Chanticleer Christmas 2018 Reader
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Vienna Boys Choir Saturday, April 6, 2019 at 3:00Pm This Is the 930Th Concert in Koerner Hall
Vienna Boys Choir Saturday, April 6, 2019 at 3:00pm This is the 930th concert in Koerner Hall Vienna Boys Choir Manolo Cagnin, conductor PROGRAM Gaudete! from the Piae cantiones (arr. Gerald Wirth) Carl Orff: “O Fortuna” from Carmina burana Lodovico Grossi da Viadana: Exultate iusti Adriano Banchieri: “Capricciata à tre voci” and “Contrappunto bestiale alle mente” from Festino nella sera del Giovedi grasso avanti cena (arr. Gerald Wirth) Henry Purcell: Four pieces from Come Ye Sons of Art, Z 323 Joseph von Eybler: Omnes de Saba venient Friedrich Silcher: Lorelei (arr. Gerald Wirth) Johannes Brahms: Regina coeli, op. 37, no. 3 Raoul Gehringer: Tod und Liebe Franz Biebl: Ave Maria – Angelus Domini INTERMISSION Leslie Bricusse and Anthony Newley: “A Wonderful Day” from The Roar of the Greasepaint - The Smell of the Crowd (arr. Norman Leyden) Elton John: “Can You Feel the Love Tonight” from The Lion King Leonard Bernstein: “Somewhere” from West Side Story Eric Whitacre: The Seal Lullaby Richard Rodgers: “Edelweiss” from The Sound of Music Ástor Piazzolla: Libertango (arr. Oscar Escalada) Eduardo Di Capua and Emanuele Alfredo Mazzucchi: O sole mio Josef Strauss: Matrosenpolka, op. 52 (arr. Gerald Wirth) Johann Strauss II: Unter Donner und Blitz, op. 324 (arr. Anton Fergusson) Johann Strauss II: An der schönen blauen Donau, op. 314 (arr. Gerald Wirth) Vienna Boys Choir Boys have been singing at Vienna’s Imperial Chapel since 1296. In 1498, Emperor Maximilian I (HRR) moved his court to Vienna, thus founding the “Hofmusikkapelle” (Chapel Imperial), and the Vienna Boys Choir. Over the centuries, the Viennese Court attracted musicians like Heinrich Isaac, Johann Joseph Fux, Christoph Willibald Gluck, Antonio Salieri, Wolfgang Amadeus Mozart, and Anton Bruckner; Joseph Haydn, Michael Haydn, and Franz Schubert were themselves choir boys. -
A Renaissance Christmas St Martin's Voices Andrew Earis Director Available Until 16Th January 2021
A Renaissance Christmas St Martin's Voices Andrew Earis Director Available until 16th January 2021 St Martin-in-the-Fields, Trafalgar Square London WC2N 4JJ www.smitf.org PROGRAMME ADVENT Vigilate – William Byrd (1543-1623) Canite tuba – Francisco Guerrero (1528-1599) NATIVITY Videte miraculum – Thomas Tallis (1505-1595) Ave Maria à 8 – Tomás Luis de Victoria (1548-1611) Angelus ad pastores ait – Raffaella Aleotti (c.1570-c.1646) Quem vidistis, pastores? – Richard Dering (1580-1630) O magnum mysterium – Victoria Videntes stellam magi – Orlando di Lasso (1532-1594) CHRISTMAS MORNING Verbum caro factum est à 6 – Hans Leo Hassler (1564-1612) Nesciens mater – Jean Mouton (1459-1522) O beatum et sacrosanctum diem – Peter Philips (1561-1628) Resonet in laudibus – Johannes Eccard (1553-1611) Puer natus est nobis – Byrd Hodie Christus natus est – Jan Pieterszoon Sweelinck (1562-1621) PROGRAMME NOTES by Charlotte Marino Vigilate William Byrd Byrd was an English composer of the Renaissance period and is widely considered to be one of the greatest British composers of all times. His Vigilate takes inspiration from the Italian madrigal traditions, resulting in colouring that is vivid, detailed and full of lulling suspensions. This piece is a beautiful example of Byrd’s compositional individuality and astonishingly consistent level of inspiration. Canite tuba Francisco Guerrero Francisco Guerrero was a Spanish Catholic priest and talented young composer of the Renaissance period. At age 17, Guerrero was appointed Maestro de Capilla at Jaen Cathedral, and a few years later he accepted a prestigious position in Seville. He established an exceptional reputation as a singer and composer even before his thirtieth birthday, with his music known for its powerful range of moods, from joy to despair, longing, elation and devotional stillness. -
Separately and Together, Cantus and Lorelei Will Offer the Best in Vocal Chamber Music on Stage for One Night Only September 20 at the Ordway
CONTACT Anne Q. Ulseth AQUA Public Relations 612.272.0588 [email protected] FOR RELEASE: August 17, 2018 Cantus and Lorelei in Concert Thursday, September 20 at 7:30 p.m. Ordway Concert Hall Ordway Center for the Performing Arts 345 Washington Street, Saint Paul Tickets: $30-$55 Box Office: www.ordway.org or 651-224-4222; Groups: 651-282-3111 Cantus Information: 612-435-0055 or www.cantussings.org Separately and together, Cantus and Lorelei will offer the best in vocal chamber music On stage for one night only September 20 at the Ordway (Minneapolis; August 17, 2018) – Building on the success of the past two seasons’ collaborative concerts with Chanticleer and Sweet Honey in the Rock, Cantus welcomes the nine women of Boston-based Lorelei for an unforgettable evening of superlative music. The one-night-only event takes place Thursday, September 20 at 7:30pm at the Ordway Concert Hall in St. Paul. Featuring two of the country’s leading vocal ensembles, the partnership will offer separate sets by Cantus and Lorelei, as well as portions with the groups joining forces to showcase the very best in vocal chamber music. Some highlights of the all-voices repertoire include “Salvation is Created” (P. Chesnokov), “The Cloud-Capp’d Towers” (R.V. Williams), “Abendlied” (Rheinberger) and Eric Whitacre’s “Sleep.” Acclaimed worldwide for its trademark warmth and blend, the eight-man vocal ensemble Cantus is widely known for its innovative programming and engaging performances. The Washington Post has hailed Cantus’ sound as having both “exalting finesse” and “expressive power,” and refers to the “spontaneous grace” of the Twin Cities-based ensemble. -
In-Depth Analysis and Program Notes on a Selection of Wind Band Music Benjamin James Druffel Minnesota State University - Mankato
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato Theses, Dissertations, and Other Capstone Projects 2012 In-Depth Analysis and Program Notes on a Selection of Wind Band Music Benjamin James Druffel Minnesota State University - Mankato Follow this and additional works at: http://cornerstone.lib.mnsu.edu/etds Part of the Music Performance Commons Recommended Citation Druffel, Benjamin James, "In-Depth Analysis and Program Notes on a Selection of Wind Band Music" (2012). Theses, Dissertations, and Other Capstone Projects. Paper 196. This Thesis is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. IN-DEPTH ANALYSIS AND PROGRAM NOTES ON A SELECTION OF WIND BAND MUSIC By Benjamin J. Druffel A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in Wind Band Conducting Minnesota State University, Mankato Mankato, Minnesota June 2012 In-Depth Analysis and Program Notes on a Selection of Wind Band Music Benjamin J. Druffel This thesis has been examined and approved by the following members of the thesis committee. Dr. Amy K. Roisum-Foley, Advisor Dr. John Lindberg Dr. Linda Duckett ACKNOWLEDGEMENTS Dr. Amy Roisum-Foley: Thank you for your knowledge, musicianship, patience, and above all, your friendship. I am honored to have you as a mentor! Dr. -
Direction 2. Ile Fantaisies
CD I Josquin DESPREZ 1. Nymphes des bois Josquin Desprez 4’46 Vox Luminis Lionel Meunier: direction 2. Ile Fantaisies Josquin Desprez 2’49 Ensemble Leones Baptiste Romain: fiddle Elisabeth Rumsey: viola d’arco Uri Smilansky: viola d’arco Marc Lewon: direction 3. Illibata dei Virgo a 5 Josquin Desprez 8’48 Cappella Pratensis Rebecca Stewart: direction 4. Allégez moy a 6 Josquin Desprez 1’07 5. Faulte d’argent a 5 Josquin Desprez 2’06 Ensemble Clément Janequin Dominique Visse: direction 6. La Spagna Josquin Desprez 2’50 Syntagma Amici Elsa Frank & Jérémie Papasergio: shawms Simen Van Mechelen: trombone Patrick Denecker & Bernhard Stilz: crumhorns 7. El Grillo Josquin Desprez 1’36 Ensemble Clément Janequin Dominique Visse: direction Missa Lesse faire a mi: Josquin Desprez 8. Sanctus 7’22 9. Agnus Dei 4’39 Cappella Pratensis Rebecca Stewart: direction 10. Mille regretz Josquin Desprez 2’03 Vox Luminis Lionel Meunier: direction 11. Mille regretz Luys de Narvaez 2’20 Rolf Lislevand: vihuela 2: © CHRISTOPHORUS, CHR 77348 5 & 7: © HARMONIA MUNDI, HMC 901279 102 ITALY: Secular music (from the Frottole to the Madrigal) 12. Giù per la mala via (Lauda) Anonymous 6’53 EnsembleDaedalus Roberto Festa: direction 13. Spero haver felice (Frottola) Anonymous 2’24 Giovanne tutte siano (Frottola) Vincent Bouchot: baritone Frédéric Martin: lira da braccio 14. Fammi una gratia amore Heinrich Isaac 4’36 15. Donna di dentro Heinrich Isaac 1’49 16. Quis dabit capiti meo aquam? Heinrich Isaac 5’06 Capilla Flamenca Dirk Snellings: direction 17. Cor mio volunturioso (Strambotto) Anonymous 4’50 Ensemble Daedalus Roberto Festa: direction 18. -
Booklet & CD Design & Typography: David Tayler Cover Art: Adriaen Coorte
Voices of Music An Evening with Bach An Evening with Bach 1. Air on a G string (BWV 1069) Johann Sebastian Bach (1685–1750) 2. Schlummert ein (BWV 82) Susanne Rydén, soprano 3. Badinerie (BWV 1067) Dan Laurin, voice flute 4. Ich folge dir gleichfalls (St. John Passion BWV 245) Susanne Rydén, soprano; Louise Carslake, baroque flute 5. Giga (BWV 1004) Dan Laurin, recorder 6. Schafe können sicher weiden (BWV 208) Susanne Rydén, soprano 7. Prelude in C minor (BWV 871) Hanneke van Proosdij, harpsichord 8. Schlafe mein Liebster (BWV 213) Susanne Rydén, soprano 9. Prelude in G major (BWV 1007) David Tayler, theorbo 10. Es ist vollbracht (St. John Passion BWV 245) Jennifer Lane, alto; William Skeen, viola da gamba 11. Sarabanda (BWV 1004) Elizabeth Blumenstock, baroque violin 12. Kein Arzt ist außer dir zu finden (BWV 103) Jennifer Lane, alto; Hanneke van Proosdij, sixth flute 13. Prelude in E flat major (BWV 998) Hanneke van Proosdij, lautenwerk 14. Bist du bei mir (BWV 508) Susanne Rydén, soprano 15. Passacaglia Mein Freund ist mein J.C. Bach (1642–1703) Susanne Rydén, soprano; Elizabeth Blumenstock, baroque violin Notes The Great Collectors During the 1980s, both Classical & Early Music recordings underwent a profound change due to the advent of the Compact Disc as well as the arrival of larger stores specializing in music. One of the casualties of this change was the recital recording, in which an artist or ensemble would present an interesting arrangement of musical pieces that followed a certain theme or style—much like a live concert. Although recital recordings were of course made, and are perhaps making a comeback, most recordings featured a single composer and were sold in alphabetized bins: B for Bach; V for Vivaldi. -
Abstracts, Rocky Mountain Chapter of the American Musicological Society Rocky Mountain Music Scholars Conference University of Texas at El Paso, March 1-2, 2019
1 Abstracts, Rocky Mountain Chapter of the American Musicological Society Rocky Mountain Music Scholars Conference University of Texas at El Paso, March 1-2, 2019 Mahler, Bernstein, and Jewish Identity, Matthew Mugmon (University of Arizona) .............................. 3 Stephen Heller Composes Jean Paul: The Blumen-, Frucht-, und Dornenstücke, Op. 82., Nicholas Alexander (University of Northern Colorado) .............................................................................................. 3 Hidden Affectation in Liszt’s Prometheus, Neal Warner (University of Arizona) .................................. 3 Musicology in Exile: Adolfo Salazar and Mexican Hegemony, Adam Heyen (Arizona State University) ........................................................................................................................................................... 4 Blurring the Border: Chávez, Copland, and Pan Americanism, Candice Sierra (University of Arizona) ............................................................................................................................................................... 4 Shaping the Modern American Guitar Landscape: Vahdah Olcott-Bickford and the American Guitar Society, Kathy Acosta Zavala (University of Arizona) ................................................................................. 5 Johnnie Ray: 'The Father of Rock and Roll'? How and Why History Gets Written, Michael Broyles (Florida State University) ................................................................................................................................. -
The Evolution of Eva Jessye's Programming As Evidenced in Her Choral Concert Programs from 1927-1982
The Evolution of Eva Jessye's Programming as Evidenced in Her Choral Concert Programs from 1927-1982 Item Type text; Electronic Dissertation Authors Jenkins, Lynnel Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 23:30:45 Link to Item http://hdl.handle.net/10150/622962 THE EVOLUTION OF EVA JESSYE’S PROGRAMMING AS EVIDENCED IN HER CHORAL CONCERT PROGRAMS FROM 1927-1982 by Lynnel Jenkins __________________________ Copyright © Lynnel Jenkins 2016 A Document Submitted to the Faculty of the FRED FOX SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2016 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Lynnel Jenkins, titled The Evolution of Eva Jessye’s Programming as Evidenced in Her Choral Concert Programs from 1927-1982 and recommend that it be accepted as fulfilling the document requirement for the Doctor of Musical Arts Degree. ________________________________________________ Date: 10/14/16 Bruce Chamberlain ________________________________________________ Date: 10/14/16 Elizabeth Schauer ________________________________________________ Date: 10/14/16 John Brobeck Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
Une Jeune Pucelle 3’43 Se Chante Sur « Une Jeune Fillette »
menu tracklist texte en français text in english textes chantés / lyrics AU SAINCT NAU 1 Procession Conditor alme syderum 2’40 2 Procession Conditor le jour de Noel 1’20 Se chante sur « Conditor alme syderum » 3 Eustache Du Caurroy Fantaisie n°4 sur Conditor alme syderum 1’48 (Orgue seul) 4 Jean Mouton - Noe noe psallite noe 3’21 5 Jacques Arcadelt - Missa Noe noe, Kyrie 8’06 Alterné avec le Kyrie « le jour de noël », qui se chante sur Kyrie fons bonitatis 6 Clément Janequin - Il estoyt une fillette 3’01 Se chante sur « Il estoit une fillette » 7 Anonyme/Christianus de Hollande Plaisir n’ay plus que vivre en desconfort 4’03 Se chante sur « Plaisir n’ay plus » 8 Claudin de Sermizy Dison Nau à pleine teste 3’27 Se chante sur « Il est jour, dist l’alouette » 9 Claudin de Sermizy - Au bois de deuil 3’49 Se chante sur « Au joly boys » 10 Eustache Du Caurroy Fantaisie n°31 sur Une jeune fillette 1’48 (Orgue seul) 3 11 Loyset Pieton O beata infantia 8’20 12 Eustache Du Caurroy Fantaisie n°30 sur Une jeune fillette 1’37 (Orgue seul) 13 Eustache Du Caurroy Une jeune pucelle 3’43 Se chante sur « Une jeune fillette » 14 Guillaume Costeley - Allons gay bergiere 1’37 15 Claudin de Sermizy L’on sonne une cloche 3’35 Se chante sur « Harri bourriquet » 16 Anonyme - O gras tondus 1’42 17 Claudin de Sermizy Vous perdez temps heretiques infames 2’16 Se chante sur « Vous perdez temps de me dire mal d’elle » 18 Claude Goudimel Esprit divins, chantons dans la nuit sainte 2’16 Se chante sur « Estans assis aux rives aquatiques » (Ps. -
Record Series 1121-113, W. W. Law Sheet Music and Songbook
Record Series 1121-113, W. W. Law Sheet Music and Songbook Collection by Title Title Added Description Contributor(s) Date(s) Item # Box Publisher Additional Notes A Heritage of Spirituals Go Tell it on the Mountain for chorus of mixed John W. Work 1952 voices, three part 1121-113-001_0110 1121-113-001 Galaxy Music Corporation A Heritage of Spirituals Go Tell it on the Mountain for chorus of women's John W. Work 1949 voices, three part 1121-113-001_0109 1121-113-001 Galaxy Music Corporation A Heritage of Spirituals I Want Jesus to Walk with Me Edward Boatner 1949 1121-113-001_0028 1121-113-001 Galaxy Music Corporation A Heritage of Spirituals Lord, I'm out Here on Your Word for John W. Work 1952 unaccompanied mixed chorus 1121-113-001_0111 1121-113-001 Galaxy Music Corporation A Lincoln Letter Ulysses Kay 1958 1121-113-001_0185 1121-113-001 C. F. Peters Corporation A New Song, Three Psalms for Chorus Like as a Father Ulysses Kay 1961 1121-113-001_0188 1121-113-001 C. F. Peters Corporation A New Song, Three Psalms for Chorus O Praise the Lord Ulysses Kay 1961 1121-113-001_0187 1121-113-001 C. F. Peters Corporation A New Song, Three Psalms for Chorus Sing Unto the Lord Ulysses Kay 1961 1121-113-001_0186 1121-113-001 C. F. Peters Corporation Friday, November 13, 2020 Page 1 of 31 Title Added Description Contributor(s) Date(s) Item # Box Publisher Additional Notes A Wreath for Waits II. Lully, Lully Ulysses Kay 1956 1121-113-001_0189 1121-113-001 Associated Music Publishers Aeolian Choral Series King Jesus is A-Listening, negro folk song William L. -
Over the Moon
CHANTICLEER OVER THE MOON Nate Pence, Kory Reid, Darita Seth – soprano Cortez Mitchell, Alan Reinhardt, Adam Ward – alto Michael Bresnahan, Brian Hinman, Blake Morgan– tenor Eric Alatorre, Matthew Knickman, Marques Jerrell Ruff – baritone and bass William Fred Scott, Music Director I. My Spirit Sang All Day Gerald Finzi (1901 - 1956) S’andasse Amor a caccia Claudio Monteverdi (1567 - 1643) There is Sweet Music, op. 53, no.1 Edward Elgar (1857 - 1934) Ecco mormorar l’onde* Monteverdi II. Conditor alme siderum Orlando di Lasso (c. 1532 - 1594) Gaude, caelestis domina Antoine Busnois (c. 1430 - 1492) Ave Maria* Robert Parsons (c. 1535 - 1572) Benedicta es, caelorum Regina Josquin Desprez (c. 1450 - 1521) III. Three Moon Songs Nico Muhly (b. l981) Poetry from Albert Giraud’s “Pierrot Lunaire” Harlequin Moondrunk Solo: Marques Jerrell Ruff The Alphabet Solos: Nathanael Pence, Adam Ward Commissioned for Chanticleer in 2015 by Sarah Billinghurst Solomon in honor of Howard Solomon IV. Liebst du um Schönheit Gustav Mahler (1860-1911), arr. Joseph Jennings Solo: Cortez Mitchell Ich bin der Welt abhanden gekommen* Mahler, arr. Clytus Gottwald --- INTERMISSION --- V. The tide rises, the tide falls Jaakko Mäntyjärvi (b. l963) Observer in the Magellanic Cloud* Mason Bates (b. 1977) Commissioned by Chanticleer in 2009 VI. From "The Lotus Lovers" Stephen Paulus (1949-2014) Poetry by Tzu Yeh A Rich Brocade Late Spring All Night Illusions Commissioned for Chanticleer in 2010 by Mary Rodgers and Henry Guettel VII. To be selected from… Molihua* Trad. Chinese, arr. Chen Yi Mirrorball* Elbow/Guy Garvey, arr. Peter Eldridge Solo: Adam Ward Moon River Henry Mancini, arr. -
Proquest Dissertations
Leonard de Paur's arrangements of spirituals, work songs, and African songs as contributions to choral music: A black choral musician in the mid-twentieth century Item Type text; Dissertation-Reproduction (electronic) Authors Woods, Timothy Erickson, 1958- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 29/09/2021 18:42:48 Link to Item http://hdl.handle.net/10150/282726 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book.