“Umjetnost riječi” LXII (2018) • 1 • Zagreb • January – June RESEARCH PAPER Tihana K L E P A Č (University of Zagreb)
[email protected] HENRY LAWSON’S WOMANISH WAIL1 Accepted: 10 Jan 2018 UDK: 821.111(94).09Lawson, H. 94(94):316.7 The article describes the formulation of the Henry Lawson author functi- on (Foucault) and its placement, through cultural discourse, at the centre of the Australian Myth as established by Kay Schaffer in her seminal study Women and the Bush. Building on this contention, Christopher Lee ascertains that public discourse in the past century has formulated Lawson as an object epitomising the values of this Myth. Through them, Lawson is positioned as the main empowering element of the local rubric, which demands the right of the local to articulate the local (Lee, 2004). Consequently, Lawson came to signify (white, colonial) Australia. Within this process of formulating his “author-function” Lawson’s stories were established as the paramount contribution to the construction of the 71 Myth. However, since each piece of literature necessarily “gets away” from its author, points of divergence from the Myth in Lawson’s work are identified and described. It is our contention that Lawson’s greatness is revealed precisely in those points of departure from the Myth, which constitutes the most important aporia of Australian nationalism. Key words: Henry Lawson, Australian Myth, father of Australian literature, points of divergence Henry Lawson is “the voice of the bush, and the bush is the heart of Australia” (Stephens qtd. in Roderick 1972: 4). Lawson is “the most characteristic literary product that Australia has yet achieved” (Stephens qtd.