University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Music, School of Performance - School of Music 7-2017 The conicI One-Hit Wonder: The iH story and Reception of Franz Biebl's Ave Maria Matthew Oltman University of Nebraska-Lincoln,
[email protected] Follow this and additional works at: http://digitalcommons.unl.edu/musicstudent Part of the Music Performance Commons, and the Music Practice Commons Oltman, Matthew, "The cI onic One-Hit Wonder: The iH story and Reception of Franz Biebl's Ave Maria" (2017). Student Research, Creative Activity, and Performance - School of Music. 110. http://digitalcommons.unl.edu/musicstudent/110 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE ICONIC ONE-HIT WONDER: THE HISTORY AND RECEPTION OF FRANZ BIEBL’S AVE MARIA by Matthew D. Oltman A Doctoral Document Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor Peter Eklund Lincoln, Nebraska July 2017 THE ICONIC ONE-HIT WONDER: THE HISTORY AND RECEPTION OF FRANZ BIEBL’S AVE MARIA Matthew D. Oltman, D.M.A. University of Nebraska, 2017 Advisor: Peter Eklund Franz Biebl’s Ave Maria is one of the most well-known small-scale choral pieces written in the latter half of the twentieth century.