Boston Symphony Orchestra Concert Programs, 2011-2012, Subscription
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CD-Neuauflage Der Ersteinspielung Von ›Schuberts Winterreise‹ Von Hans Zender
Presseinformation Frankfurt am Main, 8. August 2019 CD-Neuauflage der Ersteinspielung von ›Schuberts Winterreise‹ von Hans Zender Die lange vergriffene Ersteinspielung von Hans Zenders ›Schuberts Winterreise‹ (1993) unter Leitung des Komponisten mit Tenor Hans Peter Blochwitz und dem Ensemble Modern ist in einer Neuauflage bei Ensemble Modern Medien wieder auf CD erhältlich. Zenders ›komponierte Interpretation‹ leuchtet den bekannten Vokalzyklus von Franz Schubert instrumental-gedanklich aus und macht dessen kühne Vorgriffe auf die musikalische Zukunft hörbar. Die Gattung der ›komponierten Interpretation‹ hat Zender geradezu erfunden; Ensemble Modern Medien indem er die Musik weiterdenkt, Konturen schärft, Formen EMCD-043/44 EAN-Code: 426013164042 1 dekonstruiert oder neu schafft. Dabei ist die ›komponierte Interpretation‹ angesiedelt zwischen Bearbeitung Preis: 18 Euro (Instrumentierung) und Neufassung. Das Ensemble Modern spielte Hans Zender (*1936) die Uraufführung des Werks am 21. September 1993 in der Alten Schuberts Winterreise Eine komponierte Interpretation für Tenor Oper Frankfurt. Die nun wieder vorliegende Aufnahme entstand im und kleines Orchester (1993) August 1994 in Kooperation von BMG Classics und dem Hessischen Text: Wilhelm Müller Rundfunk und erscheint nun als Doppel-CD im Label Ensemble Hans Peter Blochwitz Tenor Modern Medien. Ensemble Modern Hans Zender Dirigent Mit Hans Zender als Komponist, Initiator und Denker verbindet das Ensemble Modern eine tiefe und langjährige Beziehung; er gab Impulse zur Gründung des Ensemble Modern im Jahr 1980, 1993 initiierte er die Gesprächskonzertreihe ›Happy New Ears‹. 2011 spielte das Ensemble Modern die Uraufführung von Hans Zenders ›33 Veränderungen über 33 Veränderungen‹, bei denen er sich ähnlich wie bei der ›Winterreise‹ überschreibend und Ensemble Modern GbR weiterdenkend Ludwig van Beethovens ›Diabelli-Variationen‹ Schwedlerstraße 2-4 D – 60314 Frankfurt am Main angenommen hat (erschienen 2013 bei EM Medien). -
UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
[email protected] N
FOR IMMEDIATE RELEASE UPDATED May 28, 2015 February 17, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] NEW YORK PHILHARMONIC TO RETURN TO BRAVO! VAIL FOR 13th-ANNUAL SUMMER RESIDENCY, JULY 24–31, 2015 Music Director Alan Gilbert To Lead Three Programs Bramwell Tovey and Joshua Weilerstein Also To Conduct Soloists To Include Violinist Midori, Cellist Alisa Weilerstein, Pianists Jon Kimura Parker and Anne-Marie McDermott, Acting Concertmaster Sheryl Staples, Principal Viola Cynthia Phelps, Soprano Julia Bullock, and Tenor Ben Bliss New York Philharmonic Musicians To Perform Chamber Concert The New York Philharmonic will return to Bravo! Vail in Colorado for the Orchestra’s 13th- annual summer residency there, featuring six concerts July 24–31, 2015, as well as a chamber music concert performed by Philharmonic musicians. Music Director Alan Gilbert will conduct three programs, July 29–31, including an all-American program and works by Mendelssohn, Mahler, Mozart, and Shostakovich. The other Philharmonic concerts, conducted by Bramwell Tovey (July 24 and 26) and former New York Philharmonic Assistant Conductor Joshua Weilerstein (July 25), will feature works by Grieg, Elgar, Tchaikovsky, Rachmaninoff, and Richard Strauss, among others. The soloists appearing during the Orchestra’s residency are pianists Jon Kimura Parker and Anne-Marie McDermott, cellist Alisa Weilerstein, violinist Midori, soprano Julia Bullock and tenor Ben Bliss, and Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps. The New York Philharmonic has performed at Bravo! Vail each summer since 2003. Alan Gilbert will lead the concert on Wednesday, July 29, featuring Mendelssohn’s Violin Concerto, with Midori as soloist, and Mahler’s Symphony No. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
Diszkográfia Az Első Kötethez
© Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus -
Highlights, Summer, 2015
HighLights Presenting the Best of Canada's Classical Composers Summer, 2015 Counterpoint Music Library Services - Jean-Marie Barker, Music Publisher & Owner 42 Frater Avenue, Toronto, Ontario M4C 2H6 phone (416) 696-5377; fax (416) 696-8625 www.cpmusiclibrary.ca [email protected] Celebration 2017 Malcolm Forsyth 2017 in Canada will be a big Trickster Coyote - Lightening Elk party as we celebrate the 150th Symphony New Brunswick birthday of our country. recently performed Malcolm Are you looking for programming Forsyth's evocative violin concerto, material for this celebration? We have Trickster Coyote - Lightening Elk, the show for you! with the soloist who commissioned For our international friends and the work, Tara-Louise Montour, and colleagues, you too should consider Michael Newnham conductor. The programing a Canadian repertoire audience and performers loved it. concert to celebrate Canada's birthday. I was very moved by the visceral Marc Fortier, conductor, composer, strength of the work, it's orchestration arranger and long-time Artistic and the ideas that it contained. Director of the Montreal Pops Malcolm Forsyth composed a Orchestra and conductor of the work, which is a kaleidoscopic Montreal Summer Concert Series, representation in music of our Tara-Louise Montour, soloist & Michael Newnham, Conductor Marc Fortier has come up with a wonderful way shared Amerindian heritage in North to celebrate Canada's composers with a new project meant to America. The humanity and the brilliance of the piece are what bring back to life many instrumental works from the "light- moves the musicians and the audience. Michael Newnham orchestra" repertoire which have been unjustly neglected. -
The Winnipeg Arts Council Awards
W I N N I P E G ARTS COUNCIL ANNUAL REPORT 2007 Below: Main St-Union BLDG Montage, David Wityk. Photo: David Wityk. Cover image and pages 3, 4 ,23: Main St-Union BLDG Montage, Details, David Wityk. Photo: David Wityk. CONTENTS 2 INTRODUCTION 4 GraNTS PrOgraMMING 8 MAJOR NEW WORKS - NEW CrEATIONS FUND 10 INTRODUCING THE WINNIPEG ARTS COUNCIL AWarDS & MaYOR’S LUNCHEON FOR THE ARTS 14 THE CarOL SHIELDS WINNIPEG BOOK AWarD 16 PUBLIC ART PrOgraM 20 IN THE HEarT OF THE EXCHANGE 21 APPRECIATION 22 MESSagE frOM THE CHAIR 23 2007 GraNTS AWarDED 35 AUDITOR’S REPORT AND STATEMENT OF FINANCIAL POSITION 41 BOarD OF DIRECTORS, STaff AND ASSESSORS 42 MaNDATE, MISSION, VISION & VALUES WINNIPEG ARTS COUNCIL © 2008 Winnipeg Arts Council 103-110 Princess Street, Winnipeg, MB R3B 1K7 Design by Mike Carroll T 204.943.7668 F 204.942.8669 Printed in Canada by Kromar Printing E [email protected] W www.winnipegarts.ca 1 INTRODUCTION The funding programs of the Winnipeg Arts Council are notably creative and have been confirmed as such by other agencies and the arts community. he City of Winnipeg has demonstrated The Arts Council provides funding to individual innovation in support for artists and arts artists for creative projects and professional devel- Torganizations through the establishment of opment, and to arts organizations for operating the Winnipeg Arts Council Inc., entrusting the gov- needs, for projects and through a new program for ernance and management of municipal arts grants marketing and audience development. Another and awards to the community itself. The successor program, the Youth Arts Initiatives Collaborative to the Winnipeg Arts Advisory Council, the Win- Grant, is intended for arts organizations who wish nipeg Arts Council (one of only four municipal arts to partner with community organizations to under- councils in Canada) was approved by City Council take an innovative approach to the development of in 2002, with a mandate to manage the City’s con- opportunities for youth involvement in the arts. -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: a QUESTION of NATIONALISM a Thesis Submitted in Partial Satis
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: A QUESTION OF NATIONALISM A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Ronald Frederick Erin August, 1983 J:lhe Thesis of Ronald Frederick Erin is approved: California StD. te Universi tJr, Northridge ii PREFACE This thesis represents a survey of Canadian music since 1940 within the conceptual framework of 'nationalism'. By this selec- tive approach, it does not represent a conclusive view of Canadian music nor does this paper wish to ascribe national priorities more importance than is due. However, Canada has a unique relationship to the question of nationalism. All the arts, including music, have shared in the convolutions of national identity. The rela- tionship between music and nationalism takes on great significance in a country that has claimed cultural independence only in the last 40 years. Therefore, witnessed by Canadian critical res- ponse, the question of national identity in music has become an important factor. \ In utilizing a national focus, I have attempted to give a progressive, accumulative direction to the six chapters covered in this discussion. At the same time, I have attempted to make each chapter self-contained, in order to increase the paper's effective- ness as a reference tool. If the reader wishes to refer back to information on the CBC's CRI-SM record label or the Canadian League of Composers, this informati6n will be found in Chapter IV. Simi- larly, work employing Indian texts will be found in Chapter V. Therefore, a certain amount of redundancy is unavoidable when interconnecting various components. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
National-Council-Auditions-Grand-Finals-Concert.Pdf
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Bertrand de Billy National Council Auditions host and guest artist Grand Finals Concert Joyce DiDonato Sunday, April 29, 2018 guest artist 3:00 PM Bryan Hymel Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb music director designate Yannick Nézet-Séguin 2017–18 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Bertrand de Billy host and guest artist Joyce DiDonato guest artist Bryan Hymel “Martern aller Arten” from Die Entführung aus dem Serail (Mozart) Emily Misch, Soprano “Tacea la notte placida ... Di tale amor” from Il Trovatore (Verdi) Jessica Faselt, Soprano “Va! laisse couler mes larmes” from Werther (Massenet) Megan Grey, Mezzo-Soprano “Cruda sorte!” from L’Italiana in Algeri (Rossini) Hongni Wu, Mezzo-Soprano “In quali eccessi ... Mi tradì” from Don Giovanni (Mozart) Today’s concert is Danielle Beckvermit, Soprano being recorded for “Amour, viens rendre à mon âme” from future broadcast Orphée et Eurydice (Gluck) over many public Ashley Dixon, Mezzo-Soprano radio stations. Please check “Gualtier Maldè! ... Caro nome” from Rigoletto (Verdi) local listings. Madison Leonard, Soprano Sunday, April 29, 2018, 3:00PM “O ma lyre immortelle” from Sapho (Gounod) Gretchen Krupp, Mezzo-Soprano “Sì, ritrovarla io giuro” from La Cenerentola (Rossini) Carlos Enrique Santelli, Tenor Intermission “Dich, teure Halle” from Tannhäuser (Wagner) Jessica Faselt, Soprano “Down you go” (Controller’s Aria) from Flight (Jonathan Dove) Emily Misch, Soprano “Sein wir wieder gut” from Ariadne auf Naxos (R. Strauss) Megan Grey, Mezzo-Soprano “Wie du warst! Wie du bist!” from Der Rosenkavalier (R. -
[email protected] BRAMWELL TOVEY And
FOR IMMEDIATE RELEASE November 15, 2017 Contact: Katherine E. Johnson (212) 875-5700; [email protected] BRAMWELL TOVEY and YEFIM BRONFMAN TO RETURN TO NEW YORK PHILHARMONIC BARTÓK’s Piano Concerto No. 2 MUSORGSKY’s Pictures at an Exhibition SMETANA’s The Bartered Bride Overture December 27–30, 2017 Bramwell Tovey will conduct the New York Philharmonic in Bartók’s Piano Concerto No. 2, with Yefim Bronfman as soloist; Musorgsky’s Pictures at an Exhibition (in Ravel’s orchestration); and Smetana’s The Bartered Bride Overture, Wednesday, December 27, 2017, at 7:30 p.m.; Thursday, December 28 at 7:30 p.m.; Friday, December 29 at 8:00 p.m.; and Saturday, December 30 at 8:00 p.m. Yefim Bronfman — a Philharmonic Board Member and the 2013–14 season Mary and James G. Wallach Artist-in-Residence, who made his debut with the Orchestra almost 40 years ago — won a 1997 Grammy Award for his recording of Bartók’s complete piano concertos with the Los Angeles Philharmonic led by Esa-Pekka Salonen, now the Philharmonic’s Marie-Josée Kravis Composer-in- Residence. The Los Angeles Times wrote of Mr. Bronfman’s performance of Bartók’s Piano Concerto No. 2 with the Los Angeles Philharmonic in 2009: “This happens to be one of the most virtuosic concertos in the standard repertory and Bronfman’s playing was a finely spun whirl of notes that verged on the unbelievable.” Bramwell Tovey will also conduct Members of the New York Philharmonic in New Year’s Eve: Bernstein on Broadway, December 31, 2017, featuring vocalists Annaleigh Ashford, Christopher Jackson, Laura Osnes, and Aaron Tveit. -
To Download the Full Archive
Complete Concerts and Recording Sessions Brighton Festival Chorus 27 Apr 1968 Concert Dome Concert Hall, Brighton Brighton Festival Belshazzar's Feast Walton William Walton Royal Philharmonic Orchestra Baritone Thomas Hemsley 11 May 1968 Concert Dome Concert Hall, Brighton Brighton Festival Kyrie in D minor, K 341 Mozart Colin Davis BBC Symphony Orchestra 27 Oct 1968 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Budavari Te Deum Kodály Laszlo Heltay Brighton Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Sarah Walker Tenor Paul Taylor Bass Brian Kay 23 Feb 1969 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Symphony No. 9 in D minor, op.125 Beethoven Herbert Menges Brighton Philharmonic Orchestra Soprano Elizabeth Harwood Mezzo-Soprano Barbara Robotham Tenor Kenneth MacDonald Bass Raimund Herincx 09 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Mass in D Dvorák Václav Smetáček Czech Philharmonic Orchestra Soprano Doreen Price Mezzo-Soprano Valerie Baulard Tenor Paul Taylor Bass Michael Rippon Sussex University Choir 11 May 1969 Concert Dome Concert Hall, Brighton Brighton Festival Liebeslieder-Walzer Brahms Laszlo Heltay Piano Courtney Kenny Piano Roy Langridge 25 Jan 1970 Concert Dome Concert Hall, Brighton Brighton Philharmonic Society Requiem Fauré Laszlo Heltay Brighton Philharmonic Orchestra Soprano Maureen Keetch Baritone Robert Bateman Organ Roy Langridge 09 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Mass in B Minor Bach Karl Richter English Chamber Orchestra Soprano Ann Pashley Mezzo-Soprano Meriel Dickinson Tenor Paul Taylor Bass Stafford Dean Bass Michael Rippon Sussex University Choir 1 Brighton Festival Chorus 17 May 1970 Concert Dome Concert Hall, Brighton Brighton Festival Fantasia for Piano, Chorus and Orchestra in C minor Beethoven Symphony No.