CURRICULUM VITAE Gabriella Gutiérrez Y Muhs
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Transculturalism in Chicano Literature, Visual Art, and Film Master's
Transculturalism in Chicano Literature, Visual Art, and Film Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Department of Global Studies Jerónimo Arellano, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Global Studies by Sarah Mabry August 2018 Transculturalism in Chicano Literature, Visual Art, and Film Copyright by Sarah Mabry © 2018 Dedication Here I acknowledge those individuals by name and those remaining anonymous that have encouraged and inspired me on this journey. First, I would like to dedicate this to my great grandfather, Jerome Head, a surgeon, published author, and painter. Although we never had the opportunity to meet on this earth, you passed along your works of literature and art. Gleaned from your manuscript entitled A Search for Solomon, ¨As is so often the way with quests, whether they be for fish or buried cities or mountain peaks or even for money or any other goal that one sets himself in life, the rewards are usually incidental to the journeying rather than in the end itself…I have come to enjoy the journeying.” I consider this project as a quest of discovery, rediscovery, and delightful unexpected turns. I would like mention one of Jerome’s six sons, my grandfather, Charles Rollin Head, a farmer by trade and an intellectual at heart. I remember your Chevy pickup truck filled with farm supplies rattling under the backseat and a tape cassette playing Mozart’s piano sonata No. 16. This old vehicle metaphorically carried a hard work ethic together with an artistic sensibility. -
Adios Amor: the Search for Maria Moreno
Latino Public Broadcasting | VOCES Season 5 Outreach Guide for Adios Amor: The Search for Maria Moreno Thank you for taking the extra step to encourage viewers of Adios Amor: The Search for Maria Moreno to think critically about the film and its themes, and to share their thoughts with others in their community. According to U.S. Census projections, it is anticipated that the U.S. Latino population will grow by 167% between 2010 and 2050. As Latino Americans expand their impact economically, culturally and politically, they will contribute more and more to our ongoing national conversations about identity and empowerment. As the demographic landscape continues to shift, public media can play a significant role in building bridges of understanding by presenting audiences with trustworthy content and neutral spaces for meaningful dialogue. Community conversations hold tremendous potential to enrich our understanding of our unique and varied stories, as well as our shared values, forging a future as a nation whose strength lies in its diversity. This outreach guide offers themes to inspire conversation, as well as tips for planning events, suggestions for community partners and speakers, social media strategies and discussion questions, supplemental readings and free resources to accompany the film. Film Summary: Set in 1950s and 60s California, Adios Amor recaptures the forgotten yet epic struggle of Maria Moreno, a determined migrant mother who became an early outspoken leader in the movement for farmworker rights years before Dolores -
THE UNIVERSITY of ARIZONA PRESS FALL 2017 the University of Arizona Press Is the Premier Publisher of Academic, Regional, and Literary Works in the State of Arizona
THE UNIVERSITY OF ARIZONA PRESS FALL 2017 The University of Arizona Press is the premier publisher of academic, regional, and literary works in the state of Arizona. We disseminate ideas and knowledge of lasting value that enrich understanding, inspire curiosity, and enlighten readers. We advance the University of Arizona’s mission by connecting scholarship and creative expression to readers worldwide. THE UNIVERSITY OF ARIZONA PRESS CONTENTS ANTHROPOLOGY, 20, 25, 26, 27, 28, 29, 30 ARCHAEOLOGY, 28, 29, 30 BORDER STUDIES, 25 ENVIRONMENTAL STUDIES, 26, 27, 31 HISTORY, 13, 16, 18, 19, 21, 24 INDIGENOUS STUDIES, 7, 16, 17, 18, 19, 20, 21, 22 LATIN AMERICAN STUDIES, 21, 22, 23, 24, 27 LATINO STUDIES, 4–5, 6, 10–11, 12, 13, 14, 15 LITERATURE, 4–5 NATURE, 8–9 POETRY, 6, 7 SPACE SCIENCE, 32 TRAVEL ESSAYS, 2–3 CENTURY COLLECTION, 33 RECENTLY PUBLISHED, 34–36 SELECTED BEST SELLERS, 37–40 SALES INFORMATION, INSIDE BACK COVER CATALOG DESIGN BY LEIGH MCDONALD COVER PHOTOS COURTESY OF BUREAU OF LAND MANAGEMENT/BOB WICK [FRONT] AND KEVIN DOOLEY [INSIDE] CUBA, HOT AND COLD TOM MILLER A rare and timely glimpse of life in Cuba from an expert on the captivating island nation Cuba—mysterious, intoxicating, captivating. Whether you’re planning to go or have just returned, Cuba, Hot and Cold is essential for your bookshelf. With a keen eye and dry wit, author Tom Miller takes readers on an intimate journey from Havana to the places you seldom find in guidebooks. A brilliant raconteur and expert on Cuba, Miller is full of enthralling behind-the-scenes stories. -
Universidade De São Paulo
UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE LETRAS MODERNAS PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS LINGUÍSTICOS E LITERÁRIOS EM INGLÊS OSVANDO DE MELO MARQUES SIGNIFICANTES E (RES)SIGNIFICADOS: LETRAMENTO E TRAUMA CULTURAL CHICANO EM UNDER THE FEET OF JESUS (1995), DE HELENA MARÍA VIRAMONTES -Versão Corrigida- SÃO PAULO 2020 ii OSVANDO DE MELO MARQUES SIGNIFICANTES E (RES)SIGNIFICADOS: LETRAMENTO E TRAUMA CULTURAL CHICANO EM UNDER THE FEET OF JESUS (1995), DE HELENA MARÍA VIRAMONTES -Versão Corrigida- Dissertação apresentada ao Departamento de Letras Modernas da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo para obtenção do título de Mestre em Letras. Área de Concentração: Estudos Linguísticos e Literários em Inglês Orientadora: Profa. Dra. Laura Patrícia Zuntini de Izarra São Paulo 2020 iii Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Catalogação na Publicação Serviço de Biblioteca e Documentação Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo Marques, Osvando de Melo M357s Significantes e (res)significados: letramento e trauma cultural chicano em Under the Feet of Jesus (1995), de Helena María Viramontes / Osvando de Melo Marques ; orientadora Laura Patrícia Zuntini de Izarra. - São Paulo, 2020. 147 f. Dissertação (Mestrado)- Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo. Departamento de Letras Modernas. Área de concentração: Estudos Linguísticos e Literários em Inglês. 1. Literatura chicana. 2. Helena María Viramontes. 3. Letramento. 4. Trauma cultural. 5. Under the feet of Jesus. -
Social Criticisms As Reflected Through Characters’ Life Experiences in Viramontes’ Under the Feet of Jesus
SOCIAL CRITICISMS AS REFLECTED THROUGH CHARACTERS’ LIFE EXPERIENCES IN VIRAMONTES’ UNDER THE FEET OF JESUS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By BERBUDI YUDOSUNU CANDRAJIWA Student Number: 024214008 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2009 ii iii iv To my family my mom Nunuk Supriyati, my dad Yudi Mulya, my brother Hapsoro Widi Wibowo, my sister Philia Sampaguita. In the Memory of my late father Soebijanto Wirojoedo v ACKNOWLEDGEMENTS I would like to say thank you to someone over there who is always waiting for me in my search of faith. Mr. Jesus. I owe Him a lot and I would like to know Him better. I owe an enormous debt to Ni Luh Putu Rosiandani, S.S., M.Hum, for her outrageous counsel, encouragement, prayer, patience, and much more in guiding my in my thesis. My deep gratitude is for my family, my mom Nunuk Supriyati, my late father Soebijanto Wirojoedo, my dad Yudi Mulya, my brother Hapsoro Widi Wibowo, my sister Philia Sampaguita and my little hairy brother Bule, and all my relatives, thanks for being one. My sincere gratitude is for my beloved Mira, for being someone special in my life. Thanks for the encouragement, prayer and love that motivate me in finishing this thesis. My second family, Te’ Puji, Eyang Bantar, Mogi, thanks for the valuable support. My friends, Galang Wijaya, Jati ‘Kocak’, Andika ‘Jaran’, Tiara Dewi, Dyah Putri ‘Tiwik’, Gideon Widyatmoko, Budi Utomo, Ari ‘Inyong’, Dimas Jantri, Teguh Sujarwadi, Putu Jodi, Pius Agung ‘Badu’, Adi Ariep, Yudha ‘Cumi’, lilik, q-zer, Widi Martiningsih, Wahyu Ginting, Yabes Elia, Sugeng Utomo, Ditto, Frida, Bigar Sanyata, Nikodemus, Wahmuji, Anna Elfira, Tyas P Pamungkas, Prita, and all the names I have not mentioned here, that have shared vi great story, thought, and moments with me, thanks guys for the bitter-sweet story we made. -
Ruiz Final Dissertation
IN TRANSIT: TRAVEL AND MOBILITY IN LATINA ART AND LITERATURE BY ARIANA A. RUIZ DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois of Urbana-Champaign, 2015 Urbana, Illinois Doctoral Committee: Associate Professor Richard T. Rodríguez, Chair Professor Robert Dale Parker Associate Professor Susan Koshy Associate Professor Mimi Thi Nguyen Associate Professor Mary Pat Brady, Cornell University ii Abstract The myth of American travel and mobility has long shaped ideas of nation and national identity. In postwar cultural production, to move freely is to enact rights governed by U.S. citizenship. Mobility is thus an embodied social, cultural, and political exercise that informs the production of an ideal national subject. Yet, access to and participation in mobile practices is deeply fraught around issues of difference. This project therefore considers Latina engagement with the promise of travel and mobility, drawing attention to the limits of citizenship and complicating the homogenizing tendencies of Latino identity formation. While other scholars primarily focus on Latino mobility through the lens of subjugation and migrant labor, my analysis attends to generational cultural shifts and changing socio-economic conditions. Throughout the study, I focus on the work of Latina artists like Helena Maria Viramontes, Cristina Henríquez, Michele Serros, and Erika Lopez to show how Latinas adopt various modes of travel and mobility that refute fixity in order to forge cross-cultural affiliations on local and global scales. My work sees Latina movement not simply as reenacting U.S. mobility, but also as a complex raced and gendered action anchored in particular political and cultural realities. -
La Bloga “The Book of Want”
.comment-link {margin-left:.6em;} Report Abuse Next Blog» La Bloga Chicana, Chicano, Latina, Latino, & more. Literature, Writers, Children's Literature, News, Views & Reviews. About La Bloga's Blogueras & Blogueros "Best Blog 2006" MONDAY, FEBRUARY 6 award from L.A.'s Tu “The Book of Want” at the UCLA Chicano Studies Ciudad magazine Research Center Library, February 9th, 3:00 to 5:00 p.m. "Taking With Me The Land:" Xicana Nebraska ... A Mestiza mans The Chilean Winter. Children’s Lit ... Bits & Pieces On A Winter Friday Chicanonautica: Ocotillo Dreams, Arizona Dystopia 2012 Pura Belpré Award Winners Review: Clybourne Park. On-Line Floricanto Con Tinta Annual Pachanga at AWP Conference: This ... Con Tinta Annual Pachanga: Honoring Pat Mora Guest Columnist: Sonia Gutiérrez I Ask(ed) a Mexican y respondió I am delighted to announce that I will be reading from my novel, The Book la bloga. of Want (University of Arizona Press), at the UCLA Chicano Studies Research Center. The reading will conclude with a Q&A and a book signing. DATE: Thursday, February 9 TIME: 3:00 to 5:00 p.m. WHERE: UCLA Campus, 144 Haines Hall CONTACT: Lizette Guerra, Archivist and Librarian, (310) 206-6052 E-MAIL: [email protected] Aaron A. Abeyta This is a homecoming, of sorts, because I attended law school at UCLA Mario Acevedo (where I met my brilliant and beautiful wife). Also, our son, Ben, is now a Marta Acosta UCLA junior majoring in anthropology. I hope to see many La Bloga Oscar "Zeta" Acosta readers in attendance! Alma Flor Ada Praise for The Book of Want: Daniel Alarcón Francisco X. -
The Mexican Worker: a Marxist Reading of Labor Struggles in Californian Chicano/A Literature
THE MEXICAN WORKER: A MARXIST READING OF LABOR STRUGGLES IN CALIFORNIAN CHICANO/A LITERATURE By Felix Medina Jr. A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Chicano/Latino Studies—Doctor of Philosophy 2017 ABSTRACT THE MEXICAN WORKER: A MARXIST READING OF LABOR STRUGGLES IN CALIFORNIAN CHICANO/A LITERATURE By Felix Medina Jr. The purpose of this dissertation is to examine the representation of labor struggles in Chicano/a literature, through a Marxist lens. This study examines how the Chicano/a literary works selected offer criticisms on the treatment of Mexican laborers within capitalism, and how these Chicano/a authors historicize the racialization and proletarianization of Mexicans within U.S. capitalism. Marxist theory allows to understand how Mexican bodies and their labor become (de)valued within capitalism depending on the needs of businessmen and the American government, thus becoming commodities themselves. The literary works discussed in this study cover the Chicano/a labor experience in California from 1965 to the late 1990s. Authors such as Luis Valdez, Helena María Viramontes, Francisco Jiménez, Cherríe Moraga, Alejandro Morales, and Luis Rodriguez offer unique perspectives on the Chicano/a labor experience through their characters. They show through their vivid descriptions of labor hardships, how society takes for granted the work that went into picking their fruits and vegetables. At other times, authors show how capitalism influences racial hierarchies and attitudes within the factory and the surrounding community. Through these labor themes, Chicano/a writers show how class and race intersect, thus shaping the Mexican worker’s experience. -
La Bloga: William A. Nericcio Holds Court at UCLA's Chicano Studies Research Center to Rapt Crowd
La Bloga: William A. Nericcio holds court at UCLA’s Chicano Studies R... http://labloga.blogspot.com/2013/11/william-nericcio-holds-court-at-ucla... Las Blogueras Los Blogueros Click to email a writer. Denver CO • Pasadena CA • The San Fernando Valley CA • Eagle Rock CA • Lincoln NE • Glendale AZ • Santa Barbara CA • Lincoln Heights CA • Kansas City MO La Bloga Archive Monday, November 25, 2013 La Bloga Links ▼ 2013 (323) - Authors ▼ November 2013 (25) William A. Nericcio holds court at UCLA’s Chicano A.E. Roman William A. Nericcio Aaron A. Abeyta holds court at Studies Research Center to rapt crowd UCLA’s Chicano ... Aaron Michael Morales Join "La Comida" Abelardo Lalo Delgado Revolution! Are You Achy Obejas Ready? Ada Limón Latina spec lit bio, Lit festival, writers Aldo Alvarez worksho... Alex Espinoza More Reports on the Alfredo Vea Writing Life Alicia Gaspar de Alba Chicanonautica: Chasing the Alisa Valdes Invention of Morel Alma Flor Ada Acr... Alma Luz Villanueva Marisol McDonald and the Clash Alvaro Huerta Bash/Marisol Amelia M.L. Montes McDona... Amy Tintera Gluten-free Chicano. Desperado Tours Américo Paredes Stanford. New... Ana Castillo There is a full moon in Andres Resendez my backyard. Angel Vigil flesh to bone Angela de Hoyos Kids' latino bks; Lit Ashley Pérez agents; Banned Bk; killer ra... Benjamin Alire Sáenz Weekend Update Blas Manuel De Luna Cuentos que celebran C.M. Mayo la diversidad Carmen Lomas Garza Just In Case Carmen Tafolla Review: Villanueva Charley Trujillo Magic. Veterans Day. On-line Fl... Cherrie L. Moraga Interview with Juan Christine Granados Morales, editor and Dagoberto Gilb publisher .. -
Escaping the Chicano Patriarchy: Chicana and Queer Chican@
ESCAPING THE CHICANO PATRIARCHY: CHICANA AND QUEER CHICAN@ IDENTITY STRUGGLES IN THE CHICAN@ NOVEL AND IN AMERICA by Joseph J. Vigil, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Literature December 2013 Committee Members: Jaime A. Mejía, Chair Daniel Lochman Sergio Martinez COPYRIGHT by Joseph J. Vigil 2013 FAIR USE AND AUTHOR’S PERMISSIONS STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Joseph J. Vigil, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION I dedicate this work to Alicia and Richard “Boomer” Mendoza, my greatest hopes and among the ones I write this thesis for. Follow your paths, and form your own identities, no matter what may try to stop you. ACKNOWLEDGMENTS This thesis took much longer to write and required many more lonely hours at my desk than I had anticipated. Without the inspiration, encouragement, and prodding of several people, I wouldn’t have had the stamina to finish it. Innumerable thanks to: Paul Baiza-Vigil for never doubting that I would be successful in the completion of my master’s program or this thesis. -
Latino and Latina Critical Theory: an Annotated Bibliography
Latino And Latina Critical Theory: An Annotated Bibliography Jean Stefancict INTRODUCTION Latino/a critical scholarship, though largely ignored, has been around for a long time. One might say that its progenitor was Rodolfo Acufia, whose book Occupied America,' originally published in 1972, is now in its third edition. Acufila was the first scholar to reformulate American history to take account of U.S. colonization of land formerly held by Mexico and how this colonization affected Mexicans living in those territories. His thesis has proven as powerful for Latinos as the potent theories of Derrick Bell have been in understanding the dynam- ics of race for blacks.2 It took the Chicano movement of the 1960s and 1970s finally to force examination of American society from a Latino perspective. Farmworker strikes, high school walkouts, and the Chicano Mobilization movement brought the troubles of this community to national attention, even more than did the Zoot Suit riots and forced deportations earlier in the century. Copyright © 1997 California Law Review, Inc. t Research Associate, University of Colorado School of Law. I thank Ian Haney L6pez, Margaret Montoya, and Juan Perea for initial helpful suggestions, and Frank Valdes for his enthusiastic support of this project. To Richard Delgado, as always I am grateful for advice, encouragement, dishwashing, and inspiration. Gabriel Carter, Blaine Lozano Milne, Lance Oehrlein, and Kim Quinn provided insightful and unfaltering research assistance. For a forthcoming volume expanding on many of the themes of this bibliography, see THE LATINO CONDITION: A CRITICAL READER (Richard Delgado & Jean Stefancic eds., forthcoming 1998). For earlier bibliographies of critical race theory, see Richard Delgado & Jean Stefancic, Critical Race Theory: An Annotated Bibliography, 79 VA. -
TRANS CHOL@S, the COLONIALITY of GENDER, and SEXUAL VIOLENCE in Helena María Viramontes’ Their Dogs Came with Them
TRANS CHOL@S, THE COLONIALITY OF GENDER, AND SEXUAL VIOLENCE in Helena María Viramontes’ Their Dogs Came with Them Araceli Esparza Abstract: This article argues that, alluding to more than five hundred years of colonialism in the Americas, Helena María Viramontes’ 2007 novel Their Dogs Came with Them simultaneously depicts and disrupts the coloniality of gender binaries. This argument is developed through a focus on Turtle, one of the novel’s complex protagonists, characterized as gender-bending, macha, malflora, trans, masculine, homeless, and a chol@.. The article traces the ways in which Turtle contradictorily represents the possibility of a decolonial gender subjectivity that exceeds the binary categories of modernity and participates in the production and reproduction of a hypermasculine and violent cholo masculinity. Ultimately, Viramontes’ Their Dogs Came with Them is a historical recovery project that centers on the colonized and engages in a Chicana feminist decolonial practice invested in imagining ways of being in the world that undo the violence of coloniality. Key Words: Chicana feminist literature, Chicana/o gang literature, gender and coloniality, Helena María Viramontes, sexual violence, Their Dogs Came with Them, transgender identity Helena María Viramontes’ novel Their Dogs Came with Them (2007) begins and ends with representations of more than five hundred years of colonial violence in the Americas while centering on the legacies of colonialism that permeate the twentieth century. By opening the novel with an epigraph from Miguel León-Portilla’s The Broken Spears: The Aztec Account of the Conquest of Mexico, Viramontes positions her novel as part of a historical recovery project that focuses on the experiences and perspectives of the colonized.