THE IRISH INDEPENDENT ARCHIVES Destroying Our Good Films

Total Page:16

File Type:pdf, Size:1020Kb

THE IRISH INDEPENDENT ARCHIVES Destroying Our Good Films PART FIVE OF TEN SPECIAL MAGAZINES IN PARTNERSHIP WITH 1916 AND COLLECTION Thursday 10 December 2015 www.independent.ie/1916 ÉAMONN CEANNT AND THE RISING ERUPTS + WB Yeats’s Easter 1916 and the Proclamation INTRODUCTION Contents Revolutionary 4 UP FOR THE RISING Donal Fallon on how the insurrection started on the morning of Easter Monday notes and words 7 CHANGED UTTERLY Lucy Collins on WB Yeats’s WHEN you think of home, ‘seems to resonate with a meanwhile, is taking part in masterpiece Easter 1916 what does it evoke? The nostalgia for emigration’, she On Revolution on Thursday, 8 THE MANIFESTO National Concert Hall says, ‘it was originally written March 31. He believes it is prompts such questions in its about a short-lived romance’. “important for everyone to Richard McElligott assesses 2016 centenary programme. ‘Lyrically I think in English’, look back at the past... the Proclamation and what ‘Imagining Home’ is a seven- she says ‘but when it comes to because the past is constantly the document stands for concert series in spring: melody and tone, it’s coming changing and constantly 10 IRELAND IN 1916 America, England, Into from somewhere more rooted’. contested. Art, if it’s good, Fergus Cassidy looks at the Europe, On Revolution, The She often uproots to tour offers a special proximity to place of children in society Literary Imagination, This and has crossed the Irish Sea truth,” he says. is Ireland and Out of the “maybe 50 times” to perform And when it comes to 11 DOGGED DEFENDER Tradition. in England. However, it was looking back at Ireland’s Richard McElligott on Seán Heuston Singer-songwriter Lisa a recent “more than choppy” cultural successes of the past Above: writer Joseph O’Neill and Camille O’Sullivan night ferry from France that 100 years, he notes “the Irish O’Neill, who is taking part 12 PIPES OF WAR are among the England line- brings to mind her image of culture of words — Joyce, in ‘On Revolution’ at the Aoife Whelan profiles signatory up on Tuesday, March 29 2016, Ireland: “I lay rocking in the Beckett, late Yeats, Flann National Concert Hall on Éamonn Ceannt while Kim hosted by John Kelly. little cabin bed and I imagined O’Brien, Heaney, Friel, etc”. March 31, 2016. Bielenberg talks to his family “Musically, we are Ireland being a little green He adds: “I’m not a big so connected,” Camille survivor bouncing up and fan of nationalising artistic Right: Camille O’Sullivan 14 A COMPLEX PATRIOT explains of England/Ireland down on the ocean,” she says. achievement, but I can’t will contribute to ‘England’ Fergus O’Farrell on Cathal Brugha relations. Both have toured The concert promises to be willfully fail to notice the at the same venue on considerably in England. a ‘magical’ evening, according asymmetrical per capita March 29. 15 NINE LIVES O’Neill says: “I’ve worked with to O’Sullivan. Among the achievements of ‘our’ writers. More celebrities of the day some wonderful musicians other performers are Martin Ireland has been to writing in like Neill MacColl and Billy Carthy, Cait O’Riordan, Paul English what the Dominican Bragg and I’ve learned from Brady, Andy Irvine and Cathal Republic has been to them.” Coughlan. She is looking baseball.” PART FIVE OF TEN O’Sullivan has also forward to performing at Alison Martin SPECIAL MAGAZINES worked with MacColl, who is home. IN PARTNERSHIP WITH leading the England concert “It’s like being amongst the Tickets for Imagining Home, 1916 AND band. One of O’Neill’s most family, they know you so well,” from Monday, March 28 to evocative songs is ‘England she says. Sunday, April 3 2016 are COLLECTION Thursday 10 December 2015 www.independent.ie/1916 Has My Man’. And while it Writer Joseph O’Neill, available from www.nch.ie FROM THE UCD ARCHIVES The papers of Desmond and Mabel FitzGerald, which includes 179 photographs Fitzgerald’s of historical importance, were placed in the image collection UCD archives in 1987. moved to Bray, County Wicklow. He continued a treasure trove his Irish Volunteer activity there, while ÉAMONN CEANNT AND Mabel campaigned in London for support for THE RISING ERUPTS Francis Sheehy Skeffington’s hunger strike. + WB Yeats’s Easter 1916 and the Proclamation PART of the papers of Desmond FitzGerald Desmond was imprisoned for six months in contains 179 photographs of historical 1915 for making a seditious speech. Published by Independent Newspapers, importance, including atmospheric shots Desmond and Mabel were in the GPO of buildings which were badly damaged garrison during the Rising. Following his 27–32 Talbot Street, Dublin 1, Ireland or destroyed during the Rising. Taken in arrest he was sentenced to 20 years penal Editor: Gerard Siggins Sackville Street, Henry Street and Middle servitude, with ten years remitted, but was [email protected] Abbey Street, the photographer remains then freed in the general release. He was Design: Joe Coyle unknown. elected MP for Pembroke in the 1918 general The papers of Desmond and Mabel election. Mabel was his campaign manager, For Irish Independent FitzGerald were placed in the UCD Archives and she was also elected to the Cumann na Head of Features: by their children, including former Taoiseach mBan executive in 1918. Fionnuala McCarthy Garret FitzGerald, in May 1987. The following year Desmond was appointed Education Editor: Desmond FitzGerald was born in London in director of publicity for Dáil Éireann. In 1922 Katherine Donnelly 1888 of Irish emigrant parents. He met Mabel he was appointed Minister for External Affairs Washington O’Connell at a Gaelic League Irish Volunteers. In 1914 Desmond organised in the Provisional Government and then the For University College Dublin class in London and they married in 1911. Two the Volunteers in west Kerry and became a Free State government. He became Minister years later they moved to west Kerry, where member of the IRB. for Defence in June 1927. Dr Conor Mulvagh, lecturer they connected with Ernest Blythe and The The following year an order was issued The collection of photographs are available in Irish History with special O’Rahilly. In December they visited Dublin under the Defence of the Realm Act which at: http://digital.ucd.ie/view/ucdlib:30685. responsibility for the and Belfast, meeting leading figures in the banned him from Kerry, and the couple FC Decade of Commemorations. Eilis O’Brien, Director of IN MEMORIAM Communication and Marketing Niamh Boyle, Marketing Manager South Dublin Union memorial keeps track Cover by Jon Berkeley, shows THE modern Luas tram wends British forces during Easter Week Ireland just as surely as if she’d Éamonn Ceannt, WB Yeats its way through the grounds 1916. Commanding officer for the worn the Volunteers uniform.” and Cathal Brugha of what used to be the South area of occupation, Commandant She was a niece of Captain Dublin Union. If you get off at Éamonn Ceannt.’ Myles Keogh, who died in the St James’s stop, you will see Another memorial was unveiled Custer’s Last Stand in 1876. LS the monument to the men and in the complex at what was then IN PARTNERSHIP WITH women who fought there in 1916. known as St Kevin’s Hospital in Q On this page in No 4, the crew of The stone pillar carries a 1965. It marked the spot where the Asgard given was incorrect. bronze plaque with inscriptions Margaret Kehoe, a nurse from Those who sailed were Erskine in Irish and English. The latter Leighlinbridge, Co Carlow was and Molly Childers, Mary Spring AND reads: ‘This building was shot dead when she went out to Rice, Pat McGinley, Charlie occupied and held by volunteers look for a missing patient on the Duggan and Gordon Shepherd. of the 4th Battalion, Dublin first day of the Rising. The latter disembarked in Milford Brigade, Irish Volunteers against Ceannt said: “She died for Haven and rejoined in Howth. 2 | Irish Independent 1916 Collection Irish Independent I 10 December 2015 INTRODUCTION REBEL TALES 1916 ONLINE Drama as comedy film is destroyed THE very first Irish-made film drama was another victim of the Rising. Fun at Finglas Fair, directed by and starring FJ McCormick, was made by James Sullivan’s Film Company of Ireland. The short comedy told the story of two crooks who escape from jail in England and Watch more online at travel to Ireland to rob some independent.ie/1916 farmers. In the end they are caught and thrown into a canal. AS part of the Irish A junior civil servant, Independent’s unrivalled McCormick was born Peter Judge coverage of the centenary of but adopted the stage name to the Easter Rising, a dedicated conceal his identity from his website is now online. The site employers. He was a member of uses words, pictures and video the Abbey players with whom he to enhance understanding became synonymous through the of a defining moment in our plays of Seán O’Casey, and also nation’s history. acted in major British films such Read excerpts from as Odd Man Out and Hungry Hill. important books, watch But despite its historic nature Ryan Tubridy talk about his as the first fiction filmed here, the grandfather, and marvel at only print was destroyed after its the stunning photos of Dublin first and only screening at a trade in 1916. The site also carries fair in Talbot Street in April 1916. all the articles in our ongoing A contemporary witness series ‘My 1916’. later: “After the trade show at The independent.ie/1916 site the Masterpiece, during the will continue to build into a Rebellion, the [British] soldiers brilliant resource for students entered the theatre and amused in years to come.
Recommended publications
  • “Am I Not of Those Who Reared / the Banner of Old Ireland High?” Triumphalism, Nationalism and Conflicted Identities in Francis Ledwidge’S War Poetry
    Romp /1 “Am I not of those who reared / The banner of old Ireland high?” Triumphalism, nationalism and conflicted identities in Francis Ledwidge’s war poetry. Bachelor Thesis Charlotte Romp Supervisor: dr. R. H. van den Beuken 15 June 2017 Engelse Taal en Cultuur Radboud University Nijmegen Romp /2 Abstract This research will answer the question: in what ways does the poetry written by Francis Ledwidge in the wake of the Easter Rising reflect a changing stance on his role as an Irish soldier in the First World War? Guy Beiner’s notion of triumphalist memory of trauma will be employed in order to analyse this. Ledwidge’s status as a war poet will also be examined by applying Terry Phillips’ definition of war poetry. By remembering the Irish soldiers who decided to fight in the First World War, new light will be shed on a period in Irish history that has hitherto been subjected to national amnesia. This will lead to more complete and inclusive Irish identities. This thesis will argue that Ledwidge’s sentiments with regards to the war changed multiple times during the last year of his life. He is, arguably, an embodiment of the conflicting loyalties and tensions in Ireland at the time of the Easter Rising. Key words: Francis Ledwidge, Easter Rising, First World War, Ireland, Triumphalism, war poetry, loss, homesickness Romp /3 Table of contents Introduction ................................................................................................................................ 4 Chapter 1 History and Theory ...................................................................................................
    [Show full text]
  • “Allable-Bodied Irishmen, Will Be Eligible for Enrolement”
    Panel A front Óglaigh na hÉireann 1913–1918 The Irish Volunteers Bunú na heagraíochta Focus on the formation 1913 “ All able-bodied Irishmen, Call for recruits contained in poster will be eligible for ” publicising a public meeting to be held in enrolement the Pillar Room, Rotunda Hospital, Dublin Pictiúr teanntaithe isteach ar Mhac Néill, as pictiúr de ghrúpa daoine a tógadh i mí Le Caoinchead Ard-Mhúsaem na hÉireann Na línte tosaigh i litir ón Óllamh Eoin Mac Néill chuig Ruairí Mac Easmainn, ina Meitheamh 1917. BMH P 17, An Chartlann Mhíleata dtugtar cuntas achoimre ar an gcruinniú poiblí sa Rotunda. 6ll. Courtesy of the National Museum of Ireland BMH CD 45/1/A4, An Chartlann Mhíleata (is féidir an téacs iomlán a léamh ar www.militaryarchives.ie) Close up of MacNeill, extracted from a group photograph taken in June 1917. BMH P 17, Military Archives Opening lines of letter from Professor Eoin MacNeill to Sir Roger Casement, summarising the public meeting at the Rotunda. 6pp. BMH CD 45/1/A4, Military Archives (full text can be read on www.militaryarchives.ie) Tús Where it all began Cruinnithe poiblí Public meetings BFaoi mhí na Nollag… By December… Alt a scríobh an tOllamh Eoin Article written by Professor Eagraíodh an chéad cheann The first of a series of public Bhí complachtaí de chuid Volunteer companies were Mac Néill, an 1 Samhain 1913, ag Eoin MacNeill, 1st November de shraith cruinnithe poiblí sa meetings was held in the na nÓglach curtha ar bun i established in Cork, Galway, iarraidh go mbunófaí Óglaigh 1913, calling for establishment Rotunda i mBaile Átha Cliath, Rotunda Complex, Dublin, 25th gCorcaigh, i nGaillimh, i Loch Wexford and Monaghan.
    [Show full text]
  • A League of Extraordinary Gentlemen
    THE ROLE OF THE GAELIC LEAGUE THOMAS MacDONAGH PATRICK PEARSE EOIN MacNEILL A League of extraordinary gentlemen Gaelic League was breeding ground for rebels, writes Richard McElligott EFLECTING on The Gaelic League was The Gaelic League quickly the rebellion that undoubtedly the formative turned into a powerful mass had given him nationalist organisation in the movement. By revitalising the his first taste of development of the revolutionary Irish language, the League military action, elite of 1916. also began to inspire a deep R Michael Collins With the rapid decline of sense of pride in Irish culture, lamented that the Easter Rising native Irish speakers in the heritage and identity. Its wide was hardly the “appropriate aftermath of the Famine, many and energetic programme of time for memoranda couched sensed the damage would be meetings, dances and festivals in poetic phrases, or actions irreversible unless it was halted injected a new life and colour DOUGLAS HYDE worked out in similar fashion”. immediately. In November 1892, into the often depressing This assessment encapsulates the Gaelic scholar Douglas Hyde monotony of provincial Ireland. the generational gulf between delivered a speech entitled ‘The Another significant factor participation in Gaelic games. cursed their memory”. Pearse the romantic idealism of the Necessity for de-Anglicising for its popularity was its Within 15 years the League had was prominent in the League’s revolutionaries of 1916 and the Ireland’. Hyde pleaded with his cross-gender appeal. The 671 registered branches. successful campaign to get Irish military efficiency of those who fellow countrymen to turn away League actively encouraged Hyde had insisted that the included as a compulsory subject would successfully lead the Irish from the encroaching dominance female participation and one Gaelic League should be strictly in the national school system.
    [Show full text]
  • Joseph Mary Plunkett - Poems
    Classic Poetry Series Joseph Mary Plunkett - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Joseph Mary Plunkett(21 November 1887 – 4 May 1916) Joseph Mary Plunkett (Irish: Seosamh Máire Pluincéid) was an Irish nationalist, poet, journalist, and a leader of the 1916 Easter Rising. <b>Background</b> Plunkett was born at 26 Upper Fitzwilliam Street in one of Dublin's most affluent neighborhoods. Both his parents came from wealthy backgrounds, and his father, George Noble Plunkett, had been made a papal count. Despite being born into a life of privilege, young Joe Plunkett did not have an easy childhood. Plunkett contracted tuberculosis at a young age. This was to be a lifelong burden. His mother was unwilling to believe his health was as bad as it was. He spent part of his youth in the warmer climates of the Mediterranean and north Africa. He was educated at the Catholic University School (CUS) and by the Jesuits at Belvedere College in Dublin and later at Stonyhurst College, in Lancashire, where he acquired some military knowledge from the Officers' Training Corps. Throughout his life, Joseph Plunkett took an active interest in Irish heritage and the Irish language, and also studied Esperanto. Plunkett was one of the founders of the Irish Esperanto League. He joined the Gaelic League and began studying with Thomas MacDonagh, with whom he formed a lifelong friendship. The two were both poets with an interest in theater, and both were early members of the Irish Volunteers, joining their provisional committee. Plunkett's interest in Irish nationalism spread throughout his family, notably to his younger brothers George and John, as well as his father, who allowed his property in Kimmage, south Dublin, to be used as a training camp for young men who wished to escape conscription in England during World War I.
    [Show full text]
  • Irish Working-Class Poetry 1900-1960
    Irish Working-Class Poetry 1900-1960 In 1936, writing in the Oxford Book of Modern Verse, W.B. Yeats felt the need to stake a claim for the distance of art from popular political concerns; poets’ loyalty was to their art and not to the common man: Occasionally at some evening party some young woman asked a poet what he thought of strikes, or declared that to paint pictures or write poetry at such a moment was to resemble the fiddler Nero [...] We poets continued to write verse and read it out at the ‘Cheshire Cheese’, convinced that to take part in such movements would be only less disgraceful than to write for the newspapers.1 Yeats was, of course, striking a controversial pose here. Despite his famously refusing to sign a public letter of support for Carl von Ossietzky on similar apolitical grounds, Yeats was a decidedly political poet, as his flirtation with the Blueshirt movement will attest.2 The political engagement mocked by Yeats is present in the Irish working-class writers who produced a range of poetry from the popular ballads of the socialist left, best embodied by James Connolly, to the urban bucolic that is Patrick Kavanagh’s late canal-bank poetry. Their work, whilst varied in scope and form, was engaged with the politics of its time. In it, the nature of the term working class itself is contested. This conflicted identity politics has been a long- standing feature of Irish poetry, with a whole range of writers seeking to appropriate the voice of ‘The Plain People of Ireland’ for their own political and artistic ends.3 1 W.B.
    [Show full text]
  • "The Given Note": Traditional Music and Modern Irish Poetry
    Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements .................................................................................
    [Show full text]
  • National Museum of Ireland Annual Report 2016
    Annual Report 2016 - Final 22.12.2017 NATIONAL MUSEUM OF IRELAND ANNUAL REPORT 2016 1 Annual Report 2016 - Final 22.12.2017 CONTENTS Message from the Chair, Board of the National Museum of Ireland………………….. 3 Introduction from the Director of the National Museum of Ireland………………….. 7 Collections and Learning Art and Industry………………………………………………………………………….................... 10 Irish Antiquities………………………………………………………………………………………….. 11 Irish Folklife…………………………………………………………………………........................... 13 Natural History…………………………………………………………………………………………… 14 Conservation………………………………………………………………………….......................... 16 Registration………………………………………………………………………………………………... 18 Education and Outreach……………………………………………………………………………….. 20 Photography 22 Design 23 Exhibitions …………………………………………………………………………………………………. 24 Operations Financial Management………………………………………………………………........................ 2832 Information Communications Technology (ICT) …………………………………............... 3135 Marketing……………………………………………………………………..................................... 33 Facilities (Accommodation and Security)……………………………………………………….. 35 Publications by Museum Staff………………………………………………………………… 36 Board of the National Museum of Ireland…………………………………………….. 39 Staff Directory…………………………………………………………………………………………. 40 2 Annual Report 2016 - Final 22.12.2017 MESSAGE FROM THE CHAIR, BOARD OF THE NATIONAL MUSEUM OF IRELAND The term of the previous Board ended in January 2016 and on 6 July 2016, the current Board of the National Museum of Ireland was appointed by Minister Heather
    [Show full text]
  • MEDALS of the IRISH DEFENCE FORCES MEDALS of the IRISH DEFENCE FORCES
    Óglaigh na hÉireann MEDALS OF THE IRISH DEFENCE FORCES MEDALS OF THE IRISH DEFENCE FORCES 1st Edition (October 2010) CONTENTS SECTION TITLE PAGE No. Irish Defence Forces Medals 7 - 26 UN Medals 27 - 67 EU Medals 69 - 80 UN Mandated Medals 81 - 90 War of Independence Medals 91 - 96 Wearing of Medals 97 - 105 Index 106 - 107 Acknowledgements and References 108 INTRODUCTION The award of medals for services rendered is generally associated with the military. Military medals are bestowed in recognition of specific acts or service which can vary in significance from routine duty to bravery and valour. Irrespective of their provenance, military medals are highly valued and are regarded as representing all that is best in the field of human endeavour. They are seen as being earned and merited by the recipient and in the Defence Forces this sense of worth is enhanced by the strict conditions attaching to the awards. Medals in the Defence Forces fall into two broad categories: medals awarded by the Minister for Defence on the recommendation of the Chief of Staff and medals awarded to qualifying personnel for service overseas on Government approved missions. The first category comprises the Military Medal for Gallantry and the Distinguished Service Medal, which can be awarded for acts of bravery, gallantry, courage, leadership or devotion to duty and the Military Star, a posthumous decoration awardable to personnel killed as a direct result of hostile action. These medals may only be awarded following rigorous investigation by a board of officers appointed by the Chief of Staff. Also in this category are the Service Medal, which recognises service in the Defence Forces for a minimum fixed period and the United Nations Peacekeepers Medal, which recognises service overseas with a UN mandated mission.
    [Show full text]
  • Poems of the Irish Revolutionary Brotherhood
    POEMS OF THE ISH REVOLUTIONARY BROTHERHOOD THOMAS MacDONAGH P. H. PEARSE (PADRAIG MacPIARAIS) JOSEPH MARY PLUNKETT SIR ROGER CASEMENT library university tufts Digitized by the Internet Archive in 2016 https://archive.org/details/poemsofirishrevo00colu_0 POEMS OF THE IRISH REVOLUTIONARY BROTHERHOOD POEMS OF THE IRISH REVOLUTIONARY BROTHERHOOD THOMAS MacDONAGH P. H. PEARSE (Padraic MacPiarais) JOSEPH MARY PLUNKETT SIR ROGER CASEMENT Edited by Padraic Cplum AND Edward J. O’Brien Boston Small, Maynard & Company 1916 Copyright, 1916 By Small, Maynard & Company (Incorporated) : CONTENTS Page Introduction vii Prologue: Ways of War. By Lionel Johnson i Thomas MacDonagii: John-John 3 Song from the Irish .... 6 “ ” Envoi to Songs of Myself . 8 Of a Poet Patriot . .11 Death 12 Requies 13 Though Silence Be the Meed of Death 14 Wishes for My Son . .15 O Star of Death . .18 Padraic H. Pearse (Padraic Mac- Piarais) Ideal 24 To Death 26 The World hath Conquered . 27 CONTENTS Page The Dirge of Oliver Grace . 28 On the Fall of the Gael . .33 Joseph Mary Plunkett: White Dove of the Wild Dark Eyes . 36 The Glories of the World Sink Down in Gloom 37 When all the Stars Become a Memory 39 Poppies 40 The Dark Way 41 The Eye-Witness . .44 I See the His Blood upon Rose . 47 1847-1891 48 1867 49 The Stars Sang in God’s Garden . 50 Our Heritage 51 Sir Roger Casement: In the Streets of Catania . .52 Hamilcar Barca . -54 Epilogue: The Song of Red Hanrahan. By W . B. Yeats 56 Notes by P. H. Pearse . .58 Bibliography . .60 INTRODUCTION The years that brought maturity to the three poets who were foremost to sign, and foremost to take arms to assert, Ireland’s Declaration of Inde- pendence, may come to be looked back on as signal days in Irish history.
    [Show full text]
  • In This Regard, You May Wish to Consider Future Integrated Capability
    1. Capabilities – In this regard, you may wish to consider future integrated capability development and the planning and delivery requirements to support a joint force approach in terms of new equipment, professional military education and training, maintenance and development of infrastructure, developments in military doctrine, and transformative concepts, including specialist capabilities, that prepare and support the Defence Forces for future operations. In regard to future integrated capability development and the planning, I have dealt with in the next section but to me this is all about putting the capabilities of the Defence Forces on a proper footing. Previous Governments have allowed the Defence Forces to decline due to problems with finances both nationally, European and world wide but this was most out of their hands. This is not a blame game this is now trying to do what’s best for the DF going forward. • New Equipment – In my opinion going forward the Artillery Corp should only keep Field Guns for Ceremonial occasions as we are never going to uses these in any major conflict. The Cavalry Corp also needs to lose the Scorpion Tanks and concentrate on their present personal Carriers, Signals Corp need to concentrate on hand held devices and a standard radio for the Gardai, Civil Defence, Coast Guard etc should be introduced and be able to work together in crises situations. • Maintenance and development of infrastructure – As laid out in the next section on the reserve there are so many buildings belonging to the State in many instances are listed building let’s take them over for the Reserves and with Monies for the Dept of Heritage & the EU let’s use these buildings and be proud of our country and the facilities we could have.
    [Show full text]
  • View/Download
    PART NINE OF TEN SPECIAL MAGAZINES IN PARTNERSHIP WITH 1916 AND COLLECTION Thursday 18 February 2016 www.independent.ie/1916 THOMAS CLARKE AND THE SURRENDER, TRIALS AND EXECUTIONS + The Rising that shook the world 18 February 2016 I Irish Independent mothers&babies 1 INTRODUCTION Contents Richmond Barracks 4 NAILS IN THE COFFIN Leanne Blaney looks at how the leaders were put to death finally recognised 6 WORLDWIDE ECHOES Eoin Hahessy examines the global impact of the Rising IT is rightly referred to as the of his friend who was one of the “lost chapter” in the 1916 story. executed 1916 leaders. 7 SIXTEEN DEAD MEN Many people may not know Ledwidge’s friend, mentor and Lucy Collins on WB Yeats’s poem of its existence, but in the fellow Meath man, Lord Dunsany narrative of the dramatic events was a captain in the Royal 8 THE QUIET FENIAN of the Easter Rising in Dublin, Inniskillings and it was to him Helen Litton on the fires that Richmond Barracks, Inchicore that the poet gave the manuscript burned within Thomas Clarke played a significant role. of Lament for Thomas Now, a century on, it is getting McDonagh. ARCHIVES 10 READ ALL ABOUT IT ready to take its place as one of The barracks was converted Felix Larkin reveals how Dublin the State’s seven “permanent to housing in the 1920s and newspapers covered the Rising reminders” of renamed Keogh Square, which 1916, alongside the likes of its declined into a slum and was GRAPHIC 12 OFFICER IN A BLACK CAP near neighbour, Kilmainham demolished in the 1960s to make TO Robert D Maxwell profiles courts Gaol, the GPO, and Patrick Restoration work underway way for St Michael’s Estate, an PHO martial judge Charles Blackader Pearse’s cottage in Rosmuc, Co at Richmond Barracks equally notorious flats complex Galway.
    [Show full text]
  • Scotland's Easter Rising Veterans and the Irish Revolution
    Studi irlandesi. A Journal of Irish Studies, n. 9 (2019), pp. 271-302 DOI: http://dx.doi.org/10.13128/SIJIS-2239-3978-25517 Scotland’s Easter Rising Veterans and the Irish Revolution Thomas Tormey Trinity College, Dublin (<[email protected]>) Abstract: In 1916 members of the Scottish unit of the Irish Volunteers were deeply involved in preparations for the Easter Rising in Dublin and some re- publican activists travelled from the west of Scotland to participate in the rebellion. What follows is a limited prosopography of the revolu- tionary involvement of those members of the Irish Republican Broth- erhood (IRB), the Irish Volunteers, or Cumann na mBan, who were resident in Scotland between 1913 and 1915 and who fought in Ire- land in 1916, or who were prevented from doing so because they were imprisoned. By covering militant activity in both Ireland and Britain, this treatment will argue that Scotland’s Irish republicans were highly integrated with the wider separatist movement in Ireland and beyond, while being very much of the Glasgow, and Europe, of their time. Keywords: Irish Diaspora in Scotland, Irish Republicanism, Irish Revolution, Militant Activism 1. Introduction A part of Scottish life for over 200 years, Scotland’s Irish community has also been part of the global Irish diaspora during that time. As such it has played a major role in the transnational movements associated with the campaigns for various forms of Irish independence. This was vividly illus- trated throughout the Irish revolution as there were Scottish connections to separatist activity in Britain, Ireland and beyond.
    [Show full text]