I on the SCREEN! the National Office of the Workers (Communist) Party Has Published the ANOTHER HAMPDEN SUCCESS! List of the District Organ- I ]
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The Student Prince in Old Heidelberg (1927) Performing Live: Neil Brand Friday Night Gala: 23 March 2018
The Student Prince in Old Heidelberg (1927) Performing live: Neil Brand Friday Night Gala: 23 March 2018 In 1899 Wilhelm Meyer-Forster published his novel Karl Heinrich about the impossible love between a crown prince and an innkeeper's daughter. He made it into a play Alt- Heidelberg in 1901. Two years later the play opened in New York in a translation by Rudolf Bleichmann, Old Heidelberg. A film adaptation directed by John Emerson and starring Wallace Reid and Dorothy Gish came out in 1915. A German film version was made in 1923 by Hans Behrendt, with Paul Hartmann and Eva May. An operetta version by Dorothy Donnelly and Sigmund Romberg, The Student Prince, opened in New York in 1924, breaking all box-office records. Noting its success, in 1926 MGM decided to make a film of it directed by Ernst Lubitsch. MGM secured Hans Kraly, Lubitsch's regular scenarist, to make the screen adaptation and chose two of their biggest stars for the principal roles. The romantic Ramon Novarro, who had just played the lead in Ben-Hur, was ideally cast as the Crown Prince. But the casting of Norma Shearer, wife of MGM's 'boy wonder' Irving Thalberg, proved troublesome. The usually genial Lubitsch protested saying she was too grandly mannered for the part. An extract from Sam Marx's book Mayer and Thalberg describes what happened when Thalberg and Shearer returned from honeymoon and Shearer began work on the set: “Mein Gott,” Lubitsch shouted. “I can get a waitress from the commissary who will do better than you!” The tearful star asked that Thalberg be called to the set. -
IL CINEMA RITROVATO 1997 Undicesima Edizione / Eleventh Edition Sabato 28 Giugno - Sabato 5 Luglio Saturday June 28 - Saturday July 5
XXVI Mostra Internazionale del Cinema Libero IL CINEMA RITROVATO 1997 undicesima edizione / Eleventh edition sabato 28 giugno - sabato 5 luglio Saturday June 28 - Saturday July 5 curato da / edited by Cineteca del Comune di Bologna e Nederlands Filmmuseum Assessorato alla Cultura e Commissione Cinema del Comune di Bologna, Istituto per i Beni Culturali con il patrocinio della Regione Emilia-Romagna con il contributo della Presidenza del Consiglio dei Ministri con il sostegno della Commissione delle Comunità Europee - Direction Générale X - Politique Audiovisuelle Con la collaborazione di: Orchestra Regionale Arturo Toscanini Ente Autonomo Teatro Comunale di Bologna Dipartimento di Musica e Spettacolo dell'Università di Bologna Associazione Nazionale Esercenti Cinematografici ATC Azienda Trasporti Consorziali Con la sponsorizzazione / sponsored by: Haghefilm (Amsterdam) L'Immagine Ritrovata (Bologna) Soho Images (London) giovedì / thursday 26 Cinema Lumière A NUOVA LUCE: IL CINEMA MUTO ITALIANO workshop internazionale / International workshop dal pomeriggio di giovedì 26 - al pomeriggio di domenica 29 giugno from the afternoon of Thursday 26th to the afternoon of Sunday 29th June Cinema Lumière - Cinema Fulgor Dipartimento di Musica e Spettacolo dell'Università di Bologna Cineteca del Comune di Bologna Nederlands Filmmuseum Centro di promozione teatrale "La Soffitta" Unione Italiana Circoli del Cinema Mostra Internazionale del Cinema Libero ore 15.00 Introduzione ai lavori / Introducing the Workshop Vittorio Boarini (Cineteca del Comune di Bologna) e Antonio Costa (Università di Bologna) ore 15.45 Conservare i film muti italiani / Preserving the Italian silents intervento di Gian Luca Farinelli (Cineteca di Bologna) proiezione di: frammenti, film senza didascalie, opere da restaurare / projection of fragments, films without intertitles, film to be restored ore 17.00 La storia delle imprese di produzione del cinema muto italiano. -
Camera (1920-1922)
7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America. -
GCM2017 Catalogo+Calendario V6
ASSOCIAZIONE CULTURALE Kinemathek, Berlin); Anke Mebold (Deutsches “LE GIORNATE DEL CINEMA MUTO” Filminstitut – DIF); Andreas Thein (Filmmuseum Düsseldorf); Stefan Drößler (Filmmuseum Soci fondatori München); Oliver Hanley (Filmuniversität Paolo Cherchi Usai, Lorenzo Codelli, Babelsberg Konrad Wolf); Anke Wilkening Piero Colussi, Andrea Crozzoli, Luciano De (Friedrich-Wilhelm-Murnau-Stiftung); Anna Giusti, Livio Jacob, Carlo Montanaro, Mario Leippe, Reiner Ziegler (Landesfilmsammlung Quargnolo†, Piera Patat, Davide Turconi† Baden-Württemberg). Presidente Giappone: Masaki Daibo, Yoshiro Irie, Akira Livio Jacob Tochigi (National Film Center, Tokyo); Alexander Direttore emerito Jacoby, Johan Nordström David Robinson Italia: Luigi Calabrese (Associazione La Bottega Direttore delle Idee, Taranto); Carmen Accaputo Jay Weissberg (Cineteca di Bologna); Luisa Comencini, Roberto Della Torre, Matteo Pavesi, Marcello Seregni (Fondazione Cineteca Italiana, Milano); Laura Ringraziamo sentitamente per aver collaborato Argento, Daniela Currò, Franca Farina, Felice al programma: Laudadio, Irela Núñez Del Pozo, Maria Assunta Argentina: Fernando Citara (Archivo General de la Pimpinelli (Fondazione CSC - Cineteca Nazionale, Nación, Buenos Aires). Roma); Maria Ida Biggi, Marianna Zannoni (Fondazione Giorgio Cini, Venezia); Immagine Australia: Sally Jackson, Meg Labrum, Gayle Lake, Ritrovata, Bologna; Stella Dagna, Claudia Gianetto Caitlyn Leon (National Film and Sound Archive, (Museo Nazionale del Cinema, Torino); Luca Canberra). Mazzei (Università di Roma -
Hollywood Studio Magazine (August 1966)
MAGAZINE FOR AND ABOUT PEOPLE IN THE INDUSTRY AUGUST 1966 / 25 CENTS THE "Big Cage" Where Are They Now? New for 1967 Valli Sands FIRST SHOWING Valli Sahara RCA Victor Rancho Valli New Vista FURNISHED APARTMENTS io1' C®LOR tv $ 95.00 up.singles In Mastericrafted cabinets $115.00 up.one bedroom To Match Any Room Decor FREE UTILITIES.. .AIR CONDITIONING HEATED 3 POOLS 4257 LANKERSHIM BLVD. Call POplar 1-9169 NORTH HOLLYWOOD Poplar 3-9431 TR 7-4692 MANAGER 4040 ARCH DRIVE • APT. 1 Call Ext. 1297 for Price Information NORTH HOLLYWOOD * Special Consideration to Studio Employees Walk to Universal City DON T MAKE ME LAUGH 3oJvk. studioMAGAZINE FOR AND ABOUT PEOPLE IN THE INDUSTRY Bavasi being kidded about a Dodger slump sighed, “We haven’t won a pennant since October.” Columbia Property Dept. wrote the Texas Capitol for VOL. 1, NO. 4 AUGUST 1966 a small map of Texas 1860. A 5x3 foot map arrived and a missive read “There are no SMALL maps of Texas.” Mr. Alfred Hitchock press interviews are delighting the BEHIND THE SCENES East. See what the boys in the back room will have with this from Don Alperts Calendar: “The basic themes of movies should have a universal CONTENTS appeal. I deal with certain areas that become constant, changing only with the fashions and times as we go on. Fear is the desire of the individual to go through moments 3. Don't Make Me Laugh / Jim Dash or periods of anxiety. The satisfaction is he knows it’s not permanent. “1 like the idea of creating an emotion in an audience 4. -
Finding Aid for the Jim Tully Papers, 1883-1952 [Bulk Dates 1920-1947]
http://oac.cdlib.org/findaid/ark:/13030/kt987022gp No online items Finding Aid for the Jim Tully papers, 1883-1952 [bulk dates 1920-1947] Brieflisted by Simon Elliott, 1990; processed by Lilace Hatayama, Alisa Monheim and Bernadette Roca, 2005-2010; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2004 The Regents of the University of California. All rights reserved. Finding Aid for the Jim Tully 250 1 papers, 1883-1952 [bulk dates 1920-1947] Descriptive Summary Title: Jim Tully papers Date (inclusive): 1883-1952 [bulk dates 1920-1947] Collection number: 250 Creator: Tully, Jim Extent: 143 boxes (71.5 linear ft.)11 oversize boxes Abstract: The collection documents the life and career of Irish American novelist and writer Jim Tully. The papers contain manuscripts of novels, short stories, articles, plays and celebrity profiles written by Tully, as well as research material for his varied interests, including pugilism, prison reform and capital punishment, hoboing, labor strikes and many other topics. There is extensive correspondence with Hollywood celebrities, directors, studio executives, literary figures, and family and friends, including one of Tully's mentors, H.L. Mencken. The papers also include photographs and personal material about family history, marriages and travel. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. -
Napoleón Bonaparte Y El Cine: Una Interpretación Histórica
Napoleón Bonaparte y el cine : una interpretación histórica Francesc Marí Company ADVERTIMENT . La consulta d’aquesta tesi queda condicionada a l’acceptació de les següents condicions d'ús: La difusió d’aquesta tesi per mitjà del servei TDX ( www.tdx.cat ) i a través del Dipòsit Digital de la UB ( diposit.ub.edu ) ha estat autoritzada pels titulars dels drets de propietat intel·lectual únicament per a usos privats emmarcats en activitats d’investigació i docència. No s’autoritza la seva reproducció amb finalitats de lucre ni la seva difusió i posada a disposici ó des d’un lloc aliè al servei TDX ni al Dipòsit Digital de la UB . No s’autoritza la presentació del seu contingut en una finestra o marc aliè a TDX o al Dipòsit Digital de la UB (framing). Aquesta reserva de drets afecta tant al resum de presentació de la tesi com als seus continguts. En la utilització o cita de parts de la tesi és obligat indicar el nom de la persona autora. ADVER TENCIA . La consulta de esta tesis queda condicionada a la aceptación de las siguientes condiciones de uso: La difusión de esta tesis por medio del servicio TDR ( www.tdx.cat ) y a través del Repositorio Digital de la UB ( diposit.ub.edu ) ha sido autorizada po r los titulares de los derechos de propiedad intelectual únicamente para usos privados enmarcados en actividades de investigación y docencia. No se autoriza su reproducción con finalidades de lucro ni su difusión y puesta a disposición desde un sitio ajeno al servicio TDR o al Repositorio Digital de la UB . -
Lubitsch Bio-Filmografi
Lubitsch bio-filmografi Under udarbejdelsen af Lubitsch-filmografien er der skelet flittig t til især ERNST LUBITSCH’ BIOGRAFI: Gerhard Lamprechts uvurderlige »Deutsche Stummfilme« for årene 1913 til 1922 samt til Herman G. Weinbergs »The Lubitsch Touch«, 1968. Andre kilder Født den 28. januar 1882 i Berlin, hvor faderen Simon har været Theodore Huffs »An Index to the Films of Ernst Lubitsch«, The Lubitsch havde en skrædderforretning. 16 år gammel for British Film Institute, 1947, og Patrick Brions filmografi i Cahiers du Cinéma, februar 1968. Yderligere oplysninger er opsnuset i diverse tidsskrifter, bøger lod Ernst Lubitsch Sophien-Gymnasium, hvorefter han og opslagsværker. P.C. hjalp til i faderens forretning, først i selve forretningen, ERNST LUBITSCH SOM SKUESPILLER (i andres film): senere i bogholderiet. I 1910 kom Ernst Lubitsch til Max 1912: THE MIRACLE (Instr: Max Reinhardt) Reinhardts Deutsches Theater (efter i et par år at have VENEZIANISCHE NACHTE (Instr: Max Reinhardt) 1913: MEYER AUF DER ALM (Instr: ej fundet) optrådt på varieteer og lignende i sin fritid). Hos Reinhardt BEDINGUNG: KEiN ANHANG (Instr: Steilan Rye) fik Lubitsch småroller i bl. a. »Faust«, »Hamlet« og »Su- 1914: FRÅULEIN PICCOLO (Instr: Franz Hofer) DIE FIRMA HEIRATET (Instr: Carl Wilhelm) murun«, og han var med, da Reinhardts skuespillertrup DER STOLZ DER FIRMA (Instr: Carl Wilhelm) MEYER ALS SOLDAT (Instr: ej fundet) optrådte i London i februar 1911 og igen i 1912 (da Rein RUND UM DIE EHE (Instr: ej fundet) hardts engelske opførelse af »The Miracle«, et skuespil 1915: ARME MARIE! (Instr: Max Mack) ROBERT UND BERTRAM (Instr: Max Mack) af Karl Vollmoller, blev affotograferet). -
4586.Pdf (6.636Mb)
UNIVERSIDADE FEDERAL DE SÃO CARLOS CENTRO DE EDUCAÇÃO E CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM IMAGEM E SOM JOÃO MIGUEL VALENCISE A CHEGADA DO SOM NOS CINEMAS DE SÃO PAULO SEGUNDO A FOLHA DA MANHÃ (1928-1933) SÃO CARLOS 2012 UNIVERSIDADE FEDERAL DE SÃO CARLOS CENTRO DE EDUCAÇÃO E CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM IMAGEM E SOM JOÃO MIGUEL VALENCISE A CHEGADA DO SOM NOS CINEMAS DE SÃO PAULO SEGUNDO A FOLHA DA MANHÃ (1928-1933) Dissertação apresentada ao Programa de Pós-Graduação em Imagem e Som, na Área de Concentração Imagem e Som, como requisito parcial para a obtenção de grau de mestre em Imagem e Som. Orientação: Prof. Dr. Arthur Autran Franco de Sá Neto SÃO CARLOS 2012 Ficha catalográfica elaborada pelo DePT da Biblioteca Comunitária da UFSCar Valencise, João Miguel. V152cs A chegada do som nos cinemas de São Paulo segundo a Folha da Manhã (1928-1933) / João Miguel Valencise. -- São Carlos : UFSCar, 2012. 197 f. Dissertação (Mestrado) -- Universidade Federal de São Carlos, 2012. 1. Cinema - história. 2. Som. 3. Cinema sonoro. 4. Cinema brasileiro. 5. Mercado cinematográfico. I. Título. CDD: 791.4309 (20a) Dedico este trabalho a Simone Aparecida Andrade, companheira que me incentivou e me permitiu vivenciar os dois anos desta experiência e à memória de meu pai, Antonio Angelo Valencise, presente em parte do percurso. AGRADECIMENTOS Agradeço ao meu orientador Prof. Dr. Arthur Autran Franco de Sá Neto, pela orientação e, principalmente, pela dedicação dispensada à minha formação nesta nova área de conhecimento. Aos participantes da minha banca de qualificação, Prof.