Militants Kill Six Turkish Forces, Attack US Mission
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Inside the Acms with RAC Clark Our Annual Interview with Exec
April 18, 2016, Issue 495 Inside The ACMs With RAC Clark Our annual interview with Exec. Producer RAC Clark offers insight into the 51st ACM Awards (4/3) and many of its notable performances. CA: Let’s hit the numbers first and talk about this year’s ratings... RAC: They sucked. I’ll just say that. They sucked. [Ed. Note: 11.18 million viewers, 2.3 rating/7 share]. But it was one of the more competitive nights we’ve had since being up against the American Idol finale a few years back. The Walking Dead was big. The iHeart awards didn’t rate that well, really, so I don’t think that hurt us. The Walking Dead really got us and Steve Harvey’s Little Big Shots is a new hit on NBC that actually beat us in the second half-hour at 8pm. We won the night, but ratings were down year- to-year after a spectacular year in Dallas with the 50th. When we talked to producer Robert Deaton about the CMAs, he said, “I’ve never completely understood wanting to compare us against the AMAs, Grammys, ACMs or In A Big Way: EMI/Nashville’s Eric Paslay (third Oscars.” His point was, an awards show’s competition is from right) with (l-r) WEBG (Big 95.5)/Chicago’s Erik what it’s facing that night, not something that’s airing in Zachary and Mason, EMI’s Chris Fabiani and the an entirely different month. Do you agree? station’s Steve Stewart, Alabama and Remy. (continued on page 7) ©2016 Country Aircheck™ — All rights reserved. -
To Code at Home? Orget the Year
TO CODE AT HOME? orget the year. Voltair processor-induced questions about PPM encod- ing may be the biggest radio story of the last decade. Moving from di- Fary ratings to meter technology in 2007 was intended to remove much of the ambiguity from radio’s audience report card – at least in the top 50 markets. Programmers were confident in the technology and quickly adopted its les- sons, one of the most dramatic being listen- THE YEar’s ers’ aversion to talk. Spoken word formats saw declines and music format morning shows began upping their song count. And then Voltair came along. Introduced in mid-2014 by Telos, the TOP $15,000 processor was aimed at a previously unknown gap in PPM’s audio watermark- StORIES ing encoding. In short, its developers claimed that programming that was quiet, marked by silence or weak in a certain frequency range did a poor job of carrying PPM code – and that their box “enhanced the detectability.” Better encod- ing, the thinking went, meant better ratings. Radio’s response was swift. By summer 2015, hundreds of the units were in use. Even PDs who didn’t have Voltair were taking notice. “You see meter counts jump and think it’s a fluky week, but the next week it goes even higher,” one programmer told Country Aircheck. “When 6+ numbers jump two shares, that’s your first clue.” With many convinced Voltair was doing exactly what it proposed, questions turned to years of decision making based not on programming content, but its audio characteristics. “Where it gets [hairy] is when we decide not to do artist interviews and stay away from any longer talk seg- ment regardless of how compelling,” consultant Becky Brenner said in July. -
USC's Mcdonald's Swim Stadium
2003-2004 USC Swimming and Diving USC’s McDonald’s Swim Stadium Home of Champions The McDonald’s Swim Stadium, the site of the 1984 Olympic swimming and diving competition, the 1989 U.S. Long Course Nationals and the 1991 Olympic Festival swimming and diving competition, is comprised of a 50-meter open-air pool next to a 25-yard, eight-lane diving well featuring 5-, 7 1/2- and 10- meter platforms. The home facility for both the USC men’s and women’s swimming and diving teams conforms to all specifications and requirements of the International Swimming Federation (FINA). One of the unusual features of the pool is a set of movable bulkheads, one at each end of the pool. These bulkheads are riddled with tiny holes to allow the water to pass Kennedy Aquatics Center, which houses locker features is the ability to show team names and through and thus absorb some of the waves facilities and coaches’ offices for both men’s scores, statistics, game times and animation. that crash into the pool ends. The bulkheads and women’s swimming and diving. It has a viewing distance of more than 200 can be moved, so that the pool length can be The Peter Daland Wall of Champions, yards and a viewing angle of more than 160 adjusted anywhere up to 50 meters. honoring the legendary USC coach’s nine degrees. The McDonald’s Swim Complex is located NCAA Championship teams, is located on the The swim stadium celebrated its 10th in the northwest corner of the USC campus, exterior wall of the Lyon Center. -
Expert Suggests Jetty on Sanibel at Blind Pass City Offers —See Page 3 by Pete Bishop Planning Talks • Staff Writer Short-Term Sambel Planning Dr
REPORTER Week of March 15-21,2001 SANIBEL & CAPTIVA, FLORIDA VOLUME 28, NUMBER 11, 32 PAGES 75 CENTS Ikki signing Fire damages two island businesses Aitist Ikki Matsumoto to By Anne Bellew earth are they doing delivering AT LEFT: The outside of sign his Island Repoiter Staff writer stuff to the restaurant at this hour poster foi subsuihers at the Pippens escaped dam- Sambel Oallciy lomonow. of the morning'?' (Wagner lives age. Photo Muhavl Pisti Hit A fire in the early morning right behind Tahitian Gardens and, hours Saturday, March 10, —See page 19 over the years, the residents of BELOW: A view into the destroyed the kitchen in Pippin's Roseate Lane have complained kitchen of Pippin's restaurant, and fire-related damage about noise from the various Restaurant.^"'" <owu .v <•>/ devastated the owner of an adja- restaurants that have inhabited the Sambt'l Fin Ar Ri'scuc Di^lntt cent gift shop who had intended to Pippin's location.) close the sale of her store just two "The dispatcher was very calm, days later. soothing and nice," she continued, Church shows pbns The tire, which is still under "and told me that the noise was Tlie Sambel Community investigation, is believed to be of fire engines. There was a fire at Church has submitted a electrical origin from the restau- Pippin's." modified site plan foi its rant's kitchen. The restaurant Initially, the fiist alarm came proposed relocation and anchois the Tahitian Gardens from the restaurant's automatic expansion. shopping center. burglar alaim and alerted the "I called the police department Sanibel Police Department. -
Rosh Hashanah Begins at Sunset Sept
Non-Profit Org. U.S. POSTAGE PAID Pittsfield, MA Berkshire Permit No. 19 JEWISHA publication of the Jewish Federation of the Berkshires, serving V the Berkshires and surrounding ICE NY, CT and VT Vol. 29, No. 7 Elul 5781 - Tishri/Cheshvan 5782 August 23 to October 10, 2021 jewishberkshires.org “Bob Dylan: Prophet Mystic Poet,” Soar Into the High Holy Days! with Seth Rogovoy Wishing everyone a happy, healthy, “American Jewry’s greatest Dylan scholar” and peaceful 5782 concludes his “Great Jewish Rock Poets” series On Thursday, September 30 at 6:45 p.m., nationally renowned (but still our favorite local) music and culture journalist Seth Rogovoy will conclude the two-part “Great Jewish Rock Poets” with “Bob Dylan: Prophet Mystic Poet.” This Jewish Federation of the Berkshires program will be presented via Zoom. Please visit our calendar of events at jewishberkshires.org for a link to this program. In this multimedia program incor- porating still images, video, and close lyrical analysis, Seth Rogovoy explores the deep and profound influence of the Jewish background and scriptural roots on Bob Dylan’s life and work. We will see how the Nobel Prize-winning rock poet’s familiarity with Torah, The Jewish Federation of the Berkshires wishes our PHOTO BY BILL INGALLS / NASA.GOV PUBLIC DOMAIN Talmud, and Kabbalah has worked its Bob Dylan receives the Medal of community a joyous and meaningful holiday season. This way into his songs and public utter- Freedom from President Barack circa 1915 Shana Tovah was printed in Germany and sold ances, along with his embrace of Israel Obama on May 29, 2012 in the US by the Williamsburg Postcard Company, one and the Jewish outreach organization of several holiday cards of the day featuring that then- Chabad. -
Of Our Nature
THE BETTER ANGELS OF OUR NATURE WHY VIOLENCE HAS DECLIN ED STEVEN PINKER VIKINC PREFACE This book is about what maybe the most important thing that has ever hap- I pened in human history. Believe it or not-and I know that most people do not-violence has declined over long stretches of time, and today we may be living in the most peaceable era in our species' existence. The decline. to be sure. has not been smooth; it has not brought violence down to zero; and it l is not guaranteed to continue. But it is an unmistakable development, visible I on scales from millennia to years, from the waging of wars to the spanking of children. No aspect of life is untouched by the retreat from violence. Daily existence is very different if you always have to worry about being abducted" raped, or killed and it's hard to deveþ sophisticated arts,learnin& or commerce if the institutions that suppott them are looted and burned as quickly as they are built. The historical trafectory of violence affects not only how life is lived but how it is understood. What could be more fundamental to our sense of mean- ing and purpose than a conception of whether the strivings of the human race over long stretches of time have left us better or wotse off? How, in particular, are we to make sense of modernity-of the erosion of family, tribe, traditiorç and religion by the forces of indívidualism, cosmopolítanism, reason, and science? So much depends on how we understand the legacy of this transition: whether we see our world as a nightmare of crime, terrorism, genocide, and war, or as a period that, by the standards of history, is blessed by unprece- dented levels of peaceful coexistence. -
Generational Perspectives on Family Business Succession
The Hong Kong University of Science and Technology Tanoto Center for Asian Family Business and Entrepreneurship Studies Seminar on Generational Perspectives on Family Business Succession Hong Kong 27 November 2014 Contents About the Organizer ................................................................................................... 2 Program Schedule ...................................................................................................... 3 Welcome Remarks by Professor Roger King ............................................................ 4 Research Briefing by Professor Winnie Peng: Key Success Factors for Overseas Chinese Family Businesses Surviving beyond 100 Years ......................................... 5 Panel Discussion: Perspectives on Succession from Next-Gen ................................ 7 Panel Discussion: Perspectives on Succession from Current-Gen ..........................10 Key Takeaways from Q&As ....................................................................................13 Event Summary ........................................................................................................14 Speaker Profiles .......................................................................................................15 Photo Gallery ...........................................................................................................21 Organizer Supporting Organizations 1 About the Organizer The Tanoto Center for Asian Family Business and Entrepreneurship Studies at the Hong Kong University -
1996: Atlanta
KEHINDE ALADE’FA CASEY BARRETT BYRON BLACK WAYNE BLACK BRAD BRIDGEWATER JEAN-PAUL BRUWIER SAU YING CHAN NATALYA (NATASHA) CHIKINA SHEILA CORNELL-DOUTY MARK CREAR JESSICA DAVIS UDEME EKPENYONG WILLIAM ERESE JANET EVANS PAUL GREENE BRYAN IVIE JACQUE JONES TAMAS KEREKJARTO BALAZS KISS DESMOND KOH MARK KWOK LISA LESLIE ARTHUR LI MYRA MAYBERRY JESUS OLIVAN DULYARIT “GOH” PHUANGTHONG KRISTINE QUANCE DOROTHY “DOT” RICHARDSON MARIA ELENA ROMERO ASA SANDLUND JASON SHELTON JOHN STEEL BELA SZABADOS CITO VASCONCELLOS BJORN ZIKARSKY KEHINDE ALADE’FA USC AT THE 1996 OLYMPICS • 7 GOLD 1 SILVER 2 BRONZE CASEY BARRETT BYRON BLACK WAYNE BLACK BRAD BRIDGEWATER JEAN-PAUL BRUWIER SAU YING CHAN NATALYA (NATASHA) CHIKINA SHEILA CORNELL-DOUTY MARK CREAR JESSICA DAVIS UDEME EKPENYONG WILLIAM ERESE In the waning years of the 19th century, Pierre de Coubertin organized a congress that spawned the first modern Olympic Games, held in Greece — so it might seem that Athens would be the obvious choice for 1996’s centennial Olympics. Instead, the International Olympic Committee picked Atlanta, which had more robust facilities and offered a greater chance of financial success. While taxpayer money paid for infrastructure improvements supporting the Games, private companies and revenue from tickets funded new sports venues and the actual Games. That meant solvency, but it also opened the door to more commercialism. Politically, the XXVI Olympiad was a triumph, drawing unprecedented international representation. For the first time, athletes from all 197 national Olympic committees participated — more than 10,000 athletes in all. Two dozen nations made their Olympic or Summer Games debut. The Games also marked the return of boxing legend Muhammad Ali to the public eye. -
'Ompiled by Bob Hamilton
AMERICA'S ONLY REVIEW Jan. 1 -June 30, 19 THE RADIO MARKETPLACE . ----Volume f 'ompiled by Bob Hamilton www.americanradiohistory.com Each week these eight morning men wake up more than twice the total population of Paris, France! and- Paris, Arkansas Paris, Iowa Paris, Mississippi Paris, Idaho Paris, Kentucky Paris, Missouri Paris, Illinois Paris, Maine Paris, Texas Over five million peo- Gambling, WOR ple each week invite these N.Y. Dale Dorman, entertaining air personali- WRKO Boston Dr. ties into their homes. To Don Rose, KFRC those listeners who have made San Francisco the RKO Radio morning men Charlie Tuna, KHJ the most outstanding group in Los Angeles Rick the industry, we say "Merci Dees, WHBQ Memphis Fred Beaucoup." Winston, WFYR Chicago Pete Jay Thomas, 99X N.Y. John Jamerson, WGMS Wash., D.C. IIK«o RADIO repuesl ARB lotel Versons 12. TSe. morn In 6 am-10 am cerne eud,ence genl-Mey 1977 Esnmales suDlecl lo pualilicelrons 0r1111a19e 09 www.americanradiohistory.com THE CAPITOL QUARTERLY REPORT OF HITS! THE BEATLES THE STEVE MILLER AT THE BAND HOLLYWOOD BOWL 1111 s2e ) TAVARES o Love Storm 1h LITTLE RIVER BAND Diamantina Cocktail sCapitol www.americanradiohistory.com www.americanradiohistory.com THE PEOPLE WHO PUT I ELIZABET- " ALLA LISA t3 ODBL:I`_' P r.. SMITH .. +E DANVERS UDETTE PIRTLE GN - LAVEZZO GRAPE3IS PHOTOGRAPHY BY ROB CLAYTON P.O.BOX3135 : ARMEL, CALIFORNIA 4392= (408) 624-0338 sx PUBLICATIONS www.americanradiohistory.com Listen k of Peter F Wind Framptons Sumethins Frampton Frampton Of Carnet Happening SP 4512 Conies Alive Change SP 4389 SP 3619 SP 37113 SP 4,318 Produced www.americanradiohistory.com D the life rampton. -
Sounding Sentimental: American Popular Song from Nineteenth-Century Ballads to 1970S Soft Rock Emily Margot Gale Vancouver, BC B
Sounding Sentimental: American Popular Song From Nineteenth-Century Ballads to 1970s Soft Rock Emily Margot Gale Vancouver, BC Bachelor of Music, University of Ottawa, 2005 Master of Arts, Music Theory, University of Western Ontario, 2007 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Music University of Virginia May, 2014 © Copyright by Emily Margot Gale All Rights Reserved May 2014 For Ma with love iv ABSTRACT My dissertation examines the relationship between American popular song and “sentimentality.” While eighteenth-century discussions of sentimentality took it as a positive attribute in which feelings, “refined or elevated,” motivated the actions or dispositions of people, later texts often describe it pejoratively, as an “indulgence in superficial emotion.” This has led an entire corpus of nineteenth- and twentieth-century cultural production to be bracketed as “schmaltz” and derided as irrelevant by the academy. Their critics notwithstanding, sentimental songs have remained at the forefront of popular music production in the United States, where, as my project demonstrates, they have provided some of the country’s most visible and challenging constructions of race, class, gender, sexuality, nationality, and morality. My project recovers the centrality of sentimentalism to American popular music and culture and rethinks our understandings of the relationships between music and the public sphere. In doing so, I add the dimension of sound to the extant discourse of sentimentalism, explore a longer history of popular music in the United States than is typical of most narratives within popular music studies, and offer a critical examination of music that—though wildly successful in its own day—has been all but ignored by scholars. -
A 16 Bar Cut: the History of American Musical Theatrean Original Script and Monograph Document
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document Patrick Moran University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Moran, Patrick, "A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document" (2006). Electronic Theses and Dissertations, 2004-2019. 916. https://stars.library.ucf.edu/etd/916 A 16 BAR CUT: THE HISTORY OF AMERICAN MUSICAL THEATRE An Original Script and Monograph Document by PATRICK JOHN MORAN B.A. Greensboro College, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2006 © 2006 Patrick John Moran ii ABSTRACT A final thesis for my Master of Fine Arts degree should encompass every aspect of the past few years spent in the class room. Therefore, as a perfect capstone to my degree, I have decided to conceive, write, and perform a new musical with my classmate Rockford Sansom entitled The History of Musical Theatre: A 16 Bar Cut. -
Abba, Father, Let Me Be Yours and Yours Alone. May My Will for Ever Be Evermore Your Own. Never Let My Heart Grow Cold, Never Le
1. 2. Abba, Father, let me be Abide with me; fast falls the eventide: Yours and Yours alone. the darkness deepens, Lord with me abide: May my will for ever be when other helpers fail, and comforts flee, Evermore Your own. help of the helpless, O abide with me. Never let my heart grow cold, Swift to its close ebbs out of life’s little day; Never let me go. earth’s joys grow dim; its glories pass away; Abba, Father, let me be change and decay in all around I see: Yours and Yours alone. O Thou who changest not, abide with me. I need Thy presence every passing hour; what but Thy grace can foil the tempter’s power? Who like Thyself my guide and stay can be? Through cloud and sunshine, Lord, abide with me. I fear no foe with Thee at hand to bless; ills have no weight, and tears no bitterness. Where is death’s sting? Where grave, thy victory? I triumph still, if Thou abide with me. Hold thou thy cross before my closing eyes; shine through the gloom and point me to the skies: heaven’s morning breaks, and earth’s vain shadows flee; in life, in death, O Lord, abide with me. 3. 4. Above all powers All around, all around Above all kings Everywhere I look Above all nature Your love is all around And all created things All around, all around Above all wisdom Everywhere I look And all the ways of man Your love is all around You were here Before the world began Let the nations sing, Let the people shout Above all kingdoms Let Your kingdom come, Above all thrones Pour Your Spirit out Above all wonders The world has ever known Above all wealth And treasures of the earth There's no way to measure What You're worth Crucified Laid behind a stone You lived to die Rejected and alone Like a rose Trampled on the ground You took the fall And thought of me Above all 5.