The Creative Talents of the Lvmh Group VIRGIL ABLOH
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Paris Fashion Week | Fall Winter 2017/2018 Fashion Brands & Designers
support Fashion Brands & Designers from Japan & Paris Fashion Week | Fall Winter 2017/2018 ロゴデータ Blended and gleaming on your skin, this jewelry We make works inspired by our travels around This delicately formed jewelry is paved in has a contradictory allure. Its quiet presence the world and the impressions left on us by tiny stones. Our craftsman adds a special shines, luring others by sharply focusing their all of the people, things and ideas that we embellishment called Tamabori to its surface. senses. Merely wearing it will give a woman encountered along the way. A theme of this season is «Space.» Ayami is courage and let her shine. This is jewelry to wear From 2012, we have been making dresses inspired by mysterious matters and phenomena with a sense of fun, and a fine and discerning from hand-spun and hand-woven Indian such as the creation of nebula and galaxies like mind. «khadi”hadin «khadie have been making our milky way. These products are all made in dresses from hand-spun and of that used in Japan. antique dresses from the Victorian era by Indian artisans. Première Classe Tranoï - Palais de la Bourse Première Classe Ms. Matchiko Kusaura Mr. Mitsunori Ishimat Ms. Miki Hamano [email protected] [email protected] [email protected] www.19un-neuf.com www.aodress.com www.ayamijewelry.com It is my ambition to design and produce things The Japanese fashion label COOHEM was «DAUPHINE’s Muse» describes a dignified and that stimulate a smile and conversation when launched in 2010 by a knit-manufacturing graceful woman. -
Press Release for the Paris Fashion Week
Press Release for the Paris Fashion Week Paris Fashion Week: The cosmetics brand CATRICE is continuing its collaboration with Kaviar Gauche - Défilé à Paris 2018 - After nine successful seasons at the Berlin Fashion Week, CATRICE is now conquering the Paris Fashion Week for the third time. This season, the cosmetics brand will once again collaborate with the Berlin couture fashion label Kaviar Gauche as its official make-up partner. On the 29th of September, the design duo will be presenting their new collection for 2018 at the Fondation Mona Bismarck venue in Paris. Both CATRICE and Kaviar Gauche are absolutely delighted to be working together again in an international capacity for this engagement. “We are very happy about this latest collaboration with Kaviar Gauche: just like CATRICE, the designer label stands for a love of detail, simple elegance and modern glamour – a perfect unity of fashion and beauty. Whilst creating the Beauty Looks for the show, we can let our creative passion unfold – and show the world how creativity can be made in Germany,” states Dagmar Riedel-Keil, Director of CATRICE. Twice a year, the cosmetics brand updates 25 % of its range in order to capture the latest colour trends from the international catwalks in addition to classic shades. The high-quality products are available in over 50 countries around the world. For the Paris Fashion Week, CATRICE will be collaborating with the successful make-up artist Loni Baur as Head of Make-up to develop and realise the trendsetting beauty looks for Kaviar Gauche. Kaviar Gauche has already established itself in Paris and currently exclusively presents its designer collections in this fashion hotspot in front of an international audience. -
Supported by Topshop
SUPPORTED BY TOPSHOP DESIGNER LINE-UP CONFIRMED FOR FASHION EAST SHOW AT LFW SS17 Fashion talent incubator Fashion East unveils the latest line-up of designers who will receive their support and showcase at their London Fashion Week show in September. Designers A.V Robertson, Mimi Wade and Richard Malone return from last season and are joined by newcomer Matty Bovan for an event featuring both runway and presentation in headline sponsor Topshop’s show space on Saturday 17th September. Lulu Kennedy MBE, Director of Fashion East says “We’re hugely proud of all our talented designers and delighted to welcome Matty into the mix – this is my dream line up! It’s super exciting to be hosted in our sponsor Topshop’s venue again, this season in Old Spitalfields Market in the heart of our home, the East End.” Sheena Sauvaire, Global Communications and Marketing Director, TOPSHOP: "The Fashion East showcase is always a great indicator of the next wave of new talent in our industry. As innovation is at the heart of London, it is a really exciting addition to the schedule and one we are proud to continue to support." The four designers selected by Fashion East’s distinguished panel of editors, buyers and stylists, join the ranks of alumni including Gareth Pugh, Jonathan Saunders, Roksanda Ilincic, Simone Rocha and Marques’Almeida. In addition to the London Fashion Week showcasing event, designers receive financial sponsorship, intensive one-to-one business mentoring, and inclusion in a leading Paris sales showroom. Fashion East is honoured to have headline sponsorship from Topshop for the 12th consecutive year. -
Passion for Fashion (123) Tue, 8Th Dec 2020 GMT/BST Viewing: for More Information on Viewing Appointments, Please Call the Office
Passion for Fashion (123) Tue, 8th Dec 2020 GMT/BST Viewing: For more information on viewing appointments, please call the office. Lot 116 Estimate: £4000 - £6000 + Fees A fine Balenciaga couture yellow satin sheath, Autumn- Winter 1962-63, Paris labelled and numbered 82706, of brilliant Chinese- yellow Duchesse satin, the sculpted, boned bodice with upwardly-curved front panel cut in one with the bodice front and looped, low shoulder straps which culminate centre-back in a cascading looped satin streamer which descends to the hem and conceals the rear zip and hook closure, low scooped U-shaped rear waist seam, in which the skirt is gently gathered, integral ivory grosgrain silk corset with wired, plush-trimmed breast cups, bust 81cm, 32in, waist 56cm, 22in Literature: A photograph of the House model wearing an identical dress (no 191) is illustrated in 'Balenciaga & Spain', p223. A similar dress with rear bow to closure is illustrated in 'Balenciaga', Cristobal Balenciaga Museo, p272. This dress combines spectacular colour with an ingenious sculpted shape and superb construction. For Spring 1962, Cristobal Balenciaga and his close friend Hubert de Givenchy, tired of the Paris Fashion Week circus and annoyed with detrimental comments in previous seasons made by the fashion press, controversially decided to show their collections a month later than everyone else. Admittance to the salons (both Houses faced each other on the George V) was strictly controlled. They admitted first their important private clients, overseas buyers, agents and last of all - the press. Balenciaga's collections were sometimes considered by the fashion press to be too avant-garde (however strange that may seem to us today) and the journalists occasionally made disparaging comments that could put off potential buyers. -
Walking Away from the Runway
Walking Away from the Runway Thesis – One Year Master Textile Manage ment Christina Christodoulou Year: 2015. Thesis id number: 2015.11.06 Acknowledgements I would like to wholeheartedly thank my supervisor David Goldsmith for his guidance and knowledge and most of all for his positive spirit. Also, I would like to thank my parents who really supported me the whole year with their love under any circumstances. Thanks to the designers who accepted to participate in my group discussion and enlightened my thesis with their ideas. Lastly, the paper is dedicated to my favourite uncle that I lost during the master thesis. He was a smiley person who loved to be educated. English title: Walking Away from the Runway Year of publication: 2015 Author/s: Christina Christodoulou Supervisor: David Goldsmith Abstract Fashion shows in a common western context were focused on the garments that were presented. Albeit, the latest decades a shift has been observed from what is presented to how it is presented to the audiences. Particular designers are the leaders of this evolution. Does this phenomenon imply something long term for the fashion system and how fashion is displayed? The purpose of the research is to inquire into the metamorphosis of the runway presentations from the expected status quo to new forms. The compass of this exploration is an observation about fashion shows in retrospect and a focus group discussion with fashion designers master students from the Swedish School of Textiles. It contributes an insight into designers’ approach towards fashion presentations, yet it is used as tool to enable them illustrate their vision on their future presentations. -
2020 ANNUAL REPORT Passionate About Creativity
2020 ANNUAL REPORT Passionate about creativity Passionate about creativity THE LVMH SPIRIT Louis Vuitton and Moët Hennessy merged in 1987, creating the LVMH Group. From the outset, Bernard Arnault gave the Group a clear vision: to become the world leader in luxury, with a philosophy summed up in its motto, “Passionate about creativity”. Today, the LVMH Group comprises 75 exceptional Maisons, each of which creates products that embody unique craftsmanship, carefully preserved heritage and resolute modernity. Through their creations, the Maisons are the ambassadors of a refined, contemporary art de vivre. LVMH nurtures a family spirit underpinned by an unwavering long-term corporate vision. The Group’s vocation is to ensure the development of each of its Maisons while respecting their identity and their autonomy, by providing all the resources they need to design, produce and distribute their creations through carefully selected channels. Our Group and Maisons put heart and soul into everything they do. Our core identity is based on the fundamental values that run through our entire Group and are shared by all of us. These values drive our Maisons’ performance and ensure their longevity, while keeping them attuned to the spirit of the times and connected to society. Since its inception, the Group has made sustainable development one of its strategic priorities. Today, this policy provides a powerful response to the issues of corporate ethical responsibility in general, as well as the role a group like LVMH should play within French society and internationally. Our philosophy: Passionate about creativity THE VALUES OF A DEEPLY COMMITTED GROUP Being creative and innovative Creativity and innovation are part of LVMH’s DNA; throughout the years, they have been the keys to our Maisons’ success and the basis of their solid reputations. -
Info Pack Ethical Fashion Hackathon 6Th May 2020 Fashion Weeks
Fashion Weeks Info pack Ethical Fashion Hackathon 6th May 2020 Fashion Weeks Introduction Fashion weeks expose the enormous flaw at the heart of the fashion industry business model: the cost to people and the planet. In the last 12 months, the fashion show circuit (NY, London, Milan, Paris) emitted 241,000 tonnes of CO2. The equivalent of lighting up Times Square for 58 years. In 2020, is this still justifiable? Huge swathes of our industry flying across the world to view a 12 minute runaway show featuring collections that will mostly be displayed and sold online? These events are moments of both celebration of beauty and art as well as commercial platforms to feed a hungry business model, structured in an organisational form that pays no attention to sustainability. They run one after the other, forcing industry staff to travel frantically from here to there (via land, sea and air), while producers work in emergency-like conditions to have products ready for the shows, causing an imbalance in personal health and mental well being. In the meantime, consumers are bombarded by a mountain of images and faces of influencers, very few of whom acknowledge how these goods are made or their impact on people’s lives and on the natural world. All this while our planet risks extinction. Asks ● For editors and buyers being present in the physical space of a live show is “the experience”. The multisensory journey to see, touch and feel the collections and interacting with designers is paramount. Can digital, AR and VR replace this “experience”? Is it only a generational issue or does it go deeper? ● How could we recreate the “buzz” of fashion weeks --the exclusivity, celebrity, networking i.e. -
AN EXAMINATION of VANCOUVER FASHION WEEK by Vana Babic
AN EXAMINATION OF VANCOUVER FASHION WEEK by Vana Babic Bachelor of Arts in Political Science, European Studies, University of British Columbia, 2005 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF BUSINESS ADMINISTRATION In the Faculty of Business Administration © Vana Babic 2009 SIMON FRASER UNIVERSITY Summer 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Vana Babic Degree: Master of Business Administration Title of Project: An Examination of Vancouver Fashion Week Supervisory Committee: ________________________________________ Dr. Michael Parent Senior Supervisor Associate Professor Faculty of Business Administration ________________________________________ Dr. Neil Abramson Second Reader Associate Professor of International Strategy Faculty of Business Administration Date Approved: ________________________________________ ii Abstract This study proposes a close examination of Vancouver Fashion Week, a biannual event held in Vancouver, showcasing local and international talent. It is one of the many Fashion Weeks held globally. Vancouver Fashion Week can be classified in the tertiary market in terms of coverage and designers showcased. The goal of these fashion shows is to connect buyers, including but not limited to boutiques, department stores and retail shops, with designers. Another goal is to bring media awareness to future trends in fashion. The paper will begin with an introduction to Fashion Weeks around the world and will be followed by an industry analysis. -
THE MM&M AWARDS 2012 Judges
DREAMhile entries to the MM&M Awards are now closed, for the judges, the fun—and the hours of hard work—are just Wbeginning. The 2012 panel is in place and our judges are poised to start por- ing over hundreds of submissions. As in previous years, the panel features a wide range of esteemed leaders and thinkers representing a variety of industry disciplines across, pharma, biotech, device and diagnostic companies, as well as agency and media creatives and execs. However, this year there is one major difference: The panel has more than doubled in size. We took the decision to increase the number of judges from around 40 to more than 100 for several reasons. Not only will each entry be reviewed by a larger and more varied group, we will have THE MM&M AWARDS 2012 JUDGES Bill Abernethy, Vice President, Global Market Development, Prosensa Therapeutics Stephanie Feldt, Dir., Market Insight, ZymoGenetics, A Wholly Owned Subsidiary of BMS Manuel Alvarado, Sr. Prod. Mgr. Inmunology (HUMIRA) Global Marketing, Abbott Labs Derek Fetzer, Director, Johnson & Johnson Elizabeth Apelles, CEO, Greater Than One David Fink, President, Compass Associates Irene Aquino, Associate Director, Marketing, Shire HGT Lisa Flaiz, VP Strategic Growth & Innovation, imc2 health & wellness Lisa Bair, CEO, Hobart Group Holdings Adam Fletcher, Senior Brand Manager, Teva Women’s Health Jack Barrette, CEO, WEGO Health Chris Freeman, Director, Cardiopulmonary Marketing, Gilead Sciences Matt Beebe, President, PROPEL Medical Marketing Matt Giegerich, Chairman & CEO, Ogilvy CommonHealth -
“Rapport Financier Annuel” Fiscal Year Ended December 31, 2017
Translation of the French “Rapport financier annuel” Fiscal year ended December 31, 2017 2017 Annual Financial Report This document is a free translation into English of the original French “Rapport financier annuel”, hereafter referred to as the “Annual Financial Report”. It is not a binding document. In the event of a conflict in interpretation, reference should be made to the French version, which is the authentic text. Executive Body and Statutory Auditors as of December 31, 2017 BOARD STATUTORY OF DIRECTORS AUDITORS Florian OLLIVIER (a) ERNST & YOUNG et Autres Chairman and Chief Executive Officer represented by Jeanne Boillet Nicolas BAZIRE MAZARS Group Managing Director represented by Simon Beillevaire Representative of Groupe Arnault SEDCS Pierre DE ANDREA Representative of Montaigne Finance SAS Pierre DEHEN Representative of GA Placements SA Lord POWELL of BAYSWATER (a) (a) Renewal proposed at the Shareholders’ Meeting of May 30, 2018. 2 2017 Annual Financial Report Contents Management Report of the Board of Directors 5 FINANCIÈRE AGACHE GROUP 1. Business review and comments on the consolidated financial statements of the Financière Agache group 6 2. Financial policy 21 3. Operating investments 22 4. Main locations and properties 23 5. Subsequent events 25 6. Recent developments and prospects 25 MANAGEMENT OF NON- FINANCIAL AND FINANCIAL RISKS 1. Group ethics and Codes of Conduct 28 2. Risk identification 32 3. Assessment and control procedures in place 38 4. Lines of defense 46 FINANCIÈRE AGACHE SA 1. Key event during the fiscal year 52 2. Results of Financière Agache SA 52 3. Information regarding the Company’s share capital 53 4. -
Strategic Design Leader with a Proven Track Record of Creating Chicago, IL Innovative Digital Solutions That Maximize Business Objectives
Hello. My name is Lucian Slatineanu and this is my story. Strategic design leader with a proven track record of creating Chicago, IL innovative digital solutions that maximize business objectives. emblematiq.com Multifaceted and imaginative project manager bringing experience emblematiq.dribbble.com in planning, directing, and executing product, branding, and [email protected] marketing initiatives. A passionate visionary with a gift for +1 (815) 315.0545 identifying patterns and applying customer-driven research to current and anticipated business needs. Curious, ambitious, and confident with a strong sense of ownership. Competencies • User Interface Design • User Experience Design • User Research • Art Direction • Branding • Web Development • Digital Strategy • Graphic Design • Project Management • Design Thinking Experience EMBLEMATIQ, McHenry IL 2004 - PRESENT Chief Design Officer & Founder • Running a small design studio that partners with ambitious startups and established companies to create digital products that change the world. Clients include: • American Academy of Pediatrics, Atlas Obscura, Boston Consulting Group, Chevron, CNET, Humana, LiveText, ModX, Motorola, Redbubble, Squarespace, Stack Exchange, and many more. CHROME RIVER, Los Angeles CA 2011 - PRESENT Creative Director • Led marketing design from the start-up stage to one of the top expense management software companies worldwide. • Managed successful rebranding projects, website redesigns, print and trade show materials. HOBSONS, Arlington VA 2015 - 2019 Senior Interactive Designer • Led the redesign of the company’s websites, resulting in 3 to 10 times improvement on all KPIs. • Improved digital strategies and processes. • Managed projects as well as internal and external design teams. RAND MCNALLY, Skokie IL 2014 - 2015 Lead UX Designer • Led the user research and user experience design for the OverDryve connected car device. -
Letter from the President 5 Legacy Award Winner 7 Jurors 8 Sponsors
LETTER FROM THE PRESIDENT 5 LEGACY AWARD WINNER 7 JURORS 8 SPONSORS 11 BROADCAST ADVERTISING 13 BROADCAST/MOTION/ANIMATION 19 IMMERSIVE/ENVIRONMENTAL 23 3-D PACKAGING/PRODUCT 27 SELF PROMOTION 32 PRINT ADVERTISING 37 DIGITAL ADVERTISING 43 CROSS PLATFORM CAMPAIGN 49 WEBSITES 54 2-D PRINT/DIGITAL DESIGN 59 LOGO AND BRAND IDENTITY SYSTEMS 65 APPS/DIGITAL EXPERIENCE 70 ILLUSTRATION 74 WRITING 75 PHOTOGRAPHY 77 TYPOGRAPHY 81 BRANDED ENTERTAINMENT & FILM 83 PRINT PRODUCTION & PAPER CRAFT 88 PUBLIC SERVICE 91 BECOMING ONE As the Annual Show marks its 60th anniversary, recognizing excellence within Colorado’s creative community, we find ourselves celebrating many achievements. This year has been a remarkable ONE for our club. In July 2017, the Art Directors Club Denver became The One Club for Creativity - Denver, an authorized chapter of The One Club for Creativity. This new partnership connects club members and community alike, to a global network of advertising, media, and design industry elites. It has been my distinct honor and privilege to lead ADCD through this transition. I am eager to see Colorado-made creative work make even greater impact, and gain even greater notoriety on the international stage. Congratulations to this year’s Annual Show nominees for your impressive, award-winning work! As seen in the pages of our 2017 Annual Show book, your immense talent is equally as inspired, as it is diverse. Special thanks to 2016-2017 ADCD Vice President, Roxanne Benefiel, for leading our 60th Annual Show. Roxanne and her team of volunteers worked tirelessly to ensure this year’s show is the best ONE yet! Sincerest thanks to Peter Dunbar, for your diligence, dedication, and undisputed integrity.