's Brittany SHO- YR #B #GR #SHO P BIS NDD JUDGE 1- 88 9 48 187 4 0 30 Mr.L.Debruyne (Rockland,ON) 401- 88 10 81 350 3 0 65 Mr.G.Sommers (Las Crucas,NM) 403- 88 12 89 419 4 0 53 Mr.J.McNicol (Campbell River,BC) 541- 88 10 120 484 0 0 9 Ms.P.Marshall (Victoria,Australia) 589- 88 8 36 147 3 0 27 Mrs.S.Loftus (Vancouver,BC) 591- 88 10 37 147 4 0 23 Mrs.A.Chapman (Toronto,ON) 6 TIMES JUDGING WITH 5 PLACEMENTS = 83.3% DOG: Ch. Milo's Lord Jonus SHO- YR #B #GR #SHO P BIS NDD JUDGE 2- 88 9 45 184 1 0 44 Mrs.D.Marsh (Victoria,BC) 51- 88 14 81 421 0 0 13 Mr.R.Nutbeem (Harbour Grace,Nfld) 52- 88 15 120 629 0 0 14 Mr.R.Cole (Ottawa,ON) 164- 88 6 34 163 4 0 17 Mrs.B.Knoll (Edmonton,AB) 165- 88 5 33 163 0 0 4 Mrs.J.MacKenzie (Oxford Stn.,ON) 166- 88 5 32 160 0 0 4 Mrs.Sally Bremner (Surrey,BC) 167- 88 5 31 156 4 0 15 Dr.C.Lunn (Franklin Centre,PQ) 168- 88 6 29 153 0 0 5 Mrs.I.Bourassa (Cloverdale,BC) 278- 88 2 26 164 0 0 1 Mrs.B.Knoll (Edmonton,AB) 280- 88 3 28 163 4 0 15 Mr.G.D.Donaldson (Victoria,BC) 281- 88 3 30 160 0 0 2 Mr.W.Jacob (Edmonton,AB) 282- 88 3 28 157 0 0 2 Mr.L.Rogers (Langley,BC) 588- 88 11 35 130 2 0 30 Mrs.J.Moulton (Surrey,BC) 640- 88 27 113 490 4 0 86 Mrs.D.Welsh (Neilsville,WI) 1- 89 8 60 227 0 0 7 Mr.G.Payton (Vancouver,BC) 2- 89 8 60 230 0 0 7 Mr.G.Payton (Vancouver,BC) -
Sujm 2016 Final Proof[1]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Sydney Undergraduate Journal of Musicology Vol. 6, December 2016 “I Remember You Was Conflicted”: Reinterpreting Kendrick Lamar’s To Pimp a Butterfly JOHN LAWRIE You can take the boy out the hood, but you can’t take the hood out the homie – The Comrads, 19971 The individual cannot be removed from their cultural context, nor can these contexts exist without the individual. This we consider self-evident. Yet in discussing art of subjugated cultures, specifically African American music, these two spheres are often wrongly separated. This has cultivated a divide in which personal exploration through music has been decoupled from the artist’s greater comments on their cultural struggle. These works are necessarily grounded in the context to which they speak, however this greater context must acknowledge the experience of the individual. This essay aims to pursue a methodology centred on the relationship between the personal and the cultural, with a case study of Kendrick Lamar’s 2015 album To Pimp a Butterfly.2 Lamar straddles this divide. His personal difficulty with removal from the Compton community is inextricably linked with the struggle of African Americans in the wake of the Ferguson unrest. Lamar is in the optimal position to comment on this cultural struggle, however his fame and celebrity has partially removed him from the issues he attempts to articulate. As Lamar examines the relationship between himself and his community and context throughout To Pimp a Butterfly, he gives authenticity to his voice despite its fallibility. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.