The Human League
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MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
Various Top of the Pops - 819 Mp3, Flac, Wma
Various Top Of The Pops - 819 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: Top Of The Pops - 819 Country: UK Released: 1980 Style: Pop Rock, Ska, Synth-pop MP3 version RAR size: 1194 mb FLAC version RAR size: 1202 mb WMA version RAR size: 1144 mb Rating: 4.8 Votes: 810 Other Formats: MIDI MP4 MOD TTA DXD ASF AC3 Tracklist A1 –Commodores Machine Gun 0:21 A2 –The Rolling Stones Dance 4:16 A3 –The Human League Dreams Of Leaving 3:41 A4 –Bad Manners Lip Up Fatty 2:46 A5 –Kate Bush Babooshka 3:25 A6 –Splodgenessabounds Simon Templar 2:33 A7 –The Human League Being Boiled 4:06 A8 –The Rolling Stones Emotional Rescue 5:15 A9 –Commodores Machine Gun 0:20 B1 –Kate Bush Babooshka 1:16 B2 –The Rolling Stones Dance 4:19 B3 –The Human League Dreams Of Leaving 3:52 B4 –Bad Manners Lip Up Fatty 2:45 B5 –Kate Bush Babooshka 3:27 B6 –The Human League Being Boiled 4:06 Companies, etc. Phonographic Copyright (p) – BBC Credits Hosted By – Brian Matthew Notes BBC transcription disc hosted by the British DJ Brian Matthew (born 17 September 1928) Track A1 and A9 are listed as Signature Tune - 'Machine Gun' on cue sheet with the host speaking over the music. Track B1 is listed as programme trailer for 'Top Of The Pops' - 819. The host speaks over the music. Track B1 is a closed groove meaning the stylus must be lifted onto the beginning of track B2 to play the remainder of side 2. -
Record-Business-1982
INSIDE Singles chart, 6-7; Album chart, 17; New Singles, 18; New Albums, 19; Airplay guide, 15-15; Quarterly Chart survey, 12; Independent Labels, 12/13. April 12, 1982VOLUME FIVE Number 3 65p Virgin tops RBTV promotions back singles & LPs 75% of CBS LP sales chart survey CBS, WITH the most active roster ofthe industry's national chart was gained, MOR artists, is increasingly resorting toalthough promotion on such an intense television promotion asa means ofscale was not underway anywhere else at for first time securing sufficient volume to ensurethe time. Since then the campaign has chart placings. It has been estimatedbeen efficiently rolled out to give the FOLLOWING A quarter during that about 75 percent of the company'ssinger her highest chart placing to date. which the Human League, Toni albumsalescurrentlyarecoming Television backing for the IglesiasTIGHTFIT, keepfitand Felicity Basil and Orchestral Manoeuvres through TV -boosted repertoire. album has given it a new lease of lifeKendall - the chart -topping group In The Dark were major best- after an earlier chart entry at the time offrom the Zomba stable present actress selling artists, Virgin has emerged Of the seven releases with which it is scoring in the RB Top 60, CBS has givenrelease last year. Felicity Kendall with a gold album for as the leading singles and albums "We are certainly getting volume, butsales of 200,000 -plus copies of her label for the first time in a Record significant smallscreen support to five of them, Love Songs by Barbra Streisand,it is a very expensive way of doing it andShape Up And Dance LP, sold on mail Business survey of chart and sales there is no guarantee that you willorderthroughLifestyleRecords, action during January -March. -
Reed First Pages
4. Northern England 1. Progress in Hell Northern England was both the center of the European industrial revolution and the birthplace of industrial music. From the early nineteenth century, coal and steel works fueled the economies of cities like Manchester and She!eld and shaped their culture and urban aesthetics. By 1970, the region’s continuous mandate of progress had paved roads and erected buildings that told 150 years of industrial history in their ugly, collisive urban planning—ever new growth amidst the expanding junkyard of old progress. In the BBC documentary Synth Britannia, the narrator declares that “Victorian slums had been torn down and replaced by ultramodern concrete highrises,” but the images on the screen show more brick ruins than clean futurescapes, ceaselessly "ashing dystopian sky- lines of colorless smoke.1 Chris Watson of the She!eld band Cabaret Voltaire recalls in the late 1960s “being taken on school trips round the steelworks . just seeing it as a vision of hell, you know, never ever wanting to do that.”2 #is outdated hell smoldered in spite of the city’s supposed growth and improve- ment; a$er all, She!eld had signi%cantly enlarged its administrative territory in 1967, and a year later the M1 motorway opened easy passage to London 170 miles south, and wasn’t that progress? Institutional modernization neither erased northern England’s nineteenth- century combination of working-class pride and disenfranchisement nor of- fered many genuinely new possibilities within culture and labor, the Open Uni- versity notwithstanding. In literature and the arts, it was a long-acknowledged truism that any municipal attempt at utopia would result in totalitarianism. -
The World-Changer's Manifesto
THE WORLD-CHANGER’S MANIFESTO ROBIN SHARMA ALSO BY ROBIN SHARMA The 5 AM Club The Monk Who Sold His Ferrari The Greatness Guide The Greatness Guide, Book 2 The Leader Who Had No Title Who Will Cry When You Die? Leadership Wisdom from The Monk Who Sold His Ferrari Family Wisdom from The Monk Who Sold His Ferrari Discover Your Destiny with The Monk Who Sold His Ferrari The Secret Letters of The Monk Who Sold His Ferrari The Mastery Manual The Little Black Book for Stunning Success The Saint, the Surfer, and the CEO PRAISE FOR ROBIN SHARMA “Leadership Legend” CNN “Global Humanitarian” FORBES “Rock Star Leadership Guru” The Globe and Mail “Robin Sharma’s books are helping people all over the world lead great lives.” Paulo Coelho “Leadership Guru” The Financial Times (UK) MESSAGE FROM THE AUTHOR + DEDICATION Dear Reader + Possibilitarian: I feel grateful and blessed that you hold this book in your hands. Clearly, something deep within you longs for the fullest expression of your primal genius and the realization of your natural heroism. For over two decades I’ve mentored famed billionaires, industry titans and sports superstars on the mindsets, routines, systems and tactics of world-class performance. In this playbook, I share some of the key elements of my methodology with you. The world is in a volatile place right now. For people operating as victims, the times ahead will be terrifying. Yet, for producers behaving as leaders [and even heroes], the future will not only be inspiring but also bring with it boundless amounts productivity, prosperity and impact. -
The Trumpet As a Voice of Americana in the Americanist Music of Gershwin, Copland, and Bernstein
THE TRUMPET AS A VOICE OF AMERICANA IN THE AMERICANIST MUSIC OF GERSHWIN, COPLAND, AND BERNSTEIN DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Amanda Kriska Bekeny, M.M. * * * * * The Ohio State University 2005 Dissertation Committee: Approved by Professor Timothy Leasure, Adviser Professor Charles Waddell _________________________ Dr. Margarita Ophee-Mazo Adviser School of Music ABSTRACT The turn of the century in American music was marked by a surge of composers writing music depicting an “American” character, via illustration of American scenes and reflections on Americans’ activities. In an effort to set American music apart from the mature and established European styles, American composers of the twentieth century wrote distinctive music reflecting the unique culture of their country. In particular, the trumpet is a prominent voice in this music. The purpose of this study is to identify the significance of the trumpet in the music of three renowned twentieth-century American composers. This document examines the “compositional” and “conceptual” Americanisms present in the music of George Gershwin, Aaron Copland, and Leonard Bernstein, focusing on the use of the trumpet as a voice depicting the compositional Americanisms of each composer. The versatility of its timbre allows the trumpet to stand out in a variety of contexts: it is heroic during lyrical, expressive passages; brilliant during festive, celebratory sections; and rhythmic during percussive statements. In addition, it is a lead jazz voice in much of this music. As a dominant voice in a variety of instances, the trumpet expresses the American character of each composer’s music. -
A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2002 A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays. Bonny Ball Copenhaver East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the English Language and Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Copenhaver, Bonny Ball, "A Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays." (2002). Electronic Theses and Dissertations. Paper 632. https://dc.etsu.edu/etd/632 This Dissertation - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays A dissertation presented to the Faculty of the Department of Educational Leadership and Policy Analysis East Tennessee State University In partial fulfillment of the requirements for the degree Doctor of Education in Educational Leadership and Policy Analysis by Bonny Ball Copenhaver May 2002 Dr. W. Hal Knight, Chair Dr. Jack Branscomb Dr. Nancy Dishner Dr. Russell West Keywords: Gender Roles, Feminism, Modernism, Postmodernism, American Theatre, Robbins, Glaspell, O'Neill, Miller, Williams, Hansbury, Kennedy, Wasserstein, Shange, Wilson, Mamet, Vogel ABSTRACT The Portrayal of Gender and a Description of Gender Roles in Selected American Modern and Postmodern Plays by Bonny Ball Copenhaver The purpose of this study was to describe how gender was portrayed and to determine how gender roles were depicted and defined in a selection of Modern and Postmodern American plays. -
Casey Jones E------B--8^10--8------G------7^9--7------7------D------10--7--10-----10-- Intro | C / / / | F / C / | = "Casey Jones" Riff A------E
Page 1 Page 2 After Midnight || E7 / / / | G / A / | E 7 / / / | % :|| 7 | E / / / | G / / / | A / / / | B / / / | 7 7 | E / / / | G / A / | E / / / | % | Verse 1 After midnight we're gonna let it all___ hang out. After midnight we're gonna chug-a-lug & shout. We're gonna cause talk and suspicion, Give an exhibition, Find out what it is all about! After midnight we're gonna let it all___ hang out. Verse 2 After midnight we're gonna shake your tambourine. After midnight it's gonna be peaches and cream. We're gonna cause talk and suspicion, Give an exhibition, Find out what it is all about! After midnight we're gonna let it all___ hang out. Lead = Verse Repeated Verse 1 After midnight we're gonna let it all___ hang out. (repeated) After midnight we're gonna chug-a-lug & shout. We're gonna cause talk and suspicion, Give an exhibition, Find out what it is all about! After midnight we're gonna let it all___ hang out. 7 Jam || : E / / / | G / A / :|| Page 3 Aiko-Aiko || : D / / / | % | A / / / | % :|| Chorus Hey Now (Hey Now) , Hey Now (Hey Now) Aiko-Aiko all day Jock-o-mo Fee-no ah-nah-nay, Jock-o-mo fee-nah-nay. Hey Now (Hey Now) , Hey Now (Hey Now) Aiko-Aiko all day Jock-o-mo Fee-no ah-nah-nay, Jock-o-mo fee-nah-nay. Verse 1 My spy boy to your spy boy, they were sittin' along the bayou, My spy boy to your spy boy, I'm gonna set your tail on fire. -
The Factory, 1 Park Hill, London SW4 9NS +44(0)20 7499 7550 Www
The Factory, 1 Park Hill, London SW4 9NS +44(0)20 7499 7550 www.mmla.co.uk The Factory, 1 Park Hill, London SW4 9NS +44(0)20 7499 7550 www.mmla.co.uk LONDON CATALOGUE 2020 LITERARY/BOOK CLUB/UPMARKET WOMEN’S A LITTLE HOPE E.J. JOELLA 5 PEOPLE LIKE US ROSEMARY HENNIGAN 6 THE LAMPLIGHTERS EMMA STONEX 7 THE PUSH ASHLEY AUDRAIN 8 THE ENDS OF THE EARTH ABBIE GREAVES 9 THE LAST LIBRARY FREYA SAMPSON 10 THE SEVEN MESSENGERS OF IVY TREMAYNE CLARE POOLEY 11 SAVING MISSY BETH MORREY 12 ANOTHER LIFE JODIE CHAPMAN 13 CRIME/THRILLER/SUSPENSE STRANGERS C.L. TAYLOR 14 THE BURNING GILRLS C.J. TUDOR 15 THE CAPTIVE DEBORAH O’CONNOR 16 GREENWICH PARK KATHERINE FAULKNER 17 THE RECOVERY OF ROSE GOLD STEPHANIE WROBEL 18 THE WRECKAGE ROBIN MORGAN-BENTLEY 19 SEVEN LIES ELIZABETH KAY 20 THE KILLING CHOICE WILL SHINDLER 21 THE PERFECT MOTHER CAROLINE MITCHELL 22 I WILL MAKE YOU PAY TERESA DRISCOLL 23 DARK CORNERS DARREN O’SULLIVAN 24 LIAR LIAR MEL SHERRATT 25 THE TEAM THE TEAM Madeleine Milburn, Director — [email protected] Giles Milburn, Managing Director & Agent — [email protected] Madeleine Milburn, Milburn, Director Director — &[email protected] Agent —[email protected] Liane-Louise Smith, Rights Director — [email protected] Giles Milburn,Milburn, Managing Managing Director Director & Agent& Agent — [email protected]— [email protected] Hayley Steed, Book to Screen Agent & Literary Agent — [email protected] AliceHayley Sutherland Steed, Book-Hawes, to Screen Rights Agent Manager & Literary -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
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I99 KINGSToN RoAD LoNDON SW}g TeI,OI_540 oasi.. l 'rv MM" ,/ lJttA) fln; #-{ tru'rtterry Xffm-ry*LSS.e.Re.ffiS. seeffixss eg-ge"k&R"-4ffi *es-e cherry Red Recolds r. the Lond,on baeed, independ.ont Record. conpanyr have slgned, a three yo&r llce,'se a,greenent wtth the Sristol based gecords. Eeartbeat cherr! n"a sill-be marke! ?"d. prornote arl Eeartbeat product whicb wtli i*clud.ed, ritb cherry Redrs d,istriiutlon d.ear rriu-fp"rtan Rec ordg r First new release und,er the agreement nill be a l2,r track single by 3ristol. band. t0LAX0 4 $ersht6$ho"'A}n3.1'"]';f;i".;i'i:}'ix$i*;';;'kgr+BABrEsr wh,Lch iE rereased of stoqk for ine rait i;;; rsonthE. said raln Mc$ay on behar.f ol cherry Red,r?here are talented acts energlng f:rom tnl gristor so&e vexy will retaia totarTeY coirtioi-over &r€*r seaibeat conplo tetv ret'ain tbeir i"u*i-ii-"iiti.tbatr A. arrd, R. gid,e and havo the ad.vantage fiowever, they irr.rl 'ow of nationar *riirruutron asd havE il:fffr,tronotionaL and' markotlns raciriii.u ;;-*;;; i*,*r" ].lore luformatioa lain Uc$ay on 540 6g5I. ilrrsct*r: IeenMclrlry Registered Office, fr* S*uth .&udi*y Stre*t, fu*nc3*n W I t{u*r,r*+xl b€gK\S* €.ft*Jz-lr{ & Glaxo Babies : rliine Ilionths to the liscot (Cherry Red./ Heartbeat) Of all the new bands spawned in the Sristol area over the last few years, very few have had any lasting effect on the national scener most having dissolved into a mediochre pop/p.p soup.