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Philip's Electronic Pioneers Still in a League of Their
Thursday, December 4, 2014 www.yorkshireeveningpost.co.uk Yorkshire evening Post 33 EMAIL WEB [email protected] yorkshireeveningpost.co.uk features l 33 info&adviCe +++ Twitter:@ LeedsNews +++ Philip’s electronic pioneers duty chemists Fri, 8am to 8pm; Sat and Sun, to find out duty chemists in 8am to 2pm). your area ring the following teenage pregnancy and numbers between 9am-5pm: parenthood helpline: Open West Yorkshire Central Mon to Fri , 9.30am to 5pm. services: 0113 2952 500. 24-hour answer phone all other Calderdale and kirklees: times. 0808 808 4444. 01484 466 009. Leeds Life Pregnancy Centre still in a league of their own north Yorkshire: 01904 Counselling and Advice: 825 110. Oxford Place Chambers, Oxford “We didn’t want to be after you’ve had a few hits, the out of hours or for other Place LS1 3AX. 0755 400 3000. areas: NHS 111 at any time. Leeds Contraception and Celebrity beaten, that was the big thing. name doesn’t matter.” sexual health service: Leeds At every stage, people would Like most eighties artists, EMERGENCY 0113 295 3359 (office hours). Other times call NHS Direct 08 interview turn around and say, ‘These oakey is still very proud of the gas: Freephone 0800 111999. electricity: Freephone 0800 45 46 47 for details of clinics. James Nuttall people are actually talentless, visual impact his band had. 375675. Leeds Mediation service: MUSIC WRITER and they’re going to be gone in “All that fashion stuff was Water: Yorkshire Water, 0845 Difficulties with neighbours? zzEmail: [email protected] 1242424. -
Reed First Pages
4. Northern England 1. Progress in Hell Northern England was both the center of the European industrial revolution and the birthplace of industrial music. From the early nineteenth century, coal and steel works fueled the economies of cities like Manchester and She!eld and shaped their culture and urban aesthetics. By 1970, the region’s continuous mandate of progress had paved roads and erected buildings that told 150 years of industrial history in their ugly, collisive urban planning—ever new growth amidst the expanding junkyard of old progress. In the BBC documentary Synth Britannia, the narrator declares that “Victorian slums had been torn down and replaced by ultramodern concrete highrises,” but the images on the screen show more brick ruins than clean futurescapes, ceaselessly "ashing dystopian sky- lines of colorless smoke.1 Chris Watson of the She!eld band Cabaret Voltaire recalls in the late 1960s “being taken on school trips round the steelworks . just seeing it as a vision of hell, you know, never ever wanting to do that.”2 #is outdated hell smoldered in spite of the city’s supposed growth and improve- ment; a$er all, She!eld had signi%cantly enlarged its administrative territory in 1967, and a year later the M1 motorway opened easy passage to London 170 miles south, and wasn’t that progress? Institutional modernization neither erased northern England’s nineteenth- century combination of working-class pride and disenfranchisement nor of- fered many genuinely new possibilities within culture and labor, the Open Uni- versity notwithstanding. In literature and the arts, it was a long-acknowledged truism that any municipal attempt at utopia would result in totalitarianism. -
From Surrealism to Now
WHAT WE CALL LOVE FROM SURREALISM TO NOW IMMA, Dublin catalogue under the direction of Christine Macel and Rachael Thomas [Cover] Wolfgang Tillmans, Central Nervous System, 2013, inkjet print on paper mounted on aluminium in artist’s frame, frame: 97 × 82 cm, edition of 3 + 1 AP Andy Warhol, Kiss, 1964, 16mm print, black and white, silent, approx. 54 min at 16 frames per second © 2015 THE ANDY WARHOL MUSEUM, PITTSBURG, PA, COURTESY MAUREEN PALEY, LONDON. © WOLFGANG TILLMANS A MUSEUM OF CARNEGIE INSTITUTE. ALL RIGHTS RESERVED. FILM STILL COURTESY OF THE ANDY WARHOL MUSEUM. PHOTO © CENTRE POMPIDOU, MNAM-CCI, DIST. RMN-GRAND PALAIS / GEORGES MEGUERDITCHIAN CONTENTS E 1 FOREWORD Sarah Glennie 6 WHAT WE CALL LOVE Christine Macel 13 SURREALISM AND L’AMOUR FOU FROM ANDRÉ BRETON TO HENRIK OLESEN / FROM THE 1920s TO NOW 18 ANDRÉ BRETON AND MAD LOVE George Sebbag 39 CONCEPTUAL ART / PERFORMANCE ART FROM YOKO ONO TO ELMGREEN AND DRAGSET / FROM THE 1960s TO NOW 63 NEW COUPLES FROM LOUISE BOURGEOIS TO JIM HODGES / FROM THE 1980s TO NOW 64 AGAINST DESIRE: A MANIFESTO FOR CHARLES BOVARY? Eva Illouz 84 THE NEUROBIOLOGY OF LOVE Semir Zeki 96 LOVE ACTION Rachael Thomas WHAT 100 LIST OF WORKS 104 BIBLIOGRAPHY WE CALL LOVE CHAPTER TITLE F FOREWORD SARAH GLENNIE, DIRECTOR The Irish Museum of Modern Art (IMMA) is pleased to present this publication, which accompanies the large scale group exhibition, What We Call Love: From Surrealism to Now. This exhibition was initially proposed by Christine Macel (Chief Curator, Centre Pompidou), who has thoughtfully curated the exhibition alongside IMMA’s Rachael Thomas (Senior Curator: Head of Exhibitions). -
Human League Dare Mp3, Flac, Wma
Human League Dare mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Dare Country: Taiwan Released: 1981 Style: Synth-pop MP3 version RAR size: 1454 mb FLAC version RAR size: 1299 mb WMA version RAR size: 1116 mb Rating: 4.1 Votes: 573 Other Formats: AAC MOD XM MP2 TTA AU VOX Tracklist Hide Credits The Things That Dreams Are Made Of A1 4:14 Written-By – Wright*, Oakey* Open Your Heart A2 3:53 Written-By – Callis*, Oakey* The Sound Of The Crowd A3 3:56 Written-By – Buirden*, Oakey* Darkness A4 3:56 Written-By – Callis*, Wright* Do Or Die A5 5:23 Written-By – Burden*, Oakey* Get Carter B1 1:02 Written-By – Budd* I Am The Law B2 4:14 Written-By – Wright*, Oakey* Seconds B3 4:58 Written-By – Callis*, Wright*, Oakey* Love Action (I Believe In Love) B4 4:58 Written-By – Burden*, Oakey* Don't You Want Me B5 3:56 Written-By – Callis*, Wright*, Oakey* Companies, etc. Distributed By – Rock Records – RCHC186 Credits Engineer [Assistant] – Dave Allen* Producer – Martin Rushent, The Human League Synthesizer – Ian Burden, Jo Callis Synthesizer [Occasional], Other [Slides] – Philip Adrian Wright Vocals – Joanne Catherall, Susanne Sulley Vocals, Synthesizer – Philip Oakey Notes Official Virgin release distributed by Rock Records. Cassette inlay extends out of case and folds around the plastic case. Includes a fold out lyrics insert & a small Record label insert. Comes in company logo and text embossed clear cassette case. Other versions Category Artist Title (Format) Label Category Country Year The Human Dare (LP, Album, V2192 Virgin V2192 -
ARIA Charts, 1985-07-07 to 1985-09-15
Week Ending 7th July, 1985. AUTHORISED AND ENDORSED BY THE AUSTRALIAN RECORD INDUSTRY ASSOCIATION TOP FIFTY SINGLES TOP FIFTY ALBUMS TW LW TI TITLE ARTIST DIST. CAT.No. TW LW TI TITLE ARTIST DIST. CAT.No. 1 1 5 ANGEL (17 & 30cm)/INTO THE GROOVE (30cm) Madonna WEA 729008/020335 1 2 5 BE YOURSELF TONIGHT Eurythmics RCA SFL1-0130 2 3 5 LIVE IT UP Mental As Anything WEA RRSP 746 2 1 6 BROTHERS IN ARMS Dire Straits POL 824 499-1 3 2 7 WOULD I LIE TO YOU, Eurythmics RCA 104407 3 3 3 'COS LIFE HURTS Uncanny X-Men FES RML 53165 4 4 5 WALKING ON SUNSHINE Katrina And The Waves EMI CP 1475 4 5 13 FUNDAMENTAL Mental As Anything WEA RRLP 1212 • 5 16 2 CRAZY FOR YOU Madonna CBS GEF 29051 5 4 15 NO JACKET REQUIRED Phil Collins WEA 2516991 6 7 7 50 YEARS Uncanny X-Men FES K 9671 • 6 11 14 SONGS FROM THE BIG CHAIR Tears For Fears POL 824 300-1 7 8 4 A VIEW TO A KILL Duran Duran EMI EMI 1502 7 7 55 BORN IN THE U.S.A .. Bruce Springsteen CBS SBP 238008 8 6 7 RHYTHM OF THE NIGHT DeBarge RCA 1770GF • 8 14 3 OUR FAVOURITE SHOP The Style Council POL 825 700-1 9 9 7 WE WILL TOGETHER Eurogliders CBS BA 3277 9 6 10 THE SECRET OF ASSOCIATION Paul Young CBS SBP 8032 10 5 14 WE ARE THE WORLD USA For Africa CBS BA 3275 10 12 4 SHINE Kids In The Kitchen FES RML 53168 11 13 8 WE CLOSE OUR EYES Go West FES K 9622 11 13 14 DEKADANCE (Cassette) INXS WEA XS 4 12 11 9 DON'T YOU (FORGET ABOUT ME) Simple Minds EMI VS 749 12 8 8 WE ARE THE WORLD USA For Africa CBS SBP 8061 13 10 5 19 Paul Hardcastle FES K 9697 13 9 9 HEAPS OF HITS '85 Various Artists -
Cash Box NY to It Have to Massive Proportions
NEWSPAPER f $3.00 ; / / i ESPREAD FAMINE RELIEF COUNTERFEITING REPORTED Dead Or Alive lA STANDS BY CD, CASSETTE PACKAGING Spinning its way up the charts Stfry on Page 13 ^IND THE BULLETS: DIRE STRAITS SOARS \SH BOX DEBUTS THE “MAXI CHART PAGE FOUR ! 9 / / XLIX — 7 — August 3, i HE INTERNATIONAL MUSIC COIN MACHINE HOME ENTERTAINMENT WEEKLY VOLUME NUMBER 1985 OISHBOK EDITORML GEORGE ALBERT President and Publisher ISARK ALliRT” Famine Relief Piracy: Reaching A New Low Vice President and General Manager SPENCE'BERLANb" Vice President J.B. CARMICLE The recent IFPI reports of widespread counter- However, when such heinous crimes risk the lives Vice President feiting of the famine relief recordings undertaken of millions of people who are depending on the DAVID ADELSON by musicians of the U.K., United States and famine relief projects, an even greater effort is Managing Editor Canada, represent more than just crimes against required by everyone. ~Rssearch KEITH ALBERT, Manager the recording industry. it is to DARRYL LINDSEY Perhaps time allocate funds with the Pirates worldwide that RON ROSENTHAL have demonstrated no express intention of stopping this pirating. A STEVEN ZAP cause is too sacred and no project too important JEFFERY PLATT special anti-counterfeiting fund might ensure the to stand in the of the illegal reproduction of Los Angeles Editorial way money derived from what has become the greatest PETER HOLDEN recorded music in the name of profit. In the case GREGORY DOBRIN charity effort in history ends up where it should PETER BERK of the famine relief efforts, these crimes take on STEPHEN PADGETT — in the posession of the hungry. -
Tom Burr Body/Building
TOM BURR BODY/BUILDING BODY/BUILDING A selection of material to accompany the exhibition Tom Burr / New Haven, an Artist / City project BY ADRIAN GAUT TEXT BY MARK OWENS PHOTOGRAPHY BY ADRIAN GAUT TEXT BY MARK OWENS PHOTOGRAPH YALE ART AND ARCHITECTURE BUILDING, PAUL RUDOLPH (1963). 180 YORK STREET, BRUTAL RECALL NEW HAVEN. A SELECTIVE ROADMAP OF SOME OF NEW HAVEN’S MOST ICONIC CONCRETE LANDMARKS Entering New Haven by car along Interstate 95 offers a tour through one of America’s last remaining Brutalist corridors. Approaching the Oak Street Connector, you can still catch a glimpse of the briskly fenestrated raw-concrete façade of Marcel Breuer’s striking Armstrong Rubber Company Building (1968), which now sits vacant in a vast IKEA parking lot. Heading towards George Street along Martin Luther King Jr. Boulevard, a stoplight just outside the town’s commercial center brings you momen- tarily to rest at the foot of Roche-Dinkeloo’s enigmatic Knights of Columbus Building (1969), whose 23 raw-steel stories are slung between four colossal brick-clad concrete columns. Further along the boulevard on the right rises the distinctive silhouette of Paul Rudolph’s Crawford Manor housing block (1966), whose “heroic and origi- automobile. It’s perhaps ironically fitting, then, that in order to complete this Brutalist nal” striated-cement cladding promenade you’re best off proceeding on foot. Continuing down Temple Street and was famously contrasted with making a left turn onto Chapel Street, you eventually come to the entrance of Louis the “ugly and ordinary” visage Kahn’s Yale University Art Gallery (1951–53), an expressive use of brick, concrete, and of Venturi and Rauch’s Guild curtain wall that was completed a year before the Alison and Peter Smithson’s Hun- House in the pages of Learning stanton School (Norfolk, England, 1949–54), generally considered the opening salvo from Las Vegas. -
Smash Hits Volume 64
^#^ 35p USA $1-75 May 14-27 198 DEPARTMENT S ;t HIT LYRICS including WHEN HE SHINES I WANNA BE FREE KIM WILDE-UNDERTONES in colour >OR*HUMANLEAGUE*HONEYBA . Vol. 3 No. 10 I^^St^ I WANT TO BE FREE AVAST THERE, me hearties! Capn speakin'. Welcome aboard, scaoby landlubbers, to another voyage of me crusty bark "Ye Smashe Hittes" upon the salt-stained briney. Gadzooks! Be that a galley-load of rum-soaked reviews o'er yonder, or the brow of a Tenpole Tudor feature? And — egad! — foamin' in its wake, those scurvy seadogs The Human League with an Undertones colour spread up the crows nest. But, soft! Keel-haul me over a weed-encrusted Star Teaser if that irons. ain't a Books Round-Up and Fact Is Page a-clamberin' up the grappling Save yer doubloons! There's booty a-plenty to be won! Thrash asunder the baccy-chewin' Vaughn Toulouse and second mate Honey Bane and earn yerselves a Tenpole LP while firing in the direction of the Madness Poster Offer. Don't 'e read it all at once . -. 2 ! WANNA BE FREEToyah..,.,....,.-....... CARELESS MEMORIES Oyran Duran.. -...7 SWORDS OF A THOUSAND MEN Tenpole Tudor ......... J STARS ON 45 Star Soynd .....................10 on Safari Records DON'T SAY THAT'S JUST FOR WHITE BOYS Way Of The West........................ - H I'm bored THE SOUND OF THE CROWD Hmnan Uagse 11 to school 23 I don't wanna go LOVE GAMES LeveJ 42.......... Don't wanna be nobody's fool CHEQUERED LOVE Kim Wilde 27 I wanna be me, I wanna be me n' neat 27 I don't wanna be sweet PERFECT TIMING KM Oee. -
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition. -
The ELO Story
The ELO Story Jeff Lynne was born in industrial Birmingham, England, on December 30, 1947. He grew up in the then- new Shard End City Council housing estate, a high-density residential development built on the eastern edge of the city right after the Second World War, with his parents Philip and Nancy.1 He had a brother and two sisters.2 Lynne’s grandparents in his father’s side were vaudevillian performers.3 More than thirty years later, Lynne would pay tribute to his birthplace in the ELO song “All Over the World,” which mentions Shard End alongside other cities like London, Paris, Amsterdam, Rio de Janiero, and Tokyo. Lynne was a Brummie, a nickname for those blessed with the notoriously thick local Birmingham accent.4 Brummie is shorthand for Brummagem, the popular West Midlands way of pronouncing Birmingham.5 Brummie also has an unfortunate alternative dictionary definition: “counterfeit, cheap, and showy.”6 The accent, which not everyone in the city shares, has even been described as representing the least intelligent dialect in the British Isles.7 Lynne grew up listening to Del Shannon, Roy Orbison,8 Chuck Berry, and The Shadows records.9 His parents did not always approve. About Roy Orbison’s “Only the Lonely” playing on the radio, Jeff said “[t]hey were complaining that it was too sexy, or something, but that voice just made the hairs go up on my neck.”10 At age thirteen, Lynne attended a concert by Del Shannon at Birmingham Town Hall, and from that point on dedicated his life to music.11 He noticed immediately that live performances -
The Human League Romantic? Mp3, Flac, Wma
The Human League Romantic? mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Romantic? Country: Japan Released: 2017 Style: Synth-pop MP3 version RAR size: 1427 mb FLAC version RAR size: 1876 mb WMA version RAR size: 1899 mb Rating: 4.9 Votes: 212 Other Formats: AAC FLAC DMF APE AU MP1 DXD Tracklist Hide Credits Kiss The Future 1 Engineer [Assistant] – David Dodd*Engineer [Extra] – Mike "Spike" DrakeMixed By – The 4:13 Creators Producer – Mark Brydon, Robert GordonWritten-By – Sutton*, Oakey* A Doorway? 2 Engineer [Assistant] – David Dodd*Engineer [Extra] – Mike "Spike" DrakeMixed By – The 4:21 Creators Producer – Mark Brydon, Robert GordonWritten-By – Sutton*, Oakey*, Dennett* Heart Like A Wheel 3 Engineer – Timm BaldwinEngineer [Mix] – Neil O'Connor Producer, Mixed By – Martin 4:30 RushentWritten-By – Reynolds*, Callis* Men Are Dreamers 4 Engineer [Assistant] – David Dodd*Mixed By – Bob Kraushaar, Danton SuppleProducer, 3:54 Engineer – Timm BaldwinWritten-By – Oakey*, Dennett* Mister Moon And Mister Sun 5 Engineer – Mike "Spike" DrakeEngineer [Assistant] – David Dodd*Mixed By – William 4:43 OrbitWritten-By – Sutton*, Oakey* Soundtrack To A Generation 6 Engineer [Assistant] – David Dodd*Mixed By – Danton SuppleProducer, Mixed By – Bob 4:36 KraushaarWritten-By – Sutton*, Oakey* Rebound 7 3:57 Engineer – Mike "Spike" DrakeMixed By – William OrbitWritten-By – Sutton*, Oakey* The Stars Are Going Out 8 Engineer – Mike "Spike" DrakeEngineer [Assistant] – David Dodd*Mixed By – William 4:05 OrbitWritten-By – Sutton*, Oakey* Let's Get Together Again 9 Engineer – Mike "Spike" DrakeEngineer [Assistant] – David Dodd*Mixed By – William 5:01 OrbitWritten-By – Shephard*, Rossall* Get It Right This Time 10 Engineer – Timm BaldwinEngineer [Mix] – Neil O'Connor Producer, Mixed By – Martin 4:12 RushentWritten-By – Rae*, Callis* Companies, etc. -
ARIA Charts, 1985-01-13 to 1985-03-31
3 Weeks Ending 13th January, 1985 AUTHORISED AND ENDORSED BY THE''AUSTRALIAN RECORD INDUSTRY ASSOCIATION 0 TOP FIFTY SINGLES TOP FIFTY ALBUMS TW LW TI TITLE ARTIST DIST. CAT.No. TW LW TI TITLE ARTIST DIST. CAT.No. 1 1 6 LIKE A VIRGIN Madonna WEA 729210 1 1 4 CHOOSE 1985 Various Artists FES RML 50006 • 2 NEW DO THEY KNOW In CHRISTMAS Band Aid POL FEED 1 2 4 4 H'ITS HOT 84/85 Various Artists POL 816 118-1 • 3 26 2 LAST CHRISTMAS Wham CBS ES 1012 3 2 4 CRAWL FILE Australian Crawl EMI PLAY 430022 4 6 5 I FEEL FOR YOU Chaka Khan WEA 729195 4 3 4 LIKE A VIRGIN Madonna WEA 251571 5 2 6 CARIBBEAN QUEEN Billy Ocean EMI 15 1380 5 6 6 MAKE IT BIG Wham CBS ELPS 4451 6 4 13 I JUST CALLED TO SAY I LOVE YOU Stevie Wonder RCA 1745MF 6 5 9 RED SAILS IN THE SUNSET Midnight Oil CBS SBP 238027 7 7 17 GHOSTBUSTERS Ray Parker Jr. FES K 9454 7 8 17 1100 BEL AIR PLACE Julio Iglesias CBS SBP 238012 8 3 6 THE WILD BOYS Duran Duran EMI EMI 1374 • 8 12 68 AN INNOCENT MAN Billy Joel CBS SBP 237928 9 9 8 I AM ONLY SHOOTING LOVE Time Bandits CBS BA 223209 9 7 9 DIAMOND LIFE Sade CBS ELPS 4445 10 8 8 FREEDOM .. Wham CBS ES 1001 10 9 28 BORN IN THE U.S.A. Bruce Springsteen CBS SBP 238008 11 14 6 OUT OF TOUCH Daryl Hall & John Oates RCA 104338 11 11 11 GHOSTBUSTERS Original Soundtrack FES RML 53140 12 5 11 SOUL KIND OF FEELING Dynamic Hepnotics FES K 9470 12 14 6 MEMORIES Richard Clayderman WEA 2513131 13 15 6 TOGETHER IN ELECTRIC DREAMS Giorgio Moroder with Philip Oakey CBS VS 713 13 10 9 THE UNFORGETTABLE FIRE U2 FES RML 53132 14 13 6 TOO