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SPECIALE BORGHI Della CAMPANIA2
SPECIALE BORGHI della CAMPANIA2 COPIA OMAGGIO edizione speciale FIERE un parco di terra e di mare laboratorio di biodiversità a park of land and sea R laboratory of biodiversity www.cilentoediano.it GLI 80 COMUNI DEL PARCO NAZIONALE DEL CILENTO VALLO DI DIANO E ALBURNI Agropoli Gioi Roccagloriosa Aquara Giungano Rofrano Ascea Laureana Cilento Roscigno Auletta Laurino Sacco Bellosguardo Laurito Salento Buonabitacolo Lustra San Giovanni a Piro Camerota Magliano Vetere San Mauro Cilento Campora Moio della Civitella San Mauro la Bruca Cannalonga Montano Antilia San Pietro al Tanagro Capaccio Monte San Giacomo San Rufo Casal velino Montecorice Sant’Angelo a Fasanella Casalbuono Monteforte Cilento Sant’Arsenio Casaletto Spartano Montesano sulla Marcellana Santa Marina Caselle in Pittari Morigerati Sanza Castel San Lorenzo Novi Velia Sassano Castelcivita Omignano Serramezzana Castellabate Orria Sessa Cilento Castelnuovo Cilento Ottati Sicignano degli Alburni Celle di Bulgheria Perdifumo Stella Cilento Centola Perito Stio Ceraso Petina Teggiano Cicerale Piaggine Torre Orsaia Controne Pisciotta Tortorella Corleto Monforte Polla Trentinara Cuccaro Vetere Pollica Valle dell’Angelo Felitto Postiglione Vallo della Lucania Futani Roccadaspide I 15 COMUNI NELLE AREE CONTIGUE DEL PARCO NAZIONALE DEL CILENTO VALLO DI DIANO E ALBURNI Albanella Ogliastro Cilento Sala Consilina Alfano Padula Sapri Atena Lucana Pertosa Torchiara Caggiano Prignano Cilento Torraca Ispani Rutino Vibonati zona del parco Parco Nazionale del Cilento, Vallo di Diano e Alburni Ai Focei si deve, invece, la fondazione di Velia (VI secolo a.C.), patria della scuola Eleatica di Parmenide che ha fecon- dato e illuminato la storia della filosofia occidentale. La Certosa di San Lorenzo di Padula costituisce un vero e proprio gioiello dell’architettura monastica, principale esem- pio del Barocco del Mezzogiorno, inserita tra i Monumenti Internazionali già nel lontano 1882. -
Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal Timothy Hanford Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/427 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by TIMOTHY HANFORD A dissertation submitted to the Graduate Faculty in Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ©2014 TIMOTHY HANFORD All Rights Reserved ii This dissertation has been read and accepted by the Graduate Faculty in Classics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Ronnie Ancona ________________ _______________________________ Date Chair of Examining Committee Dee L. Clayman ________________ _______________________________ Date Executive Officer James Ker Joel Lidov Craig Williams Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by Timothy Hanford Advisor: Professor Ronnie Ancona This dissertation explores the relationship between Senecan tragedy and Virgil’s Aeneid, both on close linguistic as well as larger thematic levels. Senecan tragic characters and choruses often echo the language of Virgil’s epic in provocative ways; these constitute a contrastive reworking of the original Virgilian contents and context, one that has not to date been fully considered by scholars. -
Representing Roman Female Suicide. Phd Thesis
GUILT, REDEMPTION AND RECEPTION: REPRESENTING ROMAN FEMALE SUICIDE ELEANOR RUTH GLENDINNING, BA (Hons) MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy DECEMBER 2011 Abstract This thesis examines representations of Roman female suicide in a variety of genres and periods from the history and poetry of the Augustan age (especially Livy, Ovid, Horace, Propertius and Vergil), through the drama and history of the early Principate (particularly Seneca and Tacitus), to some of the Church fathers (Tertullian, Jerome and Augustine) and martyr acts of Late Antiquity. The thesis explores how the highly ambiguous and provocative act of female suicide was developed, adapted and reformulated in historical, poetic, dramatic and political narratives. The writers of antiquity continually appropriated this controversial motif in order to comment on and evoke debates about issues relating to the moral, social and political concerns of their day: the ethics of a voluntary death, attitudes towards female sexuality, the uses and abuses of power, and traditionally expected female behaviour. In different literary contexts, and in different periods of Roman history, writers and thinkers engaged in this same intellectual exercise by utilising the suicidal female figure in their works. ii Acknowledgments I would like to thank the Arts and Humanities Research Council for providing the financial assistance necessary for me to carry out this research. The Roman Society also awarded a bursary that allowed me to undertake research at the Fondation Hardt pour I'etude de I'antiquite classique, in Geneva, Switzerland (June 2009). I am also grateful for the CAS Gender Histories bursary award which aided me while making revisions to the original thesis. -
Unearth the Essence of the Amalfi Coast with Our Extraordinary Experiences Contents
UNEARTH THE ESSENCE OF THE AMALFI COAST WITH OUR EXTRAORDINARY EXPERIENCES CONTENTS SIGNATURE EXPERIENCES 3 COASTAL LIVING 12 WINING AND DINING 23 TREASURES OF THE LAND 38 ART AND CULTURE 49 – SIGNATURE EXPERIENCES 3 MYSTERIES OF NAPLES Italian writer and journalist Curzio Malaparte once wrote: “Naples is the most mysterious city in Europe. It is the only city in the ancient world that has not perished like Ilium, like Nineveh, like Babylon. It is the only city in the world that has not sunk in the immense shipwreck of ancient civilisation. Naples is a Pompeii that has never been buried.” In the company of an expert storyteller, embark on a journey through the vibrant heart of this mysterious southern capital, discovering decorated catacombs, richly encoded chapels and aged rituals. Customise your tour, choosing from: – Farmacia degli Incurabili: This pharmaceutical laboratory was a meeting point for the Neapolitan Enlightened elite. Discover the intriguing anecdotes of a place where art and science collided. – Biblioteca dei Girolamini: Home to a vast archive of books and opera music since 1586, this is the oldest public library in Naples. – San Gaudioso Catacombs: Concealed beneath the Basilica di Santa Maria della Santità lies one of the most important early Christian cemeteries in Naples. Head underground to unearth the mysterious crypt’s secrets. – Sansevero Chapel: Preserving the Veiled Christ, one of the greatest masterpieces ever carved in marble, this chapel is an iconic example of 18th-century creativity. The statues appear so fluid and soft, you may be tempted to reach out and touch them. Visits may vary according to availability. -
ROMAN ARCHITEXTURE: the IDEA of the MONUMENT in the ROMAN IMAGINATION of the AUGUSTAN AGE by Nicholas James Geller a Dissertatio
ROMAN ARCHITEXTURE: THE IDEA OF THE MONUMENT IN THE ROMAN IMAGINATION OF THE AUGUSTAN AGE by Nicholas James Geller A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Associate Professor Basil J. Dufallo, Chair Associate Professor Ruth Rothaus Caston Professor Bruce W. Frier Associate Professor Achim Timmermann ACKNOWLEDGEMENTS This dissertation would not have been possible without the support and encouragement of many people both within and outside of academia. I would first of all like to thank all those on my committee for reading drafts of my work and providing constructive feedback, especially Basil Dufallo and Ruth R. Caston, both of who read my chapters at early stages and pushed me to find what I wanted to say – and say it well. I also cannot thank enough all the graduate students in the Department of Classical Studies at the University of Michigan for their support and friendship over the years, without either of which I would have never made it this far. Marin Turk in Slavic Languages and Literature deserves my gratitude, as well, for reading over drafts of my chapters and providing insightful commentary from a non-classicist perspective. And I of course must thank the Department of Classical Studies and Rackham Graduate School for all the financial support that I have received over the years which gave me time and the peace of mind to develop my ideas and write the dissertation that follows. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………………ii LIST OF ABBREVIATIONS……………………………………………………………………iv ABSTRACT……………………………………………………………………………………....v CHAPTER I. -
Los Ludi En La Roma Arcaica
Martínez-Pinna, Jorge Los ludi en la Roma arcaica De Rebus Antiquis Año 2 Nº 2, 2012 Este documento está disponible en la Biblioteca Digital de la Universidad Católica Argentina, repositorio institucional desarrollado por la Biblioteca Central “San Benito Abad”. Su objetivo es difundir y preservar la producción intelectual de la institución. La Biblioteca posee la autorización del autor para su divulgación en línea. Cómo citar el documento: Martínez-Pinna, Jorge. “Los ludi en la Roma arcaica” [en línea], De Rebus Antiquis, 2 (2012). Disponible en: http://bibliotecadigital.uca.edu.ar/repositorio/revistas/los-ludi-roma-arcaica-pinna.pdf [Fecha de consulta:..........] (Se recomienda indicar fecha de consulta al final de la cita. Ej: [Fecha de consulta: 19 de agosto de 2010]). DE REBUS ANTIQUIS Año II, Núm. 2 / 2012 ISSN 2250-4923 LOS LUDI EN LA ROMA ARCAICA* DR. JORGE MARTÍNEZ-PINNA Universidad de Málaga Abstract: This paper it is discussed the public games held in Rome during the monarchy. Its creation is due to religious causes, related to fertility (Consualia, ludi Taurei) or to war (Equirria, equus October). The religious and politic fulfillment of the games materializes in the ludi Romani, introduced by King Tarquinius Priscus. It is also considered the so called lusus Troiae, equestrian game exclusive for young people, and likewise with an archaic origin. Key words: Archaic Rome; Games; King. Resumen: En este artículo se analizan los juegos públicos celebrados en Roma durante el período monárquico. Su creación obedece a motivos religiosos, en relación a la fecundidad (Consualia, ludi Taurei) o a la guerra (Equirria, equus October). -
Lecture Series Lecture Series: Pompeii Uncovered Bring Pompeii
Lecture Series: Pompeii Uncovered Bring Pompeii to life with 4 lectures from experts in the field November 29: Pompeii Uncovered: From the Ashes with Michael Anderson, Ph.D., Professor of Archaeology at San Francisco State University and Director of the Via Consolare Project in Pompeii The towns, farms, and villas buried by the cataclysmic eruption of Mount Vesuvius provide a unique and valuable window into Roman and Pre-Roman daily life from roughly 3rd c. BCE to their sudden end in 79 A.D. Lost and largely forgotten thereafter, Pompeii and Herculaneum only began to reveal their secrets after their initial excavations in the 18th and 19th centuries. Since that time, the wealth of evidence these sites provide, from artifacts to wall paintings to architecture, has made them central to the study of ancient Rome. Even after more than 200 years of excavation and study, they continue to draw archaeological research from all over the world, making them among the most famous and longest continuously excavated archaeological sites. This lecture provides an overview of the area, its history, the eruption, and the excavations in Pompeii, Herculaneum, and their surroundings. Professor Michael Anderson of San Francisco State University has studied and published on Pompeii and ancient Campania for more than 20 years. He completed his Ph.D. in Pompeian domestic space at the University of Cambridge. He is now the Director of the Via Consolare Project, an international project of stratigraphic excavation, architectural study, and documentation of Pompeii that examines the urban development along the axis of one of its major thoroughfares. -
The Idea of the Labyrinth
·THE IDEA OF · THE LABYRINTH · THE IDEA OF · THE LABYRINTH from Classical Antiquity through the Middle Ages Penelope Reed Doob CORNELL UNIVERSITY PRESS ITHACA AND LONDON Open access edition funded by the National Endowment for the Humanities/Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 1990 by Cornell University First printing, Cornell Paperbacks, 1992 Second paperback printing 2019 All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress.cornell.edu. Printed in the United States of America ISBN 978-0-8014-2393-2 (cloth: alk. paper) ISBN 978-1-5017-3845-6 (pbk.: alk. paper) ISBN 978-1-5017-3846-3 (pdf) ISBN 978-1-5017-3847-0 (epub/mobi) Librarians: A CIP catalog record for this book is available from the Library of Congress An open access (OA) ebook edition of this title is available under the following Creative Commons license: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/ by- nc-nd/4.0/. For more information about Cornell University Press’s OA program or to download our OA titles, visit cornellopen.org. Jacket illustration: Photograph courtesy of the Soprintendenza Archeologica, Milan. For GrahamEric Parker worthy companion in multiplicitous mazes and in memory of JudsonBoyce Allen and Constantin Patsalas Contents List of Plates lX Acknowledgments: Four Labyrinths xi Abbreviations XVll Introduction: Charting the Maze 1 The Cretan Labyrinth Myth 11 PART ONE THE LABYRINTH IN THE CLASSICAL AND EARLY CHRISTIAN PERIODS 1. -
Human Rights, Social Welfare, and Greek Philosophy Legitimate
Global Journal of HUMAN-SOCIAL SCIENCE: H Interdisciplinary Volume 15 Issue 8 Version 1.0 Year 2015 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Inc. (USA) Online ISSN: 2249-460x & Print ISSN: 0975-587X Human Rights, Social Welfare, and Greek Philosophy Legitimate Reasons for the Invasion of Britain by Claudius By Tomoyo Takahashi University of California, United States Abstract- In 43 AD, the fourth emperor of Imperial Rome, Tiberius Claudius Drusus, organized his military and invaded Britain. The purpose of this paper is to investigate the legitimate reasons for The Invasion of Britain led by Claudius. Before the invasion, his had an unfortunate life. He was physically distorted, so no one gave him an official position. However, one day, something unimaginable happened. He found himself selected by the Praetorian Guard to be the new emperor of Roma. Many scholars generally agree Claudius was eager to overcome his physical disabilities and low expectations to secure his position as new Emperor in Rome by military success in Britain. Although his personal motivation was understandable, it was not sufficient enough for Imperial Rome to legitimize the invasion of Britain. It is important to separate personal reasons and official reasons. Keywords: (1) roman, (2) britain, (3) claudius, (4) roman emperor, (5) colonies, (6) slavery, (7) colchester, (8) veterans, (9) legitimacy. GJHSS-H Classification: FOR Code: 180114 HumanRightsSocialWelfareandGreekPhilosophyLegitimateReasonsfortheInvasionofBritainbyClaudius Strictly as per the compliance and regulations of: © 2015. Tomoyo Takahashi. This is a research/review paper, distributed under the terms of the Creative Commons Attribution- Noncommercial 3.0 Unported License http://creativecommons.org/licenses/by-nc/3.0/), permitting all non-commercial use, distribution, and reproduction in any medium, provided the original work is properly cited. -
Durham E-Theses
Durham E-Theses Water and Religious Life in the Roman Near East. Gods, Spaces and Patterns of Worship. WILLIAMS-REED, ERIS,KATHLYN,LAURA How to cite: WILLIAMS-REED, ERIS,KATHLYN,LAURA (2018) Water and Religious Life in the Roman Near East. Gods, Spaces and Patterns of Worship., Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13052/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Water and Religious Life in the Roman Near East. Gods, Spaces and Patterns of Worship Eris Kathlyn Laura Williams-Reed A thesis submitted for the qualification of Doctor of Philosophy Department of Classics and Ancient History Durham University 2018 Acknowledgments It is a joy to recall the many people who, each in their own way, made this thesis possible. Firstly, I owe a great deal of thanks to my supervisor, Ted Kaizer, for his support and encouragement throughout my doctorate, as well as my undergraduate and postgraduate studies. -
Curriculum Vitae
July 2021 Curriculum Vitae Greg Woolf FBA British Citizen orcid.org/0000-0003-3470-9061 https://ucla.academia.edu/GregWoolf [email protected] https://history.ucla.edu/faculty/greg-woolf Twitter: @Woolf_Greg Current Position Ronald J. Mellor Professor of Ancient History, Department of History UCLA (since 1st July 2021) Visiting Professor at the Department of Archaeology, University College London (since 1st September 2018) Former Positions 1st January 2015 – 30th June 2021 Director of the Institute of Classical Studies University of London and Professor of Classics. (For part of this period I served as Pro-Dean for Central Academic Initiatives, Pro- Dean of Postgraduates and Deputy Dean of the School of Advanced Study). 1998-2014 Professor of Ancient History, University of St. Andrews. (For a part of this period I was Head of the School of Classics) 1993-98 University Lecturer and Fellow of Brasenose College, Oxford 1990-93 Tutorial Fellow of Magdalen College, Oxford 1989-90 Research Fellow of Christ’s College, Cambridge 1988-90 Sessional tutor in Ancient History, University of Leicester Degrees PhD (Cambridge, 1990) supervised by Peter Garnsey, Ian Hodder, Keith Hopkins and Sander van der Leeuw BA (Oxford), 1985 Ancient and Modern History, later converted to MA Elected Fellowships I am a Fellow of the Society of Antiquaries of Scotland, a Fellow of the Society of Antiquaries of London, a Member of the Academia Europaea, a Fellow of the British Academy, and a Member of the European Academy of Arts and Sciences. 1 July 2021 Societies I am a member of the Society of Classical Studies, the Roman Society, and the Classical Association. -
Beyond the Greek and Italiote Worlds: a Local Tarentine Perspective
Beyond the Greek and Italiote Worlds: A Local Tarentine Perspective Alexandru Martalogu Department of History and Classical Studies McGill University, Montreal November 2017 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of the Master’s of Arts (History and Classical Studies – Ancient History) © Alexandru Martalogu 2017 Martalogu 2 Table of Contents Abstract……………………………………………………………………………………. 3 Introduction………………………………………………………………………………... 6 Chapter One: Taras’ Modest Beginnings………………………………………………… 18 Chapter Two: The “World-Wide” Cultural and Economic Greek Network……………... 24 Chapter Three: The Italiote World: Between Warfare and Cooperation……………….... 36 Chapter Four: Breaking the Chains: Tarentine Emancipation and Local Identity……….. 51 Conclusion: Beyond Taras and its Golden Age………………………………………….. 74 Bibliography……………………………………………………………………………….84 APPENDIX A…………………………………………………………………………......94 APPENDIX B……………………………………………………………………………..98 Martalogu 3 Abstract From its foundation in 706 B.C., Taras took advantage of its favourable geographic location and of its region’s long history of trade and network connections. Placed within previous discussions on the importance of the seas and other interactions in network and identity formation, this thesis seeks to contextualize and reveal the evolution of a distinctly local Tarentine identity. Whereas in previous works the importance of the “local” and its influence have been studied for the purpose of broader topics, the “local” city of Taras and its citizens are the primary focus of this research in an attempt to step away from the negative connotations associated with the city-state by the surviving ancient sources. The analysis of Taras’ early history reveals that the polis was founded in a region with a long history of pre-existing network connections, as well as a tendency to depend more heavily upon long distance connections with the Greek world.