Parliamentary Debates (Hansard)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Teletubbies and Postmodern Childhood Jonathan
CORE Metadata, citation and similar papers at core.ac.uk Provided by Central Archive at the University of Reading Familiar Aliens: Teletubbies and Postmodern Childhood Jonathan Bignell This article argues that the British pre-school children’s television programme Teletubbies develops some of the theoretical concerns of postmodernist criticism. The aim of the article is to consider how this theoretical discourse and Teletubbies work together to rethink the notion of the child, as a conceptual category and an audience category imagined for British television. I shall argue that the aesthetic of Teletubbies corresponds to the reflexive textuality identified by postmodernist theory, and instantiates some of the confusions between self and other, adult and child, that this theoretical discourse has debated.1 Some of the existing work on Teletubbies discusses it in terms of its effects on the child audience and its relationship to educational and social goals, using arguments that adduce what is claimed to be knowledge about actual children. 2 In contrast, this article discusses arguments that derive from abstract conceptions of childhood as a condition or life-stage. However, I demonstrate here that these two approaches keep merging into each other, and that this issue is part of the greater problem of boundaries, propriety and ambivalence that postmodernist thinking has addressed and of which it is a symptom. The French theorist Jean-François Lyotard is interested in childhood as a discursive category, rather than in actual children as concrete individual subjects. He discusses childhood in relation to notions of process, such as the process of constitution of the subject, and the relation between a subject and an object, event, or experience. -
Independent Television Producers in England
Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed. -
Spill Journal
OIL SPILL RESPONSE LIMITED SPILL JOURNAL MV Fedra 10 October 2008 MV Fedra was a Liberian-registered bulk-carrier cargo ship. It ran aground and smashed against Europa Point, the southernmost tip of Gibraltar, on the 10 October 2008, following severe gale force winds measuring 12 on the Beaufort scale. PACKAGE CONTENTS INCIDENT TIMELINE 10 October MV Fedra drags anchors in force 9-10 winds. She has suffered engine failure and goes aground at Europa Point. The initial priority of the Port Authorities and emergency services is the rescue of all 31 crew members onboard. This is made difficult by extremely bad weather conditions which persist throughout the night. 11 October First light allows initial assessment of the incident. MV Fedra has broken her back just forward of the engine room bulkhead. The stern section, carrying an estimated 300 tonnes of Heavy Fuel Oil (HFO) & 50 tonnes of diesel in wing tanks, is being pushed on to the rocks. 12 October OSRL responders arrive. 13 October WHAT IS Response operations start in earnest. Site Response Plans (SRPs) are conducted and OSRL equipment is distributed as directed. OSRL responders are assigned areas and given small work forces to execute the plans and start the recovery operation. A protection booming strategy is deployed to protect any water intakes for the desalinisation plants, and any areas of commercial significance such as the marina. www.oilspillresponse.com Europe, Middle East and Africa T: +44 (0)23 8033 1551 F: +44 (0)23 8033 1972 E: [email protected] Asia Pacific -
Memory, Nostalgia and the Material Heritage of Children’S Television in the Museum
volume 8 issue 15/2019 MEMORY, NOSTALGIA AND THE MATERIAL HERITAGE OF CHILDREN’S TELEVISION IN THE MUSEUM Amy Holdsworth University of Glasgow 9 University Avenue, Glasgow, G12 8QQ United Kingdom [email protected] Rachel Moseley University of Warwick Department of Film and Television Studies Millburn House, Coventry, CV4 7HS United Kingdom [email protected] Helen Wheatley University of Warwick Department of Film and Television Studies Millburn House, Coventry, CV4 7HS United Kingdom [email protected] Abstract: ‘The Story of Children’s Television, from 1946 to Now’ was an exhibition co-conceived by the authors and colleagues from the Herbert Art Gallery and Museum in Coventry, UK, running from 2015 to 2017 through a national tour. At the exhibition, objects from children’s television history sat alongside screens showing the programmes to visitors. Our research explores how children’s television culture operates as a site of memory and nostalgia, through which we can investigate forms of (inter)generational cultural memory. This paper explores the reconnections and disconnections that emerge in encounters with the material heritage of children’s television in Britain. Keywords: television, history, children, museums, exhibitions 1 A. Holdsworth et al., Memory, Nostalgia and the Material Heritage of Children’s Television in the Museum Figure 1. Two women encounter Rosie and Jim puppets at the exhibition The Story of Children’s Television Exhibition (May 2015) © Mark Radford Photography. A woman stands in front of a Perspex box containing three large puppets. Her hand clasped to her face with joy and excitement, she appears to be overwhelmed by a reunion with three long-lost friends. -
Computer Software for the Young
SOFTWARE FOR THE EARLY YEARS FOUNDATION STAGE The recommendations that I have made throughout this document are only suggestions! Many more excellent titles are available from the companies listed below. COMPANY SOFTWARE (award winning) Sherston Publishing Group Tizzy’s Toybox Special Edition Angel House Tizzy’s First Tools Sherston Tizzy’s Busy Week Malmesbury Izzy’s Island Wiltshire Fizzy’s First Numbers SN16 OLH Fizzy’s Number Skills Tel 01666 843200 Nursery Rhyme Time www.sherston.com Nursery Rhyme Time V2 Number Train Products available to the home user through abc-CD Special Edition eBay and Amazon.co.uk 123-CD Little Brown Bear on the Farm Little Brown Bear – The Seasons Izzy’s Story Skills (Goldilocks) Young Macdonald’s Farm Here's Splodge! Monkeys Ducks and Frogs Rainbow Street Polka Dot Park (Growth) Polka Dot Park (Habitat) Polka Dot Park (Materials) The Magic BeanBag The Jellybods Paddington Bear First Steps in History Paddington Bear First Steps in Geography All Around the House ReacTickles 2 COMPANY SOFTWARE (award winning) 2Simple Software Infant Video Toolkit 2 Enterprise House (includes 2Paint 2Publish 2Count 2Go 2Graph 2 The Crest 2Question) Hendon 2Simple Music Toolkit London 2Animate NW4 2HN To Create a Story Tel 02082 031781 Simple City Home Licenses available. 2Paint a Picture http://www.2simple.com/ Maths City 2 Photo Simple COMPANY (award winning) SOFTWARE Inclusive Technology Ltd IT Mouse Skills Riverside Court Teddy Games Huddersfield Road Learn More Through Games Delph SwitchIt Diggers Oldham SwitchIt At Home OL3 5FZ SwitchIt Gadgets Tel 01457 819790 SwitchIt Farm www.inclusive.co.uk SwitchIt Christmas SwitchIt Bob the Builder SwitchIt Dinosaurs SwitchIt Sports Suppliers of hardware/software for special needs Choose and Tell Nursery Rhymes including switches, tiny mice and single click mice. -
GPA Annual Report 2008-2009
RReeppoorrtt oonn tthhee PPoolliicciinngg PPllaann 2008 – 2009 2008 – 2009 The Community in Policing 3 Contents Subject Page Gibraltar Police Authority Chairperson’s Foreword 2 Report on the Policing Plan 2008/2009 3-12 Statistics for 2008-2009 13-19 Five Year Comparisons 20-22 The Year in Review- RGP 23-28 Demands on the RGP during 2008-2009 29 The Community in Policing 1 Foreword Pursuant to Section 10 of the Police Act 2006, I have much pleasure in presenting the annual report of the Gibraltar Police Authority (GPA) for the year 2008-2009. An account of events of importance to the Royal Gibraltar Police (RGP) and statistics prepared by the RGP covering the year in review are set out in the attachments to this report. This is the second annual report prepared by the GPA since it was established in February 2007. This system of producing both the Policing Plan and the Annual Report is now firmly established. This independent direction, monitoring and assessment of the RGP carried out by the GPA aims to secure an efficient and effective police service for Gibraltar within the financial resources available to it and on a value for money basis, as defined in the Police Act. It further aims to establish high standards of integrity, probity and independence of policing as prescribed in the Police Act and enshrined in the Gibraltar Constitution. The GPA has assessed that during the year under review the RGP has performed very well in the execution of its varied role and responsibilities to our community. Worthy of special mention is their performance during the long frontier queues during July 2008 and in the aftermath of the severe storm in October 2008. -
From 1940 to 2011
A Cumulative Index for and From 1940 to 2011 © 2010 Steamship Historical Society of America 2 This is a publication of THE STEAMSHIP HISTORICAL SOCIETY OF AMERICA, INC. 1029 Waterman Avenue, East Providence, RI 02914 This project has been compiled, designed and typed by Jillian Fulda, and funded by Brent and Relly Dibner Charitable Trust. 2010 TABLE OF CONTENTS Part Subject Page I Listing of whole numbers of issues, 3 with publication date of each II Feature Articles 6 III Authors of Feature Articles 42 IV Illustrations of Vessels 62 V Portraits 150 VI Other Illustrations (including cartoons) 153 VII Maps and Charts 173 VIII Fleet Lists 176 IX Regional News and Departments 178 X Reviews of Books and Other Publications 181 XI Obituaries 214 XII SSHSA Presidents 216 XIII Editors-in-Chief 216 (Please note that Steamboat Bill becomes PowerShips starting with issue #273.) 3 PART I -- WHOLE NUMBERS AND DATES (Under volume heading will follow issue number and date of publication.) VOLUME I 33 March 1950 63 September 1957 34 June 1950 64 December 1957 1 April 1940 35 September 1950 2 August 1940 36 December 1950 VOLUME XV 3 December 1940 4 April 1941 VOLUME VIII 65 March 1958 5 August 1941 66 June 1958 6 December 1941 37 March 1951 67 September 1958 7 April 1942 38 June 1951 68 December 1958 8 August 1942 39 September 1951 9 December 1942 40 December 1951 VOLUME XVI VOLUME II VOLUME IX 69 Spring 1959 70 Summer 1959 10 June 1943 41 March 1952 71 Fall 1959 11 August 1943 42 June 1952 72 Winter 1959 12 December 1943 43 September 1952 13 April 1944 -
Ship Recycling
Ship Recycling Practice and regulation today June 2011 Cover image: Ex-USS Oriskany, a former aircraft carrier in the US Reserve Fleet, being sunk for an artificial reef off the coast of Florida. (U.S. Navy photo by Photographer's Mate 2nd Class Jeffrey P. Kraus. Image taken from Wikimedia Commons.) First published June 2011 Lloyd’s Register, its affiliates and subsidiaries and their respective officers, employees or agents are, individually and collectively, referred to in this clause as the ‘Lloyd’s Register Group’. The Lloyd’s Register Group assumes no responsibility and shall not be liable to any person for any loss, damage or expense caused by reliance on the information or advice in this document or howsoever provided, unless that person has signed a contract with the relevant Lloyd’s Register Group entity for the provision of this information or advice and in that case any responsibility or liability is exclusively on the terms and conditions set out in that contract. Copyright © Lloyd's Register. 71 Fenchurch Street, London EC3M 4BS, 2011. Except as permitted under current legislation no part of this work may be photocopied, stored in any medium by electronic means or otherwise, published, performed in public, adapted, broadcast, transmitted, recorded or reproduced in any form, without the prior written permission of the copyright owner. Enquiries should be directed to the above address. Where Lloyd's Register has granted written permission for any part of this publication to be quoted such quotation must include appropriate acknowledgement to Lloyd's Register. Ship recycling Contents Ship recycling 1. -
Many Voices ONE Community
#OurHillfields A guide to services in our community MANY VOICES ONE COMMUNITY March 2021 KEY Harmony Family Hub Public services Health and Wellbeing • Support for young people aged 11 to 19 #OurHillfields – (targeted youth support work) working together to Scan to see a Youth and community short film services • Bespoke family support which may be build a safer Hillfields offered within the home Women’s services • Support to children with special educational Hillfields is a diverse, young and exciting community Education and needs and their families close to Coventry’s historic city centre. Learning • A range of child and family health activities including baby wellbeing clinic and C-Card At the West Midlands Violence Reduction Unit (WM Now referred to as #OurHillfields, the project brings Refugee services distribution points VRU - see end of booklet for more information about together police and local authorities with charitable • Parenting support us) we want to celebrate the people and positive organisations, businesses, community members, stories of Hillfields and in particular, the creativity and young people to share knowledge and expertise • Support with managing finances and and contributions of our young people. about how to make Hillfields a safer place to live. getting back into work or training. We also want to address the things Over the last year, the WM VRU has commissioned Get in touch that are holding Hillfields back from projects such as Early Years Protective Behaviours being an even stronger community, such as violence, substance misuse, programmes, school and community-based Harmony Hub, Clifton St, Coventry CV1 5GR youth mentoring, and domestic abuse prevention deprivation, inequality, and [email protected] exploitation. -
Ship-Breaking.Com Information Bulletins on Ship Demolition, # 19 - 22 from January 1St to December 31St, 2010
Ship-breaking.com Information bulletins on ship demolition, # 19 - 22 from January 1st to December 31st, 2010 Robin des Bois 2011 Ship-breaking.com Bulletins of information and analysis on ship demolition 2010 Content # 19, from January 1st to April 4th …..……………………….………………….…. 3 (The crisis is over, the twilight of tankers, Onyx the worst, Tor Anglia the best, a failure in the United States) # 20, from April 4th to July 1st ….…..……………………..……………….……..… 34 (Ship-breaking in Mauritania, Ship-breaking across the Globe, The car ferry scandal) # 21, from July 2nd to October 15th …..………………….…..…………….……… 78 (Bangladesh, United States, Africa, India and Turkey in the Spotlight Sagafjord / Saga Rose - The END) # 22, from October 16th to 31 Decembre 31st ……………..…………….……… 121 (The agony of the Azzurra, Piracy and demolition, Mauritania - follow up, France, Global statement 2010, Thorgaut / Guard Valiant - The END) Information and analysis bulletin April 21, 2010 on ship demolition # 19 January 1st to April 4th 2010 Ship-breaking.com Between January 1st and April 4th 2010, 233 ships were sent to be demolished. The rhythm remains elevated, with 18 ships per week. In number of ships to be demolished as well as tonnage, India, with 120 ships (42%), remains destination number 1 before Bangladesh with 55 (24%), Pakistan with 25 (11%), and China with 23 (9%). The accumulated demolition will permit the recycling of nearly 2 million tons of metal. The crisis is over ! The prices offered by the demolition yards have significantly increased and continue to increase in the yards of the Indian subcontinent, but also in China; they have reached $400, even $500 for oil tankers and more for ships containing stainless steel. -
Report on the Investigation of the Grounding of the MV FEDRA 10Th
Report on the investigation of the grounding of the MV FEDRA 10th October 2008 This report is subject to the Gibraltar Shipping (Accident Reporting & Investigation) Regulations 2006. Government of Gibraltar Maritime Administration Watergate House 2/8 Casemates Square Gibraltar NOTE This report is not intended to be used for the purpose of litigation. It endeavours to identify and analyse the relevant safety issues pertaining to the accident, and to make recommendations aimed at preventing similar accidents in the future. 2 CONTENTS Page GLOSSARY OF ABBREVIATIONS AND ACRONYMS 4 SYNOPSIS 7 SECTION 1 - FACTUAL INFORMATION 9 1.1 Particulars of FEDRA and accident 9 1.2 Narrative 11 1.3 Environmental data 55 1.4 Manning 57 1.5 Conduct of the anchor watch 58 1.6 Engine department watch-keeping 59 1.7 Master’s overriding authority 59 1.8 Anchors and cables 60 1.9 IACS requirements 60 1.10 The Ship Owner and Managers 61 1.11 Events ashore 64 SECTION 2 – ANALYSIS 67 2.1 Aim 67 2.2 Fatigue 67 2.3 Anchorage selection 67 2.4 Control of the Eastern anchorage and territorial waters to the East of Gibraltar 70 2.5 Master’s response to deteriorating weather conditions 71 2.6 Masters overriding authority 72 2.7 Emergency response and rescue vessels 73 SECTION 3 – CONCLUSIONS 78 SECTION 4 - RECOMMENDATIONS 79 APPENDIX - Extract of charts showing anchoring & grounding positions 80 3 GLOSSARY OF ABBREVIATIONS AND ACRONYMS ASI - Liberia Annual safety inspection bhp - brake horsepower cable - one tenth of a nautical mile CCA - SAR tug ‘Clara Campo Amor’ COP -
Familiar Aliens: 'Teletubbies' and Postmodern Childhood
Familiar aliens: 'Teletubbies' and postmodern childhood Article Accepted Version Bignell, J. (2005) Familiar aliens: 'Teletubbies' and postmodern childhood. Screen, 46 (3). pp. 373-388. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/46.3.373 Available at http://centaur.reading.ac.uk/23199/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1093/screen/46.3.373 Publisher: Oxford University Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Familiar Aliens: Teletubbies and Postmodern Childhood Jonathan Bignell This article argues that the British pre-school children’s television programme Teletubbies develops some of the theoretical concerns of postmodernist criticism. The aim of the article is to consider how this theoretical discourse and Teletubbies work together to rethink the notion of the child, as a conceptual category and an audience category imagined for British television. I shall argue that the aesthetic of Teletubbies corresponds to the reflexive textuality identified by postmodernist theory, and instantiates some of the confusions between self and other, adult and child, that this theoretical discourse has debated.1 Some of the existing work on Teletubbies discusses it in terms of its effects on the child audience and its relationship to educational and social goals, using arguments that adduce what is claimed to be knowledge about actual children.