THE BATTLE of the SKAMANDER the of BATTLE the the Battle of the Skamander1
Czytanie Literatury http://dx.doi.org/10.18778/2299-7458.08.21 Łódzkie Studia Literaturoznawcze 8/2019 ISSN 2299–7458 ELIZA KĄCKA e-ISSN 2449–8386 University of Warsaw 0000-0001-9589-936X 211 THE BATTLE OF THE SKAMANDER The Battle of the Skamander1 “In the ‘Picador’ period and later in the Skamander period, we were terrible. Young, witty, cruel, and, to make things worse, with money. Simply dis- gusting”, as Antoni Słonimski reminisced on his youth2. Sometimes, their wittiness – and certainly their cruelty – was equalled by that of Adolf Nowaczyński. Therefore, in this respect, though not only it, there must have been some rivalry between them. The relationships between Skamandrites and the leading commentators of the nationalist camp were not easy. As Jan Lechoń indicated in Dziennik, Nowaczyński fascinated Mieczysław Grydzewski3. This was why until the end of the interwar period – despite some prior disputes, which I shall discuss later on – there was a space reserved for him in the Wiadomości Literackie, though Grydzewski printed only his historical texts. It was Kazimierz Wierzyński who was on a first-name basis with Nowaczyński (and he published the lat- ter one’s texts in his Poznań-based Kultura). As for Słonimski, the situation was more complicated, which led to a duel of a kind that is worthy of a story. The satirist and dramatist, one of the greatest writers of the second pe- riod of the Young Poland, met the nearly twenty years younger sketch artist (and secretly a poet) in Warsaw occupied by Kaiser’s forces, in the editorial 1 The title was proposed in Kronika Tygodniowa in the “Wiadomości Literackie” journal, 1927, issue 25 of 19 June.
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