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A Register of Music Performed in Concert, Nazareth, Pennsylvania from 1796 to 1845: an Annotated Edition of an American Moravian Document
A register of music performed in concert, Nazareth, Pennsylvania from 1796 to 1845: an annotated edition of an American Moravian document Item Type text; Thesis-Reproduction (electronic) Authors Strauss, Barbara Jo, 1947- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 23:14:00 Link to Item http://hdl.handle.net/10150/347995 A REGISTER OF MUSIC PERFORMED IN CONCERT, NAZARETH., PENNSYLVANIA FROM 1796 TO 181+52 AN ANNOTATED EDITION OF AN AMERICAN.MORAVIAN DOCUMENT by Barbara Jo Strauss A Thesis Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC WITH A MAJOR IN MUSIC HISTORY In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 7 6 Copyright 1976 Barbara Jo Strauss STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill ment of requirements for an advanced degree at The Univer sity of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate ac knowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manu script in whole or in part may -
103 the Music Library of the Warsaw Theatre in The
A. ŻÓRAWSKA-WITKOWSKA, MUSIC LIBRARY OF THE WARSAW..., ARMUD6 47/1-2 (2016) 103-116 103 THE MUSIC LIBRARY OF THE WARSAW THEATRE IN THE YEARS 1788 AND 1797: AN EXPRESSION OF THE MIGRATION OF EUROPEAN REPERTOIRE ALINA ŻÓRAWSKA-WITKOWSKA UDK / UDC: 78.089.62”17”WARSAW University of Warsaw, Institute of Musicology, Izvorni znanstveni rad / Research Paper ul. Krakowskie Przedmieście 32, Primljeno / Received: 31. 8. 2016. 00-325 WARSAW, Poland Prihvaćeno / Accepted: 29. 9. 2016. Abstract In the Polish–Lithuanian Common- number of works is impressive: it included 245 wealth’s fi rst public theatre, operating in War- staged Italian, French, German, and Polish saw during the reign of Stanislaus Augustus operas and a further 61 operas listed in the cata- Poniatowski, numerous stage works were logues, as well as 106 documented ballets and perform ed in the years 1765-1767 and 1774-1794: another 47 catalogued ones. Amongst operas, Italian, French, German, and Polish operas as Italian ones were most popular with 102 docu- well ballets, while public concerts, organised at mented and 20 archived titles (totalling 122 the Warsaw theatre from the mid-1770s, featured works), followed by Polish (including transla- dozens of instrumental works including sym- tions of foreign works) with 58 and 1 titles phonies, overtures, concertos, variations as well respectively; French with 44 and 34 (totalling 78 as vocal-instrumental works - oratorios, opera compositions), and German operas with 41 and arias and ensembles, cantatas, and so forth. The 6 works, respectively. author analyses the manuscript catalogues of those scores (sheet music did not survive) held Keywords: music library, Warsaw, 18th at the Archiwum Główne Akt Dawnych in War- century, Stanislaus Augustus Poniatowski, saw (Pl-Wagad), in the Archive of Prince Joseph musical repertoire, musical theatre, music mi- Poniatowski and Maria Teresa Tyszkiewicz- gration Poniatowska. -
Erwin Und Elmire 1776 (70’)
Sound Reseach of Women Composers: Music of the Classical Period (CP 1) Anna Amalia Herzogin von Sachsen-Weimar-Eisenach 1739–1807 Erwin und Elmire 1776 (70’) Schauspiel mit Gesang nach einem Text von Johann Wolfgang von Goethe Erstveröffentlichung/First Publication erste vollständige szenische Aufführung am 25. Juni 2009 im Ekhof-Theater Gotha first complete scenic performance on June 25th 2009 at Ekhof-Theatre Gotha hrsg. von /edited by Peter Tregear Aufführungsmaterial leihweise / Performance material available for hire Personen Olympia: Sopran/Soprano Elmire: Sopran/Soprano Bernardo: Tenor oder/or Sopran/Soprano Erwin: Tenor oder/or Sopran/Soprano Orchesterbesetzung/Instrumentation 2 Flöten/2 Flutes 2 Oboen/2 Oboes Fagott/Bassoon 2 Hörner/2 Horns Violine 1/2 Viola Kontrabass Quelle: Anna Amalia Bibliothek, Weimar, Mus II a:98 (Partitur), Mus II c:1 (Vokalstimmen) © 2011 Furore Verlag, Naumburger Str. 40, D-34127 Kassel, www.furore-verlag.de Alle Rechte vorbehalten / Das widerrechtliche Kopieren von Noten wird privat- und strafrechtlich geahndet Printed in Germany / All rights reserved / Any unauthorized reproduction is prohibited by law Dieses Werk ist als Erstveröffentlichung nach §71 UrhG urheberrechtlich geschützt. Alle Aufführungen sind genehmigungs- und gebührenpflichtig. Furore Edition 2568 • ISMN: 979-0-50182-383-5 Inhalt/Contents Seite / Page Dr. Peter Tregear Erwin und Elmire – Eine Einführung 3 Professor Nicolas Boyle Goethes Erwin und Elmire in seiner Zeit 4 Dr. Lorraine Byrne Bodley Die Tücken des Musiktheaters: Anna Amalias -
Schiller and Music COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
Schiller and Music COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Schiller and Music r.m. longyear UNC Studies in the Germanic Languages and Literatures Number 54 Copyright © 1966 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Longyear, R. M. Schiller and Music. Chapel Hill: University of North Carolina Press, 1966. doi: https://doi.org/ 10.5149/9781469657820_Longyear Library of Congress Cataloging-in-Publication Data Names: Longyear, R. M. Title: Schiller and music / by R. M. Longyear. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 54. Description: Chapel Hill : University of North Carolina Press, [1966] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 66064498 | isbn 978-1-4696-5781-3 (pbk: alk. paper) | isbn 978-1-4696-5782-0 (ebook) Subjects: Schiller, Friedrich, 1759-1805 — Criticism and interpretation. -
Wolfgang Gönnenwein JI- MEISTER -Wwerk WOLFGANG AMADEUS MOZART JOHANN STRAUSS, SOHN Messe Nr
Baeh Vachet auf, ruft uns die Stimme Gottes Zeit ist die allerbeste Zeit co22521282 Jesu, der du meine Seele Ameline' Mathis ' Michelow 'Altmeyer Sotin ' Crass Süd deuischer Madrigalchor Consorti u m musicum Wolfgang Gönnenwein JI- MEISTER -wWERK WOLFGANG AMADEUS MOZART JOHANN STRAUSS, SOHN Messe Nr. 14, KV 317 .Krönungsmesse" An der schönen blauen Donau, op.314 Missa brevis KV 194 & KV 275 G'schichten aus dem Wienerwald, op. 325 KÖTH .SCHERLER. MALONE. SCHMIDT' Wiener Blut, op.354'Lagunenwalzer, op. 411 ' MÖHLER . FORTUNE . FRANZEN Rosen aus dem Süden, op.388'Kaiserwalzer, WOLFSBURGER CHORGEMEINSCHAFT op.437 KRIELER ALBERTUSCHOR JOSEPH STRAUSS.. RADIO-SYMPHONIE-ORCHESTER BERLIN Dorfschwalben aus Osterreich, op. 164 KRIELER KAMMERORCHESTER Sphärenklänge, op.235 Dirigenten: MEYER-KUNDT' MARNER WIENER SYMPHONIKER s cDZ25 2138 2 Dirigent: ROBERT STOLZ § cDZ252l27 2 WOLFGANG AMADEUS MOZART Requiem, KV 626 PETER TSCHAIKOWSKY ZY.IS GARA . DOMINGUEZ . SCHREIER . CRASS Sinfonie Nr.6, op. 74 ,,Pathötique" SÜDDEUTSCHER MADRIGALCHOR Dornröschen, op. 66 - Suite CONSORTIUM MUSICUM PHILHARMONIA ORCHESTRA Dirigent: WOLFGANC CÖNNENWEIN Dirigent: HERBERT VON KARAJAN § cpz25 2123 2 § cDZ 25 2143 2 SERGE PROKOFIEFF RICHARD WAGNER Peter und der Wolf, op.67 'Sinfonie Nr. 1, op. 25 Orchesterstücke aus: Die Walküre' ,,Classique" Götterdämmerung' Lohengrin' BENJAMIN BRITTEN Die Meistersinger von Nürnberg The Young Person's Guide to LONDON PHILHARMONIC ORCHESTRA the Orchestra, op. 34 Dirigent: KARL ANTON RICKENBACHER KULENKAMPFF & PREVIN, Erzähler § cDZ25 2t45 2 LONDON SYMP.HONY ORCHESTRA Dirigent: ANDRE PREVIN WOLFGANG AMADEUS MOZART E CDZ 25 2124 2 Eine kleine Nachtmusik, KV 525 LEOPOLD MOZART FRIEDRICH SMETANA Kindersinfonie Mein Vaterland FRANZ LISZT (einschl.,,Die Moldau") Les Pröludes STAATSKAPELLE DRESDEN FRIEDRICH SMETANA Diri gent: PAAVO BERGLUND Die Moldau a cDZ 25 2126 2 BERLINER PHILHARMONIKER PHILHARMONIA ORCHESTRA RICHARD STRAUSS Dirigent: HERBERT VON KARAJAN Don Juan, op.20.Till Eulenspiegels lustige @ cDZ25 2152 2 Streiche, op. -
Anna Amalia Herzogin Von Sachsen-Weimar-Eisenach
Anna Amalia Herzogin von Sachsen-Weimar-Eisenach Orte und Länder Aufgewachsen am Braunschweig-Wolfenbüttler Hof, seit ihrer Vermählung mit Herzog Ernst August II. Constan- tin von Sachsen-Weimar-Eisenach im Jahr 1756 in Wei- mar ansässig. Biografie Als fünftes von dreizehn Kindern des Herzogs Carl I. und Philippine Charlotte, geb. Prinzessin von Preußen am 24. 10. 1739 in Wolfenbüttel geboren. Umfassende Ausbil- dung in allen geistes- und naturwissenschaftlichen Fä- chern, daneben besonders ambitionierte Unterweisung im Tanzen, Klavier-, Traversflöten-, Harfenspiel und in der Komposition. Nach ihrer Eheschließung mit Herzog Ernst August II. Constantin von Sachsen-Weimar-Eise- nach (1756) Übersiedelung nach Weimar. Nach dem Tod des Gatten 1758 vormundschaftliche Regentin und bis zur Regentschaftsübernahme ihres Sohnes Carl August (1775) Durchsetzung eines eigengeprägten Hofkonzepts Herzogin Anna Amalia von Georg Melchior Kraus (Öl auf („Weimarer Musenhof“). Sie setzte sich mit einer geziel- Leinwand), 1774 ten Personalpolitik, mit der sie Dichter wie Johann Carl August Musäus (ab 1763), ab 1772 Christoph Martin Wie- Anna Amalia Herzogin von Sachsen-Weimar- land zu den Erziehern ihrer Söhne machte, ab 1775 Jo- Eisenach hann Wolfgang Goethe und wenig später Johann Gottf- Geburtsname: Anna Amalia Prinzessin von ried Herder an sich band und Musiker wie Ernst Wil- Braunschweig-Wolfenbüttel helm Wolf, Carl Friedrich Freiherr von Seckendorff oder die Sängerin Corona Schröter in ein umfassendes Pro- * 24. Oktober 1739 in Wolfenbüttel, gramm integrierte, für Wissenschaft, Literatur, bildende † 10. April 1807 in Weimar, Kunst und Musik ein und hatte an allen Bereichen selbst aktiven Anteil. Ihr kompositorisches Œuvre umfasst Fürstin, Begründerin des Weimarer Musenhofs, Kammermusik und musikdramatische Werke (s.u.). -
Billboard 1967-11-04
EijilNOVEMBER 4, 1967 SEVENTY -THIRD YEAR 75 CENTS The International Music -Record Newsweekly Labels Hold Boston Capitol to Back Labels Int'l Pop Fest Koppelman & Rubin Talent) Parties in Of By ELIOT TIEGEL Planned for N.Y. NEW YORK - Capitol Rec- Koppelman, co -owner of the ords will finance and distribute two -year -old independent disk All -Out Artist Hunt a series of pop labels formed producing firm /music publish- By HANK FOX by Charles Koppelman and Don ing combine, said Capitol's in- To Help Charity BOSTON - "Stand up straight -talent scouts Rubin. The affiliation marks vestment in the first of his new are watching you" is the advice circulating the record manufacturer's sec- labels, The Hot Biscuit Disc By CLAUDE HALL through this town and Cambridge. Record com- ond such deal with an out- Co., was over $1 million. Hot moving side interest. The Beach Boys' Biscuit's debut single, sched- NEW YORK -An International Pop Music panies and independent producers are 40 of the world's into the region, furiously signing local talent for Brother Records was launched uled for release in two weeks, Festival, featuring more than top artists and groups, is being planned for late a major onslaught of releases by Boston -based several months ago from the introduces a new New York Coast. (Continued on page 10) June next year in Central Park here. Sid Bern- groups due to hit the market in January. organizing Boston and Cambridge groups are stein, the promoter- manager who is At least six it more than scheduled for release in January, and the Festival, believes will draw already for a three -day event. -
MUSIC in the EIGHTEENTH CENTURY Western Music in Context: a Norton History Walter Frisch Series Editor
MUSIC IN THE EIGHTEENTH CENTURY Western Music in Context: A Norton History Walter Frisch series editor Music in the Medieval West, by Margot Fassler Music in the Renaissance, by Richard Freedman Music in the Baroque, by Wendy Heller Music in the Eighteenth Century, by John Rice Music in the Nineteenth Century, by Walter Frisch Music in the Twentieth and Twenty-First Centuries, by Joseph Auner MUSIC IN THE EIGHTEENTH CENTURY John Rice n W. W. NORTON AND COMPANY NEW YORK ē LONDON W. W. Norton & Company has been independent since its founding in 1923, when William Warder Norton and Mary D. Herter Norton first published lectures delivered at the People’s Institute, the adult education division of New York City’s Cooper Union. The firm soon expanded its program beyond the Institute, publishing books by celebrated academics from America and abroad. By midcentury, the two major pillars of Norton’s publishing program— trade books and college texts—were firmly established. In the 1950s, the Norton family transferred control of the company to its employees, and today—with a staff of four hundred and a comparable number of trade, college, and professional titles published each year—W. W. Norton & Company stands as the largest and oldest publishing house owned wholly by its employees. Copyright © 2013 by W. W. Norton & Company, Inc. All rights reserved Printed in the United States of America Editor: Maribeth Payne Associate Editor: Justin Hoffman Assistant Editor: Ariella Foss Developmental Editor: Harry Haskell Manuscript Editor: JoAnn Simony Project Editor: Jack Borrebach Electronic Media Editor: Steve Hoge Marketing Manager, Music: Amy Parkin Production Manager: Ashley Horna Photo Editor: Stephanie Romeo Permissions Manager: Megan Jackson Text Design: Jillian Burr Composition: CM Preparé Manufacturing: Quad/Graphics—Fairfield, PA Library of Congress Cataloging-in-Publication Data Rice, John A. -
1 Montag, 05.07.2021 00:00 1LIVE Fiehe Freestylesendung Mit Klaus
Montag, 05.07.2021 zur vollen Stunde WDR II:F7; Consortium Classicum aktuell Paul Hindemith: zur halben Stunde WDR Sinfonische Metamorphosen aktuell und Lokalzeit auf nach Themen von Carl WDR 2 Maria von Weber; Sao 15:00 WDR 2 Sommerradio Paulo Symphony Orchestra, Darin: Leitung: John Neschling 00:00 1LIVE Fiehe zur vollen Stunde WDR Claudio Monteverdi: Freestylesendung mit Klaus aktuell Missa "In illo tempore"; Federico Bagnasco, Fiehe zur halben Stunde bis 17:30 seit 22:00 Uhr WDR aktuell und Lokalzeit Violone; Massimo Sartori, Viola da gamba; Michele 01:00 Die junge Nacht der ARD auf WDR 2 18:40 WDR 2 Stichtag Pasotti, Theorbe; Marta Darin: Graziolino, Harfe; Liuwe zur vollen Stunde WDR (Wiederholung von 09:40) Tamminga, Orgelpositiv; aktuell 20:00 WDR 2 POP! Darin: Odhecaton, Leitung: Paolo 05:00 1LIVE Da Col Die tägliche, aktuelle zur vollen Stunde WDR aktuell Wolfgang Amadeus Mozart: Morgen-Show in 1LIVE 23:30 WDR 2 Podcast Sinfonie g-Moll, KV 183; 10:00 1LIVE Academy of St. Martin in the Der Vormittag in 1LIVE Sommerfestival Fields, Leitung: Neville 14:00 1LIVE Marriner Der Nachmittag in 1LIVE ab 04:03: 18:00 1LIVE Ottorino Respighi: Die Themen des Tages im Feste Romane; Oslo Sektor Philharmonic Orchestra, 20:00 1LIVE Plan B Leitung: Mariss Jansons Der Abend in 1LIVE - im 00:00 ARD Radiofestival. Franz Liszt: Zeichen der Popkultur Nachrichten Tarantella; Yundi Li, Klavier 23:00 1LIVE Reportage 00:03 Das ARD Nachtkonzert Luigi Boccherini: Max Bruch: Violoncellokonzert Nr. 7 G- Sinfonie Nr. 1 Es-Dur, op. Dur; Truls Mørk; Trondheim 28; Gewandhausorchester, Soloists, Leitung: Øyvind Leitung: Kurt Masur Gimse Johannes Brahms: ab 05:03: Fest- und Gedenksprüche, Wolfgang Amadeus Mozart: op. -
Süddeutsche Hofkapellen Im 18. Jahrhundert
Süddeutsche Hofkapellen im 18. Jahrhundert Eine Bestandsaufnahme Herausgegeben von Silke Leopold und Bärbel Pelker ISBN 978-3-946054-00-9 UP HEIDELBERG 9 783946 054009 hei UNIVERSITY PUBLISHING Die Initialzundung zu dieser Publikation gab ein Symposium uber suddeutsche Hofkapellen, das 2003 von der Forschungsstelle Geschichte der Mannheimer Hofkapelle der Heidelberger Akademie der Wissenschaften in Schwetzingen veranstaltet wurde. Auf der Grundlage eines einheitlich vorgegebenen Themen- kataloges sollten der gegenwärtige Forschungsstand und die Strukturen der Hof- und Adelskapellen erstmals vergleichend erfasst und dokumentiert werden. Der herzliche Dank der Herausgeberinnen gilt vor allem den Autoren, die sich mit viel Engagement und Geduld dem uber mehrere Jahre währenden Entste- hungsprozess gewidmet haben. Sie danken auch den vielen Archiven, Bibliothe- ken und Museen im suddeutschen Raum sowie den Staatlichen Schlössern und Gärten Baden-Württemberg fur ihre Unterstutzung. Ein ganz besonderer Dank gilt Kara Rick fur ihre wertvolle redaktionelle Mitarbeit sowie Jelena Rothermel und Johannes Sturm fur weiteres Korrekturlesen. Die Redaktion hat sich bemüht, die Rechteinhaber der Abbildungen zu ermitteln. Falls trotzdem etwas übersehen wurde, möchten wir Sie herzlich bitten, sich mit uns in Verbindung zu setzen. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie. Detaillierte bibliografische Daten sind im Internet unter http://dnb.ddb.de abruf bar. Dieses Werk ist unter der Creative Commons-Lizenz 4.0 (CC BY-SA 4.0) veröffentlicht. Die Online-Version dieser Publikation ist auf den Verlagswebseiten von Heidelberg University PUBLISHING http://heiup.uni-heidelberg.de dauerhaft frei verfügbar (open access). urn: urn:nbn:de:bsz:16-heiup-book-347-3 doi: https://doi.org/10.17885/heiup.347.479 Unveränderte Wiederveröffentlichung der Erstausgabe von 2014. -
A C AHAH C (Key of a Major, German Designation) a Ballynure Ballad C a Ballynure Ballad C (A) Bal-Lih-N'yôôr BAL-Ludd a Capp
A C AHAH C (key of A major, German designation) A ballynure ballad C A Ballynure Ballad C (A) bal-lih-n’YÔÔR BAL-ludd A cappella C {ah kahp-PELL-luh} ah kahp-PAYL-lah A casa a casa amici C A casa, a casa, amici C ah KAH-zah, ah KAH-zah, ah-MEE-chee C (excerpt from the opera Cavalleria rusticana [kah-vahl-lay-REE-ah roo-stee-KAH-nah] — Rustic Chivalry; music by Pietro Mascagni [peeAY-tro mah-SKAH-n’yee]; libretto by Guido Menasci [gooEE-doh may-NAH-shee] and Giovanni Targioni-Tozzetti [jo-VAHN-nee tar-JO- nee-toht-TSAYT-tee] after Giovanni Verga [jo-VAHN-nee VAYR-gah]) A casinha pequeninaC ah kah-ZEE-n’yuh peh-keh-NEE-nuh C (A Tiny House) C (song by Francisco Ernani Braga [frah6-SEESS-kôô ehr-NAH-nee BRAH-guh]) A chantar mer C A chantar m’er C ah shah6-tar mehr C (12th-century composition by Beatriz de Dia [bay-ah-treess duh dee-ah]) A chloris C A Chloris C ah klaw-reess C (To Chloris) C (poem by Théophile de Viau [tay- aw-feel duh veeo] set to music by Reynaldo Hahn [ray-NAHL-doh HAHN]) A deux danseuses C ah dö dah6-söz C (poem by Voltaire [vawl-tehr] set to music by Jacques Chailley [zhack shahee-yee]) A dur C A Dur C AHAH DOOR C (key of A major, German designation) A finisca e per sempre C ah fee-NEE-skah ay payr SAYM-pray C (excerpt from the opera Orfeo ed Euridice [ohr-FAY-o ayd ayoo-ree-DEE-chay]; music by Christoph Willibald von Gluck [KRIH-stawf VILL-lee-bahlt fawn GLÔÔK] and libretto by Ranieri de’ Calzabigi [rah- neeAY-ree day kahl-tsah-BEE-jee]) A globo veteri C AH GLO-bo vay-TAY-ree C (When from primeval mass) C (excerpt from -
WNIB Program Schedule December 1971
u 1 , 1 The Advent Mode! 201 Tape Deck is, to our way of thinking, the ideal source for playing music in the home. It combines the important characteristics of a high-performance open-reel tape recorder with the convenience of cassettes. The Advent I Model 201 wit! make recordings that are indistinguishable from most source material, including the best stereo records and FM broadcasts. Of equal importance, the Mode! 201 realizes the full potential of the new "Dolbyized" commercially recorded cassettes, the most significant source I of recorded music since the introduc tion of the stereo disc. The best of the "Dolbyized" pre-recorded cas settes are easily the equivalent of the best disc recordings, and the number of releases will be continually in creasing. The Mode! 201 has the ruggedness and day-to-day operating dependability of the best home recorders, and wi!I maintain its original performance over long and constant use. $2 Beverly Near North Morton Grove Oak Park 2035 W. 95 th 48 E.Oak 5700 W Dempster 7045 W. North The performance of the Model 201 337-4\50 967-6690 38'.l-7006 is the result of several important departures in the design and manu 1\JfS()AY. WHJN(Sl)AY FRIDA.¥ & SATURDAY JOAM- 6 PM; MONDAY & THURSDAY 1D AM-9l'M facture of a cassette recorder. "Seigneur, dans votre main''; Louis BROQUET ''Beau Chevalier''; Otto BARBLAN "Hymne a la PROGRAM HEDUlE patrie"; Robert MERMOUD "Pour toi, pays"; Carlo HEMMERLING "0 petit pays"; Gustave DORET "Priere du Ruetli"; Carlo BOLLER I fm December, 1971 "Chant du drapeau"; Emile JAQUES-DALCROZE "Los Vieux11 ; Jean APOTHELOZ "Grand Guillau me"; Joseph BOVET "L'Alpee"; Hermann LANG "Mon pays, rustique sejour''; Henri PLUMHOF "La chanson des etoiles"; Joseph BOVET "La montee a l'alpage"; Gustave DORET "Le peuple des bergers" - Choeurs d'homrnes remands/ Andre Charlet (Swiss Composers CT 64-28) WNIB P rog-ram Schedule is published by Radio Station WNIB, 25 East Chestnut, Chicago, Illinois 60611.