Durham E-Theses La musique des lumières: The Enlightenment Origins of French Revolutionary Music, 1789-1799 HUFF, JONATHAN,EDWARD How to cite: HUFF, JONATHAN,EDWARD (2015) La musique des lumières: The Enlightenment Origins of French Revolutionary Music, 1789-1799 , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11021/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail:
[email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 1 2 For my parents, Martin and Julie Huff 3 4 ABSTRACT It is commonly believed that the music of the French Revolution (1789-1799) represented an unusual rupture in compositional praxis. Suddenly patriotic hymns, chansons , operas and instrumental works overthrew the supremacy of music merely for entertainment as the staple of musical life in France. It is the contention of this thesis that this ‘rupture’ had in fact been a long time developing, and that the germ of this process was sown in the philosophie of the previous decades.