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Lubitsch Bio-Filmografi

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Lubitsch Bio-Filmografi Lubitsch bio-filmografi Under udarbejdelsen af Lubitsch-filmografien er der skelet flittig t til især ERNST LUBITSCH’ BIOGRAFI: Gerhard Lamprechts uvurderlige »Deutsche Stummfilme« for årene 1913 til 1922 samt til Herman G. Weinbergs »The Lubitsch Touch«, 1968. Andre kilder Født den 28. januar 1882 i Berlin, hvor faderen Simon har været Theodore Huffs »An Index to the Films of Ernst Lubitsch«, The Lubitsch havde en skrædderforretning. 16 år gammel for­ British Film Institute, 1947, og Patrick Brions filmografi i Cahiers du Cinéma, februar 1968. Yderligere oplysninger er opsnuset i diverse tidsskrifter, bøger lod Ernst Lubitsch Sophien-Gymnasium, hvorefter han og opslagsværker. P.C. hjalp til i faderens forretning, først i selve forretningen, ERNST LUBITSCH SOM SKUESPILLER (i andres film): senere i bogholderiet. I 1910 kom Ernst Lubitsch til Max 1912: THE MIRACLE (Instr: Max Reinhardt) Reinhardts Deutsches Theater (efter i et par år at have VENEZIANISCHE NACHTE (Instr: Max Reinhardt) 1913: MEYER AUF DER ALM (Instr: ej fundet) optrådt på varieteer og lignende i sin fritid). Hos Reinhardt BEDINGUNG: KEiN ANHANG (Instr: Steilan Rye) fik Lubitsch småroller i bl. a. »Faust«, »Hamlet« og »Su- 1914: FRÅULEIN PICCOLO (Instr: Franz Hofer) DIE FIRMA HEIRATET (Instr: Carl Wilhelm) murun«, og han var med, da Reinhardts skuespillertrup DER STOLZ DER FIRMA (Instr: Carl Wilhelm) MEYER ALS SOLDAT (Instr: ej fundet) optrådte i London i februar 1911 og igen i 1912 (da Rein­ RUND UM DIE EHE (Instr: ej fundet) hardts engelske opførelse af »The Miracle«, et skuespil 1915: ARME MARIE! (Instr: Max Mack) ROBERT UND BERTRAM (Instr: Max Mack) af Karl Vollmoller, blev affotograferet). Efter hjemkom­ 1916: DR. SATANSOHN (Instr: Edmund Edel) 1917: HANS TRUTZ IM SCHLARAFFENLAND (Instr: Paul Wegener) sten til Berlin begyndte Ernst Lubitsch, for at tjene ekstra 1933: MR. BROADWAY (Instr: Johnnie Walker) penge, at arbejde med alt forefaldende i Bioscope-film- 1939: TEMPETE SUR PARIS (Instr: ej fundet) 1945: WHERE DO WE GO FROM HERE? (Instr: Gregory Ratoff) studierne i Berlin, og i 1913 begyndte han som regulær A ROYAL SCANDAL (Instr: Otto Preminger) filmskuespiller. Som instruktør debuterede Lubitsch i 1915 med »Fråulein Seifenschaum«, men endnu t et par år fort­ ERNST LUBITSCH SOM MANUSKRIPTFORFATTER satte Lubitsch sideløbende med instruktørvirket som skue­ ETC. (for andres film): 1919: DER LUSTIGE EHEMANN (efter idé af Richard Wilde. Instr: Leo Lasko) spiller, fortrinsvis dog i egne film. 1920: DIE WOHNUNGSNOT (sketch i filmen, skrevet med Hanns Kraly. Instr: I december 1921 kom Lubitsch til Hollywood, hvor han ej fundet) 1928: THE LAST COMMAND (Idé; manus af John Goodrich. Iristr: Josef von blev i seks måneder for at studere amerikanske produk­ Sternberg) tionsmetoder. I juni 1922 vendte han tilbage til Berlin, dog ERNST LUBITSCH SQM PRODUCER (af andres film): kun for i december samme år atter at vende tilbage til 1936: DESIRE (Instr: Frank Borzage) Hollywood, denne gang for at blive. Lubitsch var af Mary 1945: A ROYAL SCANDAL (Instr: Otto Preminger) 1946: DRAGONWYCK (Instr: Joseph Mankiewicz) Pickford blevet opfordret til at iscenesætte en film for hende, og han havde i den anledning skrevet et manu­ ERNST LUBITSCH’ SPILLEFILM: skript (sammen med Edward Knoblock) betitlet »Margue­ FRÅULEIN SEIFENSCHAUM Tyskland 1915. P-selskab: Projektions-AG »Union«, Berlin. Instr: Ernst Lubitsch. rite and Faust«. Mary Pickford foreslog i stedet »Dorothy Ark: Kurt Richter. Medv: Ernst Lubitsch. Filmen er indspillet i løbet af som­ Vernon of Haddon Hall« - hvorefter Lubitsch og Pickford meren 1914. BLINDEKUH enedes om Lubitsch’ kompromis-forslag »Rosita«. Fra Tyskland 1915. P-selskab: Projektions-AG »Union«, Berlin. Instr: Ernst Lubitsch. slutningen af tyverne havde Lubitsch kontrakt med Para- Ark: Kurt Richter. Medv: Ernst Lubitsch, Resi Orla. mount, og i december 1934 udnævntes han til produk­ AUF EIS GEFUHRT Tyskland 1915. P-selskab: Projektions-AG »Union«, Berlin. Instr: Ernst Lubitsch. tionschef i firmaet, men allerede i 1936 afløstes han på Manus: Hanns Kraly. Medv: Albert Paulig, Ernst Lubitsch. denne post af William Le Baron. I 1946 tildeltes Lubitsch ZUCKER UNO ZIMT Tyskland 1915. P-selskab: Måtray-Lubitsch-Film, Berlin. Instr: Ernst Måtray, en Oscar for »his distinguished contributions to the art Ernst Lubitsch. Instr-ass: Richard Lowenbein. Manus: Ernst Måtray, Ernst Lu­ of the motion picture«. bitsch, Greta SchriSder Måtray. Tekster: Ernst Lubitsch, Greta Schroder Må­ tray. Medv: Ernst Måtray, Ernst Lubitsch, Helene Voss, Alice Scheel-Hechy, Den 30. november 1947 døde Ernst Lubitsch. Paul Ludwig Stein, Victor Colani. Org. længde: 2 akter. Herunder: Ernst Lubitsch - som Herunder: Lubitsch i en scene graver - i en teateropførelse af fra »Robert und Bertram«, »Hamlet« ca. 1911. Øverst til til venstre, nederst, Lubitsch højre Lubitsch medvirker i sin i en scene fra hans anden film egen instruktør-debut som instruktør, »Blindekuh«. »Fråulein Seifenschaum«. DER KRAFTMEIER MARIONETTEN Tyskland (1916(?). Dist: Nordische Film Co. P-selskab: Projektion-AG »Union«, Tyskland 1918. P-selskab: evt. Måtray-Lubitsch-Film. Instr: Ernst Lubitsch. Foto: Berlin. Instr: Ernst Lubitsch. Ark: Kurt Richter. Medv: Ernst Lubitsch. Greenbaum. Medv: Ernst Måtray. DAS SCHONSTE GESCHENK MEYER AUS BERLIN Tyskland 1916. Dist: Nordische Film Co. P-selskab: Projektions-AG »Union«, Tyskland 1918. P-selskab: Projektions-AG »Union«, Berlin. Instr: Ernst Lubitsch. Berlin. Instr: Ernst Lubitsch. Ark: Kurt Richter. Medv: Ernst Lubitsch. Org. Medv: Ernst Lubitsch (Meyer), Ossi Oswalda, Erich Schonfelder. Org. længde: længde: 1 akt. 37 min. (24 b/s), 1119 m. DER G.M.B.H. TENOR FILMSSKUESPILLERINDEN Tyskland 1916. Dist: Nordische Film Co. P-selskab: Projektions-AG »Union«, Meine Frau, die Film Schauspielerin. Tyskland 1918. P-selskab: Projektions- Berlin. Instr: Ernst Lubitsch. Foto: Theodor Sparkuhl. Ark: Kurt Richter. Medv: AG »Union«, Berlin. Instr: Ernst Lubitsch. Manus: Hanns Kråly, Ernst Lubitsch. Ernst Lubitsch, Ossi Oswalda, Victor Janson. Foto: Theodor Sparkuhl. Ark: Kurt Richter. Medv: Ossi Oswalda (Ossi, film ­ skuespillerinde), Victor Janson (Lachmann, direktør for filmselskabet), Hanns DER GEMISCHTE FRAUENCHOR Tyskland 1916. Dist: Nordische Film Co. P-selskab: Projektions-AG »Union«, Kråly, Paul Biensfeldt (Manuskriptforfattere), Julius Dewald (Erik Frank), Max Berlin. Instr: Ernst Lubitsch. Ark: Kurt Richter. Medv: Ernst Lubitsch, Ossi Kronert (Hans, hotelkarl). Org. længde: 40 min. (24 b/s), 1084 m. Udi: Kino­ grafen. Prem: Kinopalæet 10.9.19 (Vist i dobbeltprogram med »Carmen«). Oswalda. LEUTNANT AUS BEFEHL DAS SCHWABENMADLE Tyskland 1916. Dist: Nordische Film Co. P-selskab: Projektions-AG »Union«, Tyskland 1919. Dist: UFA. P-selskab: Projektions-AG »Union«, Berlin. Instr: Berlin. Instr: Ernst Lubitsch. Foto: Theodor Sparkuhl. Ark: Kurt Richter. Medv: Ernst Lubitsch. Medv: Ossi Oswalda, Carl Auen. Org. længde: 35 min. (24 Harry Liedtke, Ernst Lubitsch, Ossi Oswalda, Erich Schonfelder, Victor b/s), 956 m. Janson. ØSTERSPRINSESSEN WO IST MEIN SCHAT2? Die Austernprinzessin. Tyskland 1919. Dist: UFA. P-selskab: Projektions-AG Tyskland 1916. P-selskab: Projektions-AG »Union«, Berlin. Instr/Medv: Ernst »Union«, Berlin. Instr: Ernst Lubitsch. Manus: Hanns Kråly, Ernst Lubitsch. Lubitsch. Foto: Theodor Sparkuhl. Ark: Kurt Richter*). Teknisk ledelse: Kurt Waschneck. Medv: Ossi Oswalda (Ossi, Østersprinsessen), Harry Liedtke (Prins Nuki), ALS ICH TOT WAR Victor Janson (Mr. Quaker, Østerskongen), Julius Falkenstein (Josef, Nukis Tyskland 1916. P-selskab: evt. Projektions-AG »Union«, Berlin. Instr/Manus/ tjener), Max Kronert (Seligson), Curt Bois (Dirigent), Albert Paulig, Hans Medv: Ernst Lubitsch. Junkermann. Org. længde: 42 min. (24 b/s), 1144 m. Udi: Kinografen. Prem: DER SCHWARZE MORITZ Kinografen 10.11.19. Tyskland 1916. P-selskab: Projektions-AG »Union«, Berlin. Instr: Ernst Lubitsch. *) Andre kilder angiver: Ernst Stern, Emil Hasler, Karl Machus. Manus: Louis Taufstein, Eugen Berg. Musik: Martin Knopf. Medv: Ernst Lu­ bitsch, Erna Albert, Margarete Kupfer. ELSKOVSRUS Rausch. Tyskland 1919. P-selskab: Argus-Film, Berlin. Instr: Ernst Lubitsch. SCHUPALAST PINKUS Manus: Hanns Kråly. Efter: Skuespil af August Strindberg: »Brott och brot« (1899). Tyskland 1916, Dist: Nordische Film Co. P-selskab: Projektions Co. Instr: Ernst Foto: Karl Freund. Ark: Roehus Gliese. Medv: Asta Nielsen (Henriette), Alfred Lubitsch. Manus: Hanns Kråly (evt. også Erich Schonfelder). Ark: Kurt Richter. Abel (Gaston, forfatter), Carl Meinhard (Adolf, kunstmaler), Grete Diercks Medv: Ernst Lubitsch (Sally Pinkus), Guido Herzfeld, Hanns Kråly, Ossi Os­ (Jeanne), Marga Kohier (Henriettes mor), Frieda Richard (Husholdersken), walda, Else Kenter. Org. længde: 40 min. (24 b/s), 1080 m. Sophie Pagay (Mor Kathrine), Rudolf Klein-Rohden (Undersøgelsesdommeren), Heinz Stieda (Abbeden). Org. længde: 66 min. (24 b/s), 1796 m. Censur: Gul. OSSIS TAGEBUCH Udi: Kinografen. Prem: Kinopalæet 24.9.19. Tyskland 1917. P-selskab: Projektions-AG »Union«, Berlin. Instr: Ernst Lubitsch. Manus: Ernst Lubitsch, Erich Schonfelder. Ark: Kurt Richter. Medv: Ossi Os­ MADAME DUBARRY walda, Hermann Thimig. Org. længde: 36 min. (24 b/s), 972 m. Madame Dubarry. Tyskland 1919. P-selskab: Projektions-AG »Union«, Berlin. P-leder: Carl Moos. Instr: Ernst Lubitsch. Manus: Fred Orbing [= Norbert DER BLUSENKONIG Falk], Hanns Kråly. Foto: Theodor Sparkuhl. Teknisk ledelse: Kurt Waschneck. Tyskland 1917, P-selskab: Projektions-AG »Union«, Berlin. Instr:
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