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8 7 Double Grill & Bar 2 5 4Pashkin Bar Bar-Restaurant Ogonyok 3 Donna Olivia 2 Simple Coffee 1 5. Belinsky Regional International Restaurant Bar Cafe Pub Yekaterinburg Library Dance & Night Club Open hours: Fri.: 12:00-6:00 Yekaterinburg was founded on Mon.: 12:00-2:00 Sat.: 15:00-6:00 November 18, 1723, named after Wed.: 12:00-2:00 Sun.: 15:00-2:00 Russian emperor Peter the Great's Thu.: 12:00-2:00 wife, Yekaterina, serving as the 5. Donna Olivia mining capital of the Russian Photo by Митрохина Марина Photo by Владислав Фальшивомонетчик Photo by Vertical Restaurant Empire as well as a strategic Open hours: Boris Yeltsin Presidential Center, also known Central European Restaurant Modern connection between Europe and simply as the Yeltsin Center is a social, cultural not available European Restaurant Seafood Russian Asia. Yekaterinburg was known as and educational center, which opened in 3. Church for mine Yekaterinburg in 2015. One of the main objects Restaurant European Restaurant the 'window to Asia', a reference to Photo by Владислав Фальшивомонетчик workers of the center is Boris Yeltsin's Museum, European Saint Petersburg as a 'window to Open hours: dedicated to the contemporary political history Open hours: Thu.: 12:00-0:00 not available of Russia and its first president. Europe'. Mon.: 12:00-0:00 Fri.: 12:00-2:00 6. Visotsky Business Open hours: Fri.: 10:00-21:00 Tue.: 12:00-0:00 Sat.: 12:00-2:00 Photo by Donna Olivia Tue.: 10:00-21:00 Sat.: 10:00-21:00 Wed.: 12:00-0:00 Sun.: 12:00-0:00 Interesting places: Center Lookout Wed.: 10:00-21:00 Sun.: 10:00-21:00 Italian Restaurant Pizza Italian Thu.: 10:00-21:00 3. Bar-Restaurant Restaurant European 1. Bazhov Museum Ogonyok Open hours: Fri.: 0:00-23:59 Restaurants: Mon.: 0:00-23:59 Sat.: 0:00-23:59 Wed.: 0:00-23:59 Sun.: 0:00-23:59 1. Double Grill & Bar Thu.: 0:00-23:59 Photo by Aglobal 6. Simple Coee Open hours: not available 4. The Roman Catholic Photo by Visotsky Business Center Open hours: parish of St. Anne not available Photo by S URALA Photo by Bar-Restaurant Ogonyok Pavel Petrovich Bazhov (Russian: Па́вел 7. 1905 Square Grill Wine Bar Gastropub Russian Петро́вич Бажо́в; 27 January 1879 – 3 Restaurant European December 1950) was a Russian writer. Bazhov Photo by Double Grill & Bar Open hours: Thu.: 12:00-2:00 is best known for his collection of fairy tales Gastropub Central European Restaurant The Malachite Box, based on Ural folklore and Mon.: 12:00-2:00 Fri.: 12:00-5:00 published in the Soviet Union in 1939. In 1944, Bar Pub Bar & Grill European Tue.: 12:00-2:00 Sat.: 12:00-5:00 Wed.: 12:00-2:00 Sun.: 12:00-2:00 the translation of the collection into English Open hours: Thu.: 12:00-1:00 was published in New York City and London. Mon.: 12:00-1:00 Fri.: 12:00-2:00 4. Pashkin Bar Later Sergei Prokofiev created the ballet The Tue.: 12:00-1:00 Sat.: 14:00-2:00 Wed.: 12:00-1:00 Sun.: 14:00-0:00 Tale of the Stone Flower based on one of the Photo by Dom kobb tales. The St. Anne's Church (Russian: Храм Святой 2. Vertical Restaurant Open hours: Анны) It is a Catholic church located in Photo by Митрохина Марина not available Yekaterinburg, in the Diocese of Novosibirsk in 1905 Square (Russian: Площадь 1905 годa) is Photo by Simple Coee Russia, suragan of the Archdiocese of the a square in Yekaterinburg, Russia. It is the Coee Shop 2. Novo-Tikhvinsky Mother of God in Moscow. This church belongs oldest square in Yekaterinburg. Open hours: Thu.: 8:30-22:00 to the group of parishes of the deanery of the Monastery Open hours: Mon.: 8:30-22:00 Fri.: 8:30-22:00 Urals. not available Tue.: 8:30-22:00 Sat.: 10:00-22:00 Open hours: not available Wed.: 8:30-22:00 Sun.: 10:00-22:00 8. Yeltsin Center Photo by Pashkin Bar.

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Teacher Notes on Russian Music and Composers Prokofiev Gave up His Popularity and Wrote Music to Please Stalin. He Wrote Music
Teacher Notes on Russian Music and Composers x Prokofiev gave up his popularity and wrote music to please Stalin. He wrote music to please the government. x Stravinsky is known as the great inventor of Russian music. x The 19th century was a time of great musical achievement in Russia. This was the time period in which “The Five” became known. They were: Rimsky-Korsakov (most influential, 1844-1908) Borodin Mussorgsky Cui Balakirev x Tchaikovsky (1840-’93) was not know as one of “The Five”. x Near the end of the Stalinist Period Prokofiev and Shostakovich produced music so peasants could listen to it as they worked. x During the 17th century, Russian music consisted of sacred vocal music or folk type songs. x Peter the Great liked military music (such as the drums). He liked trumpet music, church bells and simple Polish music. He did not like French or Italian music. Nor did Peter the Great like opera. Notes Compiled by Carol Mohrlock 90 Igor Fyodorovich Stravinsky (1882-1971) I gor Stravinsky was born on June 17, 1882, in Oranienbaum, near St. Petersburg, Russia, he died on April 6, 1971, in New York City H e was Russian-born composer particularly renowned for such ballet scores as The Firebird (performed 1910), Petrushka (1911), The Rite of Spring (1913), and Orpheus (1947). The Russian period S travinsky's father, Fyodor Ignatyevich Stravinsky, was a bass singer of great distinction, who had made a successful operatic career for himself, first at Kiev and later in St. Petersburg. Igor was the third of a family of four boys.
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Prokofiev, Sergey (Sergeyevich)
Prokofiev, Sergey (Sergeyevich) (b Sontsovka, Bakhmutsk region, Yekaterinoslav district, Ukraine, 11/23 April 1891; d Moscow, 5 March 1953). Russian composer and pianist. He began his career as a composer while still a student, and so had a deep investment in Russian Romantic traditions – even if he was pushing those traditions to a point of exacerbation and caricature – before he began to encounter, and contribute to, various kinds of modernism in the second decade of the new century. Like many artists, he left his country directly after the October Revolution; he was the only composer to return, nearly 20 years later. His inner traditionalism, coupled with the neo-classicism he had helped invent, now made it possible for him to play a leading role in Soviet culture, to whose demands for political engagement, utility and simplicity he responded with prodigious creative energy. In his last years, however, official encouragement turned into persecution, and his musical voice understandably faltered. 1. Russia, 1891–1918. 2. USA, 1918–22. 3. Europe, 1922–36. 4. The USSR, 1936–53. WORKS BIBLIOGRAPHY DOROTHEA REDEPENNING © Oxford University Press 2005 How to cite Grove Music Online 1. Russia, 1891–1918. (i) Childhood and early works. (ii) Conservatory studies and first public appearances. (iii) The path to emigration. © Oxford University Press 2005 How to cite Grove Music Online Prokofiev, Sergey, §1: Russia: 1891–1918 (i) Childhood and early works. Prokofiev grew up in comfortable circumstances. His father Sergey Alekseyevich Prokofiev was an agronomist and managed the estate of Sontsovka, where he had gone to live in 1878 with his wife Mariya Zitkova, a well-educated woman with a feeling for the arts.
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CAL PERFORMANCES PRESENTS SYNOPSIS Thursday, June 4, 2009, 8pm Friday, June 5, 2009, 8pm Saturday, June 6, 2009, 2pm & 8pm Sunday, June 7, 2009, 3pm Zellerbach Hall Bolshoi Ballet Anatoly Iksanov, General Director of the Bolshoi Theatre Yury Burlaka, Artistic Director of the Bolshoi Ballet in La Bayadère Music by Ludwig Minkus Libretto by Marius Petipa & Sergei Khudekov Choreography by Marius Petipa New scenic version by Yuri Grigorovich Berkeley Symphony Orchestra Pavel Klinichev, conductor Scenes from productions by Vakhtang Chabukiani, Nikolai Zubkovsky and Konstantin Sergeyev Sets and costumes after sketches by designers of the first production (1877), Elena Fetisova © Bolshoi revived by Valery Firsov, Nikolai Sharonov (sets) and Nikolai Sviridchikov (costumes) Svetlana Zakharova and Nikolay Tsiskaridze Valery Levental, Supervisor, Set & Costume Revival La Bayadère Alexander Kopylov, Music Director Premiered November 25, 1991. ACT I Running time: three hours 30 minutes with two intervals. Young warriors led by Solor are hunting a tiger. Nikiya and other bayadères give the fakirs water Before entering the forest, Solor asks a fakir named from the sacred pool. Imperceptibly, Magedaveya Magedaveya to tell Nikiya, a bayadère, that he will tells Nikiya that Solor will come to see her. The Children in this production appear courtesy of San Francisco Ballet School, wait for her near the temple. bayadère is happy. Helgi Tomasson, Director, and Lola de Avila, Associate Director. The High Brahmin and priests are solemnly As darkness falls, Nikiya goes to meet her be- leaving the temple. The feast of worshipping fire loved. Their secret rendezvous is guarded by the begins. Fakirs and votaries of the temple, bay- fakir.
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Sergei Prokofiev: a Catalogue of the Orchestral Music
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THE STONE FLOWER”: the POWER of BEAUTY BETWEEN TRUTH and FANTASY Fusco A
ISSN 2308-8079. Studia Humanitatis. 2016. № 3. www.st-hum.ru УДК 82+821.161.1 “THE STONE FLOWER”: THE POWER OF BEAUTY BETWEEN TRUTH AND FANTASY Fusco A. The life of Russian writer Pavel Petrovich Bazhov (1879-1950) was marked by important historical events: the decline of the Russian Empire and the Great Revolution, which brought to the rise of the Soviet Union. Since his childhood he cultivated a great passion for old tales from the Ural Mountains where he grew up. Moreover, he was animated by a deep rebel spirit which guided him in the years of Socialist Revolution. He became the “voice” of his land shared between legends and real social conflicts. He suffered for being deprived of his freedom but found, through the strength of his poetical narrative creativity, a sense of life which goes beyond any possible restriction. Keywords: tale, fairy-tale, freedom, oppression, reality, fancy, dream, truth, conscious, unconscious, faith, deception. «КАМЕННЫЙ ЦВЕТОК»: СИЛА КРАСОТЫ В ПРАВДЕ И ФАНТАЗИИ Фуско А. Жизнь русского писателя Павла Петровича Бажова (1879-1950) ознаменована важными историческими событиями: падением Российской империи и великой революцией, которая привела к расцвету Советского Союза. С детства он испытывал огромную любовь к старым сказкам Уральских гор. Кроме того его увлекал дух сопротивления, развитый в годы революции. Он стал «голосом» своей Родины, разрываясь между легендами и реальными социальными конфликтами. Он страдал, лишившись свободы, но нашел смысл жизни в силе слова и творчества, которое преодолевало любые запреты. Ключевые слова: сказ, сказка, свобода, репрессии, реальность, вымысел, мечта, правда, сознание, бессознательное, вера, иллюзия. ISSN 2308-8079. Studia Humanitatis.
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Download Booklet
CHAN 10537 X Classics Sergey Sergeyevich Prokofiev (1891 –1953) Cantata for the Twentieth Anniversary of the October Revolution, Op. 74* 46:32 1 I Prelude. Moderato – Allegro 2:39 2 II The Philosophers. Andante assai 2:29 3 III Interlude. Allegro – Andante – Adagio 1:29 Photograph © Nigel Luckhurst / Lebrecht Music & Arts Photo Library 4 IV ‘A tight little band’. Allegretto 2:31 5 V Interlude. Tempestoso 1:18 6 VI Revolution. Andante non troppo – Più mosso – Allegro moderato – Precipitato – Adagio molto 10:33 7 VII Victory. Andante 6:08 8 VIII The Oath. Andante pesante 7:49 9 IX Symphony. Allegro energico – Meno mosso 5:59 10 X The Constitution. Andante assai – Andante molto 5:33 Neeme Järvi and Gennady Rozhdestvensky 3 Military Band French Horn Tenor Horn Tuba Excerpts from ‘The Tale of the Stone Flower’, John Rooke Gordon Higgenbottom Stephen Wick Op. 118 25:58 Anthony Copas Andrew Armstrong David Powell 11 Ural Rhapsody (Act III No. 29) 9:02 Trumpet Baritone Side Drum 12 Katerina sits by the fire (Act IV No. 39) 2:02 John Miller Stephen Cooper Christopher Nall 13 Scene and Dance of Katerina (Act IV No. 40) 2:21 Robert Farley Simon Gunton 14 Russian Dance (Act III No. 31) 4:11 William Kitchen David Stewart 15 Gypsy Dance (Act III No. 32) 2:56 Martin Hurrell Andrew Mitchell Euphonium 16 Severyan’s Dance (Act III No. 33) 1:31 Roy Bilham Stephen Saunders 17 Solo of the Gypsy Girl and Coda (Act III No. 34) 3:42 TT 72:43 Gennady Rozhdestvensky speaker* Accordion Band Philharmonia Chorus* Simon Halsey chorus master Edward Hession Philharmonia Orchestra Tracy Goldsmith Neeme Järvi Karen Street Henry Krein Michael Binelli Amanda Vasco 4 5 (1898 –1974) Third Symphony of 1932 –33, equal there are always a select few more Prokofiev dedicated to the Far Eastern Red Army, equal than others.
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5060113441355.Pdf
PROKOFIEV BY ARRANGEMENT: MUSIC FOR VIOLIN AND PIANO Tales of an Old Grandmother, Op. 31 (1918) 1 No. 2 Andantino 1:45 arr. NATHAN MILSTEIN Five Pieces from the Ballet Cinderella, Op. 87 (1940–44) 17:24 arr. MIKHAIL FIKHTENGOLTS (1969) 2 No. 1 Valse 5:59 3 No. 2 Gavotte 2:24 4 No. 3 Passepied 1:57 5 No. 4 Winter Fairy 4:17 6 No. 5 Mazurka 2:47 Visions Fugitives, Op. 22 (1915–17) 24:02 arr. VIKTOR DEREVIANKO (1980), ed. YAIR KLESS 7 No. 1 Lentamente 1:00 8 No. 2 Andante 1:34 9 No. 3 Allegretto 1:04 10 No. 4 Animato 1:11 11 No. 5 Molto giocoso 0:24 12 No. 6 Con eleganza 0:42 13 No. 7 Pittoresco (Arpa) 2:02 14 No. 8 Comodo 1:29 15 No. 9 Allegro tranquillo 1:10 16 No. 10 Ridicolosamente 1:09 17 No. 11 Con vivacità 1:13 18 No. 12 Assai moderato 1:12 19 No. 13 Allegretto 0:52 20 No. 14 Feroce 1:12 21 No. 15 Inquieto 0:54 22 No. 16 Dolente 1:45 23 No. 17 Poetico 1:14 24 No. 18 Con una dolce lentezza 1:14 25 No. 19 Presto agitatissimo e molto accentuato 0:46 26 No. 20 Lento irrealmente 1:55 2 War and Peace, Op. 91 (1941–52) 27 Waltz 2:27 arr. MIKHAIL REITIKH and GRIGORI ZINGER Egyptian Nights: Suite, Op. 61 (1934) 28 No. 6 The Fall of Cleopatra* 1:41 arr. MIKHAIL REITIKH and GRIGORI ZINGER Childhood Manuscripts (1901) 29 Tarantella* 1:50 arr.
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Friendshipfriendshipffriendshipriendship 2016 Tthehe More More We We Areare Togethertogether Thethe Happier Wewe Are Are
№ 1 october№ 1 September 2016 FriendshipFriendshipFFriendshipriendship 2016 TThehe more more we we areare togethertogether thethe happier wewe are are Friendship № 1 October 2016 Editor’s Note Hello, dear friends! This is the first issue of our school magazine «Friendship». We are happy and proud of it! We made the magazine together with our creative students and teachers! To be popular among the readers the magazine should have fresh ideas, new interpretation of old themes, and new original topics. The magazine should provide its readers with unusual and unexpected information, give the ideas to think over and discuss with friends and teachers. It should be connected with its readers. They should have an opportunity to write to the paper, to come here with their problems and be sure that the magazine will be able to help them. So the magazine is successful only if it has close relations with its readers. School magazine also has to be fascinating for its readers. It should contain useful and attractive information, which will be able to help young learners to keep up their English and to expand their knowledge and horizons! Welcome to «Friendship»! Enjoy English and let's be friends! Elena V. Vatoropina Friendship Editor-in-chief : Elena V. Vatoropina 624021, Russia, Sverdlovsk region, Deputy Editor : Larisa V. Cherkasova Sysert, Novyi District, 25 Designer: Elena V. Vatoropina, Arina Prosvirnina Web: школа1-сысерть.рф Photographer: Igor S. Sokolov http://friendship1.ksdk.ru/ Painters: Maxim Odnoshevin, Misha Alekseev, Nastya Е-mail: [email protected] Guseva, Nastya Volkova, Vika Azanova Correspondents : Alyona Nomirovskaya, Alexandra Mavletdinova, Timur Novosyolov, Sofia Rogozhina, Lera Bayankina, Polina Abrosimova, Arina Prosvirnina Magazine for young learners who love English and want to know it Hello, Great Britain! ……………………....… 4 Why do we study English? ….…………….… 4 If you're tired of London, then you're tired of living …….…………...… 5 School life ……..……………………...……..
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Thirty Years of Religious Freedom in Russia: the Case of Ekaterinburg
Occasional Papers on Religion in Eastern Europe Volume 40 Issue 2 Article 3 3-2020 Thirty Years of Religious Freedom in Russia: The Case of Ekaterinburg Elena Glavatskaya Institute of History and Archaeology of the Ural Branch of the Russian Academy of Sciences, and Ural Federal University Follow this and additional works at: https://digitalcommons.georgefox.edu/ree Part of the Christianity Commons, and the Eastern European Studies Commons Recommended Citation Glavatskaya, Elena (2020) "Thirty Years of Religious Freedom in Russia: The Case of Ekaterinburg," Occasional Papers on Religion in Eastern Europe: Vol. 40 : Iss. 2 , Article 3. Available at: https://digitalcommons.georgefox.edu/ree/vol40/iss2/3 This Article, Exploration, or Report is brought to you for free and open access by Digital Commons @ George Fox University. It has been accepted for inclusion in Occasional Papers on Religion in Eastern Europe by an authorized editor of Digital Commons @ George Fox University. For more information, please contact [email protected]. THIRTY YEARS OF RELIGIOUS FREEDOM IN RUSSIA: THE CASE OF EKATERINBURG By Elena Glavatskaya Elena Glavatskaya is a history professor at Ural Federal University and a senior research fellow at the Institute of History and Archaeology of the Ural Branch of the Russian Academy of Sciences in Ekaterinburg, Russia. She received a PhD in history for her dissertation, which focused on the Siberian people’s religious traditions. She has published over one hundred articles on ethnic and religious minorities in Russia and the Russian Orthodox Church history. Glavatskaya currently leads a research project focused on ethno-religious and demographic dynamics in the Urals.
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My Native Land in P. Bazhov's Tales
Городской стратегический подпроект «Одаренные дети» Управление образования Администрации города Екатеринбурга МАУ ДО Городской Дворец творчества детей и молодежи «Одаренность и технологии» Муниципальное автономное образовательное учреждение гимназия № 155 Открытая гуманитарная конференция «Малахитовая шкатулка» Секция: "Чернильница" (английский язык) My native land in P. Bazhov's tales Авторы: Рогожина Софья, Просвирнина Арина, 5 класс, МАОО СОШ № 1, г. Сысерть Научный руководитель: Ваторопина Елена Васильевна, МАОО СОШ № 1, г. Сысерть, учитель английского языка г. Екатеринбург, 2017 CONTENTS INTRODUCTION ………………………………………………. 3 I. PAVEL BAZHOV, OUR COUNTRYMAN ………….…...… 5 II. HIS TALES ARE FULL OF LIFE! …………………………… 7 III. WELCOME TO THE FAIRY-TALE! ……………………….. 10 CONCLUSIONS …………………………………………………. 11 BIBLIOGRAPHY ………………………………………………… 12 Appendix 1. Museum of P. Bazhov in Sysert …………………….. 13 Appendix 2. List of the stories in P. Bazhov's collection "The Malachite Box" ……………………………………………… 15 Appendix 3. Pupils' art works ……………………………………. 17 Appendix 4. School festival "Welcome to the fairy-tale!" ……….. 20 Appendix 5. School magazine "Friendship" …………………….. 22 2 INTRODUCTION Reading plays a very important part in the life of people. People should read books because they educate and enrich the intellect. Books can also shape a person’s character and his moral values. Apart from that, reading is simply fun. It entertains us and gives lots of pleasure. We travel to distant places together with main characters. Thanks to reading, we learn to express our thoughts and feelings more clearly and be well-educated people. We like reading very much! Our favourite Russian writers are A. S. Pushkin, M. U. Lermontov, A.P. Gaidar. One of the most famous Russian writers is Pavel Petrovich Bazhov. He is our countryman. P. P.
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The Enchanted Underground in Pavel Bazhov's 1939
The Iron Bridge and Digging deep: the enchanted underground in Pavel Bazhov’s 1939 collection of magic tales, The Malachite Casket. A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2018 Rebecca Hurst School of Arts, Languages and Cultures Contents Abbreviations 4 Abstract 5 Declaration & Copyright Statement 6 Acknowledgements 7 I: The Iron Bridge Preface 9 Notes on the Poems 11 1. Walking Dwelling Thinking 13 Hide and Seek 14 Night Journey 15 The Frog Prince 16 Brothers 17 The Art of Needlecraft 18 Mapping the Woods i. Winter solstice, 21 December 2009 19 ii. Spring equinox, 20 March 2010 21 iii. Summer solstice, 21 June 2010 24 iv. Autumn equinox, 23 September 2010 26 An Explorer’s Handbook 28 For Thereby Some Have Entertained Angels 29 Desire Lines 30 2. On Sledge and Horseback to the Outcast Siberian Lepers i. Table of Contents 31 ii. Kate Marsden Leaves Moscow 33 iii. Much to my Regret 34 iv. Appendix to Official Papers and Letters 35 v. A Great Work 38 vi. Teeth 39 3. Holy Fool 42 Sibir’/Сибирь 44 The Early Medieval Balkans 45 Letter From Spring Green, WI 46 The Emotional Lives of Soviet Objects 47 4. Her Unbreakable House 48 The Memetics of Fairy Tales 49 A House of Sorts 51 Familiar 52 Cuckoo 54 Singing Together 55 2 How the Fox Lost his Brush 56 The Corresponding Lover 57 The Satisfying Lover 58 The Careless Lover 59 Fire Song 60 Lismore 61 The House Opposite 62 And Then We Saw the Daughter of the Minotaur 63 Three Women Around the Table 64 Cabbage 65 The Giantess 66 5.
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