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The World in an Amusement Arcade!
contents Founded in 2005 4th year Issue 28 March 2008 Editing AMUSEMENT TIME VIA A.CRISTIANO 4 80028 GRUMO NEVANO (NA) ITALY Editor in chief Dott.ENRICO D’ANIELLO Publisher PHANTASMATA GROUP Advertising, Marketing & Communication [email protected] Contact & News [email protected] Pag.4 Subscripton Sending a free request to [email protected] Amusement NEWS Subscribed Readers : 29.651 Supplement to registration N°59 del 30 Settembre 2005 del Tribunale di Napoli. From world All rights reserved. Reproduction in whole or in part without permission of the publisher is prohibited. Amusement Time © 2008 Pag.29 amusement events Amusement news from world Soundnet - Formerly Known As DT Productions DT Productions will from now on be known exclusively as Soundnet. Soundnet was previously the name used solely for the division of DT Productions that dealt with the digital jukebox industry. However, the name will now cover all the company's business supplying audio and audio/visual content to pubs, bars, shops and clubs. Soundnet sums up the business activity of the company and with a number of new audio, video and karaoke products set for release in 2008 it makes sense to standardise the business into only one brand for recognition purposes. Soundnet specialises in bespoke music and video compilations that capture a brand's unique personality. From mainstream pop to hardcore rock, every programme is carefully compiled from the exclusive library of 50,000 audio titles, 30,000 video titles and 5,000 karaoke tracks. The programming department sources all the content directly from the record labels at the same time as it is dispatched to radio and TV. -
ABC Consumer Magazine Concurrent Release - Dec 2007 This Page Is Intentionally Blank Section 1
December 2007 Industry agreed measurement CONSUMER MAGAZINES CONCURRENT RELEASE This page is intentionally blank Contents Section Contents Page No 01 ABC Top 100 Actively Purchased Magazines (UK/RoI) 05 02 ABC Top 100 Magazines - Total Average Net Circulation/Distribution 09 03 ABC Top 100 Magazines - Total Average Net Circulation/Distribution (UK/RoI) 13 04 ABC Top 100 Magazines - Circulation/Distribution Increases/Decreases (UK/RoI) 17 05 ABC Top 100 Magazines - Actively Purchased Increases/Decreases (UK/RoI) 21 06 ABC Top 100 Magazines - Newstrade and Single Copy Sales (UK/RoI) 25 07 ABC Top 100 Magazines - Single Copy Subscription Sales (UK/RoI) 29 08 ABC Market Sectors - Total Average Net Circulation/Distribution 33 09 ABC Market Sectors - Percentage Change 37 10 ABC Trend Data - Total Average Net Circulation/Distribution by title within Market Sector 41 11 ABC Market Sector Circulation/Distribution Analysis 61 12 ABC Publishers and their Publications 93 13 ABC Alphabetical Title Listing 115 14 ABC Group Certificates Ranked by Total Average Net Circulation/Distribution 131 15 ABC Group Certificates and their Components 133 16 ABC Debut Titles 139 17 ABC Issue Variance Report 143 Notes Magazines Included in this Report Inclusion in this report is optional and includes those magazines which have submitted their circulation/distribution figures by the deadline. Circulation/Distribution In this report no distinction is made between Circulation and Distribution in tables which include a Total Average Net figure. Where the Monitored Free Distribution element of a title’s claimed certified copies is more than 80% of the Total Average Net, a Certificate of Distribution has been issued. -
Parliamentary Debates (Hansard)
Tuesday Volume 519 23 November 2010 No. 77 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Tuesday 23 November 2010 £5·00 © Parliamentary Copyright House of Commons 2010 This publication may be reproduced under the terms of the Parliamentary Click-Use Licence, available online through the Office of Public Sector Information website at www.opsi.gov.uk/click-use/ Enquiries to the Office of Public Sector Information, Kew, Richmond, Surrey TW9 4DU; e-mail: [email protected] 147 23 NOVEMBER 2010 148 scrapped entirely. It is critical of the way they work, and House of Commons it is clear that they are not working as intended, but the Government are hoping to take a balanced view. We Tuesday 23 November 2010 must obviously protect the public against dangerous people and the risk of serious offences being committed on release. On the other hand, about 10% of the entire The House met at half-past Two o’clock prison population will be serving IPP sentences by 2015 at the present rate of progress, and we cannot keep piling up an ever-mounting number of people who are PRAYERS likely never to be released. Mr Jack Straw (Blackburn) (Lab): Does the Secretary [MR SPEAKER in the Chair] of State accept that it is inherent in both life sentences and the concept of IPP sentences, which are widely supported throughout the Chamber, that many prisoners Oral Answers to Questions will be tariff-expired because the idea is that they are not released until it is judged that it is safe to do so? Does he also accept that although it is true that the precise construction of the clauses was inappropriate JUSTICE and led to some very short tariffs, since the changes that I introduced in 2008, the number of new IPP sentenced The Secretary of State was asked— prisoners has dropped by 50% from about 1,500 to under 1,000 a year? Would it not be far better for public Imprisonment for Public Protection safety to let that work through instead of prematurely releasing such prisoners? 1. -
Teletubbies and Postmodern Childhood Jonathan
CORE Metadata, citation and similar papers at core.ac.uk Provided by Central Archive at the University of Reading Familiar Aliens: Teletubbies and Postmodern Childhood Jonathan Bignell This article argues that the British pre-school children’s television programme Teletubbies develops some of the theoretical concerns of postmodernist criticism. The aim of the article is to consider how this theoretical discourse and Teletubbies work together to rethink the notion of the child, as a conceptual category and an audience category imagined for British television. I shall argue that the aesthetic of Teletubbies corresponds to the reflexive textuality identified by postmodernist theory, and instantiates some of the confusions between self and other, adult and child, that this theoretical discourse has debated.1 Some of the existing work on Teletubbies discusses it in terms of its effects on the child audience and its relationship to educational and social goals, using arguments that adduce what is claimed to be knowledge about actual children. 2 In contrast, this article discusses arguments that derive from abstract conceptions of childhood as a condition or life-stage. However, I demonstrate here that these two approaches keep merging into each other, and that this issue is part of the greater problem of boundaries, propriety and ambivalence that postmodernist thinking has addressed and of which it is a symptom. The French theorist Jean-François Lyotard is interested in childhood as a discursive category, rather than in actual children as concrete individual subjects. He discusses childhood in relation to notions of process, such as the process of constitution of the subject, and the relation between a subject and an object, event, or experience. -
Independent Television Producers in England
Negotiating Dependence: Independent Television Producers in England Karl Rawstrone A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts and Creative Industries, University of the West of England, Bristol November 2020 77,900 words. Abstract The thesis analyses the independent television production sector focusing on the role of the producer. At its centre are four in-depth case studies which investigate the practices and contexts of the independent television producer in four different production cultures. The sample consists of a small self-owned company, a medium- sized family-owned company, a broadcaster-owned company and an independent- corporate partnership. The thesis contextualises these case studies through a history of four critical conjunctures in which the concept of ‘independence’ was debated and shifted in meaning, allowing the term to be operationalised to different ends. It gives particular attention to the birth of Channel 4 in 1982 and the subsequent rapid growth of an independent ‘sector’. Throughout, the thesis explores the tensions between the political, economic and social aims of independent television production and how these impact on the role of the producer. The thesis employs an empirical methodology to investigate the independent television producer’s role. It uses qualitative data, principally original interviews with both employers and employees in the four companies, to provide a nuanced and detailed analysis of the complexities of the producer’s role. Rather than independence, the thesis uses network analysis to argue that a television producer’s role is characterised by sets of negotiated dependencies, through which professional agency is exercised and professional identity constructed and performed. -
Memory, Nostalgia and the Material Heritage of Children’S Television in the Museum
volume 8 issue 15/2019 MEMORY, NOSTALGIA AND THE MATERIAL HERITAGE OF CHILDREN’S TELEVISION IN THE MUSEUM Amy Holdsworth University of Glasgow 9 University Avenue, Glasgow, G12 8QQ United Kingdom [email protected] Rachel Moseley University of Warwick Department of Film and Television Studies Millburn House, Coventry, CV4 7HS United Kingdom [email protected] Helen Wheatley University of Warwick Department of Film and Television Studies Millburn House, Coventry, CV4 7HS United Kingdom [email protected] Abstract: ‘The Story of Children’s Television, from 1946 to Now’ was an exhibition co-conceived by the authors and colleagues from the Herbert Art Gallery and Museum in Coventry, UK, running from 2015 to 2017 through a national tour. At the exhibition, objects from children’s television history sat alongside screens showing the programmes to visitors. Our research explores how children’s television culture operates as a site of memory and nostalgia, through which we can investigate forms of (inter)generational cultural memory. This paper explores the reconnections and disconnections that emerge in encounters with the material heritage of children’s television in Britain. Keywords: television, history, children, museums, exhibitions 1 A. Holdsworth et al., Memory, Nostalgia and the Material Heritage of Children’s Television in the Museum Figure 1. Two women encounter Rosie and Jim puppets at the exhibition The Story of Children’s Television Exhibition (May 2015) © Mark Radford Photography. A woman stands in front of a Perspex box containing three large puppets. Her hand clasped to her face with joy and excitement, she appears to be overwhelmed by a reunion with three long-lost friends. -
Many Voices ONE Community
#OurHillfields A guide to services in our community MANY VOICES ONE COMMUNITY March 2021 KEY Harmony Family Hub Public services Health and Wellbeing • Support for young people aged 11 to 19 #OurHillfields – (targeted youth support work) working together to Scan to see a Youth and community short film services • Bespoke family support which may be build a safer Hillfields offered within the home Women’s services • Support to children with special educational Hillfields is a diverse, young and exciting community Education and needs and their families close to Coventry’s historic city centre. Learning • A range of child and family health activities including baby wellbeing clinic and C-Card At the West Midlands Violence Reduction Unit (WM Now referred to as #OurHillfields, the project brings Refugee services distribution points VRU - see end of booklet for more information about together police and local authorities with charitable • Parenting support us) we want to celebrate the people and positive organisations, businesses, community members, stories of Hillfields and in particular, the creativity and young people to share knowledge and expertise • Support with managing finances and and contributions of our young people. about how to make Hillfields a safer place to live. getting back into work or training. We also want to address the things Over the last year, the WM VRU has commissioned Get in touch that are holding Hillfields back from projects such as Early Years Protective Behaviours being an even stronger community, such as violence, substance misuse, programmes, school and community-based Harmony Hub, Clifton St, Coventry CV1 5GR youth mentoring, and domestic abuse prevention deprivation, inequality, and [email protected] exploitation. -
Art and Design Advanced Unit 4: A2 Externally Set Assignment
Pearson Edexcel GCE Art and Design Advanced Unit 4: A2 Externally Set Assignment Timed Examination: 12 hours Paper Reference 6AD04–6CC04 You do not need any other materials. Instructions to Teacher-Examiners Centres will receive this paper in January 2014. It will also be available on the secure content section of the Edexcel website at this time. This paper should be given to the teacher-examiner for confidential reference as soon as it is received in the centre in order to prepare for the externally set assignment. This paper may be released to candidates from 1 February 2014. There is no prescribed time limit for the preparatory study period. The 12 hour timed examination should be the culmination of candidates’ studies. Instructions to Candidates This paper is given to you in advance of the examination so that you can make sufficient preparation. This booklet contains the theme for the Unit 4 Externally Set Assignment for the following specifications: 9AD01 Art, Craft and Design (unendorsed) 9FA01 Fine Art 9TD01 Three-Dimensional Design 9PY01 Photography – Lens and Light-Based Media 9TE01 Textile Design 9GC01 Graphic Communication 9CC01 Critical and Contextual Studies Candidates for all endorsements are advised to read the entire paper. Turn over P43399A ©2014 Pearson Education Ltd. *P43399A* 1/1/1/3/3/3 Each submission for the A2 Externally Set Assignment, whether unendorsed or endorsed, should be based on the theme given in this paper. You are advised to read through the entire paper, as helpful starting points may be found outside your chosen endorsement. If you are entered for an endorsed specification, you should produce work predominantly in your chosen discipline for the Externally Set Assignment. -
On Air No 115 FC 1/3/07 10:18 Am Page 1 on Air No 115 IFC 1/3/07 10:22 Am Page 1 on Air No 115 P1 2/3/07 7:58 Am Page 1
On Air No 115 FC 1/3/07 10:18 am Page 1 On Air No 115 IFC 1/3/07 10:22 am Page 1 On Air No 115 p1 2/3/07 7:58 am Page 1 March/April 2007 Issue 115 The Official Journal of the Hi Everyone, Hospital Broadcasting Association You will receive this issue of On Air just before Conference and our very own Oscar ceremony ... the 2007 National Hospital Radio Awards. In this issue we reveal the top ten nominations in each of the in this issue ... categories. But you’ll have to wait until the night of Awards to discover who will be displaying the trophies on their mantlepieces. In the centre pages you can read all about the judges – all 35 of Committee Report ................................................................ 3 them – and the journey they have gone on to achieve their present job. All Our Yesterdays ................................................................ 7 Enjoy the Awards – and our sincere thanks to all those who have worked so hard behind the scenes – and may the best man (or Birch Radio Relocate, Part 2 .............................................. 8 woman) win! Night Out at Swap Shop .................................................... 10 We have vacancies on the Executive Committee – do you think Launch of Virtual Visiting .................................................. 11 you may be able to help? Turn to page 28 to see what the jobs entail National Hospital Radio Awards, the Top Ten .............. 12 and think long and hard whether it is something you may be able to undertake. National Hospital Radio Awards, Meet the Judges ...... 13 In the next issue, we will include all the Awards winners. -
Media Approved
Film and Video Labelling Body Media Approved Video Titles Title Rating Source Time Date Format Applicant Point of Sales Approved Director Cuts $olal Presents the Moonshine Sessions PG FVLB 31.00 03/03/2009 DVD Shock Entertainment Not Stated No cut noted Slick Yes 03/03/2009 10 Dead Men R18 Torture & Sadistic Violence OFLC 90.35 26/03/2009 DVD VM Distribution Ross Boyask No cut noted Slick Yes 26/03/2009 100 Hits Kids Sing-a-Long Party (4 CD/DVD) G FVLB 67.00 03/03/2009 DVD The Warehouse Not Stated No cut noted Slick Yes 03/03/2009 10cc-Godley and Creme Greatest Hits and More PG FVLB 60.00 27/03/2009 DVD Acme Clearance Co Ltd Not Stated No cut noted Slick Yes 27/03/2009 12 Greatest Ever Grand Nationals G FVLB 140.00 13/03/2009 DVD The Warehouse Not Stated No cut noted Slick Yes 13/03/2009 13:Game Of Death R16 Contains horror scenes. Contains violence OFLC 109.00 10/03/2009 DVD Madman Entertainment Chukiat Sakveerakul No cut noted 2 Fast 2 Furious M Contains medium level violence FVLB 108.00 11/03/2009 Blu-ray Universal Pictures Video John Singleton No cut noted 2 Fast 2 Furious Supercharged Edition M Contains medium level violence FVLB 103.00 05/03/2009 DVD Universal Pictures Video John Singleton No cut noted 2 oder 3 Dinge, die ich von ihm Weise M FVLB 84.00 19/03/2009 DVD Victoria University Library Malte Ludin No cut noted Slick Yes 19/03/2009 200 Cadillacs-Elvis PG FVLB 63.00 20/03/2009 DVD Netlink Distribution Co Dan Griffin No cut noted Slick Yes 20/03/2009 2012 Doomsday PG FVLB 82.00 11/03/2009 DVD Family Home Entertainment Nick -
Familiar Aliens: 'Teletubbies' and Postmodern Childhood
Familiar aliens: 'Teletubbies' and postmodern childhood Article Accepted Version Bignell, J. (2005) Familiar aliens: 'Teletubbies' and postmodern childhood. Screen, 46 (3). pp. 373-388. ISSN 1460-2474 doi: https://doi.org/10.1093/screen/46.3.373 Available at http://centaur.reading.ac.uk/23199/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1093/screen/46.3.373 Publisher: Oxford University Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Familiar Aliens: Teletubbies and Postmodern Childhood Jonathan Bignell This article argues that the British pre-school children’s television programme Teletubbies develops some of the theoretical concerns of postmodernist criticism. The aim of the article is to consider how this theoretical discourse and Teletubbies work together to rethink the notion of the child, as a conceptual category and an audience category imagined for British television. I shall argue that the aesthetic of Teletubbies corresponds to the reflexive textuality identified by postmodernist theory, and instantiates some of the confusions between self and other, adult and child, that this theoretical discourse has debated.1 Some of the existing work on Teletubbies discusses it in terms of its effects on the child audience and its relationship to educational and social goals, using arguments that adduce what is claimed to be knowledge about actual children. -
Underground News Index 2006
UNDERGROUND NEWS ISSN 0306-8617 INDEX 2006 Issues 529 - 540 PUBLISHED MONTHLY BY THE LONDON UNDERGROUND RAILWAY SOCIETY 755 INDEX TO 2006 ISSUES OF UNDERGROUND NEWS Page entries mart^ed * are, or include, photograptis or other Illustrations Accidents, collisions, Chesham branch, fallen tree struck by train, 13.07.06, 646 Ealing Broadway, with buffers, 18.11.1909, 703 Accidents, derailments, Amersham siding, 02.02.06, 231 Archway siding, 02.06.06, 484, 516 Cockfosters Depot, near derailment, 08.01.06,146 Ealing Common Depot, shunting mishap, 31.01,03,151 Ealing Common Depot, 19.02.06, 234 Hammersmith Depot, 24.08.06,657 Jubilee Line, 20.07.1986, 339* Ruislip Depot, 24.03.06,282 Stonebridge Parte Depot, 01.08.06, 608 Triangle sidings, 09.11.05,16 Valencia Metro, Spain, 570 Accidents, fire. Northern Line, on train. 19.01.06,169 Accidents, miscellaneous, Barieing sidings, train rtinning through points after SPAD, 27.07.06, 550 injuries to passengers in recent years, 319 Accidents, personal. Barons Court, passenger trapped between train and platfomi, 15.07.06, 546 Ealing Broadway, trespasser on tracks electrocuted, 08.06.06, 486, 516 Oval, workmen injured in scaffolding collapse, 118 persons undertrains, 14, 16, 17, 20, 88, 89, 96, 97, 146, 231-233, 279, 282, 368, 369, 418, 420, 485, 488, 490, 543, 544, 546, 550, 573, 617, 657-660, 662, 712 Stratford, passenger trapped between train and platform, 20.12.05, 96 Tottenham Hale, woman killed under train, 25.07.06, 573 Acton Town, in 1950s, 206* signalling in 1965,636 Advertising, advertisement featuring Muslim banned, 320 CAMRA advertisement based on Beck diagram rejected by LUL, 572 continuous advertising bands, 49 entire District Line car devoted to Peter Jones advertisements, 315 moving advertisements at stations, 680 overall, for Jubilee Line seven-car project, 186* punning use of station names in British Gas advertisement, 323 Waterloo & City Line platforms, 646 Airwave police radio system, not worthing on London Underground.