Proposed Cultural Awareness Schedule for 2000
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Film Music: an Analytical Approach to GCSE Specifications
With special guest speaker, Howard Goodall CBE Film music: An analytical approach to GCSE specifications A CPD day exploring approaches to analysing music designed to enhance the moving image Monday 2 March 2020 City, University of London > Examine how music paints a picture, from musical elements that provoke emotion to instrumentation that illustrates characters > Discover creative ways to approach composition briefs, including melodic and harmonic writing and writing for a stimulus > Delve into an inspiring film score: discuss and analyse Star Wars (GCSE Set Work) in depth All course Prices (subject to VAT at 20%) Price included materials £195 (PTI members) for PTI Unlimited and lunch £295 (non-members) schools! included £145 (second participant from dept.) Got a question? email us at [email protected] or call 020 3174 2403 This course is for you if: > You want to support your students in listening, analysing, composing and appraising film music from Key Stage 3 to GCSE > You’d like to be inspired by expert speakers and network with colleagues from around the country to share ideas > You want to take a closer look at a commonly used exam score Book now at www.ptieducation.org/events Speakers Putting you in touch with specialist subject knowedge Mr Howard Goodall CBE Howard Goodall is an award-winning composer of choral music, stage musicals, film and TV scores. He is also well known as a TV and radio broadcaster, and his musicals have been produced in the West End and all over the world. His best-known themes & scores include Blackadder, The Gathering Storm, The Borrowers, Red Dwarf, Q.I., Mr Bean, Johnny English and The Vicar of Dibley. -
9 July 2018 21H20-22H30 Concert of Classical Music Programme Ruben Muradyan (Piano) Sergei Rachmaninov Melody Op
International Conference on New Frontiers in Physics ICNFP 2018 OAC, Kolymbari, Crete, 4-12.07.2018 9 July 2018 21h20-22h30 Concert of Classical Music Programme Ruben Muradyan (Piano) Sergei Rachmaninov Melody Op. 21, N 9, D major , Svetlana NOR (Violin) for cello and piano Vladimir Nor (cello), Ruben Muradyan (piano) Vladimir NOR (Cello) Pyotr Tchaikovsky Pezzo capriccioso, in B-minor, Op. 62, RUBEN MURADYAN (piano), RUSSIA for cello and piano (1882) Graduated from Moscow Conservatory, class of A.A. Nasedkina Vladimir Nor (cello), Ruben Muradyan (piano) and L.N. Vlasenko. Won K. Kana International Competition in Paris, got a diploma at the International Chamber Music Alexander Glazunov Competition in Finale Ligure (Italy). Professor at the Department Grand Adagio from "Raymonda" ballet of Piano and Organ, GMPI MM Ippolitov-Ivanov and a piano Svetlana Nor (violin), Ruben Muradyan (piano) teacher at Ippolitov-Ivanov Music school and at the Art School Piano "Spring". Giving concerts and master classes in Russia, Henri Vieuxtemps Armenia, Germany, France and Australia. Participating "Fantasy" on "The Nightingale" as the jury of various regional, national and international competitions. by Alyabyev, G minor, Op. 24 Svetlana Nor (violin), Ruben Muradyan (piano) SVETLANA NOR (violin), RUSSIA Graduated from Moscow Gnessin Secondary Music School Pyotr Tchaikovsky (violin class of Elena Koblyakova-Mazor) and from Gnessin Trio in A minor for piano, violin, Musical Pedagogical Institute (violin class of Miroslav Rusin and cello, Op. 50 (1882) and quartet class of Prof. Valentin Berlinsky). For twenty years is playing in Alyabiev Quartet together with her husband "In memory of a great artist" Vladimir Nor. -
Limited Edition 150 Th Anniversary of the Moscow Tchaikovsky Conservatory
Limited Edition 150 th Anniversary of the Moscow Tchaikovsky Conservatory This production is made possible by the sponsorship of BP Это издание стало возможным благодаря спонсорской помощи компании BP Richter Live in Moscow Conservatory 1951 – 1965 20 VOLUMES (27 CDs) INCLUDES PREVIOUSLY UNRELEASED RECORDINGS VOLUME 1 0184/0034 A D D MONO TT: 62.58 VOLUME 2 0184/0037A A D D MONO TT: 59.18 Sergey Rachmaninov (1873 – 1943) Ludwig van Beethoven (1770 – 1827) Twelve Preludes: Piano Concerto No. 1 in C major, op. 15 1 No. 2 in F sharp minor, op. 23 No. 1 3.43 1 1. Allegro con brio 16.40 2 No. 20 in A major, op. 32 No. 9 2.25 2 2. Largo 11.32 3 No. 21 in B minor, op. 32 No. 10 5.15 3 3. Rondo. Allegro scherzando 8.50 4 No. 23 in G sharp minor, op. 32 No. 12 2.10 Sergey Prokofiev (1891 – 1953) 5 No. 9 in A flat major, op. 23 No. 8 2.54 Piano Concerto No. 5 in G major, op. 55 6 No. 18 in F major, op. 32 No. 7 2.03 4 1. Allegro con brio 5.07 7 No. 12 in C major, op. 32 No. 1 1.12 5 2. Moderato ben accentuato 3.54 8 No. 13 in B flat minor, op. 32 No. 2 3.08 6 3. Toccata. Allegro con fuoco 1.52 9 No. 3 in B flat major, op. 23 No. 2 3.13 7 4. Larghetto 6.05 10 No. -
Borodin String Quartet
UNIVERSITY MUSICAL SOCIETY BORODIN STRING QUARTET Mikhail Kopelman, Violinist Dmitri Shebalin, Violist Andrei Abramenkov, Violinist Valentin Berlinsky, Cellist Tuesday Evening, February 18, 1992, at 8:00 Rackham Auditorium, Ann Arbor, Michigan PROGRAM Quartet in C minor, Op. 51, No. 1 .......... Brahms Allegro Romanze: poco adagio Allegretto molto moderate e comodo, un poco piu animate Finale: allegro IN TERMISSION Quartet No. 15 in E-flat minor, Op. 144 Shostakovich Elegy: adagio Serenade: adagio Intermezzo: adagio Nocturne: adagio Funeral March: adagio molto Epilogue: adagio, adagio molto The Borodin Quartet is represented by Mariedi Anders Artists Management, San Francisco. The University Musical Society is a member of Chamber Music America. Activities of the UMS are supported by the Michigan Council for Arts and Cultural Affairs and the National Endowment for the Arts. Twenty-sixth Concert of the 113th Season Twenty-ninth Annual Chamber Arts Series Program Notes Quartet in C minor, as an uneasy, sinister, shadowy one. The contrasting central trio section, Un poco piu Op. 51, No. 1 animate, is a folklike tune accompanied by JOHANNES BRAHMS (1833-1897) unusual sounds from the open strings of the he musical manner that Brahms second violin and viola. In the Allegro finale, adopted as a young man and the Brahms refers again to the Scherzo, but the skill that he showed when he was musical materials are most closely related to only 20 years old, led Schumann those that open the Quartet, and the whole to proclaim him "a musician is presented with a concentrated force that chosenT to give ideal expression to his times." recalls and balances the entire opening move Even when he was young, Brahms had found ment. -
AS SEEN on ITV 1 HOWARD GOODALL B.1958 the Seasons Suite for Strings and Cello Autumn Spring 1 I
AS SEEN ON ITV 1 HOWARD GOODALL b.1958 The Seasons Suite for strings and cello Autumn Spring 1 I. Russet fall 3.52 10 I. Ripening seed 1.54 2 II. Charcoal burning 4.40 11 II. Emerald dawn 2.12 3 III. Cider harvest 3.21 12 III. Migrants’ return 3.24 4 IV. Poppies 3.40 13 IV. Rebirth 4.57 Winter Summer 5 I. Sepia landscape 2.26 14 I. Cornflower sky 8.40 6 II. Frozen light 6.38 15 II. Racing green 1.41 7 III. Storm warnings 4.58 16 III. End of the pier 1.59 8 IV. Solstice night 1.37 17 IV. Dippers 2.37 9 V. Snow carpet 1.08 60.00 Bozidar Vukotic cello The Tippett Quartet John Mills, Jeremy Isaac violin Maxine Moore viola · Bozidar Vukotic cello with Patrick Savage violin Marianna Szymanowska harp The Seasons Several composers over the centuries have responded to the idea of the changing seasons, notably Vivaldi,Haydn, Spohr,Verdi, Glazunov and Tchaikovsky, but I believe I am the first composer to create my Seasons suite over the period of a year in the respective seasons themselves. I would like to take credit for this approach, but in all honesty the season-by-season time scale was dictated by the filming schedule of the ITV series The Seasons, for which the suite provides a soundtrack. Composing ‘Autumn’ in the autumn or ‘Spring’ in the spring turned out to be more stimulating than I had anticipated, especially as the 12 months from September 2008 to August 2009 were unusually rich in seasonal difference in the British Isles, with a ‘proper’ snowy winter even in the temperate south of England where my family and I live, something that only comes around once a decade or so. -
The Magnetism of Edward Thring
The Magnetism of Edward Thring An edited version of the talk given to the Uppingham Local History Study Group July 2016 By Malcolm Tozer The Magnetism of Edward Thring Malcolm Tozer Introduction I started teaching at Uppingham 50 years ago, the World Cup summer of 1966; I left in 1989, 27 years ago. Where did all those years go? Raise a hand if you have read Sir George Parkin’s two-volume Life and Letters of Edward Thring from beginning to end. (No hands were raised.) No surprise there; it is hardly a thrilling page-turner. In choosing Parkin as his official biographer, Thring did himself a great disservice. It was written in Canada by a Canadian; it is based on late-night diary entries, Thring’s idiosyncratic publications, and terse correspondence. Parkin carried the lot home; he interviewed no-one; it took 13 years – that’s twice as long as the Chilcot report; and the world had moved on by the time of its publication. It is a lifeless memorial to a life-loving headmaster. Parkin’s Thring could never have created Uppingham. Parkin’s Thring is dour, dry, grumbling, boring, gloomy, frustrated. Where is the Thring who played charades, hosted parties, played leap-frog, built snowmen, danced all evening, played football, wrote fairy tales, acted in plays, taught tennis – and loved his boys? No-one would have been attracted by Parkin’s Thring. But they were. Thring had remarkable powers of persuasion. His magnetism drew influential men and women to work with him. Here’s my 1st XI from the formative years. -
HOWARD GOODALL CHORAL MUSIC AVAILABLE from FABER MUSIC LTD BIOGRAPHICAL NOTES CONTENTS Howard Goodall Is One of Britain’S Most Distinguished and Versatile Composers
for CONCERT · STAGE · WORLD · DANCE HOWARD GOODALL CHORAL MUSIC AVAILABLE FROM FABER MUSIC LTD BIOGRAPHICAL NOTES CONTENTS Howard Goodall is one of Britain’s most distinguished and versatile composers. Almost everyone knows at least one of Howard's popular TV themes for __LIST OF WORKS: Blackadder, Mr Bean, Red Dwarf, The Catherine Tate Show, Q.I. or The Vicar of Dibley. Film scores Chorus & Orchestra __3 include the BAFTA-nominated The Gathering Storm, Bean: The Ultimate Disaster __4 Upper Voices Movie, Bernard and the Genie, Blackadder Back & Forth and Mr Bean’s Holiday. __8 Mixed Voices In the theatre his many musicals, from The Hired Man (1984) to Two Cities (2006) __10 Male Voices have been performed throughout the English-speaking world, including London’s West End and Off-Broadway, and won many international awards, including Ivor Novello __10 As Presenter and TMA Awards for Best Musical. In 2009 his A Winter’s Tale will be seen around the __10 Selected Discography country performed by Youth Music Theatre: UK, The Dreaming will be produced by National Youth Music Theatre, and in 2010 Love Story will have its professional première. __11 Reviews He is a prodigious writer of choral music, his settings of Psalm 23 and Love Divine are CONTACTS amongst the most performed of all sacred music, his works have been commissioned to mark several national ceremonies and memorials, and he has contributed songs to USA/CANADA: several platinum-selling CDs. Autumn 2008 saw the début UK tour of his (Sales/Marketing) Eternal Faber Music Inc Light: A Requiem by the Rambert Dance Company, a choral-orchestral ballet & concert 16320 Roscoe Boulevard work commissioned by London Musici, simultaneously released on an EMI Classics CD Van Nuys CA 91406 featuring the Choir of Christ Church Cathedral Oxford, Alfie Boe and Natasha Marsh, USA conducted by Stephen Darlington, for which Howard won the 2009 Classical Brit Tel:+1818 891 5999 ex.237 [email protected] Award for ‘Composer of the Year’. -
World-Class Musicians Coming to Wimbledon 8 - 23 November 2014
Patrons: Lord Birkett ● Alfred Brendel ● Rivka Golani ● Ian Partridge ● Raphael Wallfisch “Re-defining the Best” World-class musicians coming to Wimbledon 8 - 23 November 2014 The Borodin Quartet playing Beethoven and Borodin, and Mozart with Michael Collins; An original Festival Production of Stravinsky’s Soldier’s Tale; Mozart and Beethoven Octets with London Winds; Anthems for Doomed Youth with Myrthen – Katherine Broderick, Clara Mouritz, Benjamin Hulett, Marcus Farnsworth, Joseph Middleton; ‘Five star’ Russian pianist Denis Kozhukhin; Viola Day with Lawrence Power and Christopher Wellington; International jazz with Paris Washboard; “thrilling” piano duo York2; “astonishing” Hungarian guitar duo The Katona Twins; Mozart ‘Exultate Jubilate’, Haydn ‘Nelson’ Mass with Academy Choir and Baroque Players, and Joanne Lunn; The SIXTEEN and Harry Christophers; Players of the Globe Theatre; Schubertiade with Kathron Sturrock and The Fibonacci Sequence. Wimbledon International Music Festival ng our com rti m are proud to continue to support the o u p n p it u y Wimbledon S International Music Festival Surveyors, Valuers & Estate Agents Surveyors, Valuers & Estate Agents 35 High Street, Wimbledon Village, London35 High Street, Wimbledon Village, London Wimbledo n SW19 5BY Telephone: 020 8947 9833 SW19 5BY Telephone: 020 8947 9833 RH_Wimbledon Music Festival_A5_03.indd 1 23/05/2014 15:31 Wimbledon International Music Festival 3 ‘Anthems for Doomed Youth’, a moving collection of songs drawn from Russia, Germany, Welcome to Wimbledon for the 2014 Festival France, Spain, Britain and America, will be presented by four superb young singers, and Joseph Middleton, piano. I was most encouraged to receive such warm audience feedback after last year’s Festival which has spurred me on to raise the bar and continue to bring world-class artists The brilliant guitar duo, the Katona Twins, will bring a programme of Spanish music interwoven to Wimbledon. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Du 27 Mai Au 5 Juin Concoursmontreal.Ca Investir , Limaginaire
DU 27 MAI AU 5 JUIN CONCOURSMONTREAL.CA INVESTIR , LIMAGINAIRE DU CONSEIL DES ARTS ET des LETTRES DU QUÉBEC VIOLON 2019 VIOLIN MESSAGES Bienvenue au Concours musical international de Montréal GOUVERNEURE Édition violon 2019 GÉNÉRALE DU CANADA Avides de créer un évènement pour stimuler l’émergence de jeunes musiciens talentueux de partout au monde, le chanteur GOVERNOR GENERAL basse Joseph Rouleau et feu André Bourbeau ont eu l’idée de OF CANADA fonder le Concours musical international de Montréal (CMIM). Ce fut le début d’une grande aventure musicale ! Le CMIM offre un contact privilégié avec une musique de très haute qualité. Alternant sa programmation d’une année à l’autre entre le chant, le violon et le piano, il fait rayonner la musique classique et la met à la portée de tous. Depuis la première édition au printemps 2002, des milliers de candidats ont participé au concours pour le plus grand plaisir du public montréalais et des nombreux mélomanes qui assistent à la diffusion des récitals en direct d’un bout à l’autre de la planète. Cette année ne sera pas en reste. Les 24 concurrents sélection- nés parmi les jeunes violonistes les plus prometteurs au monde SGT JOHANIE MAHEU seront évalués par un jury international présidé par Zarin Mehta. Lors de la finale, ils seront acompagnés par l’Orchestre sympho- nique de Montréal, sous la direction d’Alexander Shelley, que je connais du Centre national des Arts d’Ottawa et que j’admire beaucoup. Vous serez éblouis ! Bonne édition 2019 ! Son Excellence la très honorable Her Excellency the Right Honourable JULIE PAYETTE C.C., C.M.M., C.O.M., C.Q., C.D. -
Music Basic Theory
Year 11 Transition to A level Music Basic Theory Make sure you are happy with the following: Musictheory.net • The Basics – all sections • Rhythm and Metre – all sections • Scales and Key Signatures – all sections • Intervals – all sections • The first two lessons from Chords, Diatonic Chords and the first from Chord Progressions would be a bonus Musical History Read through and listen to the material on the Short History of Music pages and then complete the worksheet below. You can either print it off and complete by hand or fill it in as a word documents and then print them off: What is your favourite piece and why? Choose something about one of the other tracks that interests you (e.g. instrumentation, harmony, rhythm). Describe this aspect of the music and why you find it interesting. What is your least favourite track? Describe two aspects of this track that you think contribute to your opinion: If you had to compose a piece that took inspiration from one of these tracks, which one would you choose and why. Listen to and read about the Baroque and Classical eras on the Short History of Music. Identify THREE features of music that are different at the beginning of the Classical era compared to the Baroque. Listen to and read about the Romantic period on the Short History of Music. Then do some of your own research on a Romantic composer of your choice. Write a short biographical paragraph about the composer, explaining how they are typically Romantic. Listening and describing Listen to Last Midnight from Stephen Sondheim’s Into the Woods and answer the questions below. -
Uppingham Methodist Church and Kingswood School 1939 – 1946
THE STORY OF THE TWIN BOARDS UPPINGHAM METHODIST CHURCH AND KINGSWOOD SCHOOL 1939 – 1946 INTRODUCTION At the Trustees Meeting of Uppingham Methodist Church on June 9th 1946, Mrs Norah Stones proposed that: the ‘Address’ presented by Kingswood School should be fixed in the Church porch This was duly accomplished, and the first board shown on the front cover hung in this position until the late 1990s when the refurbishment of the Church began. A small copy now hangs in the Vestry. In 2003, following communication with the Archivist of Kingswood School Bath, it was discovered that the School possessed its’ twin – the second board on the front cover. It is nearly 60 years since these boards were hung, and little attention has been paid to Uppingham’s board in recent years. Any Church members who remembered the events have moved away or died and very little documentation is available. However, the events behind the words are well worth placing on record as a story of faithful service of those who have gone before, and a remarkable account of wartime courage and cooperation. OUTBREAK OF WORLD WAR II A.B. Sackett, Headmaster of Kingswood School in Bath, was informed on Christmas Eve 1938, that in the event of War being declared, the School buildings would be required by the Admiralty. Mr Sackett however was sworn to secrecy and had therefore to search the country for suitable premises without being able to inform his staff or anyone else what was happening. One boy did pick up a rumour, and during the summer holidays told his father, a Methodist Superintendent Minister, to which his father replied ‘Nonsense, laddie.