6 Moncler 1017 ALYX 9SM

Total Page:16

File Type:pdf, Size:1020Kb

6 Moncler 1017 ALYX 9SM Sabato, 22 Febbraio 2020 www.corriere.it Genius Nine creative designers for eight collections. An event in Milan to present the new way of thinking, designing, communicating. Moncler Genius, now in its third year, tells us about itself In the yellow tower, Moncler Genius logo, from left to top: JW Anderson, Sergio Zambon e Veronica Leoni, Sandro Mandrino, Simone Rocha, Craig Green, Matthew Williams, Hiroshi Fujiwara, Richard Quinn PROGIDA VINCENZO The idea that changed Moncler Poste Italiane Sped. in A.P. D.L. 353/2003 conv. L.46/2004 art. 1, c1 DCB Milano. Non può essere distribuito separatamente dal Corriere della Sera 2 Sabato 22 Febbraio 2020 Corriere della Sera Moncler HISTORY THE TURNING POINT The interview Remo Ruffini: «My Team of Geniuses: Moncler Today» by Paola Pollo The president and CEO talks about the process that led him to stake everything on Genius: no more runways and no longer two creatives, but a team of resident stylists in his virtual building. «We needed energy, so I just started. At the beginning, everyone thought I was crazy, but then the intensity became contagious» lenge of Genius: no more run- felt like a kid. But not that day. ways and no longer two cre- It was a shock. I like being atives, but a whole team of with young people. Old, rich «geniuses»—resident stylists people bore me. The only one in a virtual building illuminat- I hang out with is Massimo ed by the light of Moncler. «I Piombo and now he’ll be mad was afraid of being boring and about the description». And boring myself. I felt absolutely he laughs, thinking about the no emotion at the end of a face of his life-long friend. emo Ruffini, born 1961, Como runway and I said to myself: if Now do you prefer Mr. Ge- Rborn and bred. Although now I don’t feel it, just imagine my nius or Mr. Moncler? he divides his time between consumer» he repeated ad in- «I’ve always thought of Ge- Como and Milan. «A deal with finitum to the sceptics who At the beginning, it was nius as the expressive side of my wife Francesca». He’ll be asked him why such a compli- Moncler. That’s it». 59 in September. The 27th, a cated revolution when he important to let this It’s just that people are Libra. Sign of people who are could bask in what he had al- wondering. creative. «No, being creative is ready accomplished. «We yellow tower emerge. «It’s part of our strategy. At a whole different thing». May- needed energy, so I just start- the beginning, it was impor- be a visionary? «Entrepreneur, ed. At the beginning, everyone We had to get into tant to let this yellow tower I’d say. Practical». The perfect thought I was crazy, but then emerge. We knew it wasn’t an self-description for someone the intensity became conta- people’s heads with a lot easy project, we had to get in- who, in 2003, acquired a gious». to people’s heads with a lot of brand others said was fin- When you look in the mir- of different names and different names and expres- ished, but filled with memo- ror today, what do you see? sions. It needed time. Two ries for him, and in 2013 he «An article appeared recent- expressions. Now, slowly years, but it paid off. Now, listed it on the Milan stock ex- ly and there was a photo of me slowly but surely, appearing change with a capitalization of in it. My hair was white. For but surely, on the patch [the original lo- €2.55 billion that rose to ten. the first time, I saw a gentle- go—eds.] is the yellow tower Two years ago, the chal- man. I always saw myself and the new logo is emerging [the new logo—eds.], it’s al- Moncler Corriere della Sera Sabato 22 Febbraio 2020 3 ready in the new campaign». day, without electricity, we hand Moncler, this wasn’t ob- In 1954 Lino about this brand intrigues me. What is genius to you? would still be using candles vious. Given the errors of the Lacedelli and They’re fantastic. But I don’t «In our work, we need ge- and the world wouldn’t be in- previous owners, the most im- Achille buy down jackets, mostly niuses to have them interpret terconnected. No globaliza- portant thing was to interna- Compagnoni sportswear». such a different, sporty proj- tion, no perception». tionalize it. Not so much to conquered K2. Don’t you think fashion ect. For example Pierpaolo Is this also your approach sell more, but to understand The team was should ease up a bit? Includ- [Piccioli—eds.], a couturier, a to fashion? the consumer. The important equipped with ing prices? real creative. It was the most «I have never approached thing is to be part of the Moncler down «I think there should be re- successful Moncler media this sector from an artistic world, understand the multi- jackets, brought spect for the consumer, I’ve al- project of all time thanks to standpoint. I have always plicity of cultures and what to a high degree ways said this. I make a prod- the merging of two forces, looked for concrete, functional they want». of specialization uct that costs me 10 and I sell above and beyond the stock solutions. It’s just the way I What thrills you in a prod- by Lionel it at 50 or 70 all year, because concept of “commercial or I want to provide the am. Important designer, major uct? Terray, it’s the right thing to do. And non-commercial”. If you are brand, product consistency: «Simplicity. Being able to who was a key I assure the quality. Plus I re- able to do a couple of down jacket to the kid who these are my parameters. Ge- find the product immediately. character in the main faithful to my principle». evening dresses and make a nius is perhaps the first time Take J.W. Anderson, for exam- history of the And what principle is that? real impact on consumers snowboards and the I’ve let myself go a bit. But ple, now with us in Genius. brand. On the «Transversality. I want to around the world, even if they when I entered the tower and Whether designing Loewe, opposite page, provide the jacket to the kid don’t sell, it doesn’t really mat- manager who goes to the I saw all those different proj- Uniqlo or his brand, he always Remo Ruffini who snowboards and the ter. This is what genius is to ects but from the same roots, achieves incredible simplicity, manager who goes to the of- me». office wearing it over his I felt satisfied». despite the fact that he, him- fice wearing it over his busi- Geniuses from the past? But where did you get the self, is complicated». ness suit. The down jack for «People like Thomas Edi- business suit. The down idea to acquire a French Doesn’t it bother you that grandmother and grand- son, who invented something brand and give it Italian citi- one of your team designs for daughter alike. I love this chal- that made people’s lives bet- jack for grandmother and zenship? others? Even for a leading lenge». ter». «I believe that the world to- brand in “more for your But the young people you So no one in the arts? grand daughter alike. day is so transparent that we money” down jackets? are talking about have a hard «No, I connect it with in- shouldn’t think in those terms. «But I go to Uniqlo on time finding a job, their buy- ventions. In other words, to- This is the challenge I love When I began and took in- Broadway, too. Everything ing power is very limited. 4 Sabato 22 Febbraio 2020 Corriere della Sera Moncler HISTORY THE TURNING POINT «It is a cultural more than a was pushed to get him to they are and what Genius is enjoy being around. I accept financial problem. Take Amer- reach the American consumer, and they have to be attracted people’s defects, but I never ica, which remains the most and I chose him because he’s a to each other in some way». like them 100%. You have to difficult market for us. Over lovely person. He has a good What is envy to you? Have find a balance, otherwise you the last 4-5 years following the presence, good principles. You you ever felt it or been the remain alone. What does the 2008-2009 crisis, it has grown have to know how to handle target of it? word friend mean? I still don’t a lot and today it is even celebrities or influencers. And «I think I am fairly envied, know, to tell the truth». helped by fashion. For exam- sometimes you give them five because of my personality. For Has success changed you? ple, the streetwear phenome- million to sell a nail polish myself, I’ve never been envi- «Many people ask me this. I non». and maybe you don’t even suc- ous, of anyone. I dislike people don’t think so. My life is the Would you like it if Greta ceed». sometimes, this is true. But for same as it was when I was 22, Thunberg wore one of your How do you choose your geniuses, creative people, I with the same friends I’ve al- down jackets? «geniuses»? feel respect.
Recommended publications
  • Supported by Topshop
    SUPPORTED BY TOPSHOP DESIGNER LINE-UP CONFIRMED FOR FASHION EAST SHOW AT LFW SS17 Fashion talent incubator Fashion East unveils the latest line-up of designers who will receive their support and showcase at their London Fashion Week show in September. Designers A.V Robertson, Mimi Wade and Richard Malone return from last season and are joined by newcomer Matty Bovan for an event featuring both runway and presentation in headline sponsor Topshop’s show space on Saturday 17th September. Lulu Kennedy MBE, Director of Fashion East says “We’re hugely proud of all our talented designers and delighted to welcome Matty into the mix – this is my dream line up! It’s super exciting to be hosted in our sponsor Topshop’s venue again, this season in Old Spitalfields Market in the heart of our home, the East End.” Sheena Sauvaire, Global Communications and Marketing Director, TOPSHOP: "The Fashion East showcase is always a great indicator of the next wave of new talent in our industry. As innovation is at the heart of London, it is a really exciting addition to the schedule and one we are proud to continue to support." The four designers selected by Fashion East’s distinguished panel of editors, buyers and stylists, join the ranks of alumni including Gareth Pugh, Jonathan Saunders, Roksanda Ilincic, Simone Rocha and Marques’Almeida. In addition to the London Fashion Week showcasing event, designers receive financial sponsorship, intensive one-to-one business mentoring, and inclusion in a leading Paris sales showroom. Fashion East is honoured to have headline sponsorship from Topshop for the 12th consecutive year.
    [Show full text]
  • The Creative Talents of the Lvmh Group VIRGIL ABLOH
    The creative talents of the lvmh group VIRGIL ABLOH MEN’S ARTISTIC DIRECTOR LOUIS VUITTON Born in rockford, illinois in 1980, Virgil Abloh is an artist, architect, engineer, creative director, and designer. After earning a degree in Civil Engineering from the University of Wisconsin Madison, he completed a Master´s Degree in Architecture at the Illinois Institute of Technology in a curriculum founded by Mies van der Rohe. It was here that he learned not only about modernist design principles but also about the concept of multi‐ disciplinary working. Virgil Abloh’s brand Off‐White c/o Virgil Abloh™ was started in 2012 as an artwork titled "PYREX VISION." In 2013, the brand premiered a seasonal men's and women's fashion label showing runway collections during Paris Fashion Week since 2015. Abloh has also presented his work at major design institutions around the globe by the likes of Harvard Graduate School of Design, Columbia Graduate School of Architecture, Planning and Preservation and the Rhode Island School of Design. In 2019 he will have a major exhibition of past and current work at the Museum of Contemporary Art of Chicago, Illinois. In 2015, Virgil Abloh for Off‐White c/o Virgil Abloh™ is among the finalists of the LVMH Prize. He has been awarded various prizes, most recently winning the British Fashion Awards Urban Luxe award and International Designer of the Year at the GQ Men of the Year Awards in 2017. © Louis Vuitton JONATHAN ANDERSON CREATIVE DIRECTOR LOEWE Born in 1984 in Northern Ireland, lives in London, Madrid and Paris.
    [Show full text]
  • Post Layout 1
    22 Established 1961 Lifestyle Fashion Sunday, September 9, 2018 Tom Ford kicks off New York Fashion Week ew York Fashion Week opened with a bang Victoria Beckham is celebrating the 10th anniversary of with a masterclass from Tom Ford, A-list mod- her brand in London. Tommy Hilfiger held his show in Nels oozing subdued sophistication in neutral Shanghai on Tuesday, the latest pit-stop on what has palettes with Tom Hanks and break-out rom-com star been a global tour since declining to show in the Big Henry Golding front row. The US city kicks off a Apple since September 2016. month-long fashion merry-go-round in which editors, Alexander Wang, the king of cool, has switched to a celebrities and influencers descend first on the Big June-December schedule and plenty of others make lit- Apple before jetting off to fashion weeks in London, tle secret of their a thirst for something new in a city Milan and Paris. that constantly glorifies innovation. “What we know Everyone from the biggest names in the industry to traditionally as fashion week-and I love a runway US model Gigi Hadid fresh-out-of-college hopefuls will pack a frenetic show-is changing,” designer Zac Posen told CNBC this schedule from Thursday to September 12 as the Big week. “It’s a very saturated field, so you have to find Apple wilts under a late summer heatwave. Ford took a interesting creative ways of cutting through the mar- chill pill-opening the spring/summer 2019 season by ket.” His answer? Unveil his collection in a photo shoot sending down the runway models Kaia Gerber, Gigi starring up-and-coming actress Maya Hawke, daughter Hadid, Joan Smalls in matte make-up, headscarves and of Ethan and Uma Thurman.—AFP smokey eyes.
    [Show full text]
  • 2020 ANNUAL REPORT Passionate About Creativity
    2020 ANNUAL REPORT Passionate about creativity Passionate about creativity THE LVMH SPIRIT Louis Vuitton and Moët Hennessy merged in 1987, creating the LVMH Group. From the outset, Bernard Arnault gave the Group a clear vision: to become the world leader in luxury, with a philosophy summed up in its motto, “Passionate about creativity”. Today, the LVMH Group comprises 75 exceptional Maisons, each of which creates products that embody unique craftsmanship, carefully preserved heritage and resolute modernity. Through their creations, the Maisons are the ambassadors of a refined, contemporary art de vivre. LVMH nurtures a family spirit underpinned by an unwavering long-term corporate vision. The Group’s vocation is to ensure the development of each of its Maisons while respecting their identity and their autonomy, by providing all the resources they need to design, produce and distribute their creations through carefully selected channels. Our Group and Maisons put heart and soul into everything they do. Our core identity is based on the fundamental values that run through our entire Group and are shared by all of us. These values drive our Maisons’ performance and ensure their longevity, while keeping them attuned to the spirit of the times and connected to society. Since its inception, the Group has made sustainable development one of its strategic priorities. Today, this policy provides a powerful response to the issues of corporate ethical responsibility in general, as well as the role a group like LVMH should play within French society and internationally. Our philosophy: Passionate about creativity THE VALUES OF A DEEPLY COMMITTED GROUP Being creative and innovative Creativity and innovation are part of LVMH’s DNA; throughout the years, they have been the keys to our Maisons’ success and the basis of their solid reputations.
    [Show full text]
  • Council of Fashion Designers of America
    Council of Fashion Designers of America ANNUAL REPORT 2018 The mission of the Council of Fashion Designers of America is to strengthen the impact of American fashion in the global economy. B Letter from the Chairwoman, Diane von Furstenberg When I became President of the CFDA 13 years ago, I had two initials goals—to turn the American fashion community into a family and to make it more global. Letter from the The first adventure Steven and I went on was to Washington, D.C., President & Chief to lobby for copyright protection for fashion designers. It was quite an experience to lobby to almost everybody in Congress, from John Executive Officer, McCain to Maxine Waters, Hillary Clinton, and Nancy Pelosi. While we didn’t manage to pass legislation, we did manage to give the Steven Kolb subject so much exposure—in Washington and beyond—that a lot of the people who used to copy realized the importance of hiring Much has changed since I started at CFDA thirteen years ago. original talent to lead their design teams. The Internet and social media have revolutionized the fashion Creating a family means coming together and supporting each other. landscape. Everything is immediately universal and faster, and We launched the Strategic Partnerships Group, which provides tangible everybody has a platform to express their views. In fashion, we used business services, education, and work opportunities for our designers. to talk among ourselves a lot. Now, we must listen to all the voices and engage with the world. As the digital revolution and the influence of social media were changing our industry, we felt obligated to reevaluate the purpose of This year, we introduced the CFDA Fashion Trust with Tania Fares, Fashion Week and empower the designers to do what’s best for each which brings in individuals and corporations to raise funds for U.S.-based one of them.
    [Show full text]
  • “Rapport Financier Annuel” Fiscal Year Ended December 31, 2017
    Translation of the French “Rapport financier annuel” Fiscal year ended December 31, 2017 2017 Annual Financial Report This document is a free translation into English of the original French “Rapport financier annuel”, hereafter referred to as the “Annual Financial Report”. It is not a binding document. In the event of a conflict in interpretation, reference should be made to the French version, which is the authentic text. Executive Body and Statutory Auditors as of December 31, 2017 BOARD STATUTORY OF DIRECTORS AUDITORS Florian OLLIVIER (a) ERNST & YOUNG et Autres Chairman and Chief Executive Officer represented by Jeanne Boillet Nicolas BAZIRE MAZARS Group Managing Director represented by Simon Beillevaire Representative of Groupe Arnault SEDCS Pierre DE ANDREA Representative of Montaigne Finance SAS Pierre DEHEN Representative of GA Placements SA Lord POWELL of BAYSWATER (a) (a) Renewal proposed at the Shareholders’ Meeting of May 30, 2018. 2 2017 Annual Financial Report Contents Management Report of the Board of Directors 5 FINANCIÈRE AGACHE GROUP 1. Business review and comments on the consolidated financial statements of the Financière Agache group 6 2. Financial policy 21 3. Operating investments 22 4. Main locations and properties 23 5. Subsequent events 25 6. Recent developments and prospects 25 MANAGEMENT OF NON- FINANCIAL AND FINANCIAL RISKS 1. Group ethics and Codes of Conduct 28 2. Risk identification 32 3. Assessment and control procedures in place 38 4. Lines of defense 46 FINANCIÈRE AGACHE SA 1. Key event during the fiscal year 52 2. Results of Financière Agache SA 52 3. Information regarding the Company’s share capital 53 4.
    [Show full text]
  • LUXURY REVIEW Greater China
    Issue No #01 2018 Issue No #01 LUXURY REVIEW Greater China [ 1 ] Welcome. Our quarterly Luxury Review has been given a new look. We aim to bring our What started as a passion project has grown readers the must-know to a must-read for industry insiders in China and beyond, and it’s only fitting that we facts and insights about the evolve our publication accordingly. luxury industry We have updated the format to accommodate time-pressed readers. We’ve introduced Quick Takes – short form articles to give you a recap of the key happenings in the luxury industry over the past quarter. You will still find our POV and analysis through longer reads in the second section. We have also merged our two editions into one bilingual issue. We will continue to cover trends, brands, and products having an impact on the Greater China region, from categories ranging from fashion and beauty to travel and auto – and wherever luxury will go next. We hope to continue to give you market knowledge and insights that will help guide your luxury communications strategy. Thank you for reading. Mindshare [ 2 ] Welcome. [ 3 ] Content 010 – Quick takes 011 – Campaigns 012 – Product Launches 013 – Business 014 – Content 015 – Technology 020 – Mindshare’s POV 021 – Chinese firms acquiring luxury brands 022 – Beauty is boosting speed to market 023 – WeChat’s new ad format 024 – Is J-Beauty the new K-beauty? 025 – Volvo’s luxury pivot brings recognition 026 – How can luxury brands thrive in today’s digital landscape? [ 4 ] TheQuick news Takes you need to keep up with luxury [ 5 ] CAMPAIGNS Chanel Mademoiselle Privé Exhibition Following two successful editions in London in 2015 and in Seoul last year, Chanel’s “Mademoiselle Privé” landed Hong Kong in early January this year.
    [Show full text]
  • Alexander Wang
    Fashion. Beauty. Business. APRIL 2015 No.1 Alexander Wang The Six Who will build the powerhouse brands US $9.99 JAPAN ¥1500 of tomorrow? CANADA $13 CHINA ¥80 UK £ 8 HONG KONG HK100 A look at six of the EUROPE € 11 INDIA 800 industry’s best bets. Fashion. Beauty. Business. APRIL 2015 No.1 The Row The Six Who will build the powerhouse brands US $9.99 JAPAN ¥1500 of tomorrow? CANADA $13 CHINA ¥80 UK £ 8 HONG KONG HK100 A look at six of the EUROPE € 11 INDIA 800 industry’s best bets. Christopher Kane J.W. Anderson Introducing the ricky drawstring 888.475.7674 ralphlauren.com The Ricky Sunglass ARMANI.COM/ATRIBUTE 800.929.Dior (3467) Dior.com © 2015 Estée Lauder Inc. © 2015 DRIVEN BY DESIRE esteelauder.com NEW. PURE COLOR ENVY SHINE On Carolyn: Empowered Sculpt. Hydrate. Illuminate. NEW ORIGINAL HIGH-IMPACT CREME AND NEW SHINE FINISH Contents Fashion. Beauty. Business. Fashion. Beauty. Business. Fashion. Beauty. Business. Alexander J.W. Wang The Row Anderson Fashion. Beauty. Business. Fashion. Beauty. Business. Fashion. Beauty. Business. Chitose Christopher Proenza Abe Kane Schouler Six Covers Photographer Nigel Parry shot the designers for the cover story during a whirlwind global tour. “To be asked to photograph the covers for the launch of the new WWD weekly is a gift to any photographer,” he said. “I’m not saying it was easy — eight designers, six days, three continents — but the jet-lag was kept at bay by meeting such great talents. Thank you WWD!” Cover Story The 168 Fashion has long been obsessed with the new, the fresh, the unexpected, never more so than now.
    [Show full text]
  • 2016–17 Annual Report
    British Fashion Council 2016 –17 Annual Report 1 British Fashion Council 2016–2017 Annual Report 2 3 12 About The British 31 Pillars Fashion Council Contents 32 Five Pillars 15 Our Vision 36 Pillar Presidents 17 Mission Statement 39 Reputation 19 Our Values 42 London Fashion Week 20 Governance: 52 London Fashion Week Festival Executive Board Funding 56 London Collection Men’s / London Patrons Fashion Week Men’s 22 Advisory Board 66 British Fashion Awards 24 Business & Cultural Ambassadors 70 Positive Fashion Press Committee 74 The British Fashion Council Menswear Committee Represents UK Fashion 28 Events and Announcements: 77 Innovation & Digital Events Talent Support Announcements 83 Business Business Support 86 Business Development and Support Supported Events 87 Talent Support Pathway 88 NEWGEN and NEWGEN Men 90 BFC Fashion Trust 92 BFC GQ Designer Menswear Fund supported by Vertu 94 BFC/Vogue designer Fashion Fund 96 Initiatives: Rock Vault Supported Designers BFC Fashion Film Supported Designers Headonsim Supported Designers Fashion Business Network Designer Factfile Funding Talent Fashion Arts Foundation Charity Trustees 99 Investment 102 Fashion Forum 105 Education 109 BFC Education Foundation 110 Scholarship Winners 116 Colleges Council 118 Annual Programme 120 Competitions 4 5 ASHISH AW17 6 7 The UK fashion industry contributes £28 billion to the UK GDP — Oxford Economics, 2016 8 9 London is a global hub for fashion and its influence is felt all over the world 10 11 About The British Fashion Council The British Fashion Council is a not-for-profit organisation that aims to further the interests of the British fashion industry and its designer businesses by harnessing and sharing the collective knowledge, experience and resources of the sector.
    [Show full text]
  • The Frank Gehry-Designed Fondation Louis Vuitton Is a Major New Multifaceted Addition to Paris’S Cultural Landscape
    have never knowingly gasped in awe galleries, a site and a park structure that demanded it be Frank Gehry (left) and and wonder but I came pretty close glass. It’s hard to hang paintings on a glass wall, so it had Bernard Arnault outside when, driving through the Bois de to have an interior building that had solid walls,” he says. the Fondation Louis Boulogne during the summer, I caught Seldom can practicality have been so interesting. It has Vuitton in Paris my first glimpse of the new Fondation galleries in almost every shape and size, from the small Louis Vuitton, the multigallery and intimate to the vaulting and cathedral-like. But in museum, auditorium and cultural Gehry’s opinion it is more than just a museum. space that opens its revolving doors to “The gallery space down below opens up totally to the the public on October 27. The soaring auditorium, and we could do a fashion show down there structure of huge swirling planes of if we wanted,” he suggests. “You can cross those lines glass seems to hang like mist amid the back and forth – much easier than going into MoMA or trees of one of Paris’s largest parks. the Guggenheim, which have a requirement to be It struck me that this is what it must something, intellectually, that have a line you can’t have been like to walk to the top of cross. I mean, I hope they have nude dancing!” he jokes. a sand dune in Giza around two and half millennia Perhaps one way of looking at this building is as an before the birth of Christ as they were putting the autobiography or self-portrait in glass, steel, concrete finishing touches to the pyramid of Cheops; to have and wood: multifaceted, fascinating, capable of mixing Iseen the Colosseum rise above ancient Rome; or, for high culture, popular culture and commercial culture.
    [Show full text]
  • Met Press Release
    News Release Communications For Immediate Release T 212 570 3951 [email protected] Costume Institute Exhibition Presents a Contact Disrupted Timeline of Fashion History Nancy Chilton Mika Kiyono The Costume Institute’s exhibition About Time: Fashion and Duration (on view October 29, 2020 to February 7, 2021) traces 150 years of Exhibition Dates: fashion, from 1870 to the present, along a disrupted timeline, in honor of October 29, 2020–February 7, the Museum’s 150th anniversary. Employing philosopher Henri 2021 (rescheduled from May 7, Bergson’s concept of la durée—the continuity of time—the exhibition 2020) explores how clothes generate temporal associations that conflate the past, present, and future. The concept is also examined through the Member Previews: writings of Virginia Woolf, who serves as the exhibition’s “ghost October 26, 2020 narrator.” 11am–5pm October 29, 2020 The exhibition is made possible by Louis Vuitton. 9am–12pm Corporate sponsorship is also provided by Condé Nast. Exhibition Location: The Met Fifth Avenue – Additional support is provided by Michael Braun, John and Amy Griffin, Iris and B. Gerald Cantor Nancy C. and Richard R. Rogers, the Natasha and Adar Poonawalla Exhibition Hall, Floor 2 Foundation, and the Laura and Raymond Johnson Fund. www.metmuseum.org/AboutTime #MetAboutTime “About Time: Fashion and Duration considers the ephemeral nature of @metcostumeinstitute fashion, employing flashbacks and fast-forwards to reveal how it can be both linear and cyclical,” said Max Hollein, Director of The Met. “The result is a show that presents a nuanced continuum of fashion over the Museum’s 150-year history.” Andrew Bolton, the Wendy Yu Curator in Charge of The Costume Institute, said: “Fashion is indelibly connected to time.
    [Show full text]
  • The Fashion Awards 2019 Winners Announced
    PRESS RELEASE 2nd December 2019 THE FASHION AWARDS 2019 WINNERS ANNOUNCED The British Fashion Council (BFC) is delighted to announce the winners of The Fashion Awards 2019 which recognise and celebrate creativity and innovation in fashion. Tonight, The Fashion Awards welcomed a global mix of 4,000 guests, including key players from the fashion industry as well as members of the public at the Royal Albert Hall in London, to celebrate exceptional individuals whose imagination and creativity have broken new ground in fashion over the past 12 months; as well as brands and businesses that have transformed the possibilities of fashion today. The evening, hosted by award-winning American actress, CEO, and producer Tracee Ellis Ross, celebrated sixteen awards, ten of which are put out to vote to an international panel of fashion industry experts, five Special Recognition Awards and a new Designers’ Designer Award, voted for by BFC Designer Members. Each winner was given a unique Swarovski crystal trophy, designed by Welsh artist, Ross Lovegrove. The Fashion Awards 2019 Winners Award for Positive Change: Signatories of the Fashion Industry Charter for Climate Action Presented by: Amber Valetta & Halima Aden Accepted by: Emmanuel Gintzburger, Alexander McQueen; Gabriele Maggio, Stella McCartney; José Neves, Farfetch; Stefan Seidel, Puma; Thierry Andretta, Mulberry and Wolfgang Blau, Condé Nast Brand of the Year: Bottega Veneta Presented by: Rosie Huntington Whiteley British Emerging Talent Menswear: Bethany Williams for Bethany Williams Presented
    [Show full text]