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12. Attività Collaterali
Il Museo Poldi Pezzoli ringrazia le istituzioni culturali milanesi che hanno generosamente aderito al progetto, dedicando concerti e spettacoli alla mostra Le dame dei Pollaiolo. Una bottega fiorentina del Rinascimento. GLI SPETTACOLI TEATRALI Piccolo Teatro Grassi Cirino e Marilda non si può fare Dal 4 al 16 novembre 2014 Di e con Anna Marchesini Musiche eseguite dal vivo da AIRE DE MAR: Martin Diaz chitarra, Marco Collazzoni sax e flauto, Saverio Federici percussioni Produzione Marisa srl Anna Marchesini torna al Piccolo con Cirino e Marilda non si può fare , un reading, con l’accompagnamento dal vivo del trio ‘Aire de Mar’. Protagonista è il solitario professor Cirino Pascarella: “un’incantevole figura”, come racconta la stessa Marchesini, “candidata a essere completamente travolta da quella turbolenza di emozioni da cui ha sempre procurato di tenersi distante”. Con il biglietto della mostra prezzo speciale di 15 euro, anziché 33 Orari biglietteria - Teatro Strehler (L.go Greppi, 1) www.piccoloteatro.org da lunedì a sabato 9.45-18.45 continuato, domenica 13-18.30, festività chiusa www.piccoloteatro.org Teatro Franco Parenti Fedra. Diritto all’amore 11 novembre 2014, ore 20 prolusione di Eva Cantarella, ore 20.45 inizio spettacolo Produzione Schegge di Mediterraneo con Galatea Ranzi nel ruolo di Fedra testo originale di Eva Cantarella Consulenza drammaturgia e testi greci Marco Avogadro, musiche Andrea Nicolini, luci Liliana Ladeluca, regia e immagini Consuelo Barilari. Sala AcomeA Una nuova Fedra: Fedra icona delle rivendicazioni femminili in cima alle quali vi è la libertà di amare e di scegliere. Da una delle più grandi studiose contemporanee del mondo classico, Eva Cantarella, una rivisitazione moderna che testimonia come l’Antica Grecia sia la culla oltreché di teatro, democrazia e arte, anche della cosiddetta “differenza di genere”. -
Destructive Pigment Characterization
Looking for common fingerprints in Leonardo’s pupils through non- destructive pigment characterization LETIZIA BONIZZONI 1*, MARCO GARGANO 1, NICOLA LUDWIG 1, MARCO MARTINI 2, ANNA GALLI 2, 3 1 Dipartimento di Fisica, Università degli Studi di Milano, , via Celoria 16, 20133 Milano (Italy) 2 Dipartimento di Scienza dei Materiali, Università degli Studi di Milano-Bicocca, via R. Cozzi 55, 20125 Milano (Italy) and INFN, Sezione Milano-Bicocca. 3 CNR-IFN,piazza L. da Vinci, 20132 Milano (Italy). *Corresponding author: [email protected] Abstract Non-invasive, portable analytical techniques are becoming increasingly widespread for the study and conservation in the field of cultural heritage, proving that a good data handling, supported by a deep knowledge of the techniques themselves, and the right synergy can give surprisingly substantial results when using portable but reliable instrumentation. In this work, pigment characterization was carried out on twenty-one Leonardesque paintings applying in situ XRF and FORS analyses. In-depth data evaluation allowed to get information on the colour palette and the painting technique of the different authors and workshops. Particular attention was paid to green pigments (for which a deeper study of possible pigments and alterations was performed with FORS analyses), flesh tones (for which a comparison with available data from cross sections was made) and ground preparation. Keywords pXRF, FORS, pigments, Leonardo’s workshop, Italian Renaissance INTRODUCTION “Tristo è quel discepolo che non ava[n]za il suo maestro” - Poor is the pupil who does not surpass his master - Leonardo da Vinci, Libro di Pittura, about 1493 1. 1 The influence of Leonardo on his peers during his activity in Milan (1482-1499 and 1506/8-1512/3) has been deep and a multitude of painters is grouped under the name of leonardeschi , but it is necessary to distinguish between his direct pupils and those who adopted his manner, fascinated by his works even outside his circle. -
1996–2018 Indici 632–893
1996–2018 indici 632–893 inserto redazionale di Casabella 2019 in consultazione esclusiva su: http://casabellaweb.eu direttore responsabile Francesco Dal Co coordinamento Alessandra Pizzochero progetto Tassinari/Vetta © Copyright 2019 Arnoldo Mondadori Editore Tutti i diritti di proprietà artistica e letteraria riservati CASABELLA 632 anno LX marzo 1996 Decidere Venezia Béla Lajta e i suoi angeli L’ornamento Casabella 632 p. II Il restauro del cabaret Parisiana Ananda K. Coomaraswamy a Budapest Casabella 632 p. 62 Editoriale Marco Biraghi Francesco Dal Co Casabella 632 p. 50 News Casabella 632 p. 1 Casabella 632 p. 76 Il restauro del Parisiana e la Frank O. Gehry conservazione dell’architettura Bits Il museo Guggenheim a Bilbao contemporanea Selezione di siti www in costruzione Marco Biraghi a cura di Sergio Polano Casabella 632 p. 2 Casabella 632 p. 54 Casabella 632 p. 76 Il rivestimento di Frank O. Gehry, Libri & Riviste Digital publishing o della lamina elastica Roberto Gargiani La scuola del silenzio «Artifice» Casabella 632 p. 4 Marc Fumaroli quadrimestrale con cd-rom accluso traduzione di Margherita Botto di “architettura, cinema, fotografia, Contro il razionalismo settario, 1947 Adelphi, Milano 1995 design, arte”, Artifice, London, UK Sigfried Giedion ed. or. L’École du silence, Casabella 632 p. 77 Casabella 632 p. 14 Flammarion, Paris 1994 Casabella 632 p. 60 Richard Meier Architect Hans Kollhoff cd-rom della collana Contemporary Isolato in Malchower Weg a Berlino 1994 Louis Henry Sullivan 1856–1924 Architects and Designers, Casabella 632 p. 16 Mario Manieri Elia Victory Interactive Media, Electa, Milano 1995 Lugano, Svizzera Le qualità del banale Casabella 632 p. -
Pisa, Dicembre 2015 Cari Amici, Rinnovando I Migliori Auguri Per Il Santo Natale E Il Nuovo Anno, Di Seguito Leggerete Il
Pisa, dicembre 2015 Cari Amici, rinnovando i migliori auguri per il Santo Natale e il Nuovo Anno, di seguito leggerete il programma dei mesi di gennaio e febbraio 2015 GENNAIO 9 venerdi Visita al Museo di Storia Naturale dell’Università di Pisa. Ore 15,30 Certosa di Pisa a Calci. Visita guidata alla mostra temporanea: “Squali predatori perfetti” Mostra temporanea di scultura “Arca” di Girolamo Ciulla, scultore di fama internazionale. v. programma viaggi 16 ven e 17 sab Viaggio di studio A ROMA. Mostra Memling Rinascimento fiammingo, Scuderie del Quirinale. Mostra I fasti ed i calendari nell’antichità, Museo Nazionale Romano di Palazzo Massimo alle Terme, Visita alla Domus Aurea, Colle Oppio. v. programma viaggi 22 giovedi Conferenza di Valerio Ascani , Università di Pisa, dal titolo Ore 17 La Torre pendente: iconografia e simbologia. Auditorium G.Toniolo (g.c.) piazza Arcivescovado. -2- 28 mercoledi Assemblea generale dei soci All’ordine del giorno, quest’anno, oltre all’annuale e doverosa approvazione dei bilanci consuntivo 2014 e preventivo 2015 il rinnovo delle cariche associative: Consiglio Direttivo e Collegio Sindacale. Sede dell’Associazione, piazza San Silvestro, 11 La prima convocazione è fissata per martedi 27 gennaio ore 9,00 La seconda convocazione viene fissata per mercoledi 28 gennaio Ore 16,00 Si pregano i sigg. soci di voler partecipare a questa importante scadenza statutaria. In caso di impossibilità a presenziare, si prega di delegare altro socio. Sono ammesse non più di due deleghe per socio Per essere ammessi alla votazione i soci devono essere in regola con il pagamento della quota per l’anno 2015. -
Paper7 Frommel, Gaiani, Apollonio & Bertacchi Some Reconstruction
SCIentific RESearch and Information Technology Ricerca Scientifica e Tecnologie dell'Informazione Vol 10, Issue 1 (2020), 53-66 e-ISSN 2239-4303, DOI 10.2423/i22394303v10n1p53 Open access article licensed under CC-BY-NC-ND CASPUR-CIBER Publishing, http://www.sciresit.it SOME RECONSTRUCTION HYPOTHESES OF LEONARDO’S PROJECT FOR THE TIBURIO OF THE MILAN CATHEDRAL BY USING 3D DIGITAL MODELS Sabine Frommel*, Fabrizio Ivan Apollonio**, Marco Gaiani**, Gianna Bertacchi** *École Pratique des Hautes Études, Sorbonne - Paris, France **Department of Architecture, Alma Mater Studiorum University of Bologna - Bologna, Italy. Abstract This paper analyses possible interpretations of the unbuilt Leonardo's project for the tiburio of the Milan cathedral, depicted in two sheets of the Codex Atlanticus, using digital tools, mainly 3D modelling techniques. Starting from existing studies and hypothetical reconstructions of Leonardo’s project, exploiting only analogue methods (i.e. 2D drawing techniques), new in- depth analyses are presented. In detail the use of 3D modelling allows a systematic analysis of the possible solutions for the ability to easily reconstruct the plan of each solution investigated starting from the section represented by Leonardo in the Codex Atlanticus. Results lead to multiple interpretative solutions of this complex architecture. Keywords Leonardo da Vinci, Tiburio, Cathedral, Milan, Unbuilt architecture, Virtual reconstruction, 3D modeling. 1. Introduction these two sheets. The information that several other sketches provide regarding this project is The present contribution analyses some also limited. possible reconstructions of Leonardo’s project for Even if these sketches tell us that Leonardo, the tiburio of the Milan cathedral using digital during his entire life, carried out in-depth studies tools, mainly 3D modelling techniques. -
Sparkling in Milan
DECEMBER 2012 THE COMPLETE GUIde TO GO® Milan ® wheremilan.com Courtesy of Excelsior Milano SPARKLING IN MILAN SHOPPING, DINING AND ENTERTAINMENT DOn’T MIss WHAT’S NEW IN THE CITY WHERE MILAN PROJECT IS ENDORSED BY TOWARDS CONTAINS GENERAL AND THEMATIC MAPS OF MILAN Milan December 2012 where tip the guide Amore and Psiche 22 SHOPPING first time ever in Milan Boutiques & Passion Shops Listings Palazzo Marino will open its doors Major shopping areas and our choice to the public for the traditional of the best speciality stores exhibition organized by Eni in partnership with the Louvre and 42 DINING the Municipality of Milan. Until 13 January 2013, for the first time in Dining Listings Milan, visitors will have a chance to Listings by type of cuisine admire the masterpieces by Antonio Canova Amore e Psiche stanti as well as François Gérard’s painting Psyché et 51 ENTERTAINMENT l’Amour, displayed for the occasion Entertainment & Nightlife Listings in the Sala Alessi. The latest information about how to enjoy Open daily 9.30 am-8 pm, your stay in Milan Thursday until 10.30pm. 56 MUSEUMS & ATTRACTIONS Palazzo Marino, piazza della Scala, 2. Museums & Attractions Listings T: 800 149617. Major sightseeing attractions plus museums www.comune.milano.it and events 60 ESSENTIALS Transport and useful information Tips for getting around and about in the city 62 MAP 4 All About Gifts Milan map Tips from Where Milan’s fashion contributor Alisa Auns: items and places where you can find brilliant ideas that will make your holiday truly special. 6 Tips From Friends ALSO INSIDE Where Milan meets Zhang Xian, music Director of the Verdi Orchestra in Milan. -
The Symbolism of Blood in Two Masterpieces of the Early Italian Baroque Art
The Symbolism of blood in two masterpieces of the early Italian Baroque art Angelo Lo Conte Throughout history, blood has been associated with countless meanings, encompassing life and death, power and pride, love and hate, fear and sacrifice. In the early Baroque, thanks to the realistic mi of Caravaggio and Artemisia Gentileschi, blood was transformed into a new medium, whose powerful symbolism demolished the conformed traditions of Mannerism, leading art into a new expressive era. Bearer of macabre premonitions, blood is the exclamation mark in two of the most outstanding masterpieces of the early Italian Seicento: Caravaggio's Beheading a/the Baptist (1608)' (fig. 1) and Artemisia Gentileschi's Judith beheading Halo/ernes (1611-12)2 (fig. 2), in which two emblematic events of the Christian tradition are interpreted as a representation of personal memories and fears, generating a powerful spiral of emotions which constantly swirls between fiction and reality. Through this paper I propose that both Caravaggio and Aliemisia adopted blood as a symbolic representation of their own life-stories, understanding it as a vehicle to express intense emotions of fear and revenge. Seen under this perspective, the red fluid results as a powerful and dramatic weapon used to shock the viewer and, at the same time, express an intimate and anguished condition of pain. This so-called Caravaggio, The Beheading of the Baptist, 1608, Co-Cathedral of Saint John, Oratory of Saint John, Valletta, Malta. 2 Artemisia Gentileschi, Judith beheading Halafernes, 1612-13, Museo Nazionale di Capodimonte, Naples. llO Angelo La Conte 'terrible naturalism'3 symbolically demarks the transition from late Mannerism to early Baroque, introducing art to a new era in which emotions and illusion prevail on rigid and controlled representation. -
The Architecture of the Italian Renaissance
•••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'. -
Welcome to Milan
WELCOME TO MILAN WHAT MILAN IS ALL ABOUT MEGLIOMILANO MEGLIOMILANO The brochure WELCOME TO MILAN marks the attention paid to those who come to Milan either for business or for study. A fi rst welcome approach which helps to improve the image of the city perceived from outside and to describe the city in all its various aspects. The brochure takes the visitor to the historical, cultural and artistic heritage of the city and indicates the services and opportunities off ered in a vivid and dynamic context as is the case of Milan. MeglioMilano, which is deeply involved in the “hosting fi eld” as from its birth in 1987, off ers this brochure to the city and its visitors thanks to the attention and the contribution of important Institutions at a local level, but not only: Edison SpA, Expo CTS and Politecnico of Milan. The cooperation between the public and private sectors underlines the fact that the city is ever more aiming at off ering better and useable services in order to improve the quality of life in the city for its inhabitants and visitors. Wishing that WELCOME TO MILAN may be a good travel companion during your stay in Milan, I thank all the readers. Marco Bono Chairman This brochure has been prepared by MeglioMilano, a non-profi t- making association set up by Automobile Club Milan, Chamber of Commerce and the Union of Commerce, along with the Universities Bocconi, Cattolica, Politecnico, Statale, the scope being to improve the quality of life in the city. Milan Bicocca University, IULM University and companies of diff erent sectors have subsequently joined. -
The National Gallery Immunity from Seizure
THE NATIONAL GALLERY IMMUNITY FROM SEIZURE Lorenzo Lotto Portraits 05 Nov 2018 - 10 Feb 2019 The National Gallery, London, Trafalgar Square, London, WC2N 5DN Immunity from Seizure IMMUNITY FROM SEIZURE Lorenzo Lotto Portraits 05 Nov 2018 - 10 Feb 2019 The National Gallery, London, Trafalgar Square, London, WC2N 5DN The National Gallery is able to provide immunity from seizure under part 6 of the Tribunals, Courts and Enforcement Act 2007. This Act provides protection from seizure for cultural objects from abroad on loan to temporary exhibitions in approved museums and galleries in the UK. The conditions are: The object is usually kept outside the UK It is not owned by a person resident in the UK Its import does not contravene any import regulations It is brought to the UK for public display in a temporary exhibition at a museum or gallery The borrowing museum or gallery is approved under the Act The borrowing museum has published information about the object For further enquiries, please contact [email protected] Protection under the Act is sought for the objects listed in this document, which are intended to form part of the forthcoming exhibition, Lorenzo Lotto Portraits. Copyright Notice: no images from these pages should be reproduced without permission. Immunity from Seizure Lorenzo Lotto Portraits 05 Nov 2018 - 10 Feb 2019 Protection under the Act is sought for the objects listed below: Lorenzo Lotto (about 1480 - 1556/7) © Gemäldegalerie, Staatliche Museen zu Berlin, Preußischer Kulturbesitz / Photo: Jörg P. Anders X9438 Portrait of an Architect c. 1536 Place of manufacture: Venice Oil on canvas Object dimensions: 105 × 82 cm Gemäldegalerie, Staatliche Museen zu Berlin Lender's name and address Gemäldegalerie Gemäldegalerie Matthäikirchplatz 10785 Berlin Germany Provenance: Part of the Giustiniani Collection acquired by Prussian King Friedrich Wilhelm III, 1815. -
Musei Dimilano
iMusei di Milano Museums of Milan Musées de Milan Museos de Milán Milano è una città che sorprende per la ricchezza Musei Musei civici dell’offerta culturale. Museums Civic Museums Musées Musées municipaux Una ricchezza capace di incontrare e soddisfare Museos Museos cívicos le esigenze di chiunque ami la cultura, l’arte e la bellezza. 美術館 市民美術館 La guida che avete tra le mani, realizzata in più lingue, vuole essere una bussola per orientare tutti quelli che vorranno “perdersi” nelle sale dei tanti musei cittadini che Case Museo Case Museo civiche permettono di spaziare attraverso l’archeologia, l’arte, House Museums Public House Museums la multiculturalità, la fotografia, il cinema, la storia, Bâtiments Musée Bâtiments Musée Civiques la scienza, la tecnica, la moda e il design. Casas Museo Casas Cívicas Museo Un sistema, quello dei musei milanesi, costituito da un ハウスミュージアム 市立 ハウスミュージアム insieme estremamente diversificato di luoghi e siti di grande valore artistico e storico. Si tratta di musei civici e spazi gestiti dall'Amministrazione Spazi espositivi Spazi espositivi civici Exhibition venues Civic exhibition venues comunale, oppure da Enti publici, Fondazioni e soggetti Espaces d’exposition Espaces d’exposition municipaux privati che insieme costituiscono un’offerta culturale Espacios expositivos Espacios expositivos cívicos ampia e articolata. 展示 スペース 市民展示 スペース Un patrimonio comune che vuole essere sempre più diffuso ed accessibile. 1 Ubicazione in piantina / Position on plan / Emplacement sur le plan / Ubicación en el plano / Parziale ingresso disabili / Partial entrance for physically disabled / Milan is a city that surprises for the wealth of its cultural Entrée partielle pour handicapés / Ingreso parcial para minusválidos / offer. -
Verdi Requiem Eric Dale Knapp, Conductor Lake Como | Venice | Verona July 5-14, 2017
JOIN THE FESTIVAL CHORUS & ORCHESTRA IN PERFORMING VERDI REQUIEM ERIC DALE KNAPP, CONDUCTOR LAKE COMO | VENICE | VERONA JULY 5-14, 2017 FESTIVAL PERFORMANCE WITH PROFESSIONAL ORCHESTRA & SOLOISTS Eric Dale Knapp Linda Sweetman-Waters Megan Knapp Teresa Buchholz Jonathan Tetelman Jared Schwartz Conductor Festival Accompanist Soprano Mezzo-Soprano Tenor Bass also visit MILAN | LA SCALA | BELLAGIO | MURANO | SIRMIONE attend an opera at the world-famous Verona Arena . VERDI REQUIEM , WEDNESDAY, JULY 5, 2017 The many lavish rooms, Depart USA on overnight including the neoclassical international flight(s) to Dance Hall, the Music Milan, Italy Hall with its collection of valuable instruments, a THURSDAY, JULY 6, 2017 gallery of 16th-century Arrive in one of Milan's Flemish tapestries, and international airports. After many others, provide an clearing passport control, unforgettable glimpse retrieving your luggage, and into the elegance passing through customs, proceed to the arrivals hall to meet your extravagance of one of Classic Performances tour manager, who will ensure there is time Northern Italy's greatest to find a quick coffee or snack, use the restrooms, and find ATMs dynasties. prior to leading you to the waiting motorcoach. Isola Comacina and Villa Balbianello. Take a private boat transfer Transfer to the hotel, with a panoramic tour en route if time permits. to Isola Comacina, a tiny wooded island which is home to one Check in to the Grand Hotel Imperiale in the lakeside town of of Italy's most unique restaurants, for an unparalleled six-course Moltrasio, enjoy an early dinner in the hotel, and have some time to dining experience.