ANJA BUKOVEC the Violin Player
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Bill in Congress Threatens Federal Aid to College IS Educators Nationwide Line up Against Impositions on Freedom of Speech, Academic Freedom by THOMAS F
"No News Is Good News"' Founded 1957, Incorporated 1976 Volume XXXVIII, Number 63 Monday, July 31, 1995 First Copy Frsee Bill in Congress Threatens Federal Aid to College IS Educators Nationwide Line Up Against Impositions On Freedom of Speech, Academic Freedom BY THOMAS F. MASSE distributed to political crippling to Stony Brook. Kenny affect all form of government amendment include the NYPIRG, Statesman Editor organizations or groups that try to said that Stony Brook receives moneys, including NIH research SASU, USSA, the College With the SUNY/CUNY influence public opinion, all more than $100 million in contracts, federal student loans, Republicans, religious organizations, system still reeling from the federal funding will be cut from research grants, a large portion of and grants such as Pell Grants. women's organizations, minority impact of the recent New York those institutions. which is federal money. Kenny Groups that could be organizations, newspapers, and budget fight, the U.S. Congress Such an amendment could be also said that the amendment may categorized as falling under the others. is poised to deliver another In essence, according to devastating blow. a. LIMITATION ON USE OF FUNDS. - None of the funds Kenny, if Stony Brook collected Representative Ernest J. moneys and Polity gave them to Istook (R-Okla.), proposed an appropriated in this Act may be made available to any any of the above groups, Stony amendment to a Labor, Health institution of higher education when it is made known Brook could be without tens of and Human Services, and to the Federal official having authority to obligate or millions of research dollars and Education bill that will cut off- expend such funds that any amount, derived from students could be without loans federal funding to institutions of and grants. -
The Stony Brook Statesman
THE STONY BROOK STATESMAN State University of New York at Stony Brook Stony Brook, New York Vol. 39, Nos. 1 - 66 August 28, 1995 - August 12, 1996 NOTES ON ISSUE NUMBERS FOR VOL. 39 No. 12, Oct. 12, 1995, is misnumbered "11" No. 14, Oct. 19, 1995, is misnumbered "63" No. 49, March 25, 1996 is misnumbered "50" 2 CampIS Caleldar:Whaat's For the very latest information regarding Opening survival," a group discussion for commuting students. To Locaited in the Football Stadium, 9:00 p.m.- 2:00 a.m. Week Activities, please call 632-6821. This service is be held in-the Bi-level of the Student-Union, 8:00-p.m. - In thie event of rain,- the-movie will be shown in the provided 24 hours a day. 9:00p.m. : Pritchard Gym, Indoor Sports Complex. Monday, August 28 Tuesday, August 29 Wednesday, August 30 First day of classes. Late registration begins with A plant sale will be held in the Lobby of the Student A plant and pottery sale will be held in the-Lobby of $30- late fee assessed. Union, 10:00 a.m. - 3:00 p.m. - carpetPA sale will take place between James and A carpet sale will be held outside the Dining Center Ammann Colleges, Kelly and Roosevelt Quads, and of Kelly Quad, 10:00 a.m. - 5:00 p.m. Tabler Quad. 10:00 a.m.'- 5:00 p.m. There will be a poster sale in the Union Fireside 'On September 3, 1783, the American Revolution There will be -a poster sale in the Union Fireside Lounge, Student Union, from 10:00 a.m. -
Chamber Music Course for Individual Instruments (Violine, Clemens Weigel Began His Cello Studies at the Age of Six and Aiko Mizushima Was Born in Japan
PROF. JÜRGEN REGISTRATION WEBER VIOLA Jürgen Weber received his musical education in Cologne under Participants Maximum 12 participants – very talented Prof. Igor Ozim and in the master class of Prof. Ulrich Koch students and those who study violin, viola, CHAMBER in Freiburg. He also took part in master classes given by Max violincello Rostal, Bruno Giuranna, Sandor Vegh, and the Amadeus-Quartet. Date Start on Sunday, Aug 2nd, 2020 at 11 am MUSIC COURSE While still a student, Jürgen Weber became a member of the Public concert on Friday, Aug 7th at 7.30 pm Robert-Schumann-Quartet and won with this ensemble in 1973 Departure on Saturday, Aug 8th, 2020 a prize at the International ARD Competition in Munich. in the morning AIKO MIZUSHIMA In 1975 he was honored by the Deutscher Musikrat by being Course fee 420,00 Euro named one of the Bundesauswahl soloists. In the same year, he was honored with an endowment award by the state Accommodation Full board accommodation in double rooms CLEMENS WEIGEL government of Hessen. Since 1975 he was the solo violist of the is provided by the affi liated guesthouse of Bavarian Radio Symphony. He gives regularly masterclasses Villa Sawallisch for 330,00 Euro JÜRGEN WEBER in Europe, Asia and the US. Jürgen Weber is Professor for Viola and Chamber Music at Munich`s Hochschule für Musik Registration If interested, please contact us via e-mail 2ND-7TH AUGUST 2020 und Theater. until Jul 15th, 2020: [email protected] In addition to symphonic music, Weber is especially devoted Wolfgang-Sawallisch-Stiftung, to chamber music. -
Performance-Practice Issues in Bartók's Sonata
PERFORMANCE-PRACTICE ISSUES IN BARTÓK‘S SONATA FOR SOLO VIOLIN (1944) by OLIVER YATSUGAFU (Under the Direction of Levon Ambartsumian and David Haas) ABSTRACT The Sonata for Solo Violin was composed by Béla Bartók in 1944 as a commission by the American violinist Yehudi Menuhin. The piece represents one of Bartók‘s last works. This Solo Sonata is a four-movement work with the following movements: ―Tempo di ciaccona,‖ ―Fuga,‖ ―Melodia,‖ and ―Presto.‖ The entire piece is approximately twenty minutes in length. The Solo Sonata stands as one of the most important 20th-century compositions for solo violin. The author has investigated the circumstances in which the Solo Sonata was created and its performance-practice issues. Therefore, this dissertation discusses Bartók‘s life and work in the United States of America, his encounter with Yehudi Menuhin, and the compositional history, performances, and reviews of the Solo Sonata. In addition, this document analyses briefly the form, style, and performance-practice challenges of each movement, appointing possible solutions. INDEX WORDS: Béla Bartók, Sonata for Solo Violin, violin performance-practice issues, repertoire for solo violin, revisions, Solo Sonata creation, Solo Sonata form and style, Yehudi Menuhin, Rudolf Kolisch. PERFORMANCE-PRACTICE ISSUES IN BARTÓK‘S SONATA FOR SOLO VIOLIN (1944) by OLIVER YATSUGAFU B. M. in Violin Performance FORB, Parana School of Higher Studies of Music and Fine Arts, Brazil, 2001 M.M. in Violin Performance University of Georgia, GA, United States 2007 A Dissertation -
SLOVENSKI GLASBENI DNEVI 34 Let Glasbe SLOVENIAN MUSIC DAYS 34 Years of Music
SLOVENSKI GLASBENI DNEVI 34 let glasbe SLOVENIAN MUSIC DAYS 34 years of Music Ljubljana, 3.–12. 4. in 17. 4. 2019 PrograM SgD Finančno oMogočata / THE PROGRAMME OF THE SLOVENIAN MUSIC DAYS IS SUPPORTED BY: Ustanoviteljica Festivala Ljubljana je Mestna občina Ljubljana. The Ljubljana Festival was founded by the City of Ljubljana. SLOVENSKI GLASBENI DNEVI 34 let glasbe SLOVENIAN MUSIC DAYS 34 years of Music Ljubljana, 3.–12. 4. in 17. 4. 2019 Programski odbor 34. Slovenskih glasbenih dnevov / Programme Committee of the 34th Slovenian Music Days: Darko Brlek, direktor in umetniški vodja Festivala Ljubljana / Director and Artistic Director of the Ljubljana Festival red. prof. dr. Jernej Weiss, Univerza v Ljubljani – Univerza v Mariboru / University of Ljubljana – University of Maribor zasl. prof. dr. Primož Kuret, akademija za glasbo v Ljubljani / The Academy of Music of the University of Ljubljana izr. prof. Marko Vatovec, akademija za glasbo v Ljubljani / The Academy of Music of the University of Ljubljana red. prof. Matjaž Drevenšek, akademija za glasbo v Ljubljani / The Academy of Music of the University of Ljubljana Polona Češarek, prof., Konservatorij za glasbo in balet v Ljubljani / The Ljubljana Music and Ballet Conservatory Dejan Prešiček, prof., Konservatorij za glasbo in balet v Ljubljani / The Ljubljana Music and Ballet Conservatory Nenad Firšt, Društvo slovenskih skladateljev / Society of Slovene Composers mag. Klemen Hvala, Komorni godalni orkester Slovenske filharmonije / Slovene Philharmonic String Chamber Orchestra mag. Marjetica Mahne, Slovenska filharmonija / Slovenian Philharmonic Snježana Drevenšek, Slovenska filharmonija / Slovenian Philharmonic Gregor Pirš, RTV Slovenija / RTV Slovenia mag. Matej Venier, RTV Slovenija / RTV Slovenia SLOVENSKI GLASBENI DNEVI 2019, 3.–12. -
Carolin Widmann Wolfgang Rihm Jean Barraqué Morton
6/05/09 17:45 Page 1 Biographie Les œuvres de Luciano Berio sont édi - Peter Eötvös, Michael Schonwandt, Né à Oneglia, le 24 octobre 1925, tées par Suvini Zerboni / Milan et Uni - Jonathan Nott, Heinz Holliger et Stefan Luciano Berio est initié à la musique versal / Vienne Asbury. par son grand-père et son père, tous En août 2008, à Londres, elle participe deux organistes et compositeurs. À la Luciano Berio aux Proms’ de la BBC au Royal Albert suite d’une blessure à la main, il au Festival d’Automne à Paris Hall, sous la direction de George Ben - 1977 : Coro (Théâtre de la ville) renonce à une carrière de concertiste, jamin, puis crée, en septembre, un 1979 : Opera (Théâtre Nanterre-Aman - France Musique partenaire se destine à la composition et entre diers) concerto de violon de Wolfgang Rihm au Conservatoire Giuseppe-Verdi de 1984 : Passaggio ; A-Ronne (Théâtre avec l’Orchestre du Gewandhaus dirigé Milan. Dès 1952, il se rend aux États- du Châtelet) par Riccardo Chailly. du Festival d’Automne 1989 : Canticum novissimi testamenti CAROLIN WIDMANN Unis, où il étudie à Tanglewood avec Outre les œuvres que Wolfgang Rihm, (Théâtre du Châtelet) Dallapiccola et assiste à New York au 1990 : Coro (Théâtre des Champs-Élysées) Matthias Pintscher et Jörg Widmann premier concert américain de musique 1991 : Quartetto (Opéra de Paris) ont composées pour elle, Carolin Wid - électronique. Au cours des années cin - 1992 : Canticum novissimi testamenti, mann interprète, avec la soprano Sa - quante, Berio rencontre aussi Boulez, Calmo, Ofanim (Opéra de Paris) lome Kammer, les Kafka-Fragmente Kagel, Pousseur, Stockhausen, avec 1995 : O King , Duetti (Théâtre du Châtelet) de György Kurt ág et joue les œuvres 1997 : Alternatim (Cité de la musique) s t r A qui il s’imprègne de musique sérielle, pour violon de George Benjamin, Sal - & WOLFGANG RIHM 1999 : Outis (Théâtre du Châtelet) c i d s l i u b avant d’enseigner à Darmstadt jus - vatore Sciarrino, Pierre Boulez. -
Classical Gas Recordings and Releases Releases of “Classical Gas” by Mason Williams
MasonMason WilliamsWilliams Full Biography with Awards, Discography, Books & Television Script Writing Releases of Classical Gas Updated February 2005 Page 1 Biography Mason Williams, Grammy Award-winning composer of the instrumental “Classical Gas” and Emmy Award-winning writer for “The Smothers Brothers Comedy Hour,” has been a dynamic force in music and television circle since the 1960s. Born in Abilene, Texas in 1938, Williams spent his youth divided between living with his 1938 father in Oklahoma and his mother in Oregon. His interest in music began when, as a teenager, he to 1956 became a fan of pop songs on the radio and sang along with them for his own enjoyment. In high Oklahoma school, he sang in the choir and formed his first group, an a capella quartet that did the 1950’s City style pop and rock & roll music of the era. They called themselves The Imperials and The to L.A. Lamplighters. The other group members were Diana Allen, Irving Faught and Larry War- ren. After Williams was graduated from Northwest Classen High School in Oklahoma City in 1956, he and his lifelong friend, artist Edward Ruscha, drove to Los Angeles. There, Williams attended Los Angeles City College as a math major, working toward a career as an insurance actuary. But he spent almost as much time attending musical events, especially jazz clubs and concerts, as he did studying. This cultural experience led him to drop math and seek a career in music. Williams moved back to Oklahoma City in 1957 to pursue his interest in music by taking a crash course in piano for the summer. -
Descargar Programa
P R Ó X I M O P R O G R A M A P R O G R A M A Antonio Méndez Director “No es difícil adivinar que el joven director Antonio Méndez tendrá una destacable carrera Sinfónica musical..." (Rhein-Main Frankfurter Allgemeine Zeitung, mayo de 2014) ABONO 3 Viernes 2 de diciembre de 2016 20:30 h Se está convirtiendo en uno de los directores más interesantes de su generación. A de Tenerife I Parte pesar de su juventud, ha logrado un gran éxito dirigiendo orquestas como la Tonhalle Auditorio de Tenerife Adán Martín Orchester Zürich, Symphonieorchester des Bayerischen Rundfunks, Mahler Chamber Marina Pardo, mezzosoprano ERICH WOLFGANG KORNGOLD (1897-1957) Orchestra, Danish National Symphony Orchestra, Tonkünstler Orchestra (en el Festival Lorenzo Viotti, director Concierto para violín y orquesta en Re mayor, op. 35 Grafenegg), Frankfurt Radio Symphony Orchestra, Orchestre Philharmonique du Moderato nobile Luxembourg y Orchestre de Chambre de Lausanne. En junio de 2013, por invitación de Romance: Andante Lorin Maazel, debutó en América del Norte en el “Castleton Festival” dirigiendo La voz Obras de R. STRAUSS, R. WAGNER y E.W. Finale: Allegro assai vivace humana de Poulenc. Su debut orquestal en EE.UU., tuvo lugar en diciembre de 2013 KORNGOLD. Vier. 04 | Nov. con la Filarmónica de Los Ángeles. La temporada 2014-2015 incluye estrenos y La Asociación Tinerfeña de Amigos de la Música ABONO 02 conciertos con la Filarmónica de Rótterdam, Orquesta Sinfónica de Viena, Filarmónica [ATADEM] organiza una charla sobre las obras de Helsinki, Orquesta de Cámara Escocesa, Academia de Cámara de Postdam, que se podrán escuchar en este concierto 20:30 h impartida por Margarita Fernández de Sevilla el II Parte viernes 2 de diciembre de 2016 de 19:30 h a Carolin Widmann 20:15 h en la Sala de Prensa del Auditorio de SERGUÉI RAJMÁNINOV (1873-1943) Violín Tenerife. -
Nine Constructions of the Crossover Between Western Art and Popular Musics (1995-2005)
Subject to Change: Nine constructions of the crossover between Western art and popular musics (1995-2005) Aliese Millington Thesis submitted to fulfil the requirements for the degree of Doctor of Philosophy ~ Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide October 2007 Contents List of Tables…..…………………………………………………………....iii List of Plates…………………………………………………………….......iv Abstract……………………………………………………………………...v Declaration………………………………………………………………….vi Acknowledgements………………………………………………………...vii Chapter One Introduction…………………………………..…..1 Chapter Two Crossover as a marketing strategy…………....…43 Chapter Three Crossover: constructing individuality?.................69 Chapter Four Shortcuts and signposts: crossover and media themes..…………………...90 Chapter Five Evoking associations: crossover, prestige and credibility………….….110 Chapter Six Attracting audiences: alternate constructions of crossover……..……..135 Chapter Seven Death and homogenization: crossover and two musical debates……..……...160 Chapter Eight Conclusions…………………..………………...180 Appendices Appendix A The historical context of crossover ….………...186 Appendix B Biographies of the four primary artists..…….....198 References …...……...………………………………………………...…..223 ii List of Tables Table 1 Nine constructions of crossover…………………………...16-17 iii List of Plates 1 Promotional photograph of bond reproduced from (Shine 2002)……………………………………….19 2 Promotional photograph of FourPlay String Quartet reproduced from (FourPlay 2007g)………………………………….20 3 Promotional -
Violin Syllabus / 2013 Edition
VVioliniolin SYLLABUS / 2013 EDITION SYLLABUS EDITION © Copyright 2013 The Frederick Harris Music Co., Limited All Rights Reserved Message from the President The Royal Conservatory of Music was founded in 1886 with the idea that a single institution could bind the people of a nation together with the common thread of shared musical experience. More than a century later, we continue to build and expand on this vision. Today, The Royal Conservatory is recognized in communities across North America for outstanding service to students, teachers, and parents, as well as strict adherence to high academic standards through a variety of activities—teaching, examining, publishing, research, and community outreach. Our students and teachers benefit from a curriculum based on more than 125 years of commitment to the highest pedagogical objectives. The strength of the curriculum is reinforced by the distinguished College of Examiners—a group of fine musicians and teachers who have been carefully selected from across Canada, the United States, and abroad for their demonstrated skill and professionalism. A rigorous examiner apprenticeship program, combined with regular evaluation procedures, ensures consistency and an examination experience of the highest quality for candidates. As you pursue your studies or teach others, you become not only an important partner with The Royal Conservatory in the development of creativity, discipline, and goal- setting, but also an active participant, experiencing the transcendent qualities of music itself. In a society where our day-to-day lives can become rote and routine, the human need to find self-fulfillment and to engage in creative activity has never been more necessary. -
Diplomsko Delo
UNIVERZA V MARIBORU PEDAGOŠKA FAKULTETA Oddelek za glasbo DIPLOMSKO DELO Andrej Kastrevc Maribor, 2010 1 UNIVERZA V MARIBORU PEDAGOŠKA FAKULTETA Oddelek za glasbo Diplomsko delo Niccolo Paganini: Sonata I in Sonata II za violino in kitaro Mentor: redni profesor Cveto Kobal Kandidat: Andrej Kastre vc Somentor: učitelj veš čin mag. Ivo Kopecky Maribor, 2010 2 Lektorica: Marinka Povše Kastrevc, prof. Prevajalka: Mateja Drašler, prof. 3 ZAHVALA Iskreno se zahvaljujem prof. Cvetu Kobalu za njegov čas, ki mi ga je namenil s svojo strokovno pomo čjo, da sem lahko spoznaval in odkrival nova znanja med izdelavo diplomskega dela. Iskreno se zahvaljujem somentorju u čitelju veš čin magistru Ivu Kopeckemu za pomo č pri analizi izbranih del. Iskreno se zahvaljujem docentu Tarasu Pecheniju za pomo č pri poustvarjanju glasbe v času študija in pomo č pri pripravah na diplomski koncert. Iskreno se zahvaljujem kitaristu Urošu Eferlu za poustvarjanje izbranih skladb. Iskreno se zahvaljujem moji družini, da mi stoji ob strani in mi je stala ob strani tudi v času mojega študija in izdelave diplomske naloge. 4 UNIVERZA V MARIBORU PEDAGOŠKA FAKULTETA IZJAVA Podpisani Andrej Kastrevc, roj. 28.05 1982, študent Pedagoške fakultete Univerze v Mariboru, smer Glasbena pedagogika, izjavljam, da je diplomsko delo z naslovom Niccolo Paganini: Sonata I in Sonata II za violino in kitaro pri mentorju red. prof. Cvetu Kobalu in somentorju u čitelju veš čin mag. Ivu Kopeckemu avtorsko delo. V diplomskem delu so uporabljeni viri in literatura korektno navedeni; teksti niso prepisani brez navedbe avtorjev. Maribor, 24.03. 2010 ____________________ 5 POVZETEK Diplomsko delo sestavljata teoreti čni del in diplomski nastop. -
VERLAGSKATALOG Compact Discs
VERLAGSKATALOG Compact Discs Herbst 2019 _______________________________________________ Musikverlag MÜLLER & SCHADE AG MOSERSTRASSE 16 CH-3014 BERN _________________________ Postadresse: POSTFACH 427 CH-3000 BERN 22 _____________ TELEFON: ++41 (0)31 320 26 26 TELEFAX: ++41 (0)31 320 26 27 E-Mail: [email protected] Internet: www.mueller-schade.com Musikverlag Müller & Schade AG Noten – Bücher – Tonträger CAMP-Notengrafik Professioneller Notensatz zu günstigen Preisen – Offerte mit Musterseite auf Anfrage Auslieferung CDs: PRO VIVA, München Postgiro-Konto: Bern 30-3-9 IBAN CH14 0900 0000 3000 00039 051119 TONTRÄGER EN SUNNTIG IM TOGGEBURG Willi Valotti / Wolfgang Sieber GLAUBE, HOFFNIG, LIEBI / Jodlerkantate für Männerchor, Jodel-Vorsänger, Talerbecken, Sennschellen und Orgel 1. Gerli-Marsch 2. Dir elei ghört Lob und Ehr 3. Glaube 4. Hoffnig 5. Jodler-Masolke 6. Liebi 7. Dank und Sege 8. Chilbi-Polka TOGGENBURGER HAUSORGELTÄNZE VARIATIONEN über ein Toggenburger Volkslied DE HAAS, Naturjodel Jodelclub «Männertreu» Nesslau-Neu St. Johann und Jodelclub M&S 5001/2 Wattwil / Toggenburger Jugedstriichmusig / Akkordeon-Ensemble Willi Valotti, Willi Valotti, Leitung / Wolfgang Sieber, Orgel Erstmals in der Geschichte schweizerischer Jodlermessen verwebt diese Komposition die obligate Kirchenorgel mit dem archetypischen Toggenburger Naturjodel, der nach überliefertem Brauch zu Talerbecken und Sennschellen erklingt. Es darf als Glücksfall bezeichnet werden, dass für die vorliegenden Einspielungen der Toggenburger Hausorgeltänze die grösste