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Louis Aragon and Pierre Drieu La Rochelle: Servility and Subversion Oana Carmina Cimpean Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2008 Louis Aragon and Pierre Drieu La Rochelle: Servility and Subversion Oana Carmina Cimpean Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the French and Francophone Language and Literature Commons Recommended Citation Cimpean, Oana Carmina, "Louis Aragon and Pierre Drieu La Rochelle: Servility and Subversion" (2008). LSU Doctoral Dissertations. 2283. https://digitalcommons.lsu.edu/gradschool_dissertations/2283 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. LOUIS ARAGON AND PIERRE DRIEU LA ROCHELLE: SERVILITYAND SUBVERSION A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of French Studies by Oana Carmina Cîmpean B.A., University of Bucharest, 2000 M.A., University of Alabama, 2002 M.A., Louisiana State University, 2004 August, 2008 Acknowledgements I would like to thank my dissertation advisor Professor Alexandre Leupin. Over the past six years, Dr. Leupin has always been there offering me either professional advice or helping me through personal matters. Above all, I want to thank him for constantly expecting more from me. Professor Ellis Sandoz has been the best Dean‘s Representative that any graduate student might wish for. I want to thank him for introducing me to Eric Voegelin‘s work and for all his valuable suggestions. -
The Infected Republic: Damaged Masculinity in French Political Journalism, 1934-1938
Oberlin Digital Commons at Oberlin Honors Papers Student Work 2010 The Infected Republic: Damaged Masculinity in French Political Journalism, 1934-1938 Emily C. Ringler Oberlin College Follow this and additional works at: https://digitalcommons.oberlin.edu/honors Part of the History Commons Repository Citation Ringler, Emily C., "The Infected Republic: Damaged Masculinity in French Political Journalism, 1934-1938" (2010). Honors Papers. 392. https://digitalcommons.oberlin.edu/honors/392 This Thesis is brought to you for free and open access by the Student Work at Digital Commons at Oberlin. It has been accepted for inclusion in Honors Papers by an authorized administrator of Digital Commons at Oberlin. For more information, please contact [email protected]. The Infected Republic: Damaged Masculinity in French Political Journalism 1934-1938 Emily Ringler Submitted for Honors in the Department of History April 30, 2010 TABLE OF CONTENTS Acknowledgements 3 Introduction 4 Chapter I: Constructing and Dismantling Ideals of French Masculinity in the Third Republic 10 Man and Republic: the Gendering of Citizenship 10 Deviance and Degenerates in the Third Republic 14 The Dreyfus Affair and Schisms in Ideals of Masculinity 22 Dystopia and Elusive Utopia: Masculinity and Les Années Folles 24 Political Instability and Sexual Symbolism in the 1930s 29 Chapter II: The Threat of the Other: Representations of Damaged Masculinity on the Right 31 Defining the Right Through Its Uses of Masculinity 31 Images of the Other 33 The Foreign Other as the -
He Is Depending on You: Militarism, Martyrdom, and the Appeal to Manliness in the Case of France’S ‘Croix De Feu’, 1931-1940
Western University Scholarship@Western Faculty Publications History 2005 He Is Depending on You: Militarism, Martyrdom, and the Appeal to Manliness in the Case of France’s ‘Croix de Feu’, 1931-1940. Geoff Read Huron University, London, [email protected] Follow this and additional works at: https://ir.lib.uwo.ca/huronhistorypub Part of the European History Commons, and the Political History Commons Citation of this paper: Read, Geoff, "He Is Depending on You: Militarism, Martyrdom, and the Appeal to Manliness in the Case of France’s ‘Croix de Feu’, 1931-1940." (2005). Faculty Publications. 5. https://ir.lib.uwo.ca/huronhistorypub/5 Document generated on 01/16/2019 2:26 p.m. Journal of the Canadian Historical Association He Is Depending on You: Militarism, Martyrdom, and the Appeal to Manliness in the Case of France’s ‘Croix de Feu’, 1931-1940. Geoff Read Article abstract Volume 16, Number 1, 2005 This article examines the masculine discourse of the Croix de URI: id.erudit.org/iderudit/015734ar Feu, France’s largest political formation in the late 1930s, https://doi.org/10.7202/015734ar against the examples of the republican conservative parties – the Fédération Républicaine, the Alliance Démocratique, and the Parti Démocrate Populaire – as well the Socialist and See table of contents Communist left. The author argues, based on the François de La Rocque papers, the movement’s newspaper, Le Flambeau, the archives of key political figures, as well as the other parties’ presses, that while the Croix de Feu’s preferred masculinity was similar to that found on the republican right in many Publisher(s) regards, the movement, borrowing heavily from the masculinist aesthetic of the far-left, was engaged in the The Canadian Historical Association / La Société historique du construction of a fascist “new man.” He is Depending on You, Canada therefore, maintains that the Croix de Feu was typically fascist in its masculine discourse, synthesizing social conservatism with a radical élan. -
Будућност Историје Музике the Future of Music History
Будућност историје музике The Future II/2019 of Music History 27 Реч уреднице Editor's Note ема броја 27 Будућност историје музике инспирисана је истоименим Тсеминаром, организованим у оквиру конференције одржане у Српској History академији наука и уметности септембра 2017. године. Организатор семинара био је Џим Самсон, један од најзначајнијих музиколога данашњице, емеритус професор колеџа Ројал Холовеј Универзитета у Лондону, редовни члан Британске Академије и аутор више од 100 Будућност публикација, међу којима је и прва обухватна историја музике на Балкану на енглеском језику (Music in the Balkans, Leiden: Brill, 2013). Проф. The Future Самсон је љубазно прихватио наш позив да буде гост-уредник овог броја часописа, у којем објављујемо радове четворо од петоро учесника панела историје Будућност историје музике (Рајнхарда Штрома, Мартина Лесера, Кетрин Елис и Марине Фролове-Вокер). Изражавамо велику захвалност овим еминентним музиколозима на исцрпном промишљању будућности музике музике наше дисциплине и настојањима да предмет изучавања постану географске регије, друштвени слојеви и слушалачке праксе који су досад били занемарени у музиколошким разматрањима. he theme of the issue No 27 The Future of Music History was inspired by the Teponymous seminar organised as part of a conference held at the Serbian The Future Academy of Sciences and Arts in September 2017. The seminar was prepared by Jim Samson, one of the most outstanding musicologists of our time, Emeritus Professor of Music, Royal Holloway (University of London), member of Music of the British Academy and author of more than 100 publications, including the first comprehensive history of music in the Balkans in English (Leiden: Brill, Будућност историје 2013). Professor Samson kindly accepted our invitation to be the guest editor History of this issue, in which we publish articles by four of the five panelists (Reinhard Strohm, Martin Loeser, Katharine Ellis and Marina Frolova-Walker). -
Utopian Aspirations in Fascist Ideology: English and French Literary Perspectives 1914-1945
Utopian Aspirations in Fascist Ideology: English and French Literary Perspectives 1914-1945 Ashley James Thomas Discipline of History School of History & Politics University of Adelaide Thesis presented as the requirement for the degree of Doctor of Philosophy in the Faculty of Humanities and Social Sciences University of Adelaide March 2010 CONTENTS Abstract iii Declaration iv Acknowledgments v Chapter One: Introduction 1 Chapter Two: Interpreting Fascism: An Evolving 26 Historiography Chapter Three: The Fascist Critique of the Modern 86 World Chapter Four: Race, Reds and Revolution: Specific 156 Issues in the Fascist Utopia Chapter Five: Conclusion 202 Bibliography 207 ABSTRACT This thesis argues that utopian aspirations are a fruitful way to understand fascism and examines the utopian ideals held by a number of fascist writers. The intention of this thesis is not to define fascism. Rather, it is to suggest that looking at fascism’s goals and aspirations might reveal under-examined elements of fascism. This thesis shows that a useful way to analyse the ideology of fascism is through an examination of its ideals and goals, and by considering the nature of a hypothetical fascist utopia. The most common ways of examining fascism and attempting to isolate its core ideological features have been by considering it culturally, looking at the metaphysical and philosophical claims fascists made about themselves, or by studying fascist regimes, looking at the external features of fascist movements, parties and governments. In existing studies there is an unspoken middle ground, where fascism could be examined by considering practical issues in the abstract and by postulating what a fascist utopia would be like. -
The Vichy Regime and I Ts National Revolution in the Pol I Tical Wri Tings of Robert Bras Illach, Marcel Déat, Jacques Doriot, and Pierre Drieu La Rochelle
The Vichy regime and i ts National Revolution in the pol i tical wri tings of Robert Bras illach, Marcel Déat, Jacques Doriot, and Pierre Drieu La Rochelle. Sean Hickey Department of History McGill University, Montreal September, 1991 A thesis submi tted to the Facul ty of Graduate St.udies and f{esearch in partial fulfj lIment of the requirements of the degree ot Master of Arts (c) 2 ABSTRACT This thesis examines the campaign wagp~ against Vichy's National Revolution by Robert Brasillach, Marcel Déat, Jacques Doriot, and Pierre Drieu La Rochelle. It explores the particular issues of contention separating Vichy and the Paris ultras as weIl as shedd':'ng light on the final evolutiou of a representative segment of the fascist phenomenon in France • . l 3 RESUME Cette thèse est une étude de la rédaction politique de Robert Brasillach, Marcel Déat, Jacques Doriot, et Pierre Drieu La Rochelle contre la ~9volution nationale de Vichy. Elle examine la critique des "collabos" envers la politique du gouvernement P~tainist et fait rapport, en passant, de l'ere finale d'un a3pect du phenomène fasciste en France. 4 TABLE OF CONTENTS Introduction 5 Chapt.er One: "Notre Avant-Guerre" 9 Chapt.er Two: At the Crossroads 3.1 Chapt.er Three: Vichy- Society Recast 38 Chapter Four: Vichy- Society purged 61 Chapt.er Five: Vichy- Legacy of Defeat 79 Conclusion 101 Bibliography 109 • 5 l NTRODUCT l ON To date, historians of the French Collaboration have focussed largely on three over lapPing relat ionshi ps: t.hat between the Vichy regime and Naz1 Germany, that beLween t.he latter and the Paris ultras, and the vanous struggles for power and influence within each camp.: As a resull ot tlllS triparti te fixation, the relatlonship between Vichy and the ultras has received short shift. -
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RENÉ GALAND THE HISTORY OF A CALLING MEVEN MORDIERN'S AUTOBIOGRAPHICAL WRITINGS [NOTE : chapters of this monograph have appeared in the following publications: Proceedings of the Harvard Celtic Colloquium , vol. V (1988), pp. 172-186; Bretagne et pays celtiques (Presses Universitaires de Rennes, 1992), pp.497-510 ; Al Liamm , niv. 288 (1995), pp. 38-51 ; Al Liamm , niv. 294 (1996), pp. 22-49 ; Al Liamm , niv. 296-297 (1996), pp. 243-263 ; Al Liamm , niv. 298 (1996), pp. 360-381 ; Al Liamm , niv. 300 (1997), pp. 59-78 ; Al Liamm , niv. 301 (1997), pp. 162- 190. The chapters published in the Breton literary journal Al Liamm have appeared under the Breton form of my name, Reun ar C’halan ] 4 CHAPTER ONE MEVEN MORDIERN'S UNPUBLISHED MEMOIRS Meven Mordiern is recognized today as one of the foremost authors in the history of Breton literature. In many ways, he is quite exceptional. He was not a native speaker of Breton. He was not born in Brittany. He did not even have Breton parents. His real name was René Leroux, and he was born in Bordeaux, in 1878, the son of an army doctor. He later studied at the Lycée Condorcet, in Paris. In his childhood, however, he became passionately interested in the history and the culture of the Celts, to such an extent that he devoted his entire life to their study, eventually adopting the Breton name Meven Mordiern. His published works fully justify his preeminent place in the history of Breton literature (Yann Bouëssel du Bourg et Yann Brekilien, "La littérature bretonne", in La Bretagne , Yann Brekilien, ed.[Paris: Les Editions d'Organisation, 1982], pp. -
IV. Časopisy a Hnutí Husarů
90 IV. Časopisy a hnutí husarů Takřka žádný z literárních historiků - v kapitole věnované husarům - se neopomine zmínit o jejich nejznámější revue La Parisienne, v níž často spa třují dobovou protiváhu Sartrových Les Temps Modernes. Taková představa není sice zcela přesná, svědčí nicméně o důležitosti, jakou tisk v dané době měl, ať už obecně, nebo v souvislosti s husary. La Parisienne není zdaleka je diný časopis, s nímž husaři spojili své jméno. Již jsme zde vícekrát narazili na některé další tituly - Opera, Arts. Ve skutečnosti je jich mnohem více a je ne zbytné o nich pojednat zevrubněji. Vývoj po roce 1945 představuje na jedné straně pokračování období před chozích, kdy časopisy a literární revue hrály v Uterárním dění podstatnou úlo hu a neodmyslitelně patřily ke konkurenčnímu soupeření mezi jednotlivými proudy a relativně kompaktními literárními skupinami. Na straně druhé však již nese tato doba některé znaky příštích změn, jež v důsledku vedly k atomi zaci a individualizaci literárního života po roce 1970, kdy spíše než prostřed nictvím několika časopisů se spisovatelé prosazují pomocí jiných informačních kanálů a s jinou než skupinovou literární strategií. literární hnutí husarů tedy patří k tomuto přechodnému období, kdy ně které časopisy - Les Temps Modernes, La Table Rondě, Les Lettres Frangaises, Esprit - dosud vládnou hterárnímu světu, ale husaři sami již svou vlastní zkušeností poznávají, s jakými tlaky - politickými a finančními - se vydávání literárních časopisů setkává a jak krátká cesta může vést od úspěchu -
Rewriting the Twentieth-Century French Literary Right: Translation, Ideology, and Literary History
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses March 2017 Rewriting the Twentieth-century French Literary Right: Translation, Ideology, and Literary History Marcus Khoury University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the French and Francophone Literature Commons, and the Translation Studies Commons Recommended Citation Khoury, Marcus, "Rewriting the Twentieth-century French Literary Right: Translation, Ideology, and Literary History" (2017). Masters Theses. 469. https://doi.org/10.7275/9468894 https://scholarworks.umass.edu/masters_theses_2/469 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. REWRITING THE TWENTIETH-CENTURY FRENCH LITERARY RIGHT: TRANSLATION, IDEOLOGY, AND LITERARY HISTORY A Thesis Presented by MARCUS KHOURY Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 2017 Comparative Literature Translation Studies Track Department of Languages, Literatures, and Cultures © Copyright by Marcus Khoury 2017 All Rights Reserved REWRITING THE TWENTIETH-CENTURY FRENCH LITERARY RIGHT: TRANSLATION, IDEOLOGY, AND LITERARY HISTORY A Thesis -
The Personalism of Denis De Rougemont
! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! The personalism of Denis de Rougemont: ! Spirituality and politics in 1930s Europe! ! ! ! ! ! Emmanuelle Hériard Dubreuil! ! St John’s College, 2005! ! ! ! ! ! ! ! ! This dissertation is submitted for the degree of! Doctor of Philosophy! !1 ! ! !2 Abstract! ! ! ! ! ! Neither communist, nor fascist, the personalist third way was an original attempt to remedy the malaise of liberal democracies in 1930s Europe. Personalism puts the emphasis on the human person – understood to be an individual in relation to others – as the foundation and aim of society. Yet, because of the impossibility of subjecting the human person to a systematic definition, personalism remains complex and multifaceted, to the extent that it might be best to speak of ‘personalisms’ in the plural. The various personalist movements that emerged in France in the 1930s are little known, and the current historiography in English misrepresents them. ! This dissertation is a study of the various personalist movements based in France in the 1930s, examining their spiritual research and political philosophy through the vantage point of Swiss writer Denis de Rougemont (1906-1985). In Rougemont lies the key to understanding the personalist groupings because he was the only thinker to remain active in the two foremost movements (Ordre Nouveau and Esprit) throughout the 1930s. The personalism of Ordre Nouveau was the most original, in both senses of the term. It deserves particular attention as an important political philosophy and an attempt to justify political and economic federalism in 1930s Europe. Whilst an Ordre Nouveau activist, Rougemont can be looked upon as the mediator and federator of personalisms in the 1930s. ! However, Rougemont’s particular contribution to personalist thought was more spiritual and theological than political or economic. -
La Lettre 11 Printemps 2010
couv_lettre_11.qxd:Mise en page 1 11/05/10 15:23 Page 1 La Lettre La Lettre Institut Mémoires de l’édition contemporaine Institut Mémoires de l’édition contemporaine Siège social Abbaye d’Ardenne 14280 Saint-Germain-la-Blanche-Herbe Tél.: 0231293737 Fax: 0231293736 [email protected] Rédaction 174, rue de Rivoli 75001 Paris Tél.: 0153342323 Fax: 0153242300 [email protected] La Lettre est diffusée gratuitement sur simple demande. N° 11, PRINTEMPS 2010 Institut Mémoires de l’édition contemporaine L’IMEC bénéficie des soutiens du ministère de la Culture et de la Communication (DRAC de Basse-Normandie) et du Conseil régional de Basse-Normandie. lettre11_v_corrigee_PL.qxd:Mise en page 1 18/05/10 15:09 Page 1 La Lettre n°11 Institut Mémoires de l’édition contemporaine 2 I LES ARCHIVES DE THÉÂTRE 2 Entretien avec Jean-Loup Rivière, « Inventer le théâtre » 13 Les fonds de théâtre à l’IMEC 22 I ARCHIVES 22 Nouveaux fonds 26 Autour des fonds 28 I ÉVÉNEMENT Le centenaire de Jean Genet 30 I CONTREPOINT DE FRANÇOIS KOLTÈS 32 I RECHERCHE 32 Paroles de chercheur 34 Coopérations 39 I VALORISATION 39 Rencontres 43 Expositions 48 I LES SAVEURS DE L’ABBAYE 50 I INFORMATIONS 50 Consulter les archives 52 L’IMEC lettre11_v_corrigee_PL.qxd:Mise en page 1 18/05/10 15:09 Page 2 2 LES ARCHIVES DE THÉÂTRE INVENTER LE THÉÂTRE ès sa création, l’IMEC a été sollicité par des dramaturges, des metteurs en scène, des acteurs ou des critiques qui souhaitaient conserver et mettre en valeur Dles archives de leur art. -
1. French Republican Philosophy of Science and Sorel’S Path to Marx
Georges Sorel, Autonomy and Violence in the Third Republic by Eric Wendeborn Brandom Department of History Duke University Date:_______________________ Approved: ___________________________ Malachi Haim Hacohen, Supervisor ___________________________ Roberto Dainotto ___________________________ Laurent M. Dubois ___________________________ Michael Hardt ___________________________ Christophe Prochasson ___________________________ William M. Reddy ___________________________ K. Steven Vincent Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2012 i v ABSTRACT Georges Sorel, Autonomy and Violence in the Third Republic by Eric Wendeborn Brandom Department of History Duke University Date:_______________________ Approved: ___________________________ Malachi Haim Hacohen, Supervisor ___________________________ Roberto Dainotto ___________________________ Laurent M. Dubois ___________________________ Michael Hardt ___________________________ Christophe Prochasson ___________________________ William M. Reddy ___________________________ K. Steven Vincent An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2012 Copyright by Eric Wendeborn Brandom 2012 Abstract How did Georges Sorel’s philosophy of violence emerge from the moderate, reformist, and liberal philosophy of the French Third Republic? This dissertation answers the question through a contextual intellectual history of Sorel’s writings from the 1880s until 1908. Drawing on a variety of archives and printed sources, this dissertation situates Sorel in terms of the intellectual field of the early Third Republic. I locate the roots of Sorel’s problematic at once in a broadly European late 19th century philosophy of science and in the liberal values and the political culture of the French 1870s.