Migrant Struggle
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Transculturalism in Chicano Literature, Visual Art, and Film Master's
Transculturalism in Chicano Literature, Visual Art, and Film Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Department of Global Studies Jerónimo Arellano, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Global Studies by Sarah Mabry August 2018 Transculturalism in Chicano Literature, Visual Art, and Film Copyright by Sarah Mabry © 2018 Dedication Here I acknowledge those individuals by name and those remaining anonymous that have encouraged and inspired me on this journey. First, I would like to dedicate this to my great grandfather, Jerome Head, a surgeon, published author, and painter. Although we never had the opportunity to meet on this earth, you passed along your works of literature and art. Gleaned from your manuscript entitled A Search for Solomon, ¨As is so often the way with quests, whether they be for fish or buried cities or mountain peaks or even for money or any other goal that one sets himself in life, the rewards are usually incidental to the journeying rather than in the end itself…I have come to enjoy the journeying.” I consider this project as a quest of discovery, rediscovery, and delightful unexpected turns. I would like mention one of Jerome’s six sons, my grandfather, Charles Rollin Head, a farmer by trade and an intellectual at heart. I remember your Chevy pickup truck filled with farm supplies rattling under the backseat and a tape cassette playing Mozart’s piano sonata No. 16. This old vehicle metaphorically carried a hard work ethic together with an artistic sensibility. -
CURRICULUM VITAE Gabriella Gutiérrez Y Muhs
September 2014 CURRICULUM VITAE Gabriella Gutiérrez y Muhs Department of Modern Languages Seattle University 901 12th Avenue Seattle, Washington 98122-4460 (206) 296-6393 [email protected] Education Ph.D. 2000 Stanford University (Spanish. Primary Field: Chicana/o Literature. Secondary Fields: Contemporary Peninsular and Latin American Studies. M.A. 1992 Stanford University (Spanish, Latin American and Peninsular Studies) Additional Studies University of California at Santa Cruz: Teacher Credential Program (Bilingual, Primary and Secondary, Clear credentials, Spanish and French.) Universidad de Salamanca, Spain. Rotary International Graduate Studies Scholarship, Spain. Colegio de México, Mexico City. Masters Degree Work. Universidade de Lisboa, Lisbon, Portugal. Portuguese Language and Culture Studies Program; Diploma. Occidental College, Los Angeles, CA. B.A. in French & B.A. in Spanish. Minors: Sociology, Anthropology. Emphasis: Latin American Studies. Credentials Secondary Single Subject, Clear, in Foreign Languages (Spanish & French). Multiple Subject, Clear, Bilingual. University of California, Santa Cruz. Community College Teaching and Administrative Credential. Academic Employment Professor: Seattle University, March 2014-Present. Associate Professor: Seattle University, March, 2006-Present. Assistant Professor: Seattle University, Seattle, Washington. Fall 20002006. Teach culture, civilization, language, literature, and Women and Gender Studies courses. University Administrative Experience and Selected Committee Service 2014 – 2015 Co-Chair with Susan Rankin, Rankin & Associates, (experts in assessing the learning and working climates on college campuses,) of Climate Study Working Group, a result of the Diversity Task Force, 2013-2014. 2012-Present Co-Director Patricia Wismer Center for Gender, Justice, & Diversity. 2009 – 2013 University Rank and Tenure Committee Member, appointed by Academic Assembly, Arts and Sciences. Co-chaired the committee 2012-2013. -
Adios Amor: the Search for Maria Moreno
Latino Public Broadcasting | VOCES Season 5 Outreach Guide for Adios Amor: The Search for Maria Moreno Thank you for taking the extra step to encourage viewers of Adios Amor: The Search for Maria Moreno to think critically about the film and its themes, and to share their thoughts with others in their community. According to U.S. Census projections, it is anticipated that the U.S. Latino population will grow by 167% between 2010 and 2050. As Latino Americans expand their impact economically, culturally and politically, they will contribute more and more to our ongoing national conversations about identity and empowerment. As the demographic landscape continues to shift, public media can play a significant role in building bridges of understanding by presenting audiences with trustworthy content and neutral spaces for meaningful dialogue. Community conversations hold tremendous potential to enrich our understanding of our unique and varied stories, as well as our shared values, forging a future as a nation whose strength lies in its diversity. This outreach guide offers themes to inspire conversation, as well as tips for planning events, suggestions for community partners and speakers, social media strategies and discussion questions, supplemental readings and free resources to accompany the film. Film Summary: Set in 1950s and 60s California, Adios Amor recaptures the forgotten yet epic struggle of Maria Moreno, a determined migrant mother who became an early outspoken leader in the movement for farmworker rights years before Dolores -
Native American Literature
ENGL 5220 Nicolas Witschi CRN 15378 Sprau 722 / 387-2604 Thursday 4:00 – 6:20 office hours: Wednesday 12:00 – 2:00 Brown 3002 . and by appointment e-mail: [email protected] Native American Literature Over the course of the last four decades or so, literature by indigenous writers has undergone a series of dramatic and always interesting changes. From assertions of sovereign identity and engagements with entrenched cultural stereotypes to interventions in academic and critical methodologies, the word-based art of novelists, dramatists, critics, and poets such as Sherman Alexie, Louise Erdrich, Louis Owens, N. Scott Momaday, Leslie Marmon Silko, Simon Ortiz, and Thomas King, among many others, has proven vital to our understanding of North American culture as a whole. In this course we will examine a cross-section of recent and exemplary texts from this wide-reaching literary movement, paying particular attention to the formal, thematic, and critical innovations being offered in response to questions of both personal and collective identity. This course will be conducted seminar-style, which means that everyone is expected to contribute significantly to discussion and analysis. TEXTS: The following texts are available at the WMU Bookstore: The Absolutely True Diary of a Part-Time Indian, by Sherman Alexie (Spokane) The Last Report on the Miracles at Little No Horse, by Louise Erdrich (Anishinaabe) Bloodlines: Odyssey of a Native Daughter, by Janet Campbell Hale (Coeur d'Alene) The Light People, by Gordon D. Henry (Anishinaabe) Green Grass, Running Water, by Thomas King (Cherokee) House Made of Dawn, by N. Scott Momaday (Kiowa) from Sand Creek, by Simon Ortiz (Acoma) Nothing But The Truth, eds. -
EVIDENCE and INTERPRETATION in TWENTIETH-CENTURY INVESTIGATION NARRATIVES Erin Bartels Buller a Disse
THE UNLOCKED ROOM PROBLEM: EVIDENCE AND INTERPRETATION IN TWENTIETH-CENTURY INVESTIGATION NARRATIVES Erin Bartels Buller A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2013 Approved by: Minrose Gwin Linda Wagner-Martin Ruth Salvaggio John Marx Christopher Teuton ©2013 Erin Bartels Buller ALL RIGHTS RESERVED ii ABSTRACT ERIN BARTELS BULLER: The Unlocked Room Problem: Evidence and Interpretation in Twentieth-Century Investigation Narratives (Under the direction of Minrose Gwin) This project examines how a range of 20 th -century fictions and memoirs use tropes borrowed from detective fiction to understand the past. It considers the way the historiographical endeavor and the idea of evidence and interpretation are presented in William Faulkner’s Absalom, Absalom! , Go Down Moses, Intruder in the Dust , and the stories in Knight’s Gambit ; Robert Penn Warren’s All the King’s Men ; Louis Owens’s The Sharpest Sight and Bone Game ; and Lillian Hellman’s memoirs ( An Unfinished Woman, Pentimento, Scoundrel Time , and Maybe ). The historical novel and sometimes even memoir, in the 20 th century, often closely resembled the detective novel, and this project attempts to account for why. Long before Hayden White and other late 20 th - century theorists of historical practice demonstrated how much historical writing owes to narrative conventions, writers such as Faulkner and Warren had anticipated those scholars’ claims. By foregrounding the interpretation necessary to any historical narrative, these works suggest that the way investigators identify evidence and decide what it means is controlled by the rhetorical demands of the stories they are planning to tell about what has happened and by the prior loyalties and training of the investigators. -
WLA Conference 2013 COVER
Mural of Queen Califia and her Amazons, Mark Hopkins Hotel in San Francisco – Maynard Dixon and Frank Von Sloun The name of California derives from the legend of Califia, the queen of an island inhabited by dark- skinned Amazons in a 1521 novel by Garci Ordóñez de Montalvo, Las Sergas de Esplandián. Califia has been depicted as the Spirit of California, and she often figures in the myth of California's origin, symbolizing an untamed and bountiful land prior to European settlement. California has been calling to the world ever since, as land of promise, dreams and abundance, but also often as a land of harsh reality. The 48th annual conference of the Western Literature Association welcomes you to Berkeley, California, on the marina looking out to the San Francisco Bay. This is a place as rich in history and myth as Queen Califia herself. GRATEFUL ACKNOWLEDGEMENTS go to the following sponsors for their generous support of the 2013 Western Literature Conference: • The Redd Center for Western Studies • American Studies, UC Berkeley • College of Arts & Humanities, UC Berkeley • English Department, UC Berkeley SPECIAL THANKS go to: • The Doubletree by Hilton Hotel • Aileen Calalo, PSAV Presentation Services • The Assistants to the President: Samantha Silver and George Thomas, Registration Directors; and Alaska Quilici, Hospitality and Event Coordinator • Sabine Barcatta, Director of Operations, Western Literature Association • William Handley, Executive Secretary / Treasurer, Western Literature Association • Paul Quilici, Program Graphic Designer • Sara Spurgeon, Kerry Fine, and Nancy Cook • Kathleen Moran • The ConfTool Staff Registration/ Info Table ATM EMC South - Sierra Nevada Islands Ballroom (2nd floor) (1st floor) Amador El Dorado Yerba Buena Belvedere Island Mariposa Treasure Island Angel Island Quarter Deck Islands Foyer Building (5) EMC North Conference Center (2nd floor) (3rd floor) (4th floor) Berkeley Sacramento Restrooms California Guest Pass for Wireless Access: available in the Islands Ballroom area and Building 5 1. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Nature and Spirit in the Novels of Louis Owens
Connected to the Land: Nature and Spirit in the Novels of Louis Owens Raymond Pierotti As the author was preparing this essay, he learned of the untimely and deeply sad passing of Louis Owens. As a result, what had originally been planned as a review of Peter LaLonde's book about Owens' novels was altered to serve as a tribute to Owens1 memory and to show why he should be regarded as one of the major voices in Indigenous literature. Abstract Many authors who have contributed significantly to Native American writing are mixed bloods, because such individuals are invariably the ones who will initially engage the dominant culture. The mixed cultural experiences and traditions of these individuals predispose them to working in art forms that do not arise from tribal cultural traditions. Louis Owens, a Choctaw-Cherokee and Irish writer and scholar was especially effective in presenting clear images of what it means to be of mixed blood. Owens evoked a sense of Indigenous tradition and identity as a means of coping with events taking place outside of tribal culture. One of his strengths was his ability to incorporate the physical landscape and the non-human elements of the community as vital presences into his writing. Owens also integrated the spirit world very effectively into his writing. To the Indigenous reader this means that elements that are important to 77 78 Raymond Pierotti Indigenous identity, but often ignored by most writers, including other Indian writers, are allowed to become important elements of the story. These concepts are explored with examples drawn from the five novels Owens published during his life. -
3344 Contemporary American Indian Fiction
1 Contemporary American Indian Fiction / Summer 2011 Dedicated to the memories of Lee Francis, James Welch, Louis Owens, Vine Deloria, Jr., Michael Dorris, Elaine Jahner, and Paula Gunn Allen English 3344-001 Office Hrs: T/Th 1:30-3; MWF by apt 405 CH Dr. Roemer Please schedule all appointments. MTWTH 10:30-12:30; Preston 300 Phone: 272-2729; e-mail: [email protected] Goals & Means 1. to introduce students to selected novels and short stories written since 1968 by authors with American Indian heritages and to resources for studying these texts [classes/readings/tapes/Internet, syllabus bibliography] 2. to discuss aesthetic, theoretical, ethical, and political issues raised by the texts (e.g., concepts of identity, place, gender and language; integrations of mainstream and non- mainstream cultures and oral and written literatures) [classes/exams/papers] 3. to examine in particular: (a) canon formation issues (first three novels); (b) redefinitions of representations of American history (second three novels); (c) trends in recent fiction (Howe, Sarris, Alexie, and readings in the course packet) 4. to enhance two types of writing skills: (a) a self-reflective reader-response exercise to explore how each student transforms texts into images and concepts meaningful to him or her [first paper]; (b) an evaluation of a critical article or chapter about one of the assigned texts (second paper) Assessment & Outcomes (See also the criteria for "Examinations," "Paper," and "Grading.”) By the end of the semester, students who have successfully completed the in- and out-of- class assignments should (1) know basic biographical and bibliographical information about each of the authors studied; (2) be able to discuss intelligently (a) significant issues raised in the works studied and (b) the general issues indicated in goal #2 above; (3) be able to articulate orally and in writing (a) explanations for their responses to selected works by Native American authors and (b) evaluations of relevant criticism. -
Synthesising a Context-Specific Approach to Native American
_________________________________________________________________________Swansea University E-Theses Synthesising a context-specific approach to Native American narratives: An analysis of philosophies of knowledge and cross- cultural communication in Native American and academic contexts. Kirby, Anne Louise How to cite: _________________________________________________________________________ Kirby, Anne Louise (2005) Synthesising a context-specific approach to Native American narratives: An analysis of philosophies of knowledge and cross-cultural communication in Native American and academic contexts.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42283 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University -
A Decolonial Approach to Amerindian and African American Literature of the Americas
Identity, Displacement and Memory: A Decolonial Approach to Amerindian and African American Literature of the Americas Roland Walter Universidade Federal de Pernambuco / CNPq The Universal Declaration of Human Rights states that everyone in the world, regardless of age, sex, gender, location, nation, origin, language, religion, class, ethnicity, or any other status shares the same basic rights based on universal values, such as justice, freedom, independence, fairness, dignity, equality, liberty, security, respect, and peace, among others, so as to guarantee physical, social and material well being on earth. With regard to this general outline, I am inter- ested in discussing here the representation of human rights (violations) in select works by Amerindian and African American writers of the Americas. But let me first introduce four additional sources to broaden the background information for my specific literary analysis. According to the United Nations Declaration on the Rights of Indigenous Peoples, a resolution adopted by the General Assembly in 2007, indigenous peoples “have the right to self-determination” enabling them to “freely determine their political status and freely pursue their economic, social and cultural development” (Article 3), and “autonomy or self-government in matters relating to their internal or local affairs” (Article 4). Furthermore, Article 5 emphasizes the right of indigenous peoples “to maintain and strengthen their distinct political, legal, economic, social and cultural institutions” while fully participating in the affairs of the nation state “if they so choose.” The FAO Voluntary Guidelines on the Governance of Tenure stress the fact that only a just distribution of land facilitates a life in dignity, peace, and harmony and thus contributes to a containment of worldwide migration. -
Inventory of the Louis Owens Papers Is Licensed Under a Creative Commons Attribution 4.0 International License
This document represents a preliminary list of the contents of the boxes of this collection. The preliminary list was created for the most part by listing the creators' folder headings. At this time researchers should be aware that we cannot verify exact contents of this collection, but provide this information to assist your research. UC Davis Special Collections D-409 Louis Owens Papers BOX 1 Folder 1: Correspondence (1982-1994) Folder 2: Correspondence (1984-1995) Folder 3: Correspondence (1991-1995) Folder 4: University of Oklahoma Press and Oxford Press (1990-1997) Folder 5: University of Oklahoma Press (1992-2001) Folder 6: University of Oklahoma, American Indian Series Folder 7: McNickle Folder 8: Gerald Vizenor Folder 9: Gerald Vizenor- Trickster Discourse Common Holotropes and Language Games (June 1986) Folder 10: Gerald Vizenor- Earthdivers Folder 11: Trip Log (1984-1989) Folder 12: Interview with John by Mark Bornstein Folder 13: John Steinbeck IV- Autobiography Folder 14: Ishi Folder 15: Publication and Promo Misc. D-409 1 Inventory of the Louis Owens Papers is licensed under a Creative Commons Attribution 4.0 International License. Folder 16: Alan Kilpatrick ms. Folder 17: Dutton Folder 18: Essays on My Work Folder 19: Essays on My Work #2 Folder 20: Articles about My Work Folder 21: Other Destinies- Understanding the American Indian Novel by Louis Owens (1 of 2) Folder 22: Other Destinies- Understanding the American Indian Novel by Louis Owens (2 of 2) Folder 23: Louis Owens Works Folder 24: Krupat; Background Research for Bone Game Folder 25: Re: Mundo Morals, White Sands, Black River- Notebook Folder 26: Dark River Folder 27: Bellagio (2000-2001) Folder 28: Bogliasco Fellowship Program Folder 29: Holly St.