Augustus Program and Abstracts
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Valerius Maximus on Vice: a Commentary of Facta Et Dicta
Valerius Maximus on Vice: A Commentary on Facta et Dicta Memorabilia 9.1-11 Jeffrey Murray University of Cape Town Thesis Presented for the Degree of Doctor of Philosophy (Classical Studies) in the School of Languages and Literatures University of Cape Town June 2016 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Abstract The Facta et Dicta Memorabilia of Valerius Maximus, written during the formative stages of the Roman imperial system, survives as a near unique instance of an entire work composed in the genre of Latin exemplary literature. By providing the first detailed historical and historiographical commentary on Book 9 of this prose text – a section of the work dealing principally with vice and immorality – this thesis examines how an author employs material predominantly from the earlier, Republican, period in order to validate the value system which the Romans believed was the basis of their world domination and to justify the reign of the Julio-Claudian family. By detailed analysis of the sources of Valerius’ material, of the way he transforms it within his chosen genre, and of how he frames his exempla, this thesis illuminates the contribution of an often overlooked author to the historiography of the Roman Empire. -
Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 10-2014 Senecan Tragedy and Virgil's Aeneid: Repetition and Reversal Timothy Hanford Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/427 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by TIMOTHY HANFORD A dissertation submitted to the Graduate Faculty in Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2014 ©2014 TIMOTHY HANFORD All Rights Reserved ii This dissertation has been read and accepted by the Graduate Faculty in Classics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Ronnie Ancona ________________ _______________________________ Date Chair of Examining Committee Dee L. Clayman ________________ _______________________________ Date Executive Officer James Ker Joel Lidov Craig Williams Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract SENECAN TRAGEDY AND VIRGIL’S AENEID: REPETITION AND REVERSAL by Timothy Hanford Advisor: Professor Ronnie Ancona This dissertation explores the relationship between Senecan tragedy and Virgil’s Aeneid, both on close linguistic as well as larger thematic levels. Senecan tragic characters and choruses often echo the language of Virgil’s epic in provocative ways; these constitute a contrastive reworking of the original Virgilian contents and context, one that has not to date been fully considered by scholars. -
ROMAN ARCHITEXTURE: the IDEA of the MONUMENT in the ROMAN IMAGINATION of the AUGUSTAN AGE by Nicholas James Geller a Dissertatio
ROMAN ARCHITEXTURE: THE IDEA OF THE MONUMENT IN THE ROMAN IMAGINATION OF THE AUGUSTAN AGE by Nicholas James Geller A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Associate Professor Basil J. Dufallo, Chair Associate Professor Ruth Rothaus Caston Professor Bruce W. Frier Associate Professor Achim Timmermann ACKNOWLEDGEMENTS This dissertation would not have been possible without the support and encouragement of many people both within and outside of academia. I would first of all like to thank all those on my committee for reading drafts of my work and providing constructive feedback, especially Basil Dufallo and Ruth R. Caston, both of who read my chapters at early stages and pushed me to find what I wanted to say – and say it well. I also cannot thank enough all the graduate students in the Department of Classical Studies at the University of Michigan for their support and friendship over the years, without either of which I would have never made it this far. Marin Turk in Slavic Languages and Literature deserves my gratitude, as well, for reading over drafts of my chapters and providing insightful commentary from a non-classicist perspective. And I of course must thank the Department of Classical Studies and Rackham Graduate School for all the financial support that I have received over the years which gave me time and the peace of mind to develop my ideas and write the dissertation that follows. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS………………………………………………………………………ii LIST OF ABBREVIATIONS……………………………………………………………………iv ABSTRACT……………………………………………………………………………………....v CHAPTER I. -
Los Ludi En La Roma Arcaica
Martínez-Pinna, Jorge Los ludi en la Roma arcaica De Rebus Antiquis Año 2 Nº 2, 2012 Este documento está disponible en la Biblioteca Digital de la Universidad Católica Argentina, repositorio institucional desarrollado por la Biblioteca Central “San Benito Abad”. Su objetivo es difundir y preservar la producción intelectual de la institución. La Biblioteca posee la autorización del autor para su divulgación en línea. Cómo citar el documento: Martínez-Pinna, Jorge. “Los ludi en la Roma arcaica” [en línea], De Rebus Antiquis, 2 (2012). Disponible en: http://bibliotecadigital.uca.edu.ar/repositorio/revistas/los-ludi-roma-arcaica-pinna.pdf [Fecha de consulta:..........] (Se recomienda indicar fecha de consulta al final de la cita. Ej: [Fecha de consulta: 19 de agosto de 2010]). DE REBUS ANTIQUIS Año II, Núm. 2 / 2012 ISSN 2250-4923 LOS LUDI EN LA ROMA ARCAICA* DR. JORGE MARTÍNEZ-PINNA Universidad de Málaga Abstract: This paper it is discussed the public games held in Rome during the monarchy. Its creation is due to religious causes, related to fertility (Consualia, ludi Taurei) or to war (Equirria, equus October). The religious and politic fulfillment of the games materializes in the ludi Romani, introduced by King Tarquinius Priscus. It is also considered the so called lusus Troiae, equestrian game exclusive for young people, and likewise with an archaic origin. Key words: Archaic Rome; Games; King. Resumen: En este artículo se analizan los juegos públicos celebrados en Roma durante el período monárquico. Su creación obedece a motivos religiosos, en relación a la fecundidad (Consualia, ludi Taurei) o a la guerra (Equirria, equus October). -
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag. -
THE MARS ULTOR COINS of C. 19-16 BC
UNIWERSYTET ZIELONOGÓRSKI IN GREMIUM 9/2015 Studia nad Historią, Kulturą i Polityką s . 7-30 Victoria Győri King’s College, London THE MARS ULTOR COINS OF C. 19-16 BC In 42 BC Augustus vowed to build a temple of Mars if he were victorious in aveng- ing the assassination of his adoptive father Julius Caesar1 . While ultio on Brutus and Cassius was a well-grounded theme in Roman society at large and was the principal slogan of Augustus and the Caesarians before and after the Battle of Philippi, the vow remained unfulfilled until 20 BC2 . In 20 BC, Augustus renewed his vow to Mars Ultor when Roman standards lost to the Parthians in 53, 40, and 36 BC were recovered by diplomatic negotiations . The temple of Mars Ultor then took on a new role; it hon- oured Rome’s ultio exacted from the Parthians . Parthia had been depicted as a prime foe ever since Crassus’ defeat at Carrhae in 53 BC . Before his death in 44 BC, Caesar planned a Parthian campaign3 . In 40 BC L . Decidius Saxa was defeated when Parthian forces invaded Roman Syria . In 36 BC Antony’s Parthian campaign was in the end unsuccessful4 . Indeed, the Forum Temple of Mars Ultor was not dedicated until 2 BC when Augustus received the title of Pater Patriae and when Gaius departed to the East to turn the diplomatic settlement of 20 BC into a military victory . Nevertheless, Augustus made his Parthian success of 20 BC the centre of a grand “propagandistic” programme, the principal theme of his new forum, and the reason for renewing his vow to build a temple to Mars Ultor . -
The Idea of the Labyrinth
·THE IDEA OF · THE LABYRINTH · THE IDEA OF · THE LABYRINTH from Classical Antiquity through the Middle Ages Penelope Reed Doob CORNELL UNIVERSITY PRESS ITHACA AND LONDON Open access edition funded by the National Endowment for the Humanities/Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 1990 by Cornell University First printing, Cornell Paperbacks, 1992 Second paperback printing 2019 All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. Visit our website at cornellpress.cornell.edu. Printed in the United States of America ISBN 978-0-8014-2393-2 (cloth: alk. paper) ISBN 978-1-5017-3845-6 (pbk.: alk. paper) ISBN 978-1-5017-3846-3 (pdf) ISBN 978-1-5017-3847-0 (epub/mobi) Librarians: A CIP catalog record for this book is available from the Library of Congress An open access (OA) ebook edition of this title is available under the following Creative Commons license: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0): https://creativecommons.org/licenses/ by- nc-nd/4.0/. For more information about Cornell University Press’s OA program or to download our OA titles, visit cornellopen.org. Jacket illustration: Photograph courtesy of the Soprintendenza Archeologica, Milan. For GrahamEric Parker worthy companion in multiplicitous mazes and in memory of JudsonBoyce Allen and Constantin Patsalas Contents List of Plates lX Acknowledgments: Four Labyrinths xi Abbreviations XVll Introduction: Charting the Maze 1 The Cretan Labyrinth Myth 11 PART ONE THE LABYRINTH IN THE CLASSICAL AND EARLY CHRISTIAN PERIODS 1. -
Augustanism in Ovid's Ars Amatoria
The Art of Making Oneself Hated: Rethinking (Anti-)Augustanism in Ovid’s Ars Amatoria The Art of Love: Bimillennial Essays on Ovid's Ars Amatoria and Remedia Amoris Steven Green Print publication date: 2007 Print ISBN-13: 9780199277773 Published to Oxford Scholarship Online: January 2010 DOI: 10.1093/acprof:oso/9780199277773.001.0001 The Art of Making Oneself Hated: Rethinking (Anti-)Augustanism in Ovid’s Ars Amatoria Sergio Casali DOI:10.1093/acprof:oso/9780199277773.003.0011 Abstract and Keywords This chapter focuses on the most overtly ‘Augustan’ part of the Ars – the Parthian expedition of Gaius Caesar (1.171-228) – and invites us to read the event as an episode that exposes tensions in the dynastic family, and draws attention to the spectacle and theatricality of the Emperor's Parthian campaign. Keywords: Ars Amatoria, Remedia Amoris, Augustus, politics, Rome, Parthia, Gaius Caesar My subtitle implies that I want to strike a balance, or to discuss the question of the Augustanism/anti-Augustanism of the Ars from a theoretical point of view. In fact, I won’t be doing that. The ‘Augustan’ side of the question has been treated in the best possible way by Mario Labate in his book L’arte di farsi amare,1 the ‘anti-Augustan’ side by Alison Sharrock, particularly in her article on ‘Ovid and the Politics of Reading’,2 and the ‘aporetic’ side by Duncan Kennedy and Alessandro Barchiesi.3 I couldn’t do it better. So, the first part of my title is more relevant for my chapter. It makes fairly clear, I think, my predilection for a good old anti-Augustan approach to Ovid. -
Imperial Authority and the Providence of Monotheism in Orosius's Historiae Adversus Paganos
Imperial Authority and the Providence of Monotheism in Orosius’s Historiae adversus paganos Victoria Leonard B.A. (Cardiff); M.A. (Cardiff) A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of History, Archaeology, and Religion Cardiff University August 2014 ii Declaration This work has not been submitted in substance for any other degree or award at this or any other university or place of learning, nor is being submitted concurrently in candidature for any degree or other award. Signed ………………………………… (candidate) Date ……………………… STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. Signed ………………………………… (candidate) Date ……………………… STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. The views expressed are my own. Signed ………………………………… (candidate) Date ……………………… STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ………………………………… (candidate) Date………………………… STATEMENT 4: PREVIOUSLY APPROVED BAR ON ACCESS I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loans after expiry of a bar on access previously approved by the Academic Standards & Quality Committee. Signed ………………………………… (candidate) Date………………………… iii Cover Illustration An image of an initial 'P' with a man, thought to be Orosius, holding a book. Acanthus leaves extend into the margins. On the same original manuscript page (f. 7) there is an image of a roundel enclosing arms in the lower margin. -
THE CONQUEST of ACRE De Expugnata Accone
1 THE CONQUEST OF ACRE De Expugnata Accone A Poetic Narrative of the Third Crusade Critical edition, translated with an introduction and notes by Tedd A. Wimperis Boston College Advanced Study Grant Summer 2009 2 Introduction In the year 1099 AD, the First Crusade, undertaken by European nobles and overseen by the Christian church, seized control of Jerusalem after a campaign of four years, setting up a Latin kingdom based in that city and establishing a Western presence in the Near East that would endure for two hundred years. After a series of clashes with Muslim armies, a second crusade was called that lasted from 1147-49. Then, in 1187, the delicate balance of powers erupted into conflict, and a unified Islamic force under the leadership of the legendary Saladin, Sultan of Egypt and Syria, swept through the Holy Land, cutting a swathe through the Crusader States until it brought Jerusalem itself to surrender. In the wake of this calamity, Europe fixed its intentions on reclaiming the land, and the Western powers again took up the Cross in what would be the Third Crusade. The crusade launched in 1189, and would thunder on until 1192, when the warring armies reached a stalemate and a treaty was signed between Saladin and King Richard I of England. But the very first engagement of the Third Crusade, and the longest-lasting, was the siege of Acre, a city on the coast of Palestine northwest of Jerusalem, important both militarily and as a center of trade. Acre was vigorously defended by the Muslim occupiers and fiercely fought for by the assembled might of the West for a grueling two years that saw thousands of casualties, famine, disease, and a brutal massacre. -
Christian Morals
Christian Morals Author(s): Browne, Sir Thomas (1605-1682) Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Description: i Contents Title Page 1 The Life of Sir Thomas Browne. 3 Christian Morals 23 Dedication 24 Preface 25 Part I. 26 Part II. 42 Part III. 52 Indexes 70 Greek Words and Phrases 71 Latin Words and Phrases 72 Index of Pages of the Print Edition 74 ii This PDF file is from the Christian Classics Ethereal Library, www.ccel.org. The mission of the CCEL is to make classic Christian books available to the world. • This book is available in PDF, HTML, and other formats. See http://www.ccel.org/ccel/browne/morals.html. • Discuss this book online at http://www.ccel.org/node/3676. The CCEL makes CDs of classic Christian literature available around the world through the Web and through CDs. We have distributed thousands of such CDs free in developing countries. If you are in a developing country and would like to receive a free CD, please send a request by email to [email protected]. The Christian Classics Ethereal Library is a self supporting non-profit organization at Calvin College. If you wish to give of your time or money to support the CCEL, please visit http://www.ccel.org/give. This PDF file is copyrighted by the Christian Classics Ethereal Library. It may be freely copied for non-commercial purposes as long as it is not modified. All other rights are re- served. Written permission is required for commercial use. iii Title Page Title Page CHRISTIAN MORALS. -
Imperial Messaging in the Redefinition of the Roman Landscape Camille Victoria Delgado Vassar College, [email protected]
Vassar College Digital Window @ Vassar Senior Capstone Projects 2016 Re-creation and commemoration: Imperial messaging in the redefinition of the Roman landscape Camille Victoria Delgado Vassar College, [email protected] Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Delgado, Camille Victoria, "Re-creation and commemoration: Imperial messaging in the redefinition of the Roman landscape" (2016). Senior Capstone Projects. Paper 573. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. ! ! ! ! ! ! ! ! ! RE$CREATION!AND!COMMEMORATION! Imperial!Messaging!in!the!Redefinition!of!the!Roman! Landscape! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Camille!Victoria!Liboro!Delgado! Greek!and!Roman!Studies!Senior!Thesis! Fall!Semester!2015! Vassar!College TABLE!OF!CONTENTS! ! ! ! ! INTRODUCTION) 1) ! ! ! ! CHAPTER)1:)Imperator) 10) I. Overview! 10! II. Temples! 15! III. Administrative!Buildings! 18! IV. Public!Entertainment!Works! 20! V. Victory!Monuments! 23! VI. Public!Infrastructure!Works! 27! VII. Augustus’!Mausoleum! 29! VIII. Conclusion! 33! Appendix) 36! ! ! ! ! CHAPTER)2:)Il)Duce) 38) I. Overview! 38! II. Redesigning!Roma! 41! III. Foro!Mussolini! 50! IV. Esposizione!Universale!Roma! 56! V. Conclusion! 60! Appendix) 63! ! ! ! ! ! ! CONCLUSION) 70) ) ) ) ) BIBLIOGRAPHY)