Building Stonehenge? an Alternative Interpretation of Lipid Residues in Grooved Ware from Durrington Walls
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Saltaire World Heritage Site Business Toolkit
SALTAIRE WORLD HERITAGE SITE BUSINESS TOOLKIT SALTAIRE WORLD HERITAGE SITE 2 Saltaire World Heritage Site CONTENTS PAGE 4 INTRODUCTION 6 WHAT IS WORLD HERITAGE STATUS? 8 BUSINESS TOOLKIT 8 WHO ARE OUR VISITORS? 9 OPPORTUNITIES FOR BUSINESSES 11 FILM & TV LOCATIONS IN SALTAIRE 15 BRANDING & LOGO GUIDELINES 17 NEXT STEPS 18 LINKS AND OTHER RESOURCES Did you know? Saltaire was in The Sunday Times top 10 places to live in the North of England in 2019. © Drones on Demand Ltd England’s World Heritage Story: The North 3 ELCOME Saltaire is ranked with the most “Titus Salt’s model mill village is proof famous heritage sites in the world that life in a UNESCO World Heritage and is an exciting place to live, Site doesn’t have to be stuffy. The work, learn and visit. Saltaire is Victorian baronet was famously a special place to many people. forward-looking – providing his workers with running water, schools Accredited as a UNESCO World and allotments as well as homes – Heritage Site there are many reasons but even he couldn’t have foreseen why people visit Saltaire, from the the fun that’s never far below the spectacular architecture, to the surface in the grid of stone cottages boutique independent shops, bars he built next to the mighty Salts Mill. and restaurants. From world class His textiles factory now hosts a large exhibitions in Salts Mill or a picnic in David Hockney collection.” Roberts Park, to ten days of art and culture at Saltaire Festival. People are The Sunday Times attracted from international to local visitors. -
Fountains Abbey & Studley Royal
Admission prices Open all year, a visit can last Current prices are as follows. Fountains Abbey from a few hours to a full 1-13 in group Standard rate applies day... 14+ in group £15.20 adult, £7.60 child & Studley Royal Prices are reviewed annually and may have Explore the dramatic Fountains Abbey, the changed by the date of your visit. most complete ruins of a Cistercian abbey Group Visits in Britain. Group rates are only available when the group organiser checks in and pays at the admission Enjoy a great day out together Wander around the eighteenth century point for the whole group on arrival. at this World Heritage Site water garden with its elegant ornamental lakes, tumbling cascades and temples. Spend a full day exploring Discover Fountains Mill, one of the finest moments in history sitting side surviving examples of a monastic water mill by side at this World Heritage in Britain. Site Enjoy the sight of over 300 wild deer Making a booking in the medieval park at Studley Royal. All group visits need to be pre-booked to Admire the Elizabethan-style facade of receive group rates. Fountains Hall, with paths to the orchard and hidden herb garden. Please contact (during office hours): Annette Tulip, Bookings & Functions Coordinator Visit St Mary’s Church, an outstanding Fountains Abbey & Studley Royal example of Victorian gothic architecture Ripon HG4 3DY m hn ?l n t m hl c q s h‘ ‘ k ß o ? ß ? v k n designed by William Burges. ‘ h q c k c m ? g n d l q ? h d s‘ hm f n d?ß?o‘sqhl United Nations Studley Royal Park including the Ruins of Fountains Abbey Cultural Organization inscribed on the World Learn more about the estate with a 01765 643197 Heritage List in 1986 Photography © National Trust Images. -
Report on the Joint World Heritage Centre / Icomos Advisory Mission to Stonehenge, Avebury and Associated Sites 27-30 October 20
REPORT ON THE JOINT WORLD HERITAGE CENTRE / ICOMOS ADVISORY MISSION TO STONEHENGE, AVEBURY AND ASSOCIATED SITES Stonehenge October 2015 copyright UNESCO 27-30 OCTOBER 2015 Chris Barker, Civil Engineer, ICOMOS Nathan Schlanger, Archaeologist, ICOMOS Marie-Noël Tournoux, Project Officer Europe and North America Unit, World Heritage Centre Stonehenge October 2015 copyright UNESCO 2 TABLE OF CONTENTS ACKNOWLEDGMENTS ……………………………………………………………….…… 4 1 INTRODUCTION ………………………………………………………………………..… 5 2 MISSION REPORT ……………………………………………………………………….. 7 3 MISSION CONCLUSIONS ………………………………………………………………. 24 4 MISSION RECOMMENDATIONS ………………………………………………...…...... 24 5 REFERENCES……………………………………………………………………………... 28 6 ANNEXES…………....……………………………………………………………………... 29 3 ACKNOWLEDGMENTS The joint World Heritage Centre and ICOMOS mission thanks the State Party for the arrangements for the Advisory Mission and the preparation of all the necessary relevant materials, together with the good will in its advancement. Particular thanks are due to DCMS and Historic England and more specifically to Keith Nichol and Hannah Jones from DCMS and Henry Owen-John and Phil McMahon from Historic England, our main focal points. The mission would like to acknowledge and to commend the investment and professionalism of our hosts in addition to logistics and hospitality. The assistance gladly provided by Historic England, English Heritage Trust, the National Trust, and their representatives, be it at organizational level or on the ground, including notably Chris Smith, Historic England, and Heather Sebire, Properties Curator West English Heritage Trust, Kate Davies, Stonehenge General Manager, English Heritage Trust, Beth Thomas & Sarah Simmonds, World Heritage site Coordinator, Nicola Snashall, National Trust WHS archaeologist for Stonehenge & Avebury, Cassandra Genn, Senior project and Stakeholder Manager, Ian Wilson, Assistant Director of Operations, Ingrid Samuel, Historic Environment Director, Janet Tomlin, National Trust, as well as the Wiltshire Council. -
George Washington Wilson (1823-1893)
George Washington Wilson (1823-1893) Photographically innovative and entrepreneurial in business, Wilson was the most notable, successful and prolific stereo-photographer in Scotland and perhaps the entire UK. Having trained in Edinburgh as an artist, he worked as a miniature portrait painter and art teacher in Aberdeen from 1848. He started experimenting with photography in 1852, probably realising that it could potentially supplant his previous profession. In a short-lived partnership with Hay, he first exhibited stereoviews in 1853 at the Aberdeen Mechanics' Institution. A commission to photograph the construction of Balmoral Castle in 1854-55 led to a long royal association. His photos were used in the form of engravings for Queen Victoria's popular book “My Highland Journal”. His best-selling carte-de-visite of her on a pony held by Brown (judiciously cropped to remove other superfluous retainers) fuelled the gossip surrounding this relationship. His portrait studio in Aberdeen provided steady cashflow and in 1857, to promote his studio, he produced a print grouping together famous Aberdonians, one of the earliest ever examples of a photo-collage. He soon recognised that stereoviews were the key to prosperity and by 1863 had a catalogue of over 400 views from all across the UK, selling them in a wide variety of outlets including railway kiosks and inside cathedrals. His artistic training helped him compose picturesque and beautiful images, but he was also an innovative technician, experimenting on improving photographic techniques, chemistry and apparatus, working closely with camera and lens manufacturers. He was among the very first to publish “instantaneous” views, ranging from a bustling Princes Street, Edinburgh to a charming view of children paddling in the sea, both dating from 1859. -
An Introduction to Neolithic to Mid Bronze Age Prehistoric Pottery of Cambridgeshire
Jigsaw Cambridgeshire Best Practice Users' Guide An Introduction to Neolithic to Mid Bronze Age Prehistoric Pottery of Cambridgeshire Sarah Percival December 2016 © Jigsaw Cambridgeshire Page 1 of 12 INTRODUCTION This short guide describes the types of pottery which were in use in Cambridgeshire from the Early Neolithic until the mid-Bronze Age. All pottery during this period was made and used in the household and was handmade, mostly formed using coil construction. The pots were fired in a domestic hearth, bonfire or clamp, at temperatures of 600 to 700 degrees centigrade. Based on evidence from ethnographic comparisons most archaeologists believe that clay collection, preparation and potting were undertaken by women. There were no pottery industries or production centres such as those found during the Roman or medieval periods however certain forms and fabrics were widely adopted during specific periods allowing pottery to be used for dating archaeological deposits. Prehistoric pottery may be found in both funerary and domestic deposits and archaeologists use pottery as evidence of trade and exchange and of the type and scale of activity present on an archaeological site. Characteristics used to identify the age of a pot include form (the shape of the vessel), decoration, and fabric. Fabric here refers to the clay of which a pot was made and the inclusions within it. Inclusions are materials within the body of the clay which may be present naturally or are often deliberately added as temper, to aid construction, firing and resilience of the pot or for cultural or social reasons. The colour of the finished pot tells archaeologists something of how it was fired. -
Durrington Walls
Feeding Stonehenge: cuisine and consumption at the Late Neolithic site of Durrington Walls Oliver E. Craig1, Lisa-Marie Shillito1,2, Umberto Albarella3, Sarah Viner-Daniels3, Ben Chan3,4, Ros CleaP, Robert Ixer6, Mandy Jay7, Pete Marshall8, Ellen Simmons3, Elizabeth Wright3 & Mike Parker Pearson6 The discovery o f Neolithic houses at Durrington Walls that are contemporary with the main construction phase o f Stonehenge raised questions as to their interrelationship. Was Durrington Walls the residence o f the builders o f Stonehenge? Were the activities there more significant than simply domestic subsistence? Using lipid residue analysis, this paper identifies the preferential use of certain pottery types for the preparation o f particular food groups and differential consumption of dairy and meat products between monumental and domestic areas o f the site. Supported by the analysis o f faunal remains, the results suggest seasonal feasting and perhaps organised culinary unification o f a diverse community. Keywords: UK, Stonehenge, Neolithic, feasting, isotopic lipid residue analysis, public and private consumption 1 BioArCh, Department o f Archaeology, University o f York, Heslington, York YO lO 5DD , U K (Email: Oliver. craig@york. ac. uk) 2 School o f History, Classics and Archaeology, Armstrong Building, Newcastle University, Newcastle Upon Tyne, NE1 7RU, UK 2 Department o f Archaeology, University o f Sheffield, Northgate House, West Street, Sheffield S I 4ET, U K 4 Laboratory for Artefact Studies, Faculty o f Archaeology, Leiden -
Two Middle Neolithic Radiocarbon Dates from the East Midlands
THE NEWSLASTetteR OF THE PREHISTORIC SOCIetY P Registered Office: University College London, Institute of Archaeology, 31–34 Gordon Square, London WC1H 0PY http://www.prehistoricsociety.org/ Two Middle Neolithic radiocarbon dates from the East Midlands Earlier this year, radiocarbon dates were commissioned for awaiting confirmation of post-excavation funding. The two Middle Neolithic artefacts from the east Midlands. The bowl was originally identified as a Food Vessel. It has a fine first was obtained from a macehead of red deer antler from thin fabric, a concave neck, rounded body and foot-ring. Watnall, Northamptonshire, currently in the collections It is decorated all over with incised herring bone motif and of the National Museums Scotland who acquired it in certainly has a Food Vessel form. However the rim form is 1946/7. The macehead is No. 2 in Simpson’s corpus (PPS much more in keeping with Impressed Ware ceramics and 1996). It is of standard ‘crown’ type, it is undecorated, and the foot-ring has been added to an otherwise rounded base. unfortunately the circumstances of the find are unknown. Both the foot-ring and the decorated lower part of the vessel A radiocarbon date was obtained from the antler itself and are features more common in Food Vessels than in Impressed produced a result of 4395±30 BP (SUERC-40112). This date Wares. Could this be a missing link? Does this vessel bridge unfortunately coincides with a plateau in the calibration curve the Impressed Ware-Food Vessel gap? A later Neolithic or but nevertheless calibrates to 3097–2916 cal BC (95.4% Chalcolithic date was expected but instead the date is very probability) and is in keeping with the few available dates firmly in the Middle Neolithic – 4790±35 BP (SUERC- already obtained for these artefacts (see Loveday et al. -