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Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
Read Ebook {PDF EPUB} the Star Wars Craft Book by Bonnie Burton the Star Wars Craft Book
Read Ebook {PDF EPUB} The Star Wars Craft Book by Bonnie Burton The Star Wars Craft Book. The Star Wars Craft Book is a fully-illustrated, step-by-step guide to creating Star Wars -themed arts and crafts. It was written by Bonnie Burton and published by Del Rey on March 29, 2011. Contents. Product description [ edit | edit source ] GIVE IN TO THE POWER OF THE CRAFTY SIDE. Chewbacca Sock Puppets. Ewok Flower Vases. AT-AT Herb Gardens. With The Star Wars Craft Book, fans of all ages and skill levels can bring the best of the galaxy far, far away right into their own homes. Fully illustrated, this guide features a variety of fun and original projects. • Playtime: Make and play with finger puppets of your favorite cantina characters, Cuddly Banthas, and Rotta the Huttlet Squeaky Toys for your pets • Home Decor: Spruce up your space with Chewbacca Tissue Box Covers, a Mounted Acklay Head, and a Jabba the Hutt Body Pillow • Holiday Crafts: Celebrate festive occasions with Wookiee Pumpkins, Hanukkah Droidels, and a Star Wars Action Figure Wreath • Nature and Science Crafts: Get down to earth with Emperor Appletine Dolls and a Wookiee Bird House • Star Wars Style: Give your wardrobe a dose of intergalactic chic with Ewok Fleece Hats and an R2-D2 Crocheted Beanie. With easy step-by-step instructions, The Star Wars Craft Book is a joyful and entertaining way for you and your friends to bring many beloved elements of Star Wars to life! (No midi-chlorians required!) Interview with Bonnie Burton. We were lucky enough to catch up with the lovely Bonnie Burton this week. -
Henry Jenkins Convergence Culture Where Old and New Media
Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands. -
Table of Contents
TABLE OF CONTENTS Gaming Introduction/Schedule ...........................................4 Role Playing Games (Campaign) ........................................25 Board Gaming ......................................................................7 Campaign RPGs Grid ..........................................................48 Collectible Card Games (CCG) .............................................9 Role Playing Games (Non-Campaign) ................................35 LAN Gaming (LAN) .............................................................18 Non-Campaign RPGs Grid ..................................................50 Live Action Role Playing (LARP) .........................................19 Table Top Gaming (GAME) .................................................52 NDMG/War College (NDM) ...............................................55 Video Game Programming (VGT) ......................................57 Miniatures .........................................................................20 Maps ..................................................................................61 LOCATIONS Gaming Registration (And Help!) ..................................................................... AmericasMart Building 1, 2nd Floor, South Hall Artemis Spaceship Bridge Simulator ..........................................................................................Westin, 14th Floor, Ansley 7/8 Board Games ................................................................................................... AmericasMart Building 1, 2nd -
Ats Press U.Mass, Penn State the Anovan
ats Press U.Mass, Penn State the anovan VILLANOVA UNIVERSITY VILLANOVA PA January 26, 1977 Senate Debates University Priorities By T ONY DiFRANCESCO ducing Ventures from sixth to shape iIs fut ure." T he University Senate will meet second and the Planning Function Hegarding the other significant t his Friday to discuss t he budget from first to sixth. In addit ion to changes, Tuition and Salary In for the 1977-78 school year. One of t his amendment, it was mot inned crease for Faculty and Staff the prime guidelines in de to include the rationale that ac· moved to first priority because termining the budget has been . \1\ companied the initial I isl of Father Breslin thought it im ordering of University priorities, riorit ies only for the informat ion perative that sa laries support which have been the source of of those who consult the list. Both rises in the cost of living. With much discussion at the past two amendments carried. 9.';.8 percent of University income senate meetings. In reference to the Planning derived from student tuition and On March 19, 197(;. the Ex Function, Paul J. Gormley. fees, the added concern for In ecutive Committee of the Uni Priorities Committee Chairman, come - Producing Ventures is ob versity Senate established an ad stated that it was in a sense a per vious. hoc Priorities Committee to de manent watchdog of the budget. Realizing the numerous amend vise this list of priorities. Since He indicated the time and effort ments to the 1976 Priorities Com April the thirteen member group expanded to accumulate the data mittee Report, Commerce and has met with members of the Bud necessary for asse ssi ng the Finance Senator Matt Christenson get Committee as well as in priorities and felt their periodic suggest ed the Senate s ubmit more dividuals representing a cross task would be eliminated by specific guidelines to the section of the university corn st rengthening the Planning Func Priorities Committee in the future munity. -
Souvenir Book Was Designed by Andrew Bertke, Created in Quarkxpress, Illustrator, and Photoshop
brought to you by… Minnesota Science Fiction Society, Inc. April 10th though 12th, 1998 • Radisson Hotel South, L’Hotel Sofitel, Holiday Inn Airport 2 and Wyndham Garden Hotel • Bloomington, MN Table of Contents: A View From A Different Corner: Letter from the Exec ..................5 Hotel Information............................................................................6 Operations........................................................................................7 Professional Guest of Honor: Gardner Dozois ................................8 The Hagiography of Saint Dozois....................................................8 Fan Guest of Honour: Dave Langford............................................12 Toastmaster: John M. Ford ............................................................16 Mark Time Award Presenter: Phil Proctor ....................................22 The Mark Time Award at Minicon 33 ..........................................23 Minicon 33 was brought to you be ................................................30 Copyright © 1998 by the Minnesota Science Fiction Society (MN-StF). All rights reserved. Published and distributed by the Minicon 33 Convention Staff for MN-Stf — a non-profit, volunteer-run organization since 1968. No portion of this book (except as noted below) may be reproduced or transmitted in any form or by any means electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from MN-Stf. Illustrations remain the property of the respective artists. MN-StF waives copyright on the following: Operations Policies, Masquerade Rules, Art Show Rules and Auction Rules. These are available to the public for their own uses. For further information about Minicon, the Minnesota Science Fiction Society (MN-StF), or any of our activities, write: P.O. Box 8297, Lake Street Station, Minneapolis, MN 55408-8297. You may also call the MN-Stf Hotline at 612-824-5559 or the Minicon Voicemail at 612-333-7533. Cover art was designed by Derrick Dasenbrock. -
SFC Bulletin, Vol
THE SOUTHERN FANDOM CONFEDERATION BULLETIN Volume 8 Number 4 December 2003 The Southern Fandom Confederation Bulletin Volume 8 Number 4 SOUTHERN FANDOM CONFEDERATION BULLETIN CONTENTS PAGE Ad Rates Cleary Comments 3 Convention Reports 4 Type Full Page Half Page ¼ Page Book Reviews 6 Fan $50.00 $25.00 $12.50 Pro $100.00 $50.00 $25.00 Treasurer’s Report 7 Punny Collaborations 7 SFC Handbooks Annotated Fanzine Listings 8 News 10 This amazing 196 page tome of Southern Fannish lore, Southern Convention List 12 edited by T.K.F.W. Reinhardt, is now available to all comers Roster 14 for $5, plus a $2 shipping and handling charge if we have to Marvel Comics Scramblet 16 mail it. The Handbook is also available online, thanks to the Letters of Comment 17 efforts of Samuel Smith, at www.smithuel.net/sfcbh/. The SFC Handbook Errata page is: Policies www.smithuel.net/sfchb/hberrata.html. The Southern Fandom Confederation Bulletin Volume T-Shirts 8, Number 4, December 2003, is the official publication of the Southern Fandom Confederation (SFC), a not-for-profit Sizes Quantity (Animals) Quantity (States) literary organization and information clearinghouse Medium 1 2 dedicated to the service of Southern Science Fiction and Large 2 4 Fantasy Fandom. The Bulletin is edited by R. B. Cleary and XXL 1 Not Available is published at least three times per year. Membership in the SFC is $15 annually, running from DeepSouthCon to T-Shirts are $10 each plus $3 shipping and handling fee DeepSouthCon. A club or convention membership is $75 if we have to mail it. -
Press Kit (PDF)
Synopsis 1 The ocean is a wilderness reaching 'round the globe, wilder than a Bengal jungle, and fuller of monsters, washing the very wharves of our cities and the gardens of our sea-side residences. - Henry David Thoreau, 1864 For the nineteenth century, the world beneath the sea played much the same role that "outer space" played for the twentieth. The ocean depths were at once the ultimate scientific frontier and what Coleridge called "the reservoir of the soul": the place of the unconscious, of imagination and the fantastic. Proteus uses the undersea world as the locus for a meditation on the troubled intersection of scientific and artistic vision. The one-hour film is based almost entirely on the images of nineteenth century painters, graphic artists, photographers and scientific illustrators, photographed from rare materials in European and American collections and brought to life through innovative animation. The central figure of the film is biologist and artist Ernst Haeckel (1834-1919). As a young man, Haeckel found himself torn between seeming irreconcilables: science and art, materialism and religion, rationality and passion, outer and inner worlds. Through his discoveries beneath the sea, Haeckel would eventually reconcile these dualities, bringing science and art together in a unitary, almost mystical vision. His work would profoundly influence not only biology but also movements, thinkers and authors as disparate as Art Nouveau and Surrealism, Sigmund Freud and D.H. Lawrence, Vladimir Lenin and Thomas Edison. The key to Haeckel's vision was a tiny undersea organism called the radiolarian. Haeckel discovered, described, classified and painted four thousand species of these one-celled creatures. -
Embodying Cosplay: Fandom Communities in the Usa Natasha L
Georgia State University ScholarWorks @ Georgia State University Anthropology Theses Department of Anthropology 5-3-2017 EMBODYING COSPLAY: FANDOM COMMUNITIES IN THE USA NATASHA L. HILL Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/anthro_theses Recommended Citation HILL, NATASHA L., "EMBODYING COSPLAY: FANDOM COMMUNITIES IN THE USA." Thesis, Georgia State University, 2017. https://scholarworks.gsu.edu/anthro_theses/119 This Thesis is brought to you for free and open access by the Department of Anthropology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Anthropology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EMBODYING COSPLAY: FANDOM COMMUNITIES IN THE USA by NATASHA LOREN HILL Under the Direction of Emanuela Guano ABSTRACT Cosplay is a portmanteau of costume and play, referring specifically to role-play. Cosplay consists of various costumed role-playing, such as anime, manga, video games, science-fiction, fantasy, horror, mythology, etc. In the 1990s, cosplay emerged as a popular street fashion subculture in Japan that has become a worldwide phenomenon. Cosplay was already present in North American popular culture in association with comic and science-fiction conventions. These events at the time were considered masquerades, not cosplay. Cosplay communities rely primarily on maintaining social relationships via internet communication and word of mouth. The standards for what constitutes cosplay are upheld by individuals, the community, and organizations. These organizations are made of security personnel, cosplay contest judges, local police, and convention staff. Through this ethnography on cosplayers, I will identify the hidden power structures, agency, and resistance or replication of hegemony in the community; by using a combination of interviews, participant observation, and auto-ethnography. -
Hello Barbie: First They Will Monitor You, Then They Will Discriminate Against You
3 MANTA AND OLSON 135-187 (DO NOT DELETE) 11/5/2015 8:50 AM HELLO BARBIE: FIRST THEY WILL MONITOR YOU, THEN THEY WILL DISCRIMINATE AGAINST YOU. PERFECTLY. Irina D. Manta* David S. Olson** ABSTRACT .................................................................................................. 136 INTRODUCTION .......................................................................................... 136 I. THE DEVELOPMENT OF EQUITABLE SERVITUDES FOR PERSONAL PROPERTY ....................................................................................... 141 II. THE HISTORY OF SOFTWARE ALIENABILITY ........................................ 145 III. TWO CHEERS FOR SOFTWARE PRICE DISCRIMINATION ....................... 152 A. Price Discrimination ............................................................... 152 B. The Evolution of Software From Product to Ongoing Service ..................................................................................... 161 C. The Costs and Benefits of Enabling More Perfect Price Discrimination for Software .................................................... 172 IV. SOFTWARE LICENSING AND THE INTERNET OF THINGS ...................... 179 V. CONCLUSION ......................................................................................... 187 * Professor of Law and Founding Director of the Center for Intellectual Property Law, Maurice A. Deane School of Law at Hofstra University; Yale Law School, J.D.; Yale College, B.A. ** Associate Professor of Law, Boston College Law School; Harvard Law School, J.D.; -
Online Media Piracy: Convergence, Culture, and the Problem of Media
Online Media Piracy: Convergence, Culture, and the Problem of Media Change Sean Fuller Department of Gender and Cultural Studies The University of Sydney A thesis submitted to fulfil requirements for the degree of Doctor of Philosophy at the University of Sydney i DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or any other institute of higher learning, except where due acknowledgement has been made in the text. Sean Fuller April 7, 2018 ii Abstract This thesis proposes that there is a symbiotic relationship between the emergence of online media piracy and the industrial, economic and legal changes that have shaped contemporary popular media in the early 21st century. The Internet is at the heart of most recent transformations of the popular media environment, such as the emergence of video- on-demand formats for film and television consumption and the impact this has had on the nature of those media forms. This thesis discusses the powerful role played by online media piracy in shaping these developments, both through changing the expectations of consumers, and the options that are available for distributors of media content. As well as exploring the diverse forms and practices of online media piracy today, this thesis also explores theories of media change, considering how we might understand such piracy as a force underpinning media change, and how the changes it has helped shape might be placed in a broader historical context. -
2018 CWA Program
April 9-13, 2018 years 1 9 4 8 – 2 0 1 8 Download the CWA App Enjoy this free resource provided by the CWA to help enhance your conference experience! Features • Interactive campus map • Create your own schedule April 9-13, 2018 • Transportation & parking info • Live Q&A in sessions years • Schedule notifications 1 9 4 8 – 2 0 1 8 • Speaker information • Sharing to social media April 9-13, 2018 April 9-13, 2018 years years 1 9 4 8 – 2 0 1 8 To Download: 1 9 4 8 – 2 0 1 8 Visit your App or Google Play store & search for ‘Conference on World Affairs.’ If you already have the app: Please delete and re-download to view updated 2018 content. Welcome Download the CWA App Welcome to the 70th Conference on World Affairs! Enjoy this free resource provided by the CWA We’ve come a long way since 1948, when Howard Higman brought together a group of ambassadors and other policy leaders to discuss the state of the world! The University of Colorado has grown into a world-class institution to help enhance your conference experience! with four campuses, Nobel Laureates, MacArthur “Genius Grant” fellows, and National Medal of Science winners, and the Boulder community has become an internationally connected population, leading the world in technology, science, space exploration, natural foods and innovation. Our challenge is to maintain and grow the magic of a 70-year tradition even as we acknowledge the acceleration of change around us. Celebrating and Features leveraging the special town/gown relationship undergirding the CWA is fundamental to meeting this challenge.