I Did Not Realise Then the Restlessness Which Always Filled Harry's Heart
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The Scottish Background of the Sydney Publishing and Bookselling
NOT MUCH ORIGINALITY ABOUT US: SCOTTISH INFLUENCES ON THE ANGUS & ROBERTSON BACKLIST Caroline Viera Jones he Scottish background of the Sydney publishing and bookselling firm of TAngus & Robertson influenced the choice of books sold in their bookshops, the kind of manuscripts commissioned and the way in which these texts were edited. David Angus and George Robertson brought fi'om Scotland an emphasis on recognising and fostering a quality homegrown product whilst keeping abreast of the London tradition. This prompted them to publish Australian authors as well as to appreciate a British literary canon and to supply titles from it. Indeed, whilst embracing his new homeland, George Robertson's backlist of sentimental nationalistic texts was partly grounded in the novels and verse written and compiled by Sir Walter Scott, Robert Bums and the border balladists. Although their backlist was eclectic, the strong Scottish tradition of publishing literary journals, encyclopaedias and religious titles led Angus & Robertson, 'as a Scotch firm' to produce numerous titles for the Presbyterian Church, two volumes of the Australian Encyclopaedia and to commission writers from journals such as the Bulletin. 1 As agent to the public and university libraries, bookseller, publisher and Book Club owner, the firm was influential in selecting primary sources for the colony of New South Wales, supplying reading material for its Public Library and fulfilling the public's educational and literary needs. 2 The books which the firm published for the See Rebecca Wiley, 'Reminiscences of George Robertson and Angus & Robertson Ltd., 1894-1938' ( 1945), unpublished manuscript, Mitchell Library, State Library of New South Wales, ML MSS 5238. -
History Walk
History Walk HENRY LAWSON’S already a highly urbanised nation by the time the colonies Federated in 1901. The ‘Legend of the NORTH SYDNEY Bush’ had great resonance in the city. A walking tour from McMahons And yet Lawson, too, spent much of his time in Point to Balls Head Sydney – and North Sydney. He lived in numerous dwellings between 1885, when he Distance: Approx. 3 Km stayed with Mrs Emma Brooks in East Crescent Approximate time: 2.5 hours Street, and 1920. You will pass by some of his Grading: High (there are residences on this walk. Other dwellings and several sets of places of significance include: Strathmere, Lord steep inclines and Street in 1899; rooms above the Coffee Palace stairs to negotiate) in Miller Street run by Mrs Isabel Byers who would care for Lawson for many years after this; Chaplin Cottage, Charles Street where Lawson’s second child Bertha was born in 1900; and Dind’s Hotel at the bottom of Alfred Street Milsons Point – the subject of the very funny poem ‘Dinds Hotel’ – … We hurried out of Campbell Street, and round to Dind’s hotel Where after two long beers apiece, we found the world “orright”… Curiously while Australia’s rural landscape was being well-interpreted and mythologised in poetry and prose, the communities around Sydney’s by-then famous Harbour were rarely explored in writing. Lawson’s portraits of life near Henry Lawson, c.1910. North Sydney Heritage the North Sydney waterfront are among the most Centre Collection/ Stanton Library, PF592/6 intimate and rare portrayals of ‘harbour people’ written. -
1 Cathy Perkins. the Shelf Life of Zora Cross. Clayton
Cathy Perkins. The Shelf Life of Zora Cross. Clayton: Monash University Publishing, 2020. 285 pp. A$29.95. ISBN: 978-1-925835-53-3 Once a week for two years, I caught the bus from West End to Teneriffe in Brisbane for French classes, stepping off at Skyring Terrace near the new Gasworks Plaza. I was terrible at French and never did my homework, but I persisted out of a lifelong dream of writing in Paris. When I picked up Cathy Perkins’s The Shelf Life of Zora Cross, I realised that I was walking a street with a literary connection: Skyring was the surname of writer Zora Cross’s grandfather. Chance encounters bring us to poetry. In the basement of the Mitchell Library in NSW, a collection of letters led researcher Cathy Perkins to the author of the enormously popular Songs of Love and Life, published in 1917. Although this work sold four thousand copies via three reprints, by the time of Cross’s death in 1964 the author was slipping into obscurity. Two efforts had been made to draw attention to her importance in Australia’s literary history: Dorothy Green’s Australian Dictionary of Biography entry (1981) and an attempted biography by Michael Sharkey which was abandoned in favour of a biography of Cross’s partner, writer David McKee Wright. By the mid-1980s, Perkins writes, Cross had ‘fallen so far from literary consciousness that poets Judith Wright and Rosemary Dobson felt safe in recommending that the Australian Jockey Club name a horserace after her’ (86–87). By contrast Perkins, when she found a reference to Songs of Love and Life in the basement among the letters of George Robertson, publisher at Angus and Robertson, she was captivated. -
Henry Lawson and the Salvation Army – Stuart Devenish
Vol. 2 No. 1 (November 2009) Henry Lawson and the Salvation Army – Stuart Devenish. On February 19, 2009 Salvation Army Major Bob Broadbere (retired) presented a lecture entitled 'Henry Lawson and his place in Salvation Army History' to an audience of approximately 70 people, mainly Salvation Army officers and soldiers at the Salvation Army’s Booth College campus at Bexley North, Sydney. The connection between Lawson and the Salvation Army has held an enduring fascination for Broadbere who has amassed a comprehensive personal library on Henry Lawson and his association with the Salvation Army. Having corresponded with the late Prof. Colin Roderick (editor of the 3 volume Henry Lawson, Collected Verse, A & R, Sydney, 1966-8) Broadbere is something of a specialist in the field. His interest in Henry Lawson sprang to life when Broadbere himself lived and worked in the St Leonards-North Sydney areas where Lawson had lived. Permission was obtained from Major Bob Broadbere to reproduce here some of his research as presented in his lecture. The ‘Army’ in Lawson’s Poetry The connection between Henry Lawson and the Salvation Army remains largely unknown in any of the contexts relevant to it, e.g., the Salvation Army, the Christian community, or the wider Australian population. In part this is because writers such as Banjo Paterson and Henry Lawson are not so well known nor so carefully read as they once were. Our understanding of the connection between Lawson and the Salvation Army is not helped by the oblique nature of Lawson’s writing about the Army. According to private correspondence between Roderick and Broadbere, Lawson never threw himself on the mercies of the Army despite his alcoholism and illness later in life. -
Jim Grahame – Henry Lawson
50 JIM GRAHAME Henry Lawson The following memoir of Henry Lawson was written by his friend, Jim Grahame (Jim Gordon), shortly after Lawson’s death in Sydney in September 1922. The version published here is held in the Cyril Goode Papers in State Library Victoria and is one of three memoirs of Lawson by Grahame. The text has been transcribed by John Barnes. I first met him in the main street of Bourke. I was lonely, and somewhat frightened and home sick, and he was alone pacing the footpath up one side and down the other. I watched him for a while, he seemed different to all the others, busy tradesmen or bush town loafer[s]: and after following the full length of the square I met him as he turned to retrace his steps. I said ‘Good day mate’ and he looked up suddenly and had in his face the look of one who was embarrassed at being caught day dreaming. After a searching look at me, he replied ‘Hello have you been shanghaied too?’ and chuckled softly. I guessed that it was my untanned skin, heavy winter clothing, and light laced up boots, that gave him his cue. After I had explained to him that I was looking for a job and that I had little or no money he said [‘]There are a couple of us camped in a place just across the billabong [,] there’s room for you if you care to come.[’] I did care to go, and that was the friendship that lasted a life time – As we were passing a grocery store I went in and bought some tinned food and half a loaf of bread. -
The Light from the Southern Cross’
A REPORT AND RECOMMENDATIONS ON THE GOVERNANCE AND MANAGEMENT OF DIOCESES AND PARISHES IN THE CATHOLIC CHURCH IN AUSTRALIA IMPLEMENTATION ADVISORY GROUP AND THE GOVERNANCE REVIEW PROJECT TEAM REVIEW OF GOVERNANCE AND MANAGEMENT OF DIOCESES AND PARISHES REPORT – STRICTLY CONFIDENTIAL Let us be bold, be it daylight or night for us - The Catholic Church in Australia has been one of the epicentres Fling out the flag of the Southern Cross! of the sex abuse crisis in the global Church. But the Church in Let us be fırm – with our God and our right for us, Australia is also trying to fınd a path through and out of this crisis Under the flag of the Southern Cross! in ways that reflects the needs of the society in which it lives. Flag of the Southern Cross, Henry Lawson, 1887 The Catholic tradition holds that the Holy Spirit guides all into the truth. In its search for the path of truth, the Church in Australia And those who are wise shall shine like the brightness seeks to be guided by the light of the Holy Spirit; a light symbolised of the sky above; and those who turn many to righteousness, by the great Constellation of the Southern Cross. That path and like the stars forever and ever. light offers a comprehensive approach to governance issues raised Daniel, 12:3 by the abuse crisis and the broader need for cultural change. The Southern Cross features heavily in the Dreamtime stories This report outlines, for Australia, a way to discern a synodal that hold much of the cultural tradition of Indigenous Australians path: a new praxis (practice) of church governance. -
A Critical Biography of Henry Lawson
'From Mudgee Hills to London Town': A Critical Biography of Henry Lawson On 23 April 1900, at his studio in New Zealand Chambers, Collins Street, Melbourne, John Longstaff began another commissioned portrait. Since his return from Europe in the mid-1890s, when he had found his native Victoria suffering a severe depression, such commissions had provided him with the mainstay to support his young family. While abroad he had studied in the same Parisian atelier as Toulouse Lautrec and a younger Australian, Charles Conder. He had acquired an interest in the new 'plein air' impressionism from another Australian, Charles Russell, and he had been hung regularly in the Salon and also in the British Academy. Yet the successful career and stimulating opportunities Longstaff could have assumed if he had remained in Europe eluded him on his return to his own country. At first he had moved out to Heidelberg, but the famous figures of the local 'plein air' school, like Tom Roberts and Arthur Streeton, had been drawn to Sydney during the depression. Longstaff now lived at respectable Brighton, and while he had painted some canvases that caught the texture and tonality of Australian life-most memorably his study of the bushfires in Gippsland in 1893-local dignitaries were his more usual subjects. This commission, though, was unusual. It had come from J. F. Archibald, editor of the not fully respectable Sydney weekly, the Bulletin, and it was to paint not another Lord Mayor or Chief Justice, First published as the introduction to Brian Kiernan, ed., The Essential Henry Lawson (Currey O'Neil, Kew, Vic., 1982). -
Henry Lawson: the Retreat from Reality PAGE 1 by John Mclaren This
Henry Lawson: the retreat from reality PAGE 1 By John McLaren This paper is in most ways a mere footnote to Brian Matthews' book on Lawson, The Receding Wave (Melbourne University Press, 1972), and it assumes the main arguments of that work: that Lawson's imagination was gripped partly by his early childhood experience but particularly by his shocked apprehension of the realities of the outback which he encountered cn his trip to Bourke in 1892, and that the decline in the quality of his later work is due to his exhaustion of this subject matter- and to innate artistic flaws rather than to external causes such as his alcoholism. I have also adopted a suggestion offered by Brian Kiernan at an ASAL conference in Brisbane some years ago that Lawson's bushman represents a kind of Australian ideal, a standard offered to criticise the present at the very moment that economic depression is destroying the reality on which it was based and driving selectors from the land into the city. In this paper I want to examine the nature of this ideal. The genesis cf the paper cams when I was rereading Lawson to prepare an introductory lecture and was struck by the extent to which his stories represent an unrelieved catalogue of misery and disaster. This was ncted by some of his first reviewers, who tended to reject the unrelieved pessimism of his work. Yet from the first h i =5 stories seem to have struct- a sympathetic chord among his readers - in the first ya-ir of publication Whiig the Billy Boi 1 s had sold 7000 copies and had gone through several editions (1). -
University of Queensland Library
/heuhu} CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION In tlie UNIVERSITY OF QUEENSLAND LIBRARY edited by Margaret Brenan, Marianne Ehrhardt and Carol Heiherington t • i w lA ‘i 1 11 ( i ii j / | ,'/? n t / i i / V ' i 1- m i V V 1V t V C/ U V St Lucia, University of Queensland Library 1976 CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION CATALOGUE OF MANUSCRIPTS from THE HAYES COLLECTION in the UNIVERSITY OF QUEENSLAND LIBRARY edited by Margaret Brenan, Marianne Ehrhardt and Carol Hetherington St Lucia, University of Queensland Library 1976 Copyright 1976 University of Queensland Library National Library of Australia card number and ISBN 0 9500969 8 9 CONTENTS Page Frontispiece: Father Leo Hayes ii Foreword vii Preface ix Catalogue of the Hayes Manuscript Collection 1 Subject index 211 Name index: Correspondents 222 Name index - Appendix 248 Colophon 250 V Foreword University Libraries are principally agencies which collect and administer collections of printed, and in some cases, audio-visual information. Most of their staff are engaged in direct service to the present university community or in acquiring and making the basic finding records for books, periodicals, tapes and other information sources. Compiling a catalogue of manuscripts is a different type of operation which university libraries can all too seldom afford. It is a painstaking, detailed, time-consuming operation for which a busy library and busy librarians find difficulty in finding time and protecting that time from the insistent demand of the customer standing impatiently at the service counter. Yet a collection of manuscripts languishes unusable and unknown if its contents have not been listed and published. -
The City Bushman by Henry Lawson
The City Bushman by Henry Lawson It was pleasant up the country, City Bushman, where you went, For you sought the greener patches and you travelled like a gent; And you curse the trams and buses and the turmoil and the push, Though you know the squalid city needn't keep you from the bush; But we lately heard you singing of the `plains where shade is not', And you mentioned it was dusty -- `all was dry and all was hot'. True, the bush `hath moods and changes' -- and the bushman hath 'em, too, For he's not a poet's dummy -- he's a man, the same as you; But his back is growing rounder -- slaving for the absentee -- And his toiling wife is thinner than a country wife should be. For we noticed that the faces of the folks we chanced to meet Should have made a greater contrast to the faces in the street; And, in short, we think the bushman's being driven to the wall, And it's doubtful if his spirit will be `loyal thro' it all'. Though the bush has been romantic and it's nice to sing about, There's a lot of patriotism that the land could do without -- Sort of BRITISH WORKMAN nonsense that shall perish in the scorn Of the drover who is driven and the shearer who is shorn, Of the struggling western farmers who have little time for rest, And are ruined on selections in the sheep-infested West; Droving songs are very pretty, but they merit little thanks From the people of a country in possession of the Banks. -
'Settling in the Land of Wine and Honey: Cultural Tourism, Local
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Southern Queensland ePrints ‘Settling in the Land of Wine and Honey: Cultural Tourism, Local History and Some Australian Legends.’ Christopher Lee University of Southern Queensland Rural mythology has historically provided an important focus for cultural explanations of Australian national identity. Since the early 1960s, however, rural myths – especially those represented through the Australian Legend -- have been subjected to searching critiques from different positions in and outside the Academy.1 The adoption of theoretical models during the 1980s and early 1990s that were interested in the politics of identity exposed the racial and gender bias of the rural legends associated with key Australian writers from the 1890s in particular.2 At the same time the apparent adoption of a form of identity politics in government policies related to migrants and the indigenous community, along with a simultaneous enthusiasm across the political spectrum for privatisation, deregulation, and globalisation, enabled a populist identification of the academic and intellectual class promoting these critiques with politicians, their policy advisers and the forces of global capital.3 Commentators in the metropolitan press and the academy have tended to argue that the new ‘racist’ and anti-intellectual political force mobilised by Pauline Hanson’s One Nation phenomenon represented an outdated anglo-celtic conservatism, which could be sourced to provincial -
The Shelf Life of Zora Cross
THE SHELF LIFE OF ZORA CROSS Cathy Perkins A thesis submitted in fulfilment of requirements for the degree of Master of Arts Research in History University of Sydney 2016 Cathy Perkins, Zora Cross, MA thesis, 2016 I declare that the research presented here is my own original work and has not been submitted to any other institution for the award of a degree. Signed: Cathy Perkins Date: 14 July 2016 ii Cathy Perkins, Zora Cross, MA thesis, 2016 Abstract Zora Cross (1890–1964) is considered a minor literary figure, but 100 years ago she was one of Australia’s best-known authors. Her book of poetry Songs of Love and Life (1917) sold thousands of copies during the First World War and met with rapturous reviews. She was one of the few writers of her time to take on subjects like sex and childbirth, and is still recognised for her poem Elegy on an Australian Schoolboy (1921), written after her brother was killed in the war. Zora Cross wrote an early history of Australian literature in 1921 and profiled women authors for the Australian Woman’s Mirror in the late 1920s and early 1930s. She corresponded with prominent literary figures such as Ethel Turner, Mary Gilmore and Eleanor Dark and drew vitriol from Norman Lindsay. This thesis presents new ways of understanding Zora Cross beyond a purely literary assessment, and argues that she made a significant contribution to Australian juvenilia, publishing history, war history, and literary history. iii Cathy Perkins, Zora Cross, MA thesis, 2016 Acknowledgements A version of Chapter 3 of this thesis was published as ‘A Spoonful of Blood’ in Meanjin 73, no.