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Paris Fashion Week | Fall Winter 2017/2018 Fashion Brands & Designers
support Fashion Brands & Designers from Japan & Paris Fashion Week | Fall Winter 2017/2018 ロゴデータ Blended and gleaming on your skin, this jewelry We make works inspired by our travels around This delicately formed jewelry is paved in has a contradictory allure. Its quiet presence the world and the impressions left on us by tiny stones. Our craftsman adds a special shines, luring others by sharply focusing their all of the people, things and ideas that we embellishment called Tamabori to its surface. senses. Merely wearing it will give a woman encountered along the way. A theme of this season is «Space.» Ayami is courage and let her shine. This is jewelry to wear From 2012, we have been making dresses inspired by mysterious matters and phenomena with a sense of fun, and a fine and discerning from hand-spun and hand-woven Indian such as the creation of nebula and galaxies like mind. «khadi”hadin «khadie have been making our milky way. These products are all made in dresses from hand-spun and of that used in Japan. antique dresses from the Victorian era by Indian artisans. Première Classe Tranoï - Palais de la Bourse Première Classe Ms. Matchiko Kusaura Mr. Mitsunori Ishimat Ms. Miki Hamano [email protected] [email protected] [email protected] www.19un-neuf.com www.aodress.com www.ayamijewelry.com It is my ambition to design and produce things The Japanese fashion label COOHEM was «DAUPHINE’s Muse» describes a dignified and that stimulate a smile and conversation when launched in 2010 by a knit-manufacturing graceful woman. -
Press Release for the Paris Fashion Week
Press Release for the Paris Fashion Week Paris Fashion Week: The cosmetics brand CATRICE is continuing its collaboration with Kaviar Gauche - Défilé à Paris 2018 - After nine successful seasons at the Berlin Fashion Week, CATRICE is now conquering the Paris Fashion Week for the third time. This season, the cosmetics brand will once again collaborate with the Berlin couture fashion label Kaviar Gauche as its official make-up partner. On the 29th of September, the design duo will be presenting their new collection for 2018 at the Fondation Mona Bismarck venue in Paris. Both CATRICE and Kaviar Gauche are absolutely delighted to be working together again in an international capacity for this engagement. “We are very happy about this latest collaboration with Kaviar Gauche: just like CATRICE, the designer label stands for a love of detail, simple elegance and modern glamour – a perfect unity of fashion and beauty. Whilst creating the Beauty Looks for the show, we can let our creative passion unfold – and show the world how creativity can be made in Germany,” states Dagmar Riedel-Keil, Director of CATRICE. Twice a year, the cosmetics brand updates 25 % of its range in order to capture the latest colour trends from the international catwalks in addition to classic shades. The high-quality products are available in over 50 countries around the world. For the Paris Fashion Week, CATRICE will be collaborating with the successful make-up artist Loni Baur as Head of Make-up to develop and realise the trendsetting beauty looks for Kaviar Gauche. Kaviar Gauche has already established itself in Paris and currently exclusively presents its designer collections in this fashion hotspot in front of an international audience. -
Passion for Fashion (123) Tue, 8Th Dec 2020 GMT/BST Viewing: for More Information on Viewing Appointments, Please Call the Office
Passion for Fashion (123) Tue, 8th Dec 2020 GMT/BST Viewing: For more information on viewing appointments, please call the office. Lot 116 Estimate: £4000 - £6000 + Fees A fine Balenciaga couture yellow satin sheath, Autumn- Winter 1962-63, Paris labelled and numbered 82706, of brilliant Chinese- yellow Duchesse satin, the sculpted, boned bodice with upwardly-curved front panel cut in one with the bodice front and looped, low shoulder straps which culminate centre-back in a cascading looped satin streamer which descends to the hem and conceals the rear zip and hook closure, low scooped U-shaped rear waist seam, in which the skirt is gently gathered, integral ivory grosgrain silk corset with wired, plush-trimmed breast cups, bust 81cm, 32in, waist 56cm, 22in Literature: A photograph of the House model wearing an identical dress (no 191) is illustrated in 'Balenciaga & Spain', p223. A similar dress with rear bow to closure is illustrated in 'Balenciaga', Cristobal Balenciaga Museo, p272. This dress combines spectacular colour with an ingenious sculpted shape and superb construction. For Spring 1962, Cristobal Balenciaga and his close friend Hubert de Givenchy, tired of the Paris Fashion Week circus and annoyed with detrimental comments in previous seasons made by the fashion press, controversially decided to show their collections a month later than everyone else. Admittance to the salons (both Houses faced each other on the George V) was strictly controlled. They admitted first their important private clients, overseas buyers, agents and last of all - the press. Balenciaga's collections were sometimes considered by the fashion press to be too avant-garde (however strange that may seem to us today) and the journalists occasionally made disparaging comments that could put off potential buyers. -
Valentino's Qatari Owners Acquire French Fashion Brand Balmain 22
Valentino’s Qatari Owners Acquire French Fashion Brand Balmain 22 juin 2016 Bloomberg - Mayhoola for Investments said to pay as much as $563 million - Fashion deal is second this week by Middle Eastern investors Mayhoola for Investments, an investment fund backed by the emir of Qatar, acquired French fashion house Balmain, adding a brand favored by Kim Kardashian to a roster of labels that includes Italy’s Valentino. Financial terms were not disclosed, though a person familiar with the matter said Mayhoola agreed to pay close to 500 million euros ($563 million). The acquisition of 100 percent of Balmain from shareholders including France’s Hivelin family will allow the brand to accelerate its development by opening new stores around the world, advisers Bucephale Finance said in a statement late Tuesday. Balmain has become one of the most talked about fashion brands under creative director Olivier Rousteing, whose Instagram account is peppered with images of reality-television star Kardashian and her family wearing his military-inspired designs. The fashion house, founded by Pierre Balmain in 1945 and revived in 1995 by Alain Hivelin, has enjoyed strong growth since Rousteing joined in 2011, according to the statement. Mayhoola, which describes itself as a Qatari company focused on local and global investments, also owns Valentino, which is considering selling shares in an initial public offering as early as next year after nearly doubling profit on revenue of more than $1 billion in 2015. Mayhoola didn’t immediately respond to a request for comment. The acquisition of Balmain is the second fashion deal this week by Middle Eastern investors after Bahrain investment house Investcorp Bank BSC purchased 55 percent of Italian luxury menswear maker Corneliani SpA. -
Qatari Investment Group Acquires Parisian Fashion House Balmain 22 Juin 2016 the New York Times
Qatari Investment Group Acquires Parisian Fashion House Balmain 22 juin 2016 The New York Times Balmain, the Parisian fashion house beloved by Hollywood, the European jet set and the Kardashian clan, has been bought by a private investment group linked to Qatar’s royal family and that has sought to build a luxury- brand empire. Balmain, a mostly wholesale business, was sold to Mayhoola for Investments after having attracted bids from several other private equity funds, including L Capital, an investment firm backed by the European luxury conglomerate LVMH Moët Hennessy Louis Vuitton. Mayhoola “will allow the brand to accelerate its development, notably with the opening of new stores abroad,” Bucéphale Finance, the Paris-based boutique mergers and acquisitions firm that advised Balmain shareholders, said in a statement Tuesday evening. The sale will also fund the expansion of Balmain’s accessories business. “After completing this transaction, Mayhoola for Investments will hold 100 percent of Balmain’s capital,” the statement added. The terms of the deal were not immediately disclosed. Balmain’s shareholders included Jean-François Dehecq, the co-founder of the French pharmaceuticals company Sanofi, and the family of the former Balmain chief executive and controlling shareholder Alain Hivelin, who died in 2014 at the age of 71. Balmain has been injected with new fervor under the leadership of its 30-year-old creative director, Olivier Rousteing, whose signature look — leather jackets, tight bandage dresses and lashings of gold, satin and sparkle — has endeared him to film and reality television stars. Mr. Rousteing spearheaded a sellout collaboration with the fast fashion giant H&M last year, and he regularly posts pictures of celebrity friends wearing Balmain on Instagram, where he has 3.4 million followers. -
Walking Away from the Runway
Walking Away from the Runway Thesis – One Year Master Textile Manage ment Christina Christodoulou Year: 2015. Thesis id number: 2015.11.06 Acknowledgements I would like to wholeheartedly thank my supervisor David Goldsmith for his guidance and knowledge and most of all for his positive spirit. Also, I would like to thank my parents who really supported me the whole year with their love under any circumstances. Thanks to the designers who accepted to participate in my group discussion and enlightened my thesis with their ideas. Lastly, the paper is dedicated to my favourite uncle that I lost during the master thesis. He was a smiley person who loved to be educated. English title: Walking Away from the Runway Year of publication: 2015 Author/s: Christina Christodoulou Supervisor: David Goldsmith Abstract Fashion shows in a common western context were focused on the garments that were presented. Albeit, the latest decades a shift has been observed from what is presented to how it is presented to the audiences. Particular designers are the leaders of this evolution. Does this phenomenon imply something long term for the fashion system and how fashion is displayed? The purpose of the research is to inquire into the metamorphosis of the runway presentations from the expected status quo to new forms. The compass of this exploration is an observation about fashion shows in retrospect and a focus group discussion with fashion designers master students from the Swedish School of Textiles. It contributes an insight into designers’ approach towards fashion presentations, yet it is used as tool to enable them illustrate their vision on their future presentations. -
The Creative Talents of the Lvmh Group VIRGIL ABLOH
The creative talents of the lvmh group VIRGIL ABLOH MEN’S ARTISTIC DIRECTOR LOUIS VUITTON Born in rockford, illinois in 1980, Virgil Abloh is an artist, architect, engineer, creative director, and designer. After earning a degree in Civil Engineering from the University of Wisconsin Madison, he completed a Master´s Degree in Architecture at the Illinois Institute of Technology in a curriculum founded by Mies van der Rohe. It was here that he learned not only about modernist design principles but also about the concept of multi‐ disciplinary working. Virgil Abloh’s brand Off‐White c/o Virgil Abloh™ was started in 2012 as an artwork titled "PYREX VISION." In 2013, the brand premiered a seasonal men's and women's fashion label showing runway collections during Paris Fashion Week since 2015. Abloh has also presented his work at major design institutions around the globe by the likes of Harvard Graduate School of Design, Columbia Graduate School of Architecture, Planning and Preservation and the Rhode Island School of Design. In 2019 he will have a major exhibition of past and current work at the Museum of Contemporary Art of Chicago, Illinois. In 2015, Virgil Abloh for Off‐White c/o Virgil Abloh™ is among the finalists of the LVMH Prize. He has been awarded various prizes, most recently winning the British Fashion Awards Urban Luxe award and International Designer of the Year at the GQ Men of the Year Awards in 2017. © Louis Vuitton JONATHAN ANDERSON CREATIVE DIRECTOR LOEWE Born in 1984 in Northern Ireland, lives in London, Madrid and Paris. -
Info Pack Ethical Fashion Hackathon 6Th May 2020 Fashion Weeks
Fashion Weeks Info pack Ethical Fashion Hackathon 6th May 2020 Fashion Weeks Introduction Fashion weeks expose the enormous flaw at the heart of the fashion industry business model: the cost to people and the planet. In the last 12 months, the fashion show circuit (NY, London, Milan, Paris) emitted 241,000 tonnes of CO2. The equivalent of lighting up Times Square for 58 years. In 2020, is this still justifiable? Huge swathes of our industry flying across the world to view a 12 minute runaway show featuring collections that will mostly be displayed and sold online? These events are moments of both celebration of beauty and art as well as commercial platforms to feed a hungry business model, structured in an organisational form that pays no attention to sustainability. They run one after the other, forcing industry staff to travel frantically from here to there (via land, sea and air), while producers work in emergency-like conditions to have products ready for the shows, causing an imbalance in personal health and mental well being. In the meantime, consumers are bombarded by a mountain of images and faces of influencers, very few of whom acknowledge how these goods are made or their impact on people’s lives and on the natural world. All this while our planet risks extinction. Asks ● For editors and buyers being present in the physical space of a live show is “the experience”. The multisensory journey to see, touch and feel the collections and interacting with designers is paramount. Can digital, AR and VR replace this “experience”? Is it only a generational issue or does it go deeper? ● How could we recreate the “buzz” of fashion weeks --the exclusivity, celebrity, networking i.e. -
ESQ Junjul20
Portfolio Portfolio Feature Feature NOTES FROM THE PERFUME INDUSTRY Olivier Pescheux Givaudan perfumer A Creations: 34 boulevard Saint Germain Diptyque, Amber Sky Ex Nihilo, Arpege Pour Homme Lanvin, 1 Million Paco Rabanne, Balmain Homme Pierre Balmain, Higher Christan Dior ESQ: In hindsight, do you find that trends, current events or cultural movements have an impact on your creations? OLIVIER PESCHEUX: It’s hard to answer with certainty. Nevertheless, perfumers are like sponges absorbing the air of time (Nina Ricci’s L’Air du Temps is one of the most accurate names you can find). Hence every societal movement leaves its mark on creations, in a more or less obvious way. It’s still too early to know in IN what ways the current health crisis will leave its mark in perfume, but it will leave its mark, that’s for sure. ESQ: Do you attribute gender to certain notes and raw materials? OLIVIER PESCHEUX : Not really, but it’s true that I perceive rose as rather feminine simply because it has been used a lot THE and in significant quantities in women’s fragrances in the West. That’s less true in the Middle East, where the rose also perfumes men. Lavender is rather masculine as it’s used a lot in fougère, the favourite family of men’s fragrances. It’s interesting to note that in Brazil, lavender is also feminine. So it’s more of a cultural affair. Yann Vasnier I’m trying to fight against this natural and cultural leaning, and on Givaudan perfumer the contrary, I use this challenge to fuel my creativity. -
Christian Dior (Founder and Principal Designer, 1946-1957). French, 1905-1957 1946-1957)
Christian Dior (founder and principal designer, Christian Dior (founder and principal designer, 1946-1957). French, 1905-1957 1946-1957). French, 1905-1957 House of Dior. Paris, France, 1947- House of Dior. Paris, France, 1947- Dress circa 1949 Cocktail Dress (Blouse, Skirt, Belt) circa 1948 Labeled “Christian Dior / New York” Labeled “Christian Dior / Paris” and stamped “03128” Silk crepe Acetate tulle with metallic braid on rayon lace over Gift of the Mint Museum Auxiliary, bequest silk chiffon of Mrs. Frank Dowd, Sr. 1990.1.18 Gift of the Mint Museum Auxiliary. 1987.22.9A-C Florsheim Shoe Company. American, 1892- House of Schiaparelli. Paris, France, 1935-1954 Dress Shoes circa 1940-1945 Elsa Schiaparelli (founder). Italian, 1890-1973 Labeled “Florsheim” and “The Wm. Hengerer Co. / Buffalo” Stole circa 1950-1954 Leather on 2-¾" heels Labeled “Schiaparelli / Paris” Gift of Betsy Tate Freeman. 2003.22.80A-B Natural ranch mink fur with “Schiaparelli” silk satin lining Anonymous Donor. 2001.96.21 Edina Ronay. Anglo-Hungarian, 1944- Evening Purse circa 1945-1950 Labeled “Ronay” Marc Bohan (chief designer, 1960-1989). Acetate satin over board French, 1926- Gift of Mrs. John Crosland, Sr. 1987.48.23.11 House of Dior. Paris, France, 1947- Delman Shoes. New York, New York, 1919- Dress circa 1960-1965 Herman Delman (founder). American, life dates unknown Labeled “Christian Dior / Paris” Evening Sandals circa 1945-1955 Wool Labeled “Delman / Deluxe / New York / Chicago / Gift from a Southern Collection. 1999.65.79 London / Paris” Suede leather on 3-¼" heels Town and Country Shoes. American, 20th century Gift of Dr. and Mrs. -
Balmain Brings Luxury Fashion to North American Salons
The Beauty Indust ry Re port Visit www.bironline.com Balmain brings luxury fashion to North American salons ick up any beauty or fashion magazine and line of hair styling and care products P you’ll see the hottest models and celebrities needed for backstage at the runway shows. from the Kardashian-Wests to Brigitte Bardot BIR: Tell me about your history in North to the Queen Bey (Beyoncé) herself have joined America. the #BalmainArmy, wearing looks from the SG: Honestly, we went through a huge French haute couture fashion house Balmain learning curve. Initially, our support system Paris. If that doesn’t ring a bell, you might for our U.S. business was based on the associate the name Balmain with the wigs and European model. That was a mistake. We hair extensions used as fashion accessories on learned that we needed to support the U.S. runways around business with a U.S. business model, which the world. led us to engage Nancy Carroll as our While hair director of business development. She extensions are brings years of industry experience to the still a part of company. Today, Balmain Hair offers a the professional globally recognized luxury fashion brand to division, today salons through independent distributors the company across North America. The Balmain Styling Couture Range supports the looks created for the fashion runways. also has BIR: In a crowded marketplace, what is Brothers Richard, art director, introduced a and Steward Guliker, CEO, Balmain Hair’s point-of-difference? Spray (50 ml/SRP $19.90, 200 ml/SRP $38.00), luxury designer lead Balmain Hair. -
Siren Song Think Greta Garbo
WWDMILESTONESSECTION II Valentino at 50 WWD MONDAY, OCTOBER 15, 2012 Q WOMEN’S WEAR DAILY Q $3.00 Siren Song Think Greta Garbo. Not the reclusive one but the vamp version, camera-ready in spring’s high-glam lingerie looks. Here, Josie Natori’s embroidered silk satin slipgown under Dennis Basso’s nylon organza and chinchilla bed jacket. Badgley Mischka earrings; Barbara Flood’s Closet belt. For more, see pages 6 and 7. PHOTO BY KYLE ERICKSEN; STYLED BY BOBBI QUEEN Karstadt Keeps LIQUIDITY ISSUES Pushing Ahead HMX Under Pressure, By MELISSA DRIER Decision Expected Soon BERLIN — It’s action time at Karstadt. A triple-header of major store events has seen fielding unsolicited offers from po- the German department store chain taking rapid By JEAN E. PALMIERI tential bidders. Interested buyers in- strides towards modernizing and differentiating and VICKI M. YOUNG clude two brand management firms, its business as outlined in the “Karstadt 2015” Authentic Brands Group and Iconix strategic plan. Reflecting the group’s multitiered THE OTHER SHOE is about to drop for Brand Group, and private equity firm structure, the moves have been made on both HMX Group. Bluestar Alliance. upper and midmarket levels. The consistent mes- The company is running out of time In a bankruptcy scenario, sources sage, however, has been one of trading up and, to as liquidity constraints are forcing it to said one of those bidders would be some extent, cleaning out. decide as soon as this week whether to chosen as the “stalking horse” for Prior to the grand opening of KaDeWe’s new sell the firm or file for bankruptcy court the firm’s intellectual property as- Luxury Boulevard, the store’s revamped beauty protection.