Veronality & Ways Tours 2020
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Report 2003 Attività Clinico-Scientifica E Di Ricerca Sperimentale Editorial Board
c Istituto Nazionale Neurologico “Carlo Besta” Istituto di Ricovero e Cura a Carattere Scientifico di Diritto Pubblico Report 2003 Attività Clinico-Scientifica e di Ricerca Sperimentale b Istituto Nazionale Neurologico “Carlo Besta” Istituto di Ricovero e Cura a Carattere Scientifico di Diritto Pubblico Report 2003 Attività Clinico-Scientifica e di Ricerca Sperimentale Editorial board Graziano Arbosti Ferdinando Cornelio Marco Triulzi Roberto Pinardi Coordinatore editoriale: Monica Cremonesi Coordinatore scientifico: Matilde Leonardi Editing : Donatella Panigada Traduzioni: Patrizia Meroni Progetto grafico e impaginazione: Lara Angonese - Accademia di Comunicazione, Milano Fotografie: Studio Danilo Fasoli (Archivio Besta) Direzione Generale: [email protected] Direzione Scientifica: [email protected] Istituto Nazionale Neurologico “C. Besta” Via Celoria, 11, 20133 , Milano tel. 02 23941 www.istituto-besta.it DALL’ARCHIVIO STORICO DELL’ISTITUTO NAZIONALE NEUROLOGICO “C.BESTA” 3 Carlo Besta durante la Grande Guerra 1915-18, (ArchivioBesta) Attestato conferito al Dr. Carlo Besta dai Reduci di Guerra. 1927 (Archivio Besta) 4 Progetto degli architetti Tenci e Faravelli della nuova sede dell’Istituto (Archivio Besta) Posa della prima pietra nel reparto Infantile (Archivio Besta) 5 Il dr. Besta davanti al nuovo Istituto di via Celoria con benefattori, medici e pazienti, (Archivio Besta) Carlo Besta, 1929 (Archivio Besta) 6 Visita del Re Vittorio Emanuele III all’Istituto Neurologico “Pro feriti cerebrali di guerra”, (Archivio Besta) 7 Convegno, 1938 (Archivio Besta) Certificato di iscrizione del Dr. Besta alla Società Italiana di Neurologia. 1907, (Archivio Besta) 8 Direzione generale 2003 da sinistra Prof. F. Cornelio, Direttore Scientifico Prof. G. Arbosti, Commissario Straordinario Dott. R. Pinardi, Direttore Amministrativo Dot. M. Triulzi, Direttore Sanitario 9 INDICE 3 Passato e presente: Immagini dell’Archivio fotografico dell’Istituto 12 Eccellenze, Network e Traslazionalità: il 2003 dell’Istituto Nazionale Neurologico “C. -
1996–2018 Indici 632–893
1996–2018 indici 632–893 inserto redazionale di Casabella 2019 in consultazione esclusiva su: http://casabellaweb.eu direttore responsabile Francesco Dal Co coordinamento Alessandra Pizzochero progetto Tassinari/Vetta © Copyright 2019 Arnoldo Mondadori Editore Tutti i diritti di proprietà artistica e letteraria riservati CASABELLA 632 anno LX marzo 1996 Decidere Venezia Béla Lajta e i suoi angeli L’ornamento Casabella 632 p. II Il restauro del cabaret Parisiana Ananda K. Coomaraswamy a Budapest Casabella 632 p. 62 Editoriale Marco Biraghi Francesco Dal Co Casabella 632 p. 50 News Casabella 632 p. 1 Casabella 632 p. 76 Il restauro del Parisiana e la Frank O. Gehry conservazione dell’architettura Bits Il museo Guggenheim a Bilbao contemporanea Selezione di siti www in costruzione Marco Biraghi a cura di Sergio Polano Casabella 632 p. 2 Casabella 632 p. 54 Casabella 632 p. 76 Il rivestimento di Frank O. Gehry, Libri & Riviste Digital publishing o della lamina elastica Roberto Gargiani La scuola del silenzio «Artifice» Casabella 632 p. 4 Marc Fumaroli quadrimestrale con cd-rom accluso traduzione di Margherita Botto di “architettura, cinema, fotografia, Contro il razionalismo settario, 1947 Adelphi, Milano 1995 design, arte”, Artifice, London, UK Sigfried Giedion ed. or. L’École du silence, Casabella 632 p. 77 Casabella 632 p. 14 Flammarion, Paris 1994 Casabella 632 p. 60 Richard Meier Architect Hans Kollhoff cd-rom della collana Contemporary Isolato in Malchower Weg a Berlino 1994 Louis Henry Sullivan 1856–1924 Architects and Designers, Casabella 632 p. 16 Mario Manieri Elia Victory Interactive Media, Electa, Milano 1995 Lugano, Svizzera Le qualità del banale Casabella 632 p. -
Illinois Classical Studies
i 11 Parallel Lives: Plutarch's Lives, Lapo da Castiglionchio the Younger (1405-1438) and the Art of Italian Renaissance Translation CHRISTOPHER S. CELENZA Before his premature death in 1438 of an outbreak of plague in Ferrara, the Florentine humanist and follower of the papal curia Lapo da Castiglionchio the Younger left behind three main bodies of work in Latin, all still either unedited or incompletely edited: his own self-collected letters, a small number of prose treatises, and a sizeable corpus of Greek-to-Latin translations. This paper concerns primarily the last of these three aspects of his work and has as its evidentiary focus two autograph manuscripts that contain inter alia final versions of Lapo's Latin translations of Plutarch's Lives of Themistocles, Artaxerxes, and Aratus. In addition, however, to studying Lapo's translating techniques, this paper will address chiefly the complexities of motivation surrounding Lapo's choice of dedicatees for these translations. The range of circumstances will demonstrate, I hope, the lengths to which a young, little-known humanist had to go to support himself in an environment where there was as yet no real fixed, institutional place for a newly created discipline. Lapo and Translation: Patronage, Theory, and Practice Of the three areas mentioned, Lapo's translations represent the most voluminous part of his oeuvre and in fact it is to his translations that he owes his modem reputation. But why did this young humanist devote so much energy to translating? And why were Plutarch's Lives such an important part of his effort? An earlier version of this paper was delivered as an Oldfather Lecture at the University of Illinois at Urbana-Champaign on 8 November 1996. -
City of Water. Uncovering Milan's Aquatic Geographies. a Digital Humanities Lab
Ferrando 1 City of Water. Uncovering Milan’s Aquatic Geographies. A Digital Humanities Lab. In the fall of 2016, I led a Digital Humanities Lab where students explored the cultural history of water in Milan, Italy’s self-described ‘city of water.’ The result of our work was an annotated, thick map of Milan that is available here. At the time of their largest expansion, the waterways of Milan (called navigli) extended for approximately 96 miles. By the mid-1930s, the entire network of canals encircling the city had been filled in with the exception of one section of a naviglio which is still visible today. When the controversial covering of the canals took place during the 1920s and 1930s, a strong sense of nostalgia for the now-disappeared water emerged among the citizens. Milanese poets and writers but also ordinary people that work or live in the city show an emotional attachment to water and are concerned with its conservation, not for obvious reasons of survival, but for cultural reasons. In Milan, a special bond exists between water and people, and the goal of our lab was to study and create a visualization of this bond. Our work was based on the premise that literature and cultural artifacts not only reflect but also influence the way a community relates to its natural or urban environment. The premise of our DH lab was ecocritical. We observed how poetry, in the case of Alda Merini, Daria Menicanti, and Milo De Angelis as well as in the case of Futurist artists, is the vehicle for a cultural meditation on water by an entire community that is involved with its surrounding space. -
Lapo's Life and Work
ch1.qxd 10/18/1999 2:02 PM Page 1 CHAPTER 1 Lapo’s Life and Work In the years that preceded the more or less permanent reentry of Pope Eugenius IV into Rome, the Renaissance humanist movement was in the middle of an interesting phase. At that time a large component of its members consisted of intellectuals who lacked ‹xed institutional places. Humanism—this new ars whose curricular focus was the studia humani- tatis—had still to ‹nd its place in society and was dependent largely on patrons. One practitioner of this new art was the Florentine Lapo da Cas- tiglionchio the Younger, who died in 1438 at the age of thirty-three. One of his most interesting cultural bequests to us is a treatise that he wrote in the year of his death, entitled De curiae commodis, or On the Bene‹ts of the Curia. In this dialogue, Lapo offers us a portrait of the papal curia that is written elegantly, learnedly, earnestly, and even angrily. It is a human document that is alive with information not only for intellectual historians but for social and cultural historians as well. The goal of this study is to discuss this dialogue in its intellectual and social contexts. A critical edition of the Latin text along with an annotated English transla- tion follows the discussion. This ‹rst chapter offers an examination of Lapo’s life and work, fol- lowed by a brief look at the historiography on the dialogue. Chapter 2 deals with the literary context of the dialogue and examines a compli- cated passage on the virtues, which I believe can serve as an interpretive key for the piece as a whole. -
Musei Dimilano
iMusei di Milano Museums of Milan Musées de Milan Museos de Milán Milano è una città che sorprende per la ricchezza Musei Musei civici dell’offerta culturale. Museums Civic Museums Musées Musées municipaux Una ricchezza capace di incontrare e soddisfare Museos Museos cívicos le esigenze di chiunque ami la cultura, l’arte e la bellezza. 美術館 市民美術館 La guida che avete tra le mani, realizzata in più lingue, vuole essere una bussola per orientare tutti quelli che vorranno “perdersi” nelle sale dei tanti musei cittadini che Case Museo Case Museo civiche permettono di spaziare attraverso l’archeologia, l’arte, House Museums Public House Museums la multiculturalità, la fotografia, il cinema, la storia, Bâtiments Musée Bâtiments Musée Civiques la scienza, la tecnica, la moda e il design. Casas Museo Casas Cívicas Museo Un sistema, quello dei musei milanesi, costituito da un ハウスミュージアム 市立 ハウスミュージアム insieme estremamente diversificato di luoghi e siti di grande valore artistico e storico. Si tratta di musei civici e spazi gestiti dall'Amministrazione Spazi espositivi Spazi espositivi civici Exhibition venues Civic exhibition venues comunale, oppure da Enti publici, Fondazioni e soggetti Espaces d’exposition Espaces d’exposition municipaux privati che insieme costituiscono un’offerta culturale Espacios expositivos Espacios expositivos cívicos ampia e articolata. 展示 スペース 市民展示 スペース Un patrimonio comune che vuole essere sempre più diffuso ed accessibile. 1 Ubicazione in piantina / Position on plan / Emplacement sur le plan / Ubicación en el plano / Parziale ingresso disabili / Partial entrance for physically disabled / Milan is a city that surprises for the wealth of its cultural Entrée partielle pour handicapés / Ingreso parcial para minusválidos / offer. -
The Simulacrum Precedes the Truth: Padre Onofrio Branda's Linguistic Counterfeit Jason M Collins Giambattista Vico in His Aptl
The Simulacrum Precedes the Truth: Padre Onofrio Branda’s Linguistic Counterfeit Jason M Collins Giambattista Vico in his aptly titled Principi di scienza nuova d’intorno alla commune natura delle nazioni, or simply The New Science, presents the axiom “Men of limited ideas take for law what the words expressly say” (Vico 93). Vico’s assessment is not one meant to be a caveat isolated to one event in time. Vico’s work attempts to align facts, erroneous and exaggerated as they may be due to inaccurate or limited resources, so as to fashion not only an original approach to historiography, but also a theory and methodology. He does so by presenting history and its structures as corsi e ricorsi; it is a theory that recognizes history is not the linear history bar on the wall of classrooms marked with pertinent historical dates, undeviating in its appearance as unique events, but rather as a configuration that is cyclical in nature, and therefore with a repetitive schema. Vico’s axiom’s relevance lies in the theory he sets forth that owing to corsi e ricorsi, history (in its recurrent quality with the obvious supposition of man using ostentatiously dubious observations and contestations subjective in nature to fashion consent through misinformation) will repeat as a function of humanity to persistently be examined. This ostensible barrage of falsehoods obtains realization even in the Enlightenment era, clouded with its cliché of adages on truth and knowledge from Immanuel Kant’s Sapere aude1 to Cesare Beccaria’s La massima felicità divisa nel maggior numero.2 Padre Onofrio Branda, a Milanese scholar, educator, and cohort to members of Il Caffè including Beccaria, endeavored to further his own renown by creating a simulacrum fashioned as a Socratic dialogue that addresses the Tuscan language as a primary didactic and social commodity to be diffused. -
Mastergroupflyanddrive.Pdf
Monumento al Marinaio di Taranto Dedicated to the sailors of the Italian Navy. Apulia Tour / Apulia Baia delle Zagare - FG 1st Day 4th Day Arrival at Bari Airport. Arrival and check-in at hotel in Bari area. In the Breakfast at hotel. Transfer on your own by car to the Itria Valley - land of afternoon visit of Bari. The program of visit, includes among others, fairy trulli. Drive to Martina Franca, a charming town, where besides the Romanesque Basilica of St. Nicholas, Romanesque - Gothic cathedral of famous trulli there is also the center of the city. Walk around the town and San Sabino, a medieval castle of the Emperor Frederick II, Teatro visit the beautiful Basilica of San Martino. Transfer to Ostuni the white Petruzzelli. Dinner on your own and overnight stay at your hotel picturesque town situated on top of a hill. Walk around the city, a visit to accommodation. the baroque Cathedral and the ruins of the twelfth-century castle. Then 2nd Day drive to Alberobello, a town inscribed on the World Heritage List of Breakfast at hotel. Transfer on your own by car to Trani, visiting the UNESCO, for the famous trulli, unique little houses with conical roofs of beautiful cathedral of St. Nicholas, the most outstanding example of gray slate. In the evening return to your hotel. Dinner on your own and Romanesque apulian architecture and Castello Svevo. Return to Bari. The overnight stay at your hotel accommodation. program of visit, includes among others, Romanesque Basilica of St. 5th Day Nicholas, Romanesque - Gothic cathedral of San Sabino, a medieval castle Breakfast at hotel. -
Museums of Cities As Cultural Hubs: Experiences from Asia, North America and Europe 文化の核としての都市の博物館: アジア、北米、ヨーロッパの経験から
ISBN: 978-2-491997-07-6 BOOK OF PROCEEDINGS Museums of Cities 1 as Cultural Hubs: Past, Present and Future CAMOC Annual Conference September 2019 Kyoto, Japan BOOK OF PROCEEDINGS September 2020 camoc.mini.icom.museum BOOK OF PROCEEDINGS 2 ISBN: 978-2-491997-07-6 Conference organisers: The CAMOC conference and the post-conference tour were made possible thanks to: Joint sessions with: BOOK OF PROCEEDINGS 3 ICOM Kyoto 2019 25th General Conference CAMOC ANNUAL CONFERENCE 2019 City Museums as Cultural Hubs: Past, Present and Future Kyoto, Japan, September 2-5, 2019 Book of Proceedings BOOK OF PROCEEDINGS 4 INTERNATIONAL COMMITTEE FOR THE COLLECTIONS AND ACTIVITIES OF MUSEUMS OF CITIES • http://camoc.mini.icom.museum • [email protected] • www.facebook.com/museumsofcities • https://instagram.com/insta_camoc © Copyright by CAMOC: ICOM International Committee for Collections and Activities of Museums of Cities, 2020 Graphic Design: Bingul Gundas Cover photo: © Naitian Tony Wang on Unsplash ISBN: 978-2-491997-07-6 This e-book is available for download free of charge from the CAMOC website (http://camoc.mini.icom.museum/publications/camoc-books/) or upon request at: [email protected] BOOK OF PROCEEDINGS 5 City Museums as Cultural Hubs: Past, Present and Future Editors: Jelena Savić and Chunni Chiu Revision and proofreading (English) Manuel Morais Translation and revision (Japanese): Chunni Chiu Organising Committee Joana Sousa Monteiro, CAMOC Chair Chunni Chiu, ICOM Kyoto 2019 Secretariat and CAMOC Board member Jelena -
Diapositiva 1
MudeC «Museo delle Culture» Milan 2015 MudeC Milano - Via Tortona, 56 Reserved Institutional Opening: 26 March 2015 Opening for Visitors: 27 March 2016 24 Ore Cultura is engaged in the management of art museums in Italy and in the enhancement of art collections whether public or private: considering museums and art collections not only a cultural but also an economic development factor, 24 Ore Cultura places both economic and managerial resources at the disposal of the individual institutions. The Museo delle Culture of Milan, designed by David Chipperfield Architects during 15 years of work and belonging to the Municipality, can be considered the international and multi- ethnic dimension of Milan. With a permanent collection of over eight thousand works of art of non European cultures, from pre-Columbian artifacts to works of modern and contemporary art of great anthropological interest like, for instance, a reconstruction of Manfredo Settala’s wunderkammer and Picasso’s Femme nue painting, the Museo delle Culture represents a unique example in Italy and a positive case of public-private relation. The management of the spaces has been entrusted to 24 Ore Cultura that - in partnership with major international museums - plans and produces temporary exhibitions, attends to the didactics addressed to children, youngsters and adults, manages the Museo delle Culture Junior, the commercial spaces and activities, such as the ticket office, the concept store, the bookshops of the exhibitions, the parking lot, the bar-bistrot, the restaurant, private events for companies and fundraising, while the Municipality preserves and enhances the permanent collections. The Project SPACES : . Educational area s.m. -
Route from Piedmont to the Ligurian Coast, Tailormade
Italy: Route from Piedmont to the Ligurian Coast, tailormade by car A picturepostcard route through northern and central Italy Few road trips can claim to include the attractions seen on the Tour from Piedmont to the Ligurian Coast, a classic to enjoy behind the wheel while discovering some of Italy's most stunning corners. From the cosmopolitan, historical and fashionforward Milan, this is a fascinating trip that will take you to the main attractions of the north and centre of the country. A combination of major cities, rural outposts and stunning stretches of coastline. From the boutiques of Milan and the idyllic surroundings of Lakes Como and Maggiore to the incredible House of Savoy palaces in and around Turin. The trip then covers Genoa, the proud capital of Liguria, and the evercharming and glamorous Italian Riviera. Along the way, fall in love with such special places as Portofino or the Cinque Terre villages. And to round it all off, the eternal Tuscany. Iconic cities such as Pisa and Florence and charming towns such as Lucca will let you experience the Italian dolce vita at first hand. Departures: from January 2021 till December 2021 Destinations: Milan, Como, Lugano, Arona, Stresa, Peschiera Borromeo, Turin, Moncalieri, Racconigi Cuneo, Rivoli, Venaria, Superga, Cuneo, Bra, Pollenzo Cuneo, Barolo Cuneo, Alba, Asti, Genoa, Santa Margherita Ligure, Rapallo, Portofino, La Spezia, Riomaggiore La Spezia, Manarola, Corniglia, Vernazza La Spezia, Monterosso al Mare, Pisa, Lucca and Florence. Categories: . Day 1: City of origin Milan Como Flight departure from the city of origin to Milan. -
This Resource Guide
TRAVEL PROGRAM MEDIA GUIDE Village Life around the Italian Lakes We hope you find the following list of resources—books, maps, video recordings, audio recordings, and websites—relating to your travel program helpful. The book titles listed should be available at local public or university libraries; most of them may be purchased and/or downloaded for e-readers through local and online bookstores. ◆ GUIDEBOOKS AND MAPS Blanchard, Paul. Blue Guide Northern Italy: From the Alps to the Adriatic. Blue Guides Limited of London. 2005. A comprehensive regional guide that focuses on art and historic landmarks. A great resource for the cultural traveler. DK Eyewitness Travel: Italy. DK Eyewitness Travel. 2019. An eminently readable and portable guide to Italy’s various regions, experience la dolce vita with the superb color photography, illustrative guides to major museums and attractions and useful local maps. DK Eyewitness Travel: Milan & the Lakes. DK Eyewitness Travel. 2017. This guide details the enthralling history and culture of Milan and the Italian Lakes region, with helpful itineraries and full-color photographs. Fodor’s Essential Italy. Fodor’s Travel. 2019. Written by local experts, this up-to-date guidebook features concise, easy-to-navigate coverage of Italy’s vaunted towns and cities along with well-curated listings of the main attractions, restaurants and galleries, trip planning tools, pull-out maps and suggested itineraries which highlight the country’s ultimate experiences. Milan and the Italian Lakes Travel Pack. Globetrotter. 2012. This user-friendly travel map has been specifically designed for visitors as a practical guide to Milan and the Italian Lakes.