A Report by Wunderman Thompson Intelligence the FUTURE 100 2 Introduction
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Consolidation of Microsoft SQL Server Instances on the IBM System X3850 X5 with Microsoft Hyper-V
Front cover Consolidation of Microsoft SQL Server Instances on the IBM System x3850 X5 with Microsoft Hyper-V Redguides for Business Leaders Scott Smith Vinay Kulkarni Shows how the IBM System x3850 X5 and DS5000 make an ideal platform for consolidating underutilized SQL Server instances Provides best practice recommendations for consolidating on a high-availabilty cluster Shows how the latest enhancements in Intel and IBM technologies allow for consolidating large databases not considered until now Executive overview An increasing number of customers are adopting server consolidation these days to curb the growing cost of managing and maintaining their exploding infrastructure. IT administrators are surrounded by physical servers that run at low utilizations levels. With significant developments in server virtualization technology in the last few years, the timing is right to implement a server consolidation strategy. This strategy can help solve multiple issues that many IT administrators find themselves grappling with, such as the need to: Maximize the investment in server hardware. Rapidly respond to changing IT needs Improve business continuity. Simplify administration Save space and power. In this IBM® Redguide™ publication we present a consolidation platform using IBM System x3850 X5 4-socket server, an IBM System Storage™ DS5300 mid-range storage subsystem and Microsoft® Windows® Server 2008 R2 with Hyper-V. A viable solution is to virtualize multiple underutilized Microsoft SQL Server systems, each on separate two-way or four-way servers, onto a high-performance server such as the x3850 X5 running Hyper-V. This IT model provides several key elements such as flexibility, high availability, and standardized configuration. -
The 26Th Society for Animation Studies Annual Conference Toronto
Sheridan College SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence The Animator Conferences & Events 6-16-2014 The Animator: The 26th oS ciety for Animation Studies Annual Conference Toronto June 16 to 19, 2014 Society for Animation Studies Paul Ward Society for Animation Studies Tony Tarantini Sheridan College, [email protected] Follow this and additional works at: http://source.sheridancollege.ca/conferences_anim Part of the Film and Media Studies Commons SOURCE Citation Society for Animation Studies; Ward, Paul; and Tarantini, Tony, "The Animator: The 26th ocS iety for Animation Studies Annual Conference Toronto June 16 to 19, 2014" (2014). The Animator. 1. http://source.sheridancollege.ca/conferences_anim/1 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the Conferences & Events at SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. It has been accepted for inclusion in The Animator by an authorized administrator of SOURCE: Sheridan Scholarly Output, Research, and Creative Excellence. For more information, please contact [email protected]. THANK YOU TO OUR SPONSORS THE ANIMATOR THEThe 26th Society forANIMATOR Animation Studies Annual Conference TheToronto 26 Juneth Society 16 to 19, 2014 for www.theAnimation animator2014.com Studies @AnimatorSAS2014 Annual Conference Toronto June 16 to 19, 2014 • www.the animator2014.com • @AnimatorSAS2014 WELCOME Message from the President Animation is both an art and skill; it is a talent that is envied the world over. Having a hand in educating and nurturing some of the finest animators in the world is something for which Sheridan is exceptionally proud. -
Final Website Delegate List 2017
Delegate List Updated 27th August 2017 First Name Surname Company Lucy Acfield Guinness World Records Sara Acworth Zeamu Music Patrick Adam The Eggleys Lindsey Adams Daily Madness Productions Rick Adams Rick Adams Productions Folake Adigun Nickelodeon Ivan Agenjo Peekaboo Animation Metsamarja Aittokoski Sun In the Eye Productions Lisa Akhurst DNA Creative Ltd waed al ghabra Sheffield Hallam University Madawi Alahmad University of Sheffield Margret Albers Association for the Promotion of German Milly Ali Timeline Television Shazia Ali Mint Research Ltd Foz Allan Bryncoed Productions Ltd Jo Allen CBBC Ollie Alsop Serious Lunch/Eye Present Vanessa Amberleigh CBeebies Val Ames Kindle Entertainment Xiaomei An The University of Sheffiled Steven Andrew Zodiak Kids Nicola Andrews Keshet International UK Ltd Chris Andrews CA Dev Valentina Andries University of Edinburgh Tom Angell Tom Angell Ltd Laura Annis Blue Zoo Productions Laverne Antrobus Tavistock and Portman NHS Trust Rhodri ap Dyfrig S4C Will Appiah Digital Shoguns Thomas Archibald BT Ben Armstrong BBC Finn Arnesen Hasbro Studios Helen Arntsen Blue Zoo Keith Arrowsmith The Children's Media Conference Nihal Arthanayake BBC Abhi Arya Sandbox Corrina Askin Corrina Askin Films Leigh Aspin BBC Sarah Aspinall Virgin Media Martin Athanasiou I'm Hungry Studios Isabella Atkin Volunteer Tessa Atkins Small Fry Animation Lucy Atkinson BBC Jonathan Attenborough Lost My Name Ros Attille BBC Ami Aubrey The Children's Media Conference Jake Aubrey-Bentley Freelance Lauren Auty Finger Industries Tristan -
Threnody Amy Fitzgerald Macalester College, [email protected]
Macalester College DigitalCommons@Macalester College English Honors Projects English Department 2012 Threnody Amy Fitzgerald Macalester College, [email protected] Follow this and additional works at: http://digitalcommons.macalester.edu/english_honors Part of the English Language and Literature Commons Recommended Citation Fitzgerald, Amy, "Threnody" (2012). English Honors Projects. Paper 21. http://digitalcommons.macalester.edu/english_honors/21 This Honors Project - Open Access is brought to you for free and open access by the English Department at DigitalCommons@Macalester College. It has been accepted for inclusion in English Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. Threnody By Amy Fitzgerald English Department Honors Project, May 2012 Advisor: Peter Bognanni 1 Glossary of Words, Terms, and Institutions Commissie voor Oorlogspleegkinderen : Commission for War Foster Children; formed after World War II to relocate war orphans in the Netherlands, most of whom were Jewish (Dutch) Crèche : nursery (French origin) Fraulein : Miss (German) Hervormde Kweekschool : Reformed (religion) teacher’s training college Hollandsche Shouwberg : Dutch Theater Huppah : Jewish wedding canopy Kaddish : multipurpose Jewish prayer with several versions, including the Mourners’ Kaddish KP (full name Knokploeg): Assault Group, a Dutch resistance organization LO (full name Landelijke Organasatie voor Hulp aan Onderduikers): National Organization -
Business Development Study Tour to USA and Canada Seattle, Tacoma and Vancouver 15.-21.3.2015
____________________________________________________________________________________ TEKES – THE FINNISH FUNDING AGENCY FOR INNOVATION Business Development Study Tour to USA and Canada Seattle, Tacoma and Vancouver 15.-21.3.2015 TRAVELOGUE ____________________________________________________________________________________ THE AIM OF THE STUDY TOUR Goals for Tekes Business Development Study Tour was to 1. Learn how cities cooperate with enterprises and support new innovations (e.g. in urban development projects) a. Smart city solutions, development environments b. Co-operation models and networks c. Strategic development and actions plans - reflecting on Finnish smart city visions d. Development projects, R&D&I-projects 2. Identify business opportunities and networks in USA and Canada a. Business opportunities for Finnish companies in North America b. Invest in Finland opportunities for US and Canadian companies 3. Benchmark and learn from newest development on smart and economic development in cities 4. Networking with USA – Canada hosts and among participants The study tour was organised by Tekes, Finnish Funding Agency for Innovation. ____________________________________________________________________________________ PROGRAMME Monday 16th of March, 2015 (Seattle) Microsoft Microsoft Redmond Campus is the informal name of Microsoft's corporate headquarters, located at One Microsoft Way in Redmond, Washington. Microsoft initially moved onto the grounds of the campus in 1986, and the headquarters has since experienced multiple expansions since its establishment. It is estimated to encompass over 750,000 m2 of office space and 30,000-40,000 employees. Today Microsoft may have one of the smartest corporate campuses in the world, but in 1986, its headquarters was still a grass- and forest- covered 88-acre plot of land in Redmond, a sleepy, one-stoplight suburb of Seattle. -
2020 Preliminary Results
11 March 2021 2020 Preliminary Results Resilient performance: further recovery in Q4; net debt down to £0.7 billion; share buyback to start immediately. Well positioned to grow in 2021, in line with guidance Key figures – continuing operations +/(-)% +/(-)% £ million 2020 reported1 LFL2 2019 Revenue 12,003 (9.3) (7.3) 13,234 Revenue less pass-through costs 9,762 (10.0) (8.2) 10,847 Reported: Operating (loss)/profit (2,278) n/m3 - 1,296 (Loss)/profit before tax (2,791) n/m - 1,2144 Diluted EPS (p) (243.2) n/m - 68.24 Dividends per share (p) 24.0 5.7 - 22.7 Headline5: Operating profit 1,261 (19.2) (17.2) 1,561 Operating profit margin 12.9% (1.5)pt* (1.4)pt* 14.4% Profit before tax 1,041 (23.6) - 1,363 Diluted EPS (p) 59.9 (23.3) - 78.1 * Margin points Full year and Q4 financial highlights ◼ FY continuing operations reported revenue -9.3%, LFL revenue -7.3% ◼ FY LFL revenue less pass-through costs -8.2%; sequential recovery since initial lockdowns: Q2 -15.1%, Q3 -7.6%, Q4 -6.5% ◼ Q4 LFL revenue less pass-through costs by major market: US -6.2%, UK -7.4%, Germany -0.8%, Greater China -12.1%, India -8.9% ◼ FY headline operating margin 12.9%, down 1.5pt on prior year as cost savings of over £800 million offset the majority of the revenue decline; H2 headline operating margin +0.5pt ◼ Reported loss before tax impacted by £3.1 billion of impairments (£2.8 billion goodwill, £0.3 billion investment and other write-downs) ◼ Net debt at 31 December 2020 £0.7 billion, better than expected and down £0.8 billion year-on-year, reflecting continued strong working capital and cash management 1 Percentage change in reported sterling. -
Printmgr File
UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 FORM 20-F (Mark One) ‘ REGISTRATION STATEMENT PURSUANT TO SECTION 12(b) OR (g) OF THE SECURITIES EXCHANGE ACT OF 1934 OR È ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended 31 December 2020 OR ‘ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 OR ‘ SHELL COMPANY REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 Date of event requiring this shell company report For the transition period from to Commission file number 001-38303 WPP plc (Exact Name of Registrant as specified in its charter) Jersey (Jurisdiction of incorporation or organization) Sea Containers, 18 Upper Ground London, United Kingdom, SE1 9GL (Address of principal executive offices) Andrea Harris Group Chief Counsel Sea Containers, 18 Upper Ground, London, United Kingdom, SE1 9GL Telephone: +44(0) 20 7282 4600 E-mail: [email protected] (Name, Telephone, E-mail and/or Facsimile number and Address of Company Contact Person) Securities registered or to be registered pursuant to Section 12(b) of the Act. Title of each class Trading Symbol (s) Name of each exchange on which registered Ordinary Shares of 10p each WPP London Stock Exchange American Depositary Shares, each WPP New York Stock Exchange representing five Ordinary Shares (ADSs) Securities registered or to be registered pursuant to Section 12(g) of the Act. Not applicable (Title of Class) Not applicable (Title of Class) Securities for which there is a reporting obligation pursuant to Section 15(d) of the Act. -
Sport-Scan Daily Brief
SPORT-SCAN DAILY BRIEF NHL 5/1/2020 Arizona Coyotes Detroit Red Wings 1183689 Coyotes' Crouse says NASCAR resuming season 1183717 Detroit Red Wings mock draft: Another defenseman, this provides hope for NHL return time at No. 4 1183690 Cautious optimism glimmers with sports leagues eyeing 1183718 The Detroit News ranks top 50 Red Wings in organization timline to reopen by value for 2020 1183691 Russian roulette: Predators’ gambles may have tipped 1183719 Steve Yzerman: Would've been 'a long life' without the series scales for Coyotes Stanley Cup 1183720 Red Wings’ Steve Yzerman addresses talk of holding draft Boston Bruins before season complete 1183692 B’s Matt Grzelcyk can draw from experience on re-start 1183693 Matt Grzelcyk explains how Bruins teammate Torey Krug Edmonton Oilers helped his transition to NHL 1183721 Lennstrom hopes to join list of Edmonton Oilers success 1183694 Bruins of the past: Players you probably forgot played in stories Boston 1183722 Should the Oilers pursue Taylor Hall this summer? 1183695 This Date in Bruins History: B's take first step toward 1972 1183723 The results are in: How you voted in our inaugural Oilers Stanley Cup title fan survey 1183696 The 10 best Bruins moments of the past 20 years 1183724 How the Oilers are preparing for an NHL draft in June 1183697 The coaching education of Bruce Cassidy: How many voices molded his vision Los Angeles Kings 1183725 Gary Bettman says NHL willing to delay next season by Buffalo Sabres two months to finish 2020 1183698 Sabres get help from Bills in readying -
Análisis Musical De Una Canción
Nombre: Jadenys S. Díaz Sánchez Fecha: 20 de octubre de 2016 Num. de Est.: 840-14-2148 COMU 4027 Sección: JA0 Análisis Musical de una Canción Tema/Canción: Only Hope Artista: Mandy Moore Duración: 03:54 Género Musical: Pop Breve biografía del artista Amanda Leigh «Mandy» Moore (nacida el 10 de abril de 1984) es una cantante, compositora, actriz y diseñadora de moda estadounidense. Su reconocimiento en el mundo del espectáculo llegó a finales de los años noventa, cuando todavía era adolescente. En 1998 firmó con Epic Records y un año más tarde lanzó su álbum debut, So Real. Su segundo álbum de estudio, I Wanna Be With You, se convirtió en el álbum debut de Moore fuera de Estados Unidos, vendiendo más de 3 millones de copias en todo el mundo. En 2001, lanzó su tercer álbum, In My Pocket; el álbum fue su último en ser certificado por la RIAA, recibiendo una certificación de oro. Poco después, en 2003, Moore lanzó su cuarto álbum de estudio, Coverage, con versiones de clásicos de los sesenta y ochenta, tales como «Have a Little Faith in Me» y «Senses Working Overtime». Después del lanzamiento del álbum, Moore se separó del sello discográfico debido a diferencias creativas. La división llevó a la compañía discográfica a lanzar dos álbumes de compilación The Best Of Mandy Moore y Candy, los cuales han vendido alrededor de 300.000 copias hasta la fecha. Moore no volvió a la música hasta 2007, con el lanzamiento de Wild Hope, su quinto álbum de estudio. Con este álbum la carrera musical de Moore dio un giro hacia música de género pop-folk y dirigida hacia un público más adulto. -
First Name Last Name Job Title Company Type Company Name Hank Beaver VP, Group Account Director Ad Tech
First Name Last Name Job Title Company_Type Company Name Hank Beaver VP, Group Account Director Ad Tech - Platform 360i Kristen Baker VP Ad Tech - Platform 360i Heather Chancey Account Director Ad Tech - Platform 360i Blake Ivie Director, Integrated Media Ad Tech - Platform 360i Michaela Haswell Associate Media Manager Ad Tech - Platform 360i Marla Kaplowitz CEO Trade Body 4A's R Lee Barstow VP Revenue Operations Publisher A+E Networks Joe Catanzaro VP, Revenue Operations & Yield Ad Tech - Platform a4 media pty Dan Riccio VP, Advertising Insights & Ad Operations Publisher Al Jazeera Cooper Greene Agency Partnerships Ad Tech - Platform Ampersand Megan Kasler Associate Director of Marketing & Communications Media Agency Amplifi USA/ dentsu Timothy Chung Technical Account Manager Media Agency Annalect Anny Buakaew Director Media Agency Annalect Nicole Lewis Associate Director Media Agency Annalect Kristopher Schmelzer Senior Account Manager Media Agency Annalect Ashley Lai Senior Account Manager Media Agency Annalect Genie Gilder Assistant Vice President Marketing Advertiser Aon Corporation Delia O'Donnell Buyer Ad Tech - Platform APEX EXCHANGE, LLC Jason Wulfsohn COO & Co-Founder Ad Tech - Platform AUDIENCEX Steve Bligh-WIlliams Director, Paid Media Media Agency Aurum Producciones SA Tara Craze VP, Digital Media Agency Aurum Producciones SA Nora Okonski Senior Director, Revenue Operations Publisher Axios Kathleen Pratt Director, Ad Operations Publisher Axios Media Terri Schriver SVP Enterprise Customer Engagement & Investment Advertiser Bank of America paul D'Urso Head of Digital Taxonomy and Projects Publisher Bauer Media Paul Gelb Head of Social and Programmatic Advertiser Bayer Courtney Greenspan Head of AdOps, North America Publisher BBC Melissa Chapman Collaborator Consultancy Beeler Tech LLC Rob Beeler Founder & CEO Consultancy Beeler.Tech Ariel Anderson Media Director Media Agency Best Buy Co., Inc. -
Digital Transformation in Government Digital Transformation in Government 2
Digital Transformation in Government Digital Transformation in Government 2 Introduction We’ve seen two years’ worth of digital Digital transformation can put governments in a strong position to take quick, decisive action when necessary. Recent disruptive global events have shown transformation in two months. From that digital technology and data are indispensable tools for governments as remote teamwork and learning, to sales they adapt to sudden and unexpected changes across their agencies. and customer service, to critical cloud Many government leaders are taking stock and imagining a future with infrastructure and security—we are the most attentive, helpful citizen services. They are recognizing that a strong digital ecosystem is the foundation for that future. In this time of working alongside customers every day to crisis, governments are accelerating their digital transformation to support help them adapt and stay open for business employees working from home and to serve citizens seamlessly. in a world of remote everything.” Satya Nadella, CEO, Microsoft, on the impact of the COVID-19 pandemic Digital Transformation in Government 3 Even in ordinary times, governments are presented with many opportunities Digital transformation can help governments seize these opportunities. to provide responsive service to citizens. In a time of global upheaval, new Governments that successfully navigate their digital transformation journeys circumstances make the move to digital transformation more urgent. understand that the process takes more than just new technology. These organizations focus on their vision and strategy, culture, unique potential, and Some of those scenarios include: capabilities as foundational success factors—and then look to technology with a specific role in mind. -
Uk Animation 2018 2 Short Animation Contents
UK ANIMATION 2018 2 SHORT ANIMATION CONTENTS INTRODUCTION 4 SHORT ANIMATION 6 FEATURE-LENGTH ANIMATION 38 VIRTUAL REALITY / IMMERSIVE EXPERIENCE ANIMATION 42 ABOUT BRITISH COUNCIL 46 BRITISH COUNCIL AND FESTIVALS 48 BRITISH COUNCIL FILM GLOBAL PROJECTS 50 BRITISH COUNCIL AND SHORTS 53 ANIMATION IN THE UK 2018 54 INDEX OF FILMS 62 , Director: Jonathan Hodgson Jonathan , Director: Roughhouse All inclusive images remain the copyright of their respective owners and may Cover: Cover: not be reproduced without the expressed permission of the rights holders. 3 INTRODUCTION Welcome to the 2018 UK Animation Catalogue presented by the British Council. We’re proud to be championing new and upcoming UK films and filmmakers to programmers and audiences around the world. The catalogue includes details of selected recent UK animated shorts, features and VR, and flags up some productions due for release in 2018. You can also find information about some of the work we do and the partners we work with. The PDF version of this catalogue will be updated periodically throughout the year and you can download it at film.britishcouncil. org/british-films-directory/uk-filmcatalogues Film credits and information in this catalogue are drawn from our British Films Directory. The Directory is an information resource which includes an extensive selection of UK titles currently in production, as well as details of recently completed UK shorts and feature- length films. You can explore the British Films Directory, as well as further directories listing both UK filmmakers and international film festivals, at britishcouncil.org/film 4 , Director: Joseph Wallace , Director: Edith Piaf (Said It Better Than Me) - Sparks Me) Than Piaf (Said It Better Edith 5 SHORT ANIMATION , Directors: Karni and Saul Karni , Directors: Perfect World Perfect 6 SHORT ANIMATION Adelaide McCarthy and the Attraction Making of a Legend Synopsis Synopsis We join Adelaide McCarthy as he explains the Urges in the undergrowth, erupting fungal fantasies, wonders of how stop motion puppets are made.