DOCSLIB.ORG

Fountains Abbey & Studley Royal

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fountains Abbey & Studley Royal Admission prices Open all year, a visit can last Current prices are as follows. Fountains Abbey from a few hours to a full 1-13 in group Standard rate applies day... 14+ in group £15.20 adult, £7.60 child & Studley Royal Prices are reviewed annually and may have Explore the dramatic Fountains Abbey, the changed by the date of your visit. most complete ruins of a Cistercian abbey Group Visits in Britain. Group rates are only available when the group organiser checks in and pays at the admission Enjoy a great day out together Wander around the eighteenth century point for the whole group on arrival. at this World Heritage Site water garden with its elegant ornamental lakes, tumbling cascades and temples. Spend a full day exploring Discover Fountains Mill, one of the finest moments in history sitting side surviving examples of a monastic water mill by side at this World Heritage in Britain. Site Enjoy the sight of over 300 wild deer Making a booking in the medieval park at Studley Royal. All group visits need to be pre-booked to Admire the Elizabethan-style facade of receive group rates. Fountains Hall, with paths to the orchard and hidden herb garden. Please contact (during office hours): Annette Tulip, Bookings & Functions Coordinator Visit St Mary’s Church, an outstanding Fountains Abbey & Studley Royal example of Victorian gothic architecture Ripon HG4 3DY m hn ?l n t m hl c q s h‘ ‘ k ß o ? ß ? v k n designed by William Burges. ‘ h q c k c m ? g n d l q ? h d s‘ hm f n d?ß?o‘sqhl United Nations Studley Royal Park including the Ruins of Fountains Abbey Cultural Organization inscribed on the World Learn more about the estate with a 01765 643197 Heritage List in 1986 Photography © National Trust Images. Printed on recycled paper. Please recycle this leaflet after guided tour. use. © National Trust 2020. National Trust is an independent registered charity, no. 205846 [email protected] nationaltrust.org.uk/fountainsabbey Eating Access Information Our licensed visitor centre restaurant has There is good access to the visitor centre and seating for over 150 people. its facilities, but the path down to the abbey is quite steep. The abbey and water garden A variety of refreshments including hot meals can also be accessed by lower level footpaths are available daily using local seasonal produce. which are well surfaced and fairly level. The ‘Wonder of the North’ Groups booking meals will have a reserved Coaches accessing the site must approach section of the restaurant (menus available on via B6265 only. This is due to sharp bends request). Group organiser benefits and narrow country lanes. Guided tours Facilities Shopping • Complimentary admission voucher for your Our guides bring this remarkable place to familiarisation visit (please request prior to Our courtesy minibus is available to transport life with fascinating facts and stories. visit). less able visitors from the visitor centre to Group tours need to be booked in advance. Visit our well-stocked shop and discover some • Complimentary admission for organiser on the other parts of the estate. wonderful souvenirs to take home, from cards, day of group visit. Groups of 13 people or fewer will be books and plants, to seasonal jam and treats. • Coach meet and greet available Monday - Adapted toilets throughout the site charged a set fee of £35 (or £42 for the Friday on request. Audio loop in Fountains Mill Café taster tour). The rates below apply for Opening dates Lift to upper floor of the Mill available groups over 14. Coach driver benefits Wheelchairs and powered mobility vehicles Open all year except 24 & 25 December and can be booked in advance on 01765 643185. Fridays in November, December & January. • Free parking at visitor centre Wheelchair access to the abbey is restricted Tours available include: • Complimentary admission and unfortunately Fountains Hall is not • Refreshment voucher Abbey tour accessible to wheelchair users. (1 hour) £2.50 per person Opening times Garden tour Abbey and water garden (1 hour) £2.50 per person Last admission is 1 hour before closing Exploring safely Abbey & garden ‘taster’ tour March to October 10am - 6pm (1.5 hours) £3.00 per person November to February 10am - 5pm Much of the estate is accessible for everyone however there are some gentle and steep St Mary’s Church tour St Mary’s Church March slopes. (30 minutes) £2.00 per person to October 12pm - 4pm We recommend wearing sturdy shoes when you visit. .
Load more

Recommended publications
  • World Heritage 32 COM
    World Heritage 32 COM Distribution Limited WHC-08/32.COM/8B.Add Paris, 25 June 2008 Original: English/French UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE WORLD HERITAGE COMMITTEE Thirty second Session Quebec City, Canada 2 – 10 July 2008 Item 8B of the Provisional Agenda: Nominations to the World Heritage List Nominations to the World Heritage List SUMMARY This Addendum presents the Draft Decisions concerning 5 nominations of properties deferred or referred back by previous sessions of the World Heritage Committee, 21 minor modifications to the boundaries and 29 revisions of Statements of Significance or Statements of Outstanding Universal Value of already inscribed properties and 1 change of criteria to be examined by the World Heritage Committee at its 32nd session in 2008. Decision required: The Committee is requested to examine the Draft Decisions presented in this Addendum and take its Decisions in accordance with paragraphs 153, 155, 163 and 164 of the Operational Guidelines. I. Changes to criteria of properties inscribed on the World Heritage List The World Heritage Committee at its 30th session (Vilnius, 2006) approved 17 changes of criteria numbering for Natural and Mixed properties inscribed for geological values before 1994 (Document WHC- 06/30.COM/8D). For only two properties (see table below), in the group of properties that was inscribed under natural criteria (ii) before 1994, was no change in criteria numbering requested at that time, as the State Party asked for further time to consult the stakeholders concerned. Following consultations with the stakeholders and IUCN, it was agreed that the criteria should be as shown in the table here below.
    [Show full text]
  • Fountains Abbey & Studley Royal
    Fountains Abbey & Studley Royal World Heritage Site Management Plan Progress Report July 2019 Welcome Our World Heritage Site Along with our focus on delivering Management Plan is now in conservation projects in the World Heritage its fourth year and this progress Site we’ve been developing a set of draft attributes of the Outstanding Universal report celebrates the work Value of the World Heritage Site to help of the National Trust and our manage and protect the site. We are also partners over the last year. delighted to see progress on the Ripon Neighbourhood Plan and Harrogate District In September 2018 we had the great Local Plan, both of which include policies news that our first round bid to the to protect the World Heritage Site and National Lottery Heritage Fund for the its setting. Skell Valley Project had been successful. We worked closely with Nidderdale Area Infrastructure continues to be a major of Outstanding Natural Beauty (AONB) challenge. Our car parks, ticket offices, and communities living and working along toilets and café areas have been struggling the river to develop a range of projects to to cope with the growing number of visitors. manage flood risk, improve water quality Following the refurbishment of the visitor and habitats for wildlife and restore centre this year our big focus for 2019/20 neglected historic buildings and landscapes. is the Studley Lake entrance. The project will also extend links between Ripon and the communities upstream to We couldn’t deliver any of this without improve access and explore the stories the support of our partners, local which have shaped the landscape.
    [Show full text]
  • Saltaire World Heritage Site Business Toolkit
    SALTAIRE WORLD HERITAGE SITE BUSINESS TOOLKIT SALTAIRE WORLD HERITAGE SITE 2 Saltaire World Heritage Site CONTENTS PAGE 4 INTRODUCTION 6 WHAT IS WORLD HERITAGE STATUS? 8 BUSINESS TOOLKIT 8 WHO ARE OUR VISITORS? 9 OPPORTUNITIES FOR BUSINESSES 11 FILM & TV LOCATIONS IN SALTAIRE 15 BRANDING & LOGO GUIDELINES 17 NEXT STEPS 18 LINKS AND OTHER RESOURCES Did you know? Saltaire was in The Sunday Times top 10 places to live in the North of England in 2019. © Drones on Demand Ltd England’s World Heritage Story: The North 3 ELCOME Saltaire is ranked with the most “Titus Salt’s model mill village is proof famous heritage sites in the world that life in a UNESCO World Heritage and is an exciting place to live, Site doesn’t have to be stuffy. The work, learn and visit. Saltaire is Victorian baronet was famously a special place to many people. forward-looking – providing his workers with running water, schools Accredited as a UNESCO World and allotments as well as homes – Heritage Site there are many reasons but even he couldn’t have foreseen why people visit Saltaire, from the the fun that’s never far below the spectacular architecture, to the surface in the grid of stone cottages boutique independent shops, bars he built next to the mighty Salts Mill. and restaurants. From world class His textiles factory now hosts a large exhibitions in Salts Mill or a picnic in David Hockney collection.” Roberts Park, to ten days of art and culture at Saltaire Festival. People are The Sunday Times attracted from international to local visitors.
    [Show full text]
  • Report on the Joint World Heritage Centre / Icomos Advisory Mission to Stonehenge, Avebury and Associated Sites 27-30 October 20
    REPORT ON THE JOINT WORLD HERITAGE CENTRE / ICOMOS ADVISORY MISSION TO STONEHENGE, AVEBURY AND ASSOCIATED SITES Stonehenge October 2015 copyright UNESCO 27-30 OCTOBER 2015 Chris Barker, Civil Engineer, ICOMOS Nathan Schlanger, Archaeologist, ICOMOS Marie-Noël Tournoux, Project Officer Europe and North America Unit, World Heritage Centre Stonehenge October 2015 copyright UNESCO 2 TABLE OF CONTENTS ACKNOWLEDGMENTS ……………………………………………………………….…… 4 1 INTRODUCTION ………………………………………………………………………..… 5 2 MISSION REPORT ……………………………………………………………………….. 7 3 MISSION CONCLUSIONS ………………………………………………………………. 24 4 MISSION RECOMMENDATIONS ………………………………………………...…...... 24 5 REFERENCES……………………………………………………………………………... 28 6 ANNEXES…………....……………………………………………………………………... 29 3 ACKNOWLEDGMENTS The joint World Heritage Centre and ICOMOS mission thanks the State Party for the arrangements for the Advisory Mission and the preparation of all the necessary relevant materials, together with the good will in its advancement. Particular thanks are due to DCMS and Historic England and more specifically to Keith Nichol and Hannah Jones from DCMS and Henry Owen-John and Phil McMahon from Historic England, our main focal points. The mission would like to acknowledge and to commend the investment and professionalism of our hosts in addition to logistics and hospitality. The assistance gladly provided by Historic England, English Heritage Trust, the National Trust, and their representatives, be it at organizational level or on the ground, including notably Chris Smith, Historic England, and Heather Sebire, Properties Curator West English Heritage Trust, Kate Davies, Stonehenge General Manager, English Heritage Trust, Beth Thomas & Sarah Simmonds, World Heritage site Coordinator, Nicola Snashall, National Trust WHS archaeologist for Stonehenge & Avebury, Cassandra Genn, Senior project and Stakeholder Manager, Ian Wilson, Assistant Director of Operations, Ingrid Samuel, Historic Environment Director, Janet Tomlin, National Trust, as well as the Wiltshire Council.
    [Show full text]
  • Phillips 2012 Adaptive
    RADAR Research Archive and Digital Asset Repository Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. Note if anything has been removed from thesis. Removed p79, Fig 11, p134 - Fig 27, p308 - Appendix 12, p309-331 (published papers) When referring to this work, the full bibliographic details must be given as follows: Phillips,H (2013)The adaptive capacity of the management of cultural heritage sites to climate change. PhD thesis. Oxford Brookes University. WWW.BROOKES.AC.UK/GO/RADAR The Adaptive Capacity of the Management of Cultural Heritage Sites to Climate Change Helen Francine Phillips Thesis submitted in partial fulfilment of the requirements of Oxford Brookes University for the Degree of Doctor of Philosophy Submitted: 6th June 2013 i ABSTRACT Despite the growing body of research on the concept of adaptive capacity, there is an absence of research which investigates adaptive capacity in the field of cultural heritage management. Climatic changes have potentially serious implications for the historic environment, which is itself a non-renewable resource. Cultural heritage sites can be particularly sensitive to severe weather events and to changes in climate, both due to direct impacts on built structures, archaeology and designed landscapes, but also due to changes in visitor behaviour and the potentially adverse implications of adaptive measures on heritage significance.
    [Show full text]
  • George Washington Wilson (1823-1893)
    George Washington Wilson (1823-1893) Photographically innovative and entrepreneurial in business, Wilson was the most notable, successful and prolific stereo-photographer in Scotland and perhaps the entire UK. Having trained in Edinburgh as an artist, he worked as a miniature portrait painter and art teacher in Aberdeen from 1848. He started experimenting with photography in 1852, probably realising that it could potentially supplant his previous profession. In a short-lived partnership with Hay, he first exhibited stereoviews in 1853 at the Aberdeen Mechanics' Institution. A commission to photograph the construction of Balmoral Castle in 1854-55 led to a long royal association. His photos were used in the form of engravings for Queen Victoria's popular book “My Highland Journal”. His best-selling carte-de-visite of her on a pony held by Brown (judiciously cropped to remove other superfluous retainers) fuelled the gossip surrounding this relationship. His portrait studio in Aberdeen provided steady cashflow and in 1857, to promote his studio, he produced a print grouping together famous Aberdonians, one of the earliest ever examples of a photo-collage. He soon recognised that stereoviews were the key to prosperity and by 1863 had a catalogue of over 400 views from all across the UK, selling them in a wide variety of outlets including railway kiosks and inside cathedrals. His artistic training helped him compose picturesque and beautiful images, but he was also an innovative technician, experimenting on improving photographic techniques, chemistry and apparatus, working closely with camera and lens manufacturers. He was among the very first to publish “instantaneous” views, ranging from a bustling Princes Street, Edinburgh to a charming view of children paddling in the sea, both dating from 1859.
    [Show full text]
  • Travel Trade Buyer's Guide
    TRAVEL TRADE BUYER’S GUIDE 2019-2020 Supported by VisitBritain and VisitEngland through the Discover England Fund. CONTENTS 04 12 Introduction Fountains Abbey and 06 Studley Royal Water Gardens Lake District National Park 14 08 Saltaire Hadrian’s Wall 16 10 Liverpool Maritime Mercantile City Durham Castle & Cathedral 18 Getting there and around 4 Introduction Introduction 5 ELCOME TO ENGLAND’S WORLD HERITAGE STORY This guide provides you with a source of information on Northern England’s six UNESCO World Heritage sites. England’s Northern World Heritage These itineraries have been is a deep and rich one – one of developed in close conjunction the greatest stories ever told. with Mountain Goat (mountain- It’s a tale of mighty emperors, goat.com), a local company that ancient mystics, poetic dreamers has operated a wide range of tour and four lads from Liverpool that experiences and services in the changed the world. It’s a story that Lake District, Yorkshire your guests can experience for and beyond since 1972. As well as themselves at close quarters with an experienced operator, Mountain these carefully curated itineraries. Goat are a versatile and flexible These are journeys through the destination management company history, culture, countryside and that offer a range of touring communities of Northern England. services including luxury, private, Here they can experience first- bespoke tours, short breaks and hand the extraordinary cultural packages that are readily tailored significance of six World Heritage to a customer’s needs. Sites and get a lasting flavour of Northern England’s superb We hope this guide inspires you collection of landscapes, urban and your organisation to do more spaces, accommodations and business in Northern England.
    [Show full text]
  • THE DISSOLUTION of the MONASTERIES: an ECONOMIC STUDY by John Clifford Solomon
    THE DISSOLUTION OF THE MONASTERIES: AN ECONOMIC STUDY by John Clifford Solomon Thesis submitted to the Faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History APPROVED: M. A. Alexander, Chairman T. C. Howard W. E. Mackie May, 1982 Blacksburg, Virginia ACKNOWLEDGMENTS I would like to thank Dr. Thomas Howard and Dr. William Mackie for their helpful suggestions and criticisms of this paper. I also greatly appreciate the friendship and encouragement that I received from my fellow graduate students particularly Ms. Wendy Walker. The writer would also like to thank Mrs. Connie Aikens for her diligence and patience in typing my manuscript. I am especially grateful to Dr. Michael Alexander, who gave so willingly of himself during the preparation of this paper. Most of all I would like to thank my parents, Saul and Alberta, for their love, understanding, and willingness to listen. ii TABLE OF CONTENTS Page Acknowledgments ii Introduction 1 Chapters I. The Road to Dissolution 12 II. The Dissolution and the Successors to the Monks ............... 35 III. The Dissolution and its Contribution to Industrial Development in England . 71 IV. The Dissolution and its Contribution to Agriculture . 104 Bibliography 137 Vita 148 Abstract iii Introduction When Henry VIII ascended the throne in 1509 there were close to 850 monastic foundations of various size, descrip- tion, and wealth in England. ·These included over 500 monasteries, 136 nunneries, and 200 friaries, in addition of course to several thousand chantries and various minor religious establishments. During the 1520's some twenty- nine of the smaller monasteries were dissolved by Cardinal Wolsey for his special purposes; and between 1535 and 1540 Henry VIII and his chief minister, Thomas Cromwell, dissolved all the remaining ones.
    [Show full text]
  • Fountains Abbey – a Comparison to Buckland Abbey
    Fountains Abbey – a Comparison to Buckland Abbey Fountains today - ruins Fountains Abbey beginnings The story of Fountains abbey begins in 1132. A group of 13 monks at a Benedictine Abbey nearby called St Mary’s were shocked at how the other monks in their abbey were behaving. They looked to start a new abbey in North Yorkshire with the support of the Archbishop of York’s help (one of the religious leaders in England). They set up an abbey in the valley of the River Skell, though their first winter was spent sheltering under an elm tree covering themselves with straw!! They nearly gave up but a Cistercian Abbot helped them financially and so they converted to become Cistercian monks like those at Buckland. The Abbey Laybrothers and monks more separated in abbey Initially, the monks constructed their first church of wood. Then it became replaced with a small stone building. But in around 1160 the great Abbey Church was built. Like The lay brothers and choir monks were in Buckland, masons used local stone. But in the north the local stone was sandstone separated more at Fountains Abbey than so it is made of a different material to Buckland Abbey which is constructed of grey Buckland – probably because Fountains stone. The Church was much bigger than that of Buckland, though it had the same abbey had more money to create cross shape and high alter in the eastern side. There were over 200 men living at separate building areas. For example, Fountains and so the nave where the laybrothers sat was very long.
    [Show full text]
  • Building Stonehenge? an Alternative Interpretation of Lipid Residues in Grooved Ware from Durrington Walls
    Building Stonehenge? An alternative interpretation of lipid residues in Grooved Ware from Durrington Walls Lisa-Marie Shillito Newcastle University School of History, Classics and Archaeology Newcastle Upon Tyne, NE1 7RU Abstract Residues in Grooved Ware from Durrington Walls have been interpreted as the remains of large scale feasting associated with the construction of Stonehenge around 2500 BC. Whilst a function related to food consumption is possible, other explanations may be equally as plausible. An alternative interpretation not previously considered is that these residues could be related to a non-food use of animal resources, i.e. the production of tallow. This interpretation provides evidence supporting the ‘greased sled’ theory of how the megaliths were moved. Lipid residue analysis and pottery function The analysis of absorbed lipid residues is a well-established technique for determining the types of products processed in pottery. Research has focused largely on identification of animal fats, with analysis of plant residues focusing on those which have higher lipid contents i.e. waxy plants (Roffet- Salque et al. 2017). Usually a lipid concentration >5 µg g-1 is considered significant, with lower concentrations considered insufficient for interpretation of vessel use. There is a recognition that products such as beeswax in vessels can have multiple uses – as a sealant for example, as well as an illuminant (Roffet-Salque et al. 2017). A combination of beeswax and tallow has been identified as an illuminant in medieval contexts (Frith et al. 2004) and Mottram et al. (1999), identified pig ‘tallow’ in medieval ‘dripping dishes’ as a receptacle for fat collection during spit roasting.
    [Show full text]
  • Monasteries As Financial Patrons and Promoters of Local Performance in Late Medieval and Early Tudor England
    Quidditas Volume 26 Volume 26-27, 2005-2006 Article 8 2005 Monasteries as Financial Patrons and Promoters of Local Performance in Late Medieval and Early Tudor England Christine Sustek Williams Charleston Southern University Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Williams, Christine Sustek (2005) "Monasteries as Financial Patrons and Promoters of Local Performance in Late Medieval and Early Tudor England," Quidditas: Vol. 26 , Article 8. Available at: https://scholarsarchive.byu.edu/rmmra/vol26/iss1/8 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Quidditas 26 & 27 (2005-2006) 51 Monasteries as Financial Patrons and Promoters of Local Performance in Late Medieval and Early Tudor England Christine Sustek Williams Charleston Southern University The elaborate cycle plays produced in the larger, wealthy municipalities of York, Chester, Wakefield and Coventry receive the lion’s share of attention among scholars of medieval theatre. Until recently, performance activities in smaller communities have received little or no attention, except perhaps as something of antiquarian interest. And one area of theatre history that has been largely overlooked is the involvement of monasteries in local performance activities. Yet the precious few, fragmentary, monastic records that survived the dissolutions of the monasteries under Henry VIII and Edward VI, suggest that several monasteries gave active financial support to local theatre in England before and during the early Tudor period.
    [Show full text]
  • Fountains Abbey
    Fountains Abbey From Wikipedia, http://en.wikipedia.org/wiki/Fountains_Abbey (19.05.2008) Studley Royal Park including the Ruins of Fountains Abbey* UNESCO World Heritage Site View of Fountains Abbey looking from east to south. Fountains Abbey in North Yorkshire, England, is a ruined Cistercian monastery, founded in 1132. Fountains Abbey is one of the largest and best preserved Cistercian houses in England. It is a Grade I listed building and owned by the National Trust. Along with the adjacent Studley Royal Water Garden, it is a UNESCO World Heritage Site. History Fountains Abbey was founded in 1132 following a dispute and riot at St. Mary's Abbey in York. Following the riot, thirteen monks were exiled and after unsuccessfully attempting to return to the early 6th century Rule of St Benedict, were taken into the protection of Thurstan, Archbishop of York. He provided them with a site in the valley of the River Skell. The enclosed valley had all the required materials for the creation of a monastery, providing shelter from the weather, stone and timber for building, and a running supply of water.[1]. The monks applied to join the Cistercian order in AD1132. The abbey operated until 1539, when Henry VIII ordered the Dissolution of the Monasteries. The Abbey buildings and over 500 acres (2 km²) of land were then sold by the Crown, on October 1, 1540 [1], to Sir Richard Gresham, the London merchant, father of the founder of the Royal Exchange, Sir Thomas Gresham.[2] Architecture Interior looking down the Nave Construction of the Abbey began in 1132, with rock quarried locally, although the original monastery buildings received considerable additions and alterations in the later period of the order, causing deviations from the strict Cistercian type.
    [Show full text]