DOCSLIB.ORG

Aga;Zne

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Aga;Zne ouse Program--December 21, 1948 De Paur Infantry Chorus (Fifth in the Major Concert Series) Tuesday evening--8:30p.m. rzs] aga;zne' 11/f 1I (I \ f II I "' 1II Y <;II /{. rt't't' l\ t' l' rlw :-. por·r:-. .uul cnrt·r l .lintllt' n l "orl<ls ) u u .ItT bu, "' l-!- .1 :-. t ',hOil 1 i t' kt•l ,, It,,, t' lo ofl't•r. ) ott t'.lll :o- tT that show I H.tll\ _.., t•.t:-.on ltc k c l fot· 'our ''holt' frotn I l l(' ft-ont of tltt• ord~t·:-. 1 ra on famd to lht• \\odd'.., g n ·.tlt'"l :-. IHm . To Du " ont 't~ g iant din•t•l-\ it•w ~ <· rccn. dr.lln.t, tlltt .., tc.d ..,, h .dlt•l , opt•ra, cttnt•nl Couu• in and 1('1 u ~ sh ow) ou Dul\1ont'1 e\ · n il-i, t'OII' t'nlroll:-.. p.11 .rdt•.., 1h (' hesl full I ine of 'l't• lt•:-.c ls. * • • • 'I'ht• \Vt•st mtnslt•r Is t'Uilst•nn!ln•ly l'lnstdc - t'Xt'l'lllt•ct In ht•nutllully .:rntnt•t! nnt\11'111 tnnhlliii\1\Y. ~·t :l sttllnn• lnl'll tlln•ct- \'h'\\' sr.tt•t•n, Al\1, l•'l\t, :~hurt \\'11\' t' tndhl nnct nntu n\11 t lc rt•c·ot d pin Yt'l , • Perlman Pianos, 111 (~ . 925 KI NGS HIGHWAY, B'KLYN DEwey 9-2525 ()1'1<: UNTi l. I() 1'. I . l()NU \\' 'l ' lll tll ~A'I'lllt U '\ \ ....•) BROOKLYN jCjDEMY OF MUSIC Published by 'National Concert :Magazines. Editorial office: 30 Lafayette Avenue, Brooklyn 17, 'N Y STerling 3-6700 . .Advertising Office: 258 'Fifth .Avenue, 'New York 1, 'N. Y ., :MUrray 'Hill 9 7870. TilE BROOKLYN INS'flTUTE OF ARTS AND SCIENCE TUESDAY EVENING, DECEMBER 2 L, 194-8 DE PAUR INFA TRY CHORUS Leonard de Paur, Conductor FH TIT T'H.OGRA \T I'\ TI II. \1 \J Oft ( 0 > U HT '-LHJL-. Did you ever able as well as the most delicate of radio phono­ go shopping in a store graphs, a Soundmirror as ~ell as a television set. where everything's musical? A gift shop with the cutest, cuddliest toy animals that ever played a tune ... and music A record shop with records and albums boxes, the very finest Swtss craftsmen could carrying every imported and domestic label you contnve. can think of. If you haven't already guessed it, v-;e're talkmg A sheet music shop with a complete selectiOn about Brooklyn's own Schirmer' . It's the only of all publications, American and foreign. store in Brooklyn devoted enttrely to music. And A where you can browse among bookshop it's a fine and fri endly place to shop. books about music to your heart's content. An instrument shop offering everything from a recorder to a bass drum. A radio shop where you can find a tiny port- GSCHIJM~ 275 LIVINGSTON STREET • BROOKLYN 17 • MAIN 4-5170 3 ABRAHAM tf fULTON ST. at HOYT c: C/1 PARENTS, DOTING RELATIVES ••• 3-1 CHILDREN WILL LOVE THEM! g::a ~~ ~c Little Golden records :<Cit of unbreakable plastic ADAPTED FROM THE FAMOUS LITTLE GOLDEN BOOKS FOR CHILDREN .•• 1. " Scuffy the Tug Boat" and " Good Morning" 2. " The lively Little Rabbit" and " Farandole" 3 . " Th e Shy little Kitten" and " Humoresque" 4 . " Tootle" and Greig's '' Norwegian Dance" 5 . " Th e Poky Little Puppy" and " Th e Naughty Duc k" 6 . " Circus Time": Th e Big Top and Side Shows 7 . " The Tall Giraffe" and " Th e Funny little Mouse" 8 . " Wynken, Blynken and Nod" and " Storm in the Bathtub" 9 . " little Peew ee" and " Turkis h March" 10. " Th e Golden Egg" and " Country Dance" 11. " Th e Big Brown Bear" a nd "Merry Music" 12. " Out of the Window" and "The Bu sy Elevator" Today's children ha\'e been raised on the Golden Books. Now they'll be able to hear their fn\'oritc <; l ory book characters on golden 12 f or 3.48 color records they can play themselves. ~f a n y of the records have classical music selections that appeal to youn gsters. ~f a il and tele­ phone orders w ill be filled on 12 or more. 29c A&S \IusJ<.: Cc:.lll'r, E1ghll1 Floor. Call i\lain 5-6000 each 4 Kupy imported originals ... exclusiveIll ours rn• Brooklll•· Better Coat.,, Suits-Loeser's Second floor Also at Loeser's-Garden City TilEDE 1'-\1 H l'\1 \'\'IH\ ( IIOHI.., I \ uniqtw group mad!' up of tl111 l)­ fi\C· \ pgro Vl'lt·ran.., of tlw la..,l \\ar \\ho '-ang for l nitc·d . 'tate ·.., troop.., all ovc·1 tlw world frotll n •motc· Jwo J ima to hJt tc·n·d Bc·rl in. Bandc·d togc·t hc •J un­ der tlw diu·f'tiun of tiH·ir forrn<'J c·ap­ tain. Leonard de· Paur. the "li (W I h ..,ing c•r.., are nm' on their ..,<·<·ond im~tu •n.., c · l} "llCT<'""ful ci\ ilian c·onc·c•rt LOlli. l.c·on­ ard de Paur fir..,t attraf'tc·cl attc·ntion in mu..,ical circle.., a-.. a..,..,cwiate conductor of the H all .I ohn~on Choir and latc·r a.., choral leadrr of the tein-Thomson fantasy opera. Four aints in Tlure lr·ts. ::\lore recent!), he organized th effecthe choruc;; in \1o._.., llart' \\ar play. Jf inged 1 ictory. Th young memb r of th choru-,_ all in their twenti<'-... aH· ]arg ly college train , cl and many of them are carrying on graduate L11d ic·.., in mu ic. inging together ince 1912. the new en<.;emhl<' ha bec·n di cipli1wd by a resourceful and en:,.i tive leadt'r into an in-.Lrument of lwautiful pn·c·Jsllm. capable of remarkable hadings of tonal hur and d namic = opposite the BROOKLYN ACADEMY Of MUSIC 268 ASHLAND PlACE, BROOKLYN 8 NE W AIR, CONDITIONED BANQUET ROOMS CALL VIeTOR ••• •• STerling 3· 2000 I. Oi'I G.' BY CO TTE\IP RARY 01\fPO ER ~Io rning Hymn I idor G. Hen chel Thou H a~ l Made Me Endle , from '·Three Chorales"1 Her e I Thy Foot tooL from "Tagore" S · Paul Cre ton peak ! for You 1u t - Herbert Haufrecht ompo ed for word by Philip Freneau, a contemporary of Tom Paine and Thoma" 1e fferson and chief poet-propagandi t of the American Revolution. PROCRAl\1 CONTINUE ON FOLLOW! C PACE 1Kittgs Wnunty Wrunt Qinmpauy 342 TO 346 FULTON STREET BOROUGH OF BROOKLYN, CITY OF NEW YORK ''Fifty-nine Years in Brooki-:.-11 ''-''Fifty-nine Y ears of Growth" CAPITAL $ 500,000.00 SURPLUS $7,500,000.00 M E~IB E R FEDERAL DEPOSIT INSU RANCE CORPORATION 6 11 . FOLK 0 TG FR0\1 LATJ A\1 ERI CA La Llorona (Mexican Iluapango) - arr. de Paur One day. when in passing, I aw you coming from the templ<'. You were crying. Tho' you eem a lillle "cry-ba by."' I a m told that you are not alway ... "ad. In your lovely blouse, you looh. ed like the beautiful \ irgin hf'r'-t>lf. I am like the "Chili.'' little cr )ing one, very tao;ty and c.,tron!!. And even if I die of it. 1"11 alway love you. Lillie weeper of heavenly blue. PROGRAM CO Tl UE ON PAGE 10 II FACTORY STORE • Sil::es VVHERE EVERYTHING IS SOLD 14% to 24 V2 BELOVV REGULAR RETAIL PRICES $25 • Beads and sequins HATS flash on one FOR MEN AND WOMEN sleeve, one shoulder by of our fluid, sl imming rayon crepe . KNOX black, royal blue and other famous makers or druid grey. These finely made hats are samples, cancellations, returns, etc. Mail or pho11e: ULster 5-8300 • Dresses, Second floor FACTORY STORE 601 Grand Avenue, Brooklyn between Bergen St. and St. .:\larks Ave. Store hours: .:\Ionday through Saturday, 9:30 a.m.- 6 p.m. 1 5 HANOVER PLACE, BROOKLYN Fo unde d'" 1816 RCA-VICTOR Eye Witness TELEVISI·ON Enjoy RCA Victor Tele­ vision for the finest in SILVERWARE • STATIONERY entertainment. WATCHES See Bressner for the finest in Television. Expert Destgning Free Home Demonstration and Remodeling of Dtslmcttr;e Jewelry ESSNER Budget Pion Est \927 BROOKLYN-Main Showroom, 481 New Lots Ave. DI. 6-6176 Brooklyn: 76 Sutter Ave. Queens: 83-06 Northern B lvd. Wm. Wise & Son O pen D aily to 10 p.m. Main Showroom Open Sun. 11 to 4 487 Fulton Street, Brooklyn ----BRESSNER HAS SOLD OVER---- ---7,000 TELEVISION SETS--- 8 On almost every important program On almost every '' important station For the -the Steinway WSM WHAS WJZ WTIC CFRB WNBC WMAQ WPEN A pc pi,Jmed dinnPr WCAU KYW dress of sheerest rayon lace over rayon WFAA WBAL WABC taffeta ... per[ecl for holiday affairs I In WBNS KGO black. mink brown KMOX WOR WSYR or royal blue. (partial list only) Sizes36 lo44. 49·9 5 Modern Woman Shop STEINWAY & SONS Second Floor STE INWAY HALL 109 W . 57t h STREET, NEW YORK 19, N. Y. for WITH SECURITY! accentuated A Savings Account Gives You a Reserve of "Ready Cash" ... G reater Security! uplift ... • OPEN YOUR ACCOUNT NOW •.. ADD TO IT REGULARLY Banking-By-Mail Modern Mortgage Loans F.H.A . Modernization Loans Savings Bank Mone y Orders Travelers Cheques and foreign Remittances SOUTH . BROOKLYN ..... u.s '•'· 0«. " Allo-Ette" gives fash1onable SAVINGS BANK accentuated uplift to average and to Jlightly MAIN OFFICE , ATLANTIC,AVENUE i COURT STREET larger-than-average bosoms.
Load more

Recommended publications
  • Chanticleer Christmas 2018 Reader
    A Chanticleer Christmas WHEN: VENUE: WEDNESDAY, MEMORIAL CHURCH DECEMBER 12, 2018 7∶30 PM Photo by Lisa Kohler Program A CHANTICLEER CHRISTMAS Cortez Mitchell, Gerrod Pagenkopf*, Kory Reid Alan Reinhardt, Logan Shields, Adam Ward, countertenor Brian Hinman*, Matthew Mazzola, Andrew Van Allsburg, tenor Andy Berry*, Zachary Burgess, Matthew Knickman, baritone and bass William Fred Scott, Music Director I. Corde natus ex parentis Plainsong Surge, illuminare Jerusalem Francesco Corteccia (1502–1571) Surge, illuminare Jerusalem Giovanni Pierluigi da Palestrina (1525–1594) II. Angelus ad pastores ait Jan Pieterszoon Sweelinck (1562–1621) Quem vidistis, pastores dicite Francis Poulenc (1899–1963) Quem vidistis, pastores? Orlando di Lasso (1532–1594) D’où viens-tu, bergère? Trad. Canadian, arr. Mark Sirett Bring a Torch, Jeanette, Isabella Trad. French, arr. Alice Parker and Robert Shaw III. Nesciens mater Jean Mouton (1459–1522) O Maria super foeminas Orazio Vecchi (1550–1605) Ave regina coelorum Jacob Regnart (1540–1599) IV. Here, mid the Ass and Oxen Mild Trad. French, arr. Parker/Shaw O magnum mysterium+ Tomás Luis de Victoria (1548–1611) Behold, a Simple, Tender Babe Peter Bloesch (b. 1963) World Premier performances V. Hacia Belén va un borrico Trad. Spanish, arr. Parker/Shaw Staffan var en stalledräng Jaakko Mäntyjärvi (b. 1963) Commissioned in 2016 by Gayle and Timothy Ober, Allegro Fund of The Saint Paul Foundation, in honor of their 35th wedding anniversary. Chanticleer Trad. English, arr. Philip Wilder ¡Llega la Navidad! Ramón Díaz (1901–1976), arr. Juan Tony Guzmán —INTERMISSION— 2 VI. Ave Maria+ Franz Biebl (1906–2001) Bogoróditse Dyévo, ráduisya Sergei Rachmaninoff (1873–1943) VII. A selection of popular carols to be chosen from… Up! Good Christen Folk Trad.
    [Show full text]
  • The Evolution of Eva Jessye's Programming As Evidenced in Her Choral Concert Programs from 1927-1982
    The Evolution of Eva Jessye's Programming as Evidenced in Her Choral Concert Programs from 1927-1982 Item Type text; Electronic Dissertation Authors Jenkins, Lynnel Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 23:30:45 Link to Item http://hdl.handle.net/10150/622962 THE EVOLUTION OF EVA JESSYE’S PROGRAMMING AS EVIDENCED IN HER CHORAL CONCERT PROGRAMS FROM 1927-1982 by Lynnel Jenkins __________________________ Copyright © Lynnel Jenkins 2016 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2016 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Lynnel Jenkins, titled The Evolution of Eva Jessye’s Programming as Evidenced in Her Choral Concert Programs from 1927-1982 and recommend that it be accepted as fulfilling the document requirement for the Doctor of Musical Arts Degree. ________________________________________________ Date: 10/14/16 Bruce Chamberlain ________________________________________________ Date: 10/14/16 Elizabeth Schauer ________________________________________________ Date: 10/14/16 John Brobeck Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement.
    [Show full text]
  • Record Series 1121-113, W. W. Law Sheet Music and Songbook
    Record Series 1121-113, W. W. Law Sheet Music and Songbook Collection by Title Title Added Description Contributor(s) Date(s) Item # Box Publisher Additional Notes A Heritage of Spirituals Go Tell it on the Mountain for chorus of mixed John W. Work 1952 voices, three part 1121-113-001_0110 1121-113-001 Galaxy Music Corporation A Heritage of Spirituals Go Tell it on the Mountain for chorus of women's John W. Work 1949 voices, three part 1121-113-001_0109 1121-113-001 Galaxy Music Corporation A Heritage of Spirituals I Want Jesus to Walk with Me Edward Boatner 1949 1121-113-001_0028 1121-113-001 Galaxy Music Corporation A Heritage of Spirituals Lord, I'm out Here on Your Word for John W. Work 1952 unaccompanied mixed chorus 1121-113-001_0111 1121-113-001 Galaxy Music Corporation A Lincoln Letter Ulysses Kay 1958 1121-113-001_0185 1121-113-001 C. F. Peters Corporation A New Song, Three Psalms for Chorus Like as a Father Ulysses Kay 1961 1121-113-001_0188 1121-113-001 C. F. Peters Corporation A New Song, Three Psalms for Chorus O Praise the Lord Ulysses Kay 1961 1121-113-001_0187 1121-113-001 C. F. Peters Corporation A New Song, Three Psalms for Chorus Sing Unto the Lord Ulysses Kay 1961 1121-113-001_0186 1121-113-001 C. F. Peters Corporation Friday, November 13, 2020 Page 1 of 31 Title Added Description Contributor(s) Date(s) Item # Box Publisher Additional Notes A Wreath for Waits II. Lully, Lully Ulysses Kay 1956 1121-113-001_0189 1121-113-001 Associated Music Publishers Aeolian Choral Series King Jesus is A-Listening, negro folk song William L.
    [Show full text]
  • Proquest Dissertations
    Leonard de Paur's arrangements of spirituals, work songs, and African songs as contributions to choral music: A black choral musician in the mid-twentieth century Item Type text; Dissertation-Reproduction (electronic) Authors Woods, Timothy Erickson, 1958- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 18:42:48 Link to Item http://hdl.handle.net/10150/282726 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book.
    [Show full text]
  • Record Series 1121-113, W. W. Law Sheet Music and Songbook Collection by Item Number
    Record Series 1121-113, W. W. Law Sheet Music and Songbook Collection by Item Number Item # Title Date(s) Publisher Contributor(s) Box Added Description Additional Notes 1121-113-001_0001 It's Saint Patrick's Day in Savannah 1953 A. J. Handiboe; Liberty Bell Network A. J. Handiboe; Eddie Daly; United Programs States Marine Band 1121-113-001 1121-113-001_0002 Beloved, Let Us Love 1976 Abingdon Albert W. Ream; Horatius Bonar 1121-113-001 1121-113-001_0003 Modern Bugle Method for Schools, no date The Boston Music Co. Arlie W. Latham Legion and Scout Corps 1 1121-113-001 1121-113-001_0004 On the Road Ahead 1967 n/a Arthur Donovan 1121-113-001 1121-113-001_0005 This Little Light of Mine 1978 Hope Publishing Company Betty Jackson King 1121-113-001 1121-113-001_0006 Music for Men's Chorus 1982 Lawson-Gould Music Publishers, Inc. Betty Jackson King 1121-113-001 Ezekiel Saw the Wheel 1121-113-001_0007 Great Day 1976 Belwin Mills Publishing Corp.; Pro Art Betty Jackson King Publications 1121-113-001 1121-113-001_0008 Sinner, Please Don't Let this Harvest 1978 Pro Art Publications, Inc. Betty Jackson King Pass with African Lyrics 1121-113-001 Friday, November 13, 2020 Page 1 of 31 Item # Title Date(s) Publisher Contributor(s) Box Added Description Additional Notes 1121-113-001_0009 Marks Choral Library 1973 Edward B. Marks Music Corporation; Belwin Betty Jackson King Mills Publishing Corp. 1121-113-001 I Want God's Heaven to be Mine 1121-113-001_0010 Stand the Storm 1980 Hope Publishing Company Betty Jackson King 1121-113-001 1121-113-001_0011a God is a God! 1983 Mar-Vel Betty Jackson King; Roland M.
    [Show full text]
  • For Sewer Investigation
    .^ c .w;.v.;^u.'u^v:^ RAHWAY RECORD, TUESDAY, JUNE 10,1930 WfeATHER /oitECAST ; , ; ' PUBL.I8HED Today: Cloudy, illghtly warmer. TV/ICE WEEKLY Tomorrow: F»|r, not much change In ttmper«tUT0. IN RAHWAY'S INTEpE8T8 '• The New Jersey Advocate Announcing Absorbing Tht Rahyyay Newa-Hcrald, the successor of the Union Democrat, Established 1840 ANOTHER VOL. XIX. SERIAL NO. 2152 Sixteen Pages PRICE THREE CENTS ] Mi RAHWAY, UNION CflUNTY, N! J., FRIDAY AFTERNOON, JUNE 13,1930 WILL GfeAdUAtE WITH HIGHEST-HONORS r ''''.>".•.5": PROPERTY FOR PARK Corner Lake Avenue and St. George ^Avenue. FOR SEWER INVESTIGATION Tracts of Land, Including SquUr THE MANAGEMENT OF - idfD Ordinance PassedUAfter-Long Mt&cusswn iou.nl of Adjustment By Councilman andr-Gitizens-t-Engineer- A BoafoV of Adjustment to Questioned oh Workmanship carry out the provisions of the The same prompt and courteous treatment will be given, as tbat which has made our Station at Milton Avenue and Irving Street a success. LAND IN SQUIER FAMILY 151 YEARS zoning ordinance which was re- cently passed for this city, -was .appointed-by Mayor Adolph Ul- MONEY FOR CITIZENS' COMMITTEE brlch and announced at the Upohtherecomm^datiohofMayor^lolpfrui= meeting of the. Common Ooun- brich,'the Common Council at its meeting Wedne^ .cILWednesday night.' :_'_ . At the conclusion of a two-hour discussion, the. —The—personnel—of_the—boards featei^artrof-which-was-telcen-uvi^y--menibers-of:- Follow the "Mites of Smiles*' each Tuesday in the Record;- Every Lubrication Job Guaranteed to Give Satisfaction. "day rtightracceptednhTg-three^tracts of land owned follows: Three years, John J.
    [Show full text]
  • 1000 Freshmen Begin College Careers Here
    North Carolina Agricultural and Technical State University Aggie Digital Collections and Scholarship NCAT Student Newspapers Digital Collections 10-1953 The Register, 1953-09&10-00 North Carolina Agricutural and Technical State University Follow this and additional works at: https://digital.library.ncat.edu/atregister Recommended Citation North Carolina Agricutural and Technical State University, "The Register, 1953-09&10-00" (1953). NCAT Student Newspapers. 129. https://digital.library.ncat.edu/atregister/129 This Book is brought to you for free and open access by the Digital Collections at Aggie Digital Collections and Scholarship. It has been accepted for inclusion in NCAT Student Newspapers by an authorized administrator of Aggie Digital Collections and Scholarship. For more information, please contact [email protected]. Meet Me at Welcome Homecoming to all November 7 Freshmen 'The Cream of College News" VOL. XLVIX A. and T. College, Greensboro, N. C, Sept.-Oci., 1953 5 CENTS PER COPY 1000 FRESHMEN BEGIN COLLEGE CAREERS HERE Korean Vets Help TOPS LYCEUM Swell Enrollment GREENSBORO, N. C. — Miss By KENNETH KIRBY, '55 Margaret Tynes, leading soprano The office of the Registrar reveals with the New York City Opera that approximately 2,575 students en­ Company and a graduate of this rolled at A. and T. College during college, tops a list of outstanding the fall quarter registration. Of this artists to appear on the lyceum number, over 1,000 are freshmen. The series at A. and T. College for the final tabulations, however, have nol current school year. been completed. A native of Greensboro and The new students arrived at a time soloist with the famed A.
    [Show full text]
  • Topical Weill: News and Events
    Volume 29 Number 1 topical Weill Spring 2011 A supplement to the Kurt Weill Newsletter news & news events Mark Your Calendars! “Is it opera or musical? Formal definitions seem academic when confronted by a show of such passion and power . a show that deserves to be seen” (The Guardian). Street Scene won the Evening Standard Award for best musical on the London stage in 2008. This fall the Opera Group/Young Vic production, directed by John Fulljames, will return to the Young Vic’s South Bank theater on 15 September 2011, where it will play 14 times through 1 October, except for a two-day interval (25–26 September) during which the company will travel to Vienna’s Theater an der Wien for two performances. Keith Lockhart will conduct the BBC Concert Orchestra in London 15–20 September and in Vienna; in the other performances, the Southbank Sinfonia will be conducted by Tim Murray. Immediately following the London run, the production will tour the U.K., making stops in Basingstoke (3–4 October), Edinburgh (6–8 October), Newport (10–12 October), and Hull (13–15 October). Weill’s first opera, Der Protagonist, premiered at the Dresden State Opera in 1926. Eighty-five years later and sixty-five years after its creation for Broadway, Street Scene debuts at Dresden’s Semperoper, the first of Weill’s American works ever to be presented there. Street Scene opens on 19 June for a seven-performance run ending 3 July, in a production conducted by Jonathan Darlington and directed by Bettina Bruinier, with a cast including Sabine Brohm (Anna Maurrant), Markus Marquardt (Frank Maurrant), Carolina Ullrich (Rose), and Simeon Esper (Sam Kaplan).
    [Show full text]
  • UNIVERSITY MUSICAL SOCIETY Albert Mcneil Jubilee Singers Albert J
    UNIVERSITY MUSICAL SOCIETY Albert McNeil Jubilee Singers Albert J. McNeil, Director-Founder Virginia White, Administrator Byron Smith, Larry Farrow, Accompanists Charlotte Neveu, Yvonne Farrow, Choreography Cheryl Ascione Ralph Pettiford Bradley Baker Michele Sorel Carl Bell Marc Summers Celeste Bembry Tommie Webb Anne Dunn Virginia White Cheryl Fox Michael Wright Lisa Gray-Ashley Richard Wyatt Thursday Evening, November 11, 1993 at 8:00 Rackham Auditorium, Ann Arbor, Michigan PROGRAM I SPIRITUALS Rocka My Soul ...................... arr. Howard Roberts Ralph Pettiford, Carl Bell, Basses Don't You Let Nobody Turn You 'Round ............ arr. Phil Mclntyre Michael Wright, Tenor Bradley Baker, Tommie Webb, Baritones Crossin' Ovah ....................... .Richard Jackson Cheryl Fox, Soprano Glory, Glory, Hallelujah ................... arr. Lena McLin Bradley Baker, Baritone O Mary Don't You Weep .................. arr. Albert McNeil Celeste Bembry, Soprano Cheryl Ascione, Anne Dunn, Altos You Must Have That True Religion ............. .arr. Roland Carter Lisa Gray-Ashley, Soprano Swing Low, Sweet Chariot .................. arr. Larry Farrow Virginia White, Contralto Ezekiel Saw The Wheel .................. arr. William Dawson CONTEMPORARY AFRICAN-AMERICAN GOSPELS Try Jesus ............................. Robert Ray Celeste Bembry, Soprano Michael Wright, Tenor Large print programs are available from your usher. Sixteenth Concert of the 115th Season 23rd Annual Choice Series Worthy To Be Praised ...................... Byron Smith Cheryl Ascione, Alto INTERMISSION II AFRICAN AND AFRICAN-AMERICAN FOLK SONGS Tataleo (Ghana, Ga) ................... arr. Jester Hairston Richard Wyatt, Tenor Umngoma (Zulu) .................... arr. Caiphus Cemanya Women's Ensemble and Larry Farrow Virginia White, Contralto Marry a Woman Uglier Than You (Calypso) .......... arr. Leonard de Paur Richard Wyatt, Tenor Travelin' Man (Southern) ................. arr. Jester Hairston Michael Wright, Tenor Tommie Webb, Baritone World Goin' Down (Urban Blues) .............
    [Show full text]
  • Spirituals in Choral Music Anthologies
    So You Want to Sing Spirituals Appendix 9 – Spirituals in Choral Music Anthologies So You Want to Sing Spirituals Appendix 9 – Spirituals in Choral Music Anthologies Moreover, the religion of the God we worship makes its strongest appeal to the burden of the world. “Come unto me all ye that labor and are heavy laden and I will give you rest,” has always been a most effective invitation to the black man. For who could possibly be more weary than he, who could possibly be more heavy laden, who could possibly enjoy rest more than he? To him this has always been a real invitation to a truly heavy-laden man. His religion has always been a real power that relieves real burdens. Christianity to him, has been more than religion, it has always been from the very first, an experience. The Spirit beareth witness with his spirit.1 SELECTED CHORAL MUSIC SCORES In Timothy Sharp’s article “Spirituals: America’s Original Contribution to World Sacred Music,” which was reprinted as Chapter 11 in So You Want to Sing Spirituals, Sharp surveyed four collections of concert spirituals written for choral forces that covered a wide range of composers and stylistic approaches. In addition to those referenced in Sharp’s article, this appendix presents a selected list of choral music score compilations containing concert spirituals. The results are categorized by the following choral ensemble forces: (Mixed Voices, Women’s Voices, Men’s Voices, Children’s Voices, and Unison, Two-Part, Equal or Unspecified Voices). Only the spirituals contained in the compilations are listed.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1989
    ' I **- TanglewQDd 1989 E9¥»Km South Pond Farm. The standard of quality in the Berkshires. The lakefront location is perfect. The architecture elegant. The quality and craftsmanship superb. For information on our selection of condominium homes, call 413-443-3330. 1136 Barker Road (on the Pittsfield-Richmond line) Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Eighth Season, 1988-89 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barger, Vice-Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Eugene B. Doggett Mrs. Robert B. Newman David B. Arnold, Jr. Mrs. John H. Fitzpatrick Peter C. Read Mrs. Norman L. Cahners Avram J. Goldberg Richard A. Smith James F. Cleary Mrs. John L. Grandin Ray Stata Julian Cohen Francis W. Hatch, Jr. William F. Thompson William M. Crozier, Jr. Harvey Chet Krentzman Nicholas T Zervas Mrs. Michael H. Davis Mrs. August R. Meyer Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. Mrs. George R. Rowland Allen G. Barry Edward M. Kennedy Mrs. George Lee Sargent Leo L. Beranek Albert L. Nickerson Sidney Stoneman Mrs. John M. Bradley Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Irving W. Rabb John L. Thorndike Mrs. Harris Fahnestock Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager ofTanglewood Michael G.
    [Show full text]
  • So You Want to Sing Spirituals Appendix 1 – Recommended Recordings
    So You Want to Sing Spirituals Appendix 1 – Recommended Recordings So You Want to Sing Spirituals Appendix 1 – Recommended Recordings There are no indications that the high regard attained by the Spirituals will be followed by any marked decline in interest. The vogue of these songs is by no means a suddenly popular fad; it has been reached through long and steady development in the recognition of their worth. Three generations ago their beauty struck a few collectors who were attuned to perceive it. A little while later the Fisk Jubilee Singers made them known to the world and gave them their first popularity, but it was a popularity founded mainly on sentiment. The chief effect of this slave music upon its white hearers then was that they were touched and moved with deepest sympathy for the “poor Negro.” The Spirituals passed next through a period of investigation and study and of artistic appreciation. Composers began afterwards to arrange them so that their use was extended to singers and music-lovers. And then they made their appearance on concert programs and their appeal was greatly broadened. Today, the Spirituals have a new vogue, but they produce a reaction far different from the sort produced by their first popularity; the effect now produced upon white hearers is not sympathy for the “poor Negro” but admiration for the creative genius of the race. The Spirituals have passed through and withstood many untoward conditions on the long march to the present appreciation of their value; they have come from benighted disregard through scorn, apathy, misappraisal, even the ashamedness and neglect of the race that created them, to where they are recognized as the finest distinctive artistic contribution America can offer the world.1 The singer, vocal instructor, or even a library that supports those musicians, will find a growing range of options for obtaining recordings of spirituals.
    [Show full text]