Audio-Visual Ethnography in a Sepik Society
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Appel Candidatures
APPEL À CANDIDATURE ATELIER DE RÉALISATION DE FILMS DOCUMENTAIRES du MARDI 31 OCTOBRE au LUNDI 18 DÉCEMBRE 2017 ALLIANCE FRANÇAISE de BANGUI Cet atelier de formation s'adresse à tous les Centrafricains, femmes et hommes, désireux de se tourner vers la réalisation de films documentaires et soucieux de rendre compte de la réalité de leur pays. Il ne concerne pas seulement des personnes qui auraient déjà une expérience de la réalisation, mais s'adresse aussi bien à des personnes venant d'horizons différents (journalistes, fixeurs, responsables associatifs, etc.) attirés par ce moyen d’expression artistique. Aucune connaissance technique n'est requise. Les participants à l'atelier seront choisis à la fois pour leur motivation, pour leur aptitude à observer la réalité qui les entoure et leur capacité à travailler en groupe. LES ATELIERS VARAN Créés par Jean Rouch en 1981, les Ateliers Varan sont une école de cinéma unique en son genre, née du désir de former des réalisateurs de pays émergents à s’emparer des outils du cinéma documentaire pour refléter leurs réalités propres. Varan n’est pas une école au sens classique et académique du terme : les méthodes de travail y poussent à l’extrême le principe d’enseignement par la pratique : tout s’articule, pour chaque stagiaire, autour de la fabrication de films « en grandeur réelle ». Cet apprentissage du “regard documentaire” s’appuie sur une pédagogie qui s’est rôdée au fil de stages et d’ateliers menés sur les cinq continents. Le but est de décomplexer les participants face au langage cinématographique et de définir le rôle et la place du cinéaste, ses enjeux éthiques par rapport aux personnes filmées et au monde qui l’entoure. -
Film Funding Grants Programme 2013
Film Funding Grants Programme 2013 Film Funding Grants Programme 2013 Doha Film Institute established its Grants We contribute to films that have strong directorial Programme with the vision of fostering creative vision and that are challenging, creative and talent in the Middle East and North Africa (MENA) thought-provoking. Support for grantees is holistic, region. We are proud that over its first three- with financial assistance bolstered by professional and-a-half years the programme supported the development, mentorship and creative development development of more than 137 projects from opportunities that are made available throughout 14 countries. a project’s life cycle. In 2013, the Institute embarked on a new phase of the Grants Programme designed to further the It is our hope that through the Grants Programme goal of nurturing emerging talent. Projects from and the growing number of its alumni, we will all over the world became eligible for funding, continue to widen our flourishing community with a special focus on first- and second-time of filmmakers. As we extend our reach, we also filmmakers. enable professional, cultural and creative exchanges between our local talent and the wider international Alongside this expansion, the Institute’s industry. commitment to talent from the MENA region remains strong, with specific categories and I am honoured to welcome our newest grant criteria in place. Our focus on first- and second- recipients to the Doha Film Institute family. time filmmakers will greatly enhance our ability to discover and nurture new voices, both at home in Abdulaziz Al-Khater Qatar and around the globe. -
Minutes Ga 2014
General Assembly 2018 MINUTES Whistling Woods International, Mumbai, India 12 & 14 November 2018 PAGE 1 OF 67 GENERAL ASSEMBLY MINUTES – WHISTLING WOODS INTERNATIONAL, MUMBAI, INDIA (12 & 14 NOVEMBER 2018) TABLE OF CONTENTS 1. PARTICIPANTS 5 1.1 ATTENDEES (FINAL LIST AS OF 17 NOV 2018) 5 1.2 PROXIES (IN ALPHABETICAL ORDER OF SCHOOLS) 10 1.3 QUORUM 12 2. ELECTIONS 13 2.1 FULL MEMBERS 13 2.2 PRESIDENT 13 2.3 REGIONAL COUNCILS 13 2.4 CILECT EXECUTIVE COUNCIL – COMPOSITION 15 2.5 REGIONAL COUNCILS – COMPOSITION 15 2.6 APPROVAL OF DOCUMENTS 16 3. REPORT OF THE CILECT PRESIDENT 16 4. REPORT OF THE CAPA CHAIR 20 5. REPORT OF THE CARA CHAIR 25 6. REPORT OF THE CIBA CHAIR 26 7. REPORT OF THE CNA CHAIR 27 8. REPORT OF THE GEECT CHAIR 29 9. REPORT OF THE CILECT EXECUTIVE DIRECTOR 45 9.1 EXECUTIVE COUNCIL MEETINGS 45 9.2 MEMBERSHIP 45 9.2.1 REQUESTED INFORMATION FOR MEMBERSHIP 45 9.2.2 CANDIDATE MEMBERS 46 9.2.3 REMOVALS FROM MEMBERSHIP 46 9.2.4 RESIGNATIONS FROM MEMBERSHIP 46 9.2.5 HONORARY MEMBERSHIP 46 9.2.6 CILECT MEMBERSHIP BENEFITS 46 9.3 THE CILECT CONGRESS 2016 47 9.4 THE CILECT CONGRESS 2017 48 PAGE 2 OF 67 GENERAL ASSEMBLY MINUTES – WHISTLING WOODS INTERNATIONAL, MUMBAI, INDIA (12 & 14 NOVEMBER 2018) 9.5 THE CILECT CONGRESS 2018 49 9.6 THE CILECT CONGRESS 2019 49 9.7 THE CILECT PRIZE 50 9.7.1 CHANGES OF RULES & PROCESS 50 9.7.2 COMPARATIVE TABLE OF PARTICIPATION 2006-2018 50 9.7.3 THE CILECT PRIZE 2017 WINNERS/NOMINEES 50 9.7.4 THE CAPA BEST FILM AWARD 2017 51 9.7.5 THE CIBA BEST FILM AWARD 2017 51 9.7.6 THE CILECT PRIZE 2018 WINNERS/NOMINEES -
December 2019
Vol. 11 december 2019 — issue 12 issue iNSIDE: ‘10s roundup - OK BOOMER - HOW TO LEAVE A CONCERT - SALACIOUS VEGAN CRUMbS - DRUNK DETECTIVE STARKNESS - ANARCHY FROM THE GROUND UP - places to poo - STILL NERDY - small bizness Saturday - ASK CREEPY HORSE - record reviewS - concert calendar Ok boomer It is amazing to me how quick the Inter- net is to shoot down some ageist, gener- ational bullshit in a way that completely 979Represent is a local magazine crawls under the skin of old people. I am referring to the “OK Boomer” memes flying around these days. The for the discerning dirtbag. comment refers to Baby Boomers, the septuagenarian generation whose cultural and economic thumb we have Editorial bored lived under my entire life. As a solid Gen X’er I have been told that I was really born too late, that everything cool Kelly Menace - Kevin Still that could possibly happen already happened in the ‘60s Art Splendidness and too bad for me because I wasn’t there. Boomers Katie Killer - Wonko Zuckerberg single handedly made casual sex cool, had the rad drugs, had the best rock & roll, and their peace and love Print jockey changed the world. Too bad for you, ’70s kid. You get to Craig WHEEL WERKER grow up under Reagan, high interest rates, single parent latchkey homes, the destruction of pensions, the threat of nuclear annihilation, “Just Say No”, doing a drug once Folks That Did the Other Shit For Us could get you hooked for life, and having sex once could CREEPY HORSE - MIKE L. DOWNEY - JORGE goyco - TODD doom you to death. -
Ford Foundation Annual Report 2005
Ford Foundation Annual Report 2005 our mission Strengthen democratic values, reduce poverty and injustice, promote international cooperation and advance human achievement. mission statement The Ford Foundation is a resource for innovative people and institutions worldwide. Our goals are to: strengthen democratic values, reduce poverty and injustice, promote international cooperation and advance human achievement. This has been our purpose for more than half a century. A fundamental challenge facing every society is to create political, economic and social systems that promote peace, human welfare and the sustainability of the environment on which life depends. We believe that the best way to meet this challenge is to encourage initiatives by those living and working closest to where problems are locat- ed; to promote collaboration among the nonprofit, government and business sectors; and to ensure participation by men and women from diverse communities and at all levels of society. In our experience, such activities help build common understand- ing, enhance excellence, enable people to improve their lives and reinforce their commitment to society. The Ford Foundation is one source of support for these activities. We work mainly by making grants or loans that build knowledge and strengthen organizations and networks. Since our financial resources are modest in comparison to societal needs, we focus on a limited number of problem areas and program strategies within our broad goals. Founded in 1936, the foundation operated as a local philanthropy in the state of Michigan until 1950, when it expanded to become a national and international foundation. Since its inception it has been an independent, nonprofit, nongovernmental organization. -
October 18 - November 28, 2019 Your Movie! Now Serving!
Grab a Brew with October 18 - November 28, 2019 your Movie! Now Serving! 905-545-8888 • 177 SHERMAN AVE. N., HAMILTON ,ON • WWW.PLAYHOUSECINEMA.CA WINNER Highest Award! Atwood is Back at the Playhouse! Cannes Film Festival 2019! - Palme D’or New documentary gets up close & personal Tiff -3rd Runner - Up Audience Award! with Canada’ international literary star! This black comedy thriller is rated 100% on Rotten Tomatoes. Greed and class discrimination threaten the newly formed symbiotic re- MARGARET lationship between the wealthy Park family and the destitute Kim clan. ATWOOD: A Word After a Word “HHHH, “Parasite” is unquestionably one of the best films of the year.” After a Word is Power. - Brian Tellerico Rogerebert.com ONE WEEK! Nov 8-14 Playhouse hosting AGH Screenings! ‘Scorcese’s EPIC MOB PICTURE is HEADED to a Best Picture Win at Oscars!” - Peter Travers , Rolling Stone SE LAYHOU 2! AGH at P 27! Starts Nov 2 Oct 23- OPENS Nov 29th Scarlett Johansson Laura Dern Adam Driver Descriptions below are for films playing at BEETLEJUICE THE CABINET OF DR. CALIGARI Dir.Tim Burton • USA • 1988 • 91min • Rated PG. FEAT. THE VOC HARMONIC ORCHESTRA the Playhouse Cinema from October 18 2019, Dir. Paul Downs Colaizzo • USA • 2019 • 103min • Rated STC. through to and including November 28, 2019. TIM BURTON’S HAUNTED CLASSIC “Beetlejuice, directed by Tim Burton, is a ghost story from the LIVE MUSICAL ACCOMPANIMENT • CO-PRESENTED BY AGH haunters' perspective.The drearily happy Maitlands (Alec Baldwin and Iconic German Expressionist silent horror - routinely cited as one of Geena Davis) drive into the river, come up dead, and return to their the greatest films ever made - presented with live music accompani- Admission Prices beloved, quaint house as spooks intent on despatching the hideous ment by the VOC Silent Film Harmonic, from Kitchener-Waterloo. -
N°137 July 2015
N°137 July 2015 348 of you – directors, producers, documentary-makers, journalists – have sent us your films. For one week the selection jury worked together in Casablanca, guests of our partner, 2M. On the pages of your favourite newsletter you can read about the films which have moved forward to the final phase of the 19th PriMed. The choice for the Mediterranean Short Film category will be announced in next month's Letter. Also in this issue, the latest Mediterranean broadcasting news gleaned especially for you. Happy reading. Méditerranée Audiovisuelle-La Lettre. Dépôt Légal 12 février 2015. ISSN : 1634-4081. Tous droits réservés Directrice de publication : Valérie Gerbault Rédaction : Valérie Gerbault, Séverine Miot et Leïla Porcher CMCA - 96 La Canebière 13001 Marseille Tel : + 33 491 42 03 02 Fax : +33 491 42 01 83 http://www.cmca-med.org - [email protected] Le CMCA est soutenu par les cotisations de ses membres, la Ville de Marseille, le Département des Bouches du Rhône et la Région Provence Alpes Côte d'Azur. 1 CONTENTS HEADLINES 3 PriMed 2015 – the official selection The official selection 6 “Mediterranean Issues” 7 “Mediterranean Memories” 10 “Mediterranean Art, Heritage and Culture” 13 “First Film” 16 “Mediterranean Multimedia Award” 18 LIFE IN THE CHANNELS 21 PROGRAMMES 23 ECONOMY 24 CINEMA 25 FESTIVAL 28 Festival of the month THE EURO-MEDITERRANEAN PERSPECTIVE 29 STOP PRESS 30 2 HEADLINES The PriMed 2015 selection For a week in June, the Moroccan channel 2M, a CMCA member, welcomed the PriMed selection jury to Casablanca. The screenings took place in the channel's main auditorium. -
Dances and Ceremonies Performed by Bosavi People
Appendix I Dances and Ceremonies Performed by Bosavi People Aside from Gisaro, the people of Bosavi perform five other types of dances and ceremonies: Ilib Kuwc, Sæbio, Kcluba, Heyalo, and Iwc. Ilib Kuwc Ilib Kuwc is not a full-scale ceremony but a kind of celebratory dance performed in the longhouse during the day by one to four men to project an exciting atmosphere for some significant event. The dancers are costumed as in Heyalo and Kcluba with characteristic arched-frame headdresses of white cockatoo feath- ers with palm-leaf streamers (fasela), and they wear springing rattles of crayfish claws in their waistbands at the back. Dancers usually position themselves two at each end of the longhouse facing the interior and bounce back and forth in short hops across the hall from side to side beating hand drums (ilib). There is no singing, and the dancers make no effort to coor- dinate their motion or drumming. As in all Bosavi ceremonies, each performer is withdrawn and does not address or relate to his audience. When a dancer tires, he turns around to face the end of the hall and rests for a while. Members of a longhouse community may perform Ilib Kuwc among themselves to mark a noteworthy occasion such as a 225 226 / APPENDIX I successful raid or the preparations to receive a ceremonial party of guests. In the latter case, the dancers customarily move into the houseyard to greet the arrival procession, and the arrivals in turn lead out of the forest with their own Ilib Kuwc dancers. -
Presseinformation Cinedom Zeigt Depeche Mode Konzertfilm „Spirits in the Forest“ Mit Kinoexklusivem Bonusmaterial
Presseinformation Cinedom zeigt Depeche Mode Konzertfilm „Spirits in the forest“ mit kinoexklusivem Bonusmaterial • Wegen starker Nachfrage: Konzertfilm wird in drei Vorstellungen gezeigt • Preisgekrönter Regisseur Anton Corbijn dokumentiert besondere Augenblicke der Global Spirit Tour • Dokumentation mit Live-Impressionen und emotionalen Fan-Geschichten Köln, 18. November 2019 – Der Kölner Cinedom präsentiert in drei Vorstellungen den Konzert- und Dokumentarfilm „Spirits in the forest“ der britischen Synthie-Pop-Band Depeche Mode. Diese finden am 21.11. (20 Uhr), 24.11. (17 Uhr) und als Zusatztermin am 26.11. (20 Uhr) statt. Depeche Mode haben 2017 und 2018 im Rahmen ihrer „Global Spirit Tour“ insgesamt 115 Shows gespielt und sind vor über drei Millionen Fans weltweit aufgetreten. Den Abschluss der Tournee bildeten die Konzerte in der Berliner Waldbühne. „Spirit in the Forest“ ist damit eine Anspielung auf den englischen Namen der Berliner Waldbühne – Forest Stage. Die einzigartigen Auftritte der Band in der deutschen Hauptstadt wurden dabei filmisch von dem preisgekrönten Regisseur Anton Corbijn, der die Band langjährig begleitete, festgehalten. In seinem Film zeigt der Niederländer zudem sechs Fans und ihre emotionalen Geschichten zu Depeche Mode. „Depeche Mode gehören seit Jahrzehnten zu den erfolgreichsten Bands der Welt. Deshalb wollten wir den Konzertfilm unbedingt im Cinedom zeigen. Aufgrund der hohen Nachfrage, bieten wir eine weitere Vorstellung an, damit auch jeder Fan die Chance erhält, die wunderbare Musik und die außergewöhnlichen Live-Shows dieser Band zu feiern“ sagt Cinedom-Geschäftsführer Ralf Schilling. Tickets sind wie gewohnt an der Kinokasse oder online erhältlich. ___________________________________________________________________________________ Kontakt: Cinedom Kinobetriebe GmbH, Im MediaPark 1, 50670 Köln Über den Cinedom Der Cinedom ist ein Multiplex-Kino in der Kölner Innenstadt und wurde 1991 eröffnet. -
Recognising Talent in Fiction, Film and Art
EMERGING VOICES RECOGNISING TALENT IN FICTION, FILM AND ART SUPPORTED BY: Emerging Voices 2015 Today we celebrate the voices of tomorrow. OppenheimerFunds and the Financial Times would like to congratulate the 2015 Emerging Voices Awards winners and say thank you to all the writers, filmmakers and artists in emerging markets who continue to inspire us every day. Art, Cristina Planas Fiction, Chigozie Obioma Film, Yuhang Ho For more information about the Emerging Voices Awards, visit emergingvoicesawards.com and join the conversation with #EmergingVoices. ©2015 OppenheimerFunds Distributor, Inc. FOREWORD ‘THESE AWARDSFULFILLED ALL THE ORD HOPESWEHAD WHENWESTARTED’ REW FO hy aset of awards for artists, Elif Shafak and Alaa Al Aswany, celebrated film-makers and writers from novelists from Turkey and Egypt respectively, emerging market countries? debating the nature of literature, we knew we When Justin Leverenz, director were privileged to be present. Wof emerging market equities at In the art category, the judges were most OppenheimerFunds, approached the Financial impressed by Lima-based Cristina Planas, Times with the idea, we were intrigued. whose work took in environmental, politicaland The FT has long been following the rise to religious themes. The tworunners-up, Fabiola prominence of those countries challenging the MenchelliTejeda, wholives in Mexico City, and financial, strategic and political dominance Pablo Mora Ortega, born in Medellín, Colombia, of the hitherto wealthyworld. What did their submitted strikingly different works. Menchelli artists have to teach us? This would be a Tejeda’s photographs showedthe interaction chance to find out. of light and shadow. Ortega’s installation, It would be disingenuous not to pointout sculptures and video showedwhat he called “the that there were financial motivations too. -
Title Diversity of Ritual Spirit Performances Among the Baka
Diversity of Ritual Spirit Performances among the Baka Title Pygmies in Southeastern Cameroon Author(s) TSURU, Daisaku African study monographs. Supplementary issue (1998), 25: Citation 47-84 Issue Date 1998-03 URL http://dx.doi.org/10.14989/68392 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University African Study Monographs, Suppl. 25: 47 - 84, March 1998 47 DIVERSITY OF RITUAL SPIRIT PERFORMANCES AMONG THE BAKA PYGMIES IN SOUTHEASTERN CAMEROON Daisaku TSURU Graduate School ofScience, Kyoto University ABSTRACT Ritual spirit performances among the Baka of Southeast Cameroon were studied. Through an extensive survey, characteristics and distribution pattern of the performances were described and classified. The social background of the diversification was also analyzed. The kinds and combinations of spirit performances practiced in bands are different among the bands. Such diversity is derived through two processes. (1) Guardianship for organizing spirit rituals is transmitted individually, which generates different combinations of spirit performances practiced in each band. (2) New spirit performances are created by indi viduals and practiced in the limited number of bands. As well as diversification in ritual practices, tendency toward standardization also takes place. Limited versions of new spirit performance are adopted by the Baka. Furthermore, creators of spirit perfonnances often incorporate the elements of existing spirit performance. Through these processes, the performances are eventually standardized. The variety of Baka spirit performance is maintained by a balance between diversification and standardization, which may reflect the present-day Baka need to establish social identity in a transition from the flexible and loosely organized nomadic society to a more sedentarized life in recent years. -
Annual Report 2012–13
2012–13 ANNUAL REPORT ANNUAL REPORT ANNUAL REPORT 2012–13 ANNUAL REPORT 2012–13 The National Gallery of Australia is a Commonwealth (cover) authority established under the National Gallery Mick Namarari Tjapaltjarri Act 1975. Pintupi people Untitled (Rain Dreaming at Nyunmanu) 1994 (detail) The vision of the National Gallery of Australia is to be synthetic polymer paint on linen an inspiration for the people of Australia. 152 x 183 cm purchased with funds from the Honorary Exhibition Circle The Gallery’s governing body, the Council of the National Patrons, 2013 Gallery of Australia, has expertise in arts administration, © the estate of the artist represented by Aboriginal Artists Agency corporate governance, administration and financial and business management. (back cover) In 2012–13, the National Gallery of Australia received Korewori caves an appropriation from the Australian Government East Sepik province, Papua New Guinea totalling $49.219 million (including an equity injection Hunter’s helper figure (Aripa) c 1480–1670 of $16.392 million for development of the national wood, ochre art collection), raised $23.573 million, and employed 174.3 x 6.5 x 32 cm 252 full-time equivalent staff. purchased 2011 © National Gallery of Australia 2013 ISSN 1323 5192 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Produced by the Publishing