How to Build a Classic Physique
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University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Choreographers and Yogis: Untwisting the Politics of Appropriation and Representation in U.S. Concert Dance A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Jennifer F Aubrecht September 2017 Dissertation Committee: Dr. Jacqueline Shea Murphy, Chairperson Dr. Anthea Kraut Dr. Amanda Lucia Copyright by Jennifer F Aubrecht 2017 The Dissertation of Jennifer F Aubrecht is approved: Committee Chairperson University of California, Riverside Acknowledgements I extend my gratitude to many people and organizations for their support throughout this process. First of all, my thanks to my committee: Jacqueline Shea Murphy, Anthea Kraut, and Amanda Lucia. Without your guidance and support, this work would never have matured. I am also deeply indebted to the faculty of the Dance Department at UC Riverside, including Linda Tomko, Priya Srinivasan, Jens Richard Giersdorf, Wendy Rogers, Imani Kai Johnson, visiting professor Ann Carlson, Joel Smith, José Reynoso, Taisha Paggett, and Luis Lara Malvacías. Their teaching and research modeled for me what it means to be a scholar and human of rigorous integrity and generosity. I am also grateful to the professors at my undergraduate institution, who opened my eyes to the exciting world of critical dance studies: Ananya Chatterjea, Diyah Larasati, Carl Flink, Toni Pierce-Sands, Maija Brown, and rest of U of MN dance department, thank you. I thank the faculty (especially Susan Manning, Janice Ross, and Rebekah Kowal) and participants in the 2015 Mellon Summer Seminar Dance Studies in/and the Humanities, who helped me begin to feel at home in our academic community. -
George Hackenschmidt Vs. Frank Gotch Media Representations and the World Wrestling Title of 1908 Kim Beckwith & Jan Todd the University of Texas
Iron Game History Volume 11 Number 2 George Hackenschmidt vs. Frank Gotch Media Representations and the World Wrestling Title of 1908 Kim Beckwith & Jan Todd The University of Texas International wrestling star, George Hacken- stories about and a constituent of that world, an element schmidt, widely known as "The Russian Lion," met the of the story." The reporter, they argue, "not only relates American champion, Frank Gotch, at Chicago's Dexter stories but makes them."2 Similarly, pop culture analyst Park Amphitheater on April 3, 1908, in a wrestling title Carlin Romano contends that journalism is not a "minor bout that was labeled "The Athletic Contest of the Cen- placed before reality," but a "coherent nanative of the tmy" on the cover of the match program.' After three world that serves a particular purpose."3 Thinking about preliminary bouts, the much anticipated World's Heavy- journalism in light of this definition makes it easier to weight Wrestling Championships in the catch-as-catch- understand how in the days following the historic Gotch can style began at approximately 10:30 P.M. More than Hackenschmidt bout such different tales would be told two hours later, reporters ...-------------------. by various journalists even scrambled to file their stories in though all of them had watched the early hours of the morning SOUVENIR PROGRAM the same spmting event. Like and share their ringside intelli- 'f the characters in John Godfrey gence with an anxiously await- The Athletic Contest of Saxes's poem, "The Blind Men ing nation and world. The news the Century and the Elephant," almost all they sent out from Chicago, _ For •h• _ of the reporters who pe1111ed however, was totally unexpect- WORLD'S WRESTLING their reports from Chicago had ed. -
Diplomová Práce Kulturismus a Revoluce
Univerzita Karlova v Praze Filozofická fakulta Ústav hospodářských a sociálních dějin Diplomová práce Bc. Jiří Šabek Kulturismus a revoluce: K otázce sociálních dějin tělesnosti v Československu (The Bodybuilding Movement and Revolution: The Social History of Physicality in Czechoslovakia) Praha 2016 Vedoucí práce: Doc. PhDr. et JUDr. Jakub Rákosník, Ph.D. Rád bych tímto zde poděkoval v první řadě svému vedoucímu práce, panu docentu PhDr. et JUDr. Jakub Rákosníkovi, PhD., za veškerou odbornou pomoc v mém studiu. Dále bych rád poděkoval za pomoc i radu panu Josefu Švubovi, „kronikáři síly“ časopisu Muscle&Fitness, Ing. Martinu Jebasovi, předsedovi Svazu kulturistiky a fitness České republiky, a Ing. Josefu Paulíkovi, readaktorovi stránek Ronnie.cz. Mé velké díky patří bezesporu také mé rodině, zejména nekonečně trpělivé sestře, stejně jako všem mým přátelům, kteří mě po celou dobu studia podporovali. J. Š. Prohlašuji, že jsem svou diplomovou práci vypracoval samostatně, že jsem řádně citoval všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. V Praze dne………… podpis Abstrakt: Diplomová práce se snaží zpracovat téma fenoménu kulturistiky v širším kontextu utváření ideálního těla v moderní době. Kulturistika je chápána jako specifický socio-kulturní fenomén pevně spjatý s moderní společností a jejím historickým vývojem. Kromě samotné kulturistiky se tak práce zaobírá rozborem soudobé sociální teorie těla se zaměřením na domácí diskurs a v dalším kroku také analýzou diskursivního vytváření moderní tělesnosti od osvícenství do 20. století. Zde je kladen hlavní důraz na chápání charakteristických změn moderní společnosti v kontextu kontinuity celého modernizačního projektu. Hlavním cílem práce je popsat obecné dějin kulturistiky v rámci nastíněného procesu modernizace, stejně jako porovnání ruzných alternativních pojetí ideální tělesnosti v období tzv. -
Iron Game History Volume 3 Number 4
VOLUME 3 NUMBER 4 August 1994 The first competition behind the Iron Curtain between ath- tition, and that no-one in the history of the sport had ever had the letes from the two superpowers after the Cold War began was held audacity to open with twenty pounds more than the listed world record. in 1955 in Moscow. The athletes were weightlifters. Ever since the But when the five foot nine inch, barrel-chested. three hundred and end of World War Two and the resumption of international meets forty pound Anderson chalked his hands and strode to the platform the American lifters had been dominant, and the soviets resented this the crowd got a good look at him and they became suddenly quiet. dominance and were jealous of it. The political leaders of the soviet And when he pulled the bar to his shoulders and pressed it easily over sports machine were very aware of the his head they were so stunned that for a propoganda value of athletic success, time they made no sound at all. But then and they badly wanted to be able to say they,leapt to their feet shouting, calling to the world that their political system him. “chudo priyody”—wonder of produced the strongest men. They were nature. obsessed by the idea of beating the U.S., This dramatic world record, particularly in the superheavyweight coupled with Paul’s unique appearance, class, the symbol of strength. Even then, caught the imagination of the public, almost 40 years ago, the top superheavy and he was able to parlay the attention was widely recognized—at least in the into a career as the most famous strong- media—as the strongest man in the man of the modern era. -
Soviet Issues Stern Warning on Cuba
Distribution Wecther Today 7 a. in. ueaveutwt It. m km hndd today mDBANK .19,200 * te o. MM * b«fb c . Urn tmi&. ia Wu. *V, fair with Htfe cta«e M' acwwr TMKMCW nuMr~n»>. mn temperature. See Veathv, ag. 2. Dial SH 1.0010 a auir, Monaiy ihnwfli frw»y. ••com Ciiu Panic* VOL. 85, NO. 55 U Red Buk sal at MtlUona lUlltnf OUlc««. RED BANK. N, J., TUESDAY, SEPTEMBER 11, 1962 7c PER COPY PAGE ONE Soblen Dies In Soviet Issues Stern Hospital Was Unconscious Warning On Cuba Since Last MOSCOW (AP) - The Soviet this situation and order the De- The statement added an ap- military supplies and military government warned the United fense Ministry as well as the peal to all nations to raise technicians to Cuba but is not Thursday States today that an attack on command of the Soviet army their voices against the alleged establishing a base there. Cuba would be the beginning to take all measures to put aggressive plans of the United "We state and we repeat," LONDON (AP) - Dr. Robert States and to prevent the the statement said, "that if Soblen died today. u of a war that might turn into our Fighting forces into the high- a world nuclear war. est degree of fighting readiness. "American aggressors" from war is unleashed, if an aggres- A hospital spokesman said starting a war. sor attacks one or another death' came to the fugitive spy at In a statement read to a "This is exclusively a pre- special Foreign Office news cautionary measure. -
“The Russian Lion”: Vladislav Von Krajewski's Bodybuilding of George Hachenschmidt Fae Brauer, Professor of Art A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UEL Research Repository at University of East London Making “The Russian Lion”: Vladislav von Krajewski’s Bodybuilding of George Hachenschmidt Fae Brauer, Professor of Art and Visual Culture University of East London Centre for Cultural Studies Research In their focus upon the rupture and transformation of Soviet physical culture in the 1930s, histories of Russian bodybuilding of the new man have tended to become disconnected from trajectories stretching back to the •Crimean War and the need to enhance military preparedness through modern sports and gymnastics inspired by the •German Turnen gymnastic societies. Valued for producing a disciplined subject in peacetime and a fearless fighter in war, these so-called “disciplinary exercises” were promoted in the •first gymnastics club of St. Petersburg from 1863, followed by the Pal’ma Gymnastics Society which quickly spread with branches in five cities. After the Moscow Gymnastics Society opened with meetings on Tsvetnoi Boulevard, in 1874, •Pyotr Lesgaft, the founder of Russian physical education introduced gymnastics into the army with gymnastic courses for army officers and civilians by 1896. Yet, as this paper will reveal, it was only through •Dr. V. F. Krajewski, founder of the •St. Petersburg Athletic and Cycling Club and physician to the •Tsar, that the St. Petersburg Amateur Weightlifting Society was opened in 1885. •It was only due to Dr Krajewski that a •gym for weightlifting opened with the first all-Russian weightlifting championship being held in April 1897 in St. Petersburg Mikhailovsky Manege. -
The Operational Aesthetic in the Performance of Professional Wrestling William P
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days. -
Erotic and Physique Studios Photography Collection, Circa 1930-2005 Coll2014-051
http://oac.cdlib.org/findaid/ark:/13030/c8br8z8d No online items Finding aid to the erotic and physique studios photography collection, circa 1930-2005 Coll2014-051 Michael C. Oliveira ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California © 2017 909 West Adams Boulevard Los Angeles, California 90007 [email protected] URL: http://one.usc.edu Coll2014-051 1 Language of Material: English Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Title: Erotic and physique studios photography collection creator: ONE National Gay & Lesbian Archives Identifier/Call Number: Coll2014-051 Physical Description: 30 Linear Feet37 boxes. Date (inclusive): circa 1930-2005 Abstract: Photographs produced from the 1930s through 2010 by gay erotic or physique photography studios. The studios named in this collection range from short-lived single person operations to larger corporations. Arrangement This collection is divided into two series: (1) Photographic prints and (2) Negatives and slides. Both series are arranged alphabetically. Conditions Governing Access The collection is open to researchers. There are no access restrictions. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. Permission for publication is given on behalf of ONE National Gay and Lesbian Archives at USC Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained. Immediate Source of Acquisition This collection comprises photographs garnered from numerous donations to ONE Archives, many of which are unknown or anonymous. Dan Luckenbill, Neil Edwards, Harold Dittmer, and Dan Raymon are among some of the known donors of photographs in this collection. -
The Atlas & Vulcana Group of Society Athletes
Iron Game History Volume 6 Number 3 David P. Webster, O.B.E. All photos courtesy David P. Webster Atlas was a small strongman with a very big ego disdainfully with these same weights. Few, if any, who claimed to have exceeded Louis Cyr’s record lift believed the stated weights but few cared, for it was a with 242 pounds. In the view of many, including the good, entertaining act. Few cared, that is, until they writer, to seriously consider this man with the massive appeared in Camberwell, where the little British cham- Cyr would be ludicrous. For a start Atlas, or to give him pion W.A. Pullum reigned supreme. his proper name, William Hedley Roberts, weighed only There in south London a riot at the theatre was 56.5 kilograms (126 pounds). There is absolutely noth- precipitated by the boastful arrogance of the 126-pound ing in the way of genuine records to show he was in any Atlas, who claimed to lift 190 pounds with one hand, way exceptional, apart from having a well presented act. twice nightly. He enhanced this lurid lie by placing the His claims to weightlifting records would have bar on the palm of his hand and while thus balanced mil- put Baron Munchaussen to shame and leave the Baron itary pressing it without any hint of difficulty. This he amongst the also-rans in far-fetched stories. Atlas’s followed by announcing that in Australia he had lifted exaggerated claims lost him credibility and popularity. 320 pounds in a one hand clean, challenging Arthur The lovely ladies accompanying Atlas were Saxon who had supposedly fled England to escape expo- welcomed by audiences even although the ring weights sure. -
Get Fit with Video Workouts Line Dances Around the World Trends in Hip-Hop Dance Trends in Martial Arts the World of Crossfit Yoga Fitness Zumba Fitness
African Dance Trends Get Fit with Video Workouts Line Dances Around the World Trends in Hip-Hop Dance Trends in Martial Arts The World of CrossFit Yoga Fitness Zumba Fitness Copyright © 2015 by Mitchell Lane Publishers All rights reserved. No part of this book may be reproduced without written permission from the publisher. Printed and bound in the United States of America. PUBLISHER’S NOTE: The facts in this book have been thoroughly researched. Documentation of such research can be found on pages 44-45. While every possible effort has been made to ensure accuracy, the publisher will not assume liability for damages caused by inaccuracies in the data, and makes no warranty on the accuracy of the information contained herein. The Internet sites referenced herein were active as of the publication date. Due to the fleeting nature of some web sites, we cannot guarantee that they will all be active when you are reading this book. Printing 1 2 3 4 5 6 7 8 9 Library of Congress Cataloging-in-Publication Data Sue Davis Potts Get fit with video workouts / by Sue Davis Potts. pages cm. - (Dance Includes bibliographical Includes webography. Audience: Age: 9-13. Audience: Grade: 4 to 8. ISBN 978 -1-61228-550-4 (library bound) 1. Physical fitness-Juvenile literature. 2. Video recordings-Juvenile literature. Title. GV481.P597 2014 613.7—dc23 2014008300 eBook ISBN: 9781545751428 Contents Introduction Chapter One Not Just a Fad The Advantages and Disadvantages of Using Workout Videos Chapter Two The Fitness Explosion Fitness Careers Chapter Three Big Business Making an Exercise Video Chapter Four How Do You Choose the Right Workout Video? Exercise Tips Chapter Five The Latest Trends Children Staying Fit Where to Get Started Timeline Further Reading Books On the Internet Works Consulted Glossary Introduction The fitness industry is a fast-growing and fast-changing industry that is expe cted to see continued growth. -
A Body of Text: Physical Culture and the Marketing of Mobility
A BODY OF TEXT: PHYSICAL CULTURE AND THE MARKETING OF MOBILITY by Andrea Dale Lapin B.A., Douglass College at Rutgers, The State University of New Jersey 1994 M.A., University of Pittsburgh 1998 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Andrea Dale Lapin It was defended on April 15, 2013 and approved by Jonathan Arac, PhD, Andrew W Mellon Professor, Department of English William Scott, PhD, Associate Professor, Department of English Brenton Malin, PhD, Associate Professor, Department of Communication Thesis Director: Nancy Glazener, PhD, Associate Professor, Department of English ii Copyright © by Andrea Dale Lapin 2013 iii A BODY OF TEXT: PHYSICAL CULTURE AND THE MARKETING OF MOBILITY Andrea Dale Lapin, PhD University of Pittsburgh, 2013 Drawing on Althusserian notions of ideology and Bourdieu’s understanding of bodily hexis, A Body of Text seeks to reframe Physical Culture as an artifact worthy of serious study, more complex and less reactionary than its beefcake-and-sentiment reputation might suggest. This dissertation addresses the story of Physical Culture magazine from three different perspectives, reading the magazine through lenses of media history, medical history and social context, in order to understand the ways in which class operated on and through the body. In contrast to nearly every other publication in the early twentieth century, Physical Culture suggested that class mobility was possible, and that success would naturally follow improvement of body and health. -
SOME THOUGHTS on the BODY: “HOW IT MEANS” and WHAT IT MEANS Our Friend, Al Thomas, Sent the Following Thoughts to Us Some Values That Weight Training Confers
VOLUME 2 NUMBER 5 January 1993 SOME THOUGHTS ON THE BODY: “HOW IT MEANS” AND WHAT IT MEANS Our friend, Al Thomas, sent the following thoughts to us some values that weight training confers. months back. He didn’t intend for us to publsih them; he only The film, it seems, had created the need for explanation to so many wanted to share with us what was on his mind. Even so, we have people that it became a sort of emotional watershed for me. Or, more decided to share his thoughts with you. As some of you know, Al accurately, it was the film, plus the fact that, having passed through has made seminal contributions to our game—particularly in a my fifties and the first year of my sixties, I was faced with retirement series of articles in Iron Man concerning women, strength and from my profession as a college teacher. With the ticking-down of physical development. He made these contributions simply by the machine that is symbolized by such life-changes, I began to focusing his long experience and his agile intelligence on the issue. wonder what truly had become my “value system”: Was the new What follows is a fascinating display of unexpurgated Thomas one that seemed to be a response to my film really as unworthy of a confronting certain ultimate questions. What follows is not for balding college professor with a Ph.D. as it seemed? the timid. What follows is a love song. As recently as a year ago, I would have claimed my family and (This has its origin in three questions posed at the recent Old-timers’ my profession (along with one or two other traditionally acceptable banquet.