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Gay Marriage Party Ends For
'At Last* On her way to Houston, pop diva Cyndi Lauper has a lot to say. Page 15 voicewww.houstonvoice.com APRIL 23, 2004 THIRTY YEARS OF NEWS FOR YOUR LIFE. AND YOUR STYLE. Gay political kingmaker set to leave Houston Martin's success as a consultant evident in city and state politics By CHRISTOPHER CURTIS Curtis Kiefer and partner Walter Frankel speak with reporters after a Houston’s gay and lesbian com circuit court judge heard arguments last week in a lawsuit filed by gay munity loses a powerful friend and couples and the ACLU charging that banning same-sex marriages is a ally on May 3, when Grant Martin, violation of the Oregon state Constitution. (Photo by Rick Bowmer/AP) who has managed the campaigns of Controller Annise Parker, Council member Ada Edwards, Texas Rep. Garnet Coleman and Sue Lovell, is moving to San Francisco. Back in 1996 it seemed the other Gay marriage way around: Martin had moved to Houston from San Francisco after ending a five-year relationship. Sue Lovell, the former President party ends of the Houston Gay and Lesbian Political Caucus (PAC), remembers first hearing of Martin through her friend, Roberta Achtenberg, the for mer Clinton secretary of Fair for now Housing and Equal Opportunity. “She called me and told me I have a dear friend who is moving back to Ore. judge shuts down weddings, Houston and I want you to take Political consultant Grant Martin, the man behind the campaigns of Controller Annise Parker, good care of him.” but orders licenses recognized Council member Ada Edwards, Texas Rep. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
9 July 2018 21H20-22H30 Concert of Classical Music Programme Ruben Muradyan (Piano) Sergei Rachmaninov Melody Op
International Conference on New Frontiers in Physics ICNFP 2018 OAC, Kolymbari, Crete, 4-12.07.2018 9 July 2018 21h20-22h30 Concert of Classical Music Programme Ruben Muradyan (Piano) Sergei Rachmaninov Melody Op. 21, N 9, D major , Svetlana NOR (Violin) for cello and piano Vladimir Nor (cello), Ruben Muradyan (piano) Vladimir NOR (Cello) Pyotr Tchaikovsky Pezzo capriccioso, in B-minor, Op. 62, RUBEN MURADYAN (piano), RUSSIA for cello and piano (1882) Graduated from Moscow Conservatory, class of A.A. Nasedkina Vladimir Nor (cello), Ruben Muradyan (piano) and L.N. Vlasenko. Won K. Kana International Competition in Paris, got a diploma at the International Chamber Music Alexander Glazunov Competition in Finale Ligure (Italy). Professor at the Department Grand Adagio from "Raymonda" ballet of Piano and Organ, GMPI MM Ippolitov-Ivanov and a piano Svetlana Nor (violin), Ruben Muradyan (piano) teacher at Ippolitov-Ivanov Music school and at the Art School Piano "Spring". Giving concerts and master classes in Russia, Henri Vieuxtemps Armenia, Germany, France and Australia. Participating "Fantasy" on "The Nightingale" as the jury of various regional, national and international competitions. by Alyabyev, G minor, Op. 24 Svetlana Nor (violin), Ruben Muradyan (piano) SVETLANA NOR (violin), RUSSIA Graduated from Moscow Gnessin Secondary Music School Pyotr Tchaikovsky (violin class of Elena Koblyakova-Mazor) and from Gnessin Trio in A minor for piano, violin, Musical Pedagogical Institute (violin class of Miroslav Rusin and cello, Op. 50 (1882) and quartet class of Prof. Valentin Berlinsky). For twenty years is playing in Alyabiev Quartet together with her husband "In memory of a great artist" Vladimir Nor. -
Special Thanks for Colleen Mcdonough and Larissa Belezos for Rehearsal Assistance
Bridgewater State University Upcoming Music Department events: Department of Music Flute Choir Concert Thursday, April 21st, 8:00pm, Horace Mann Auditorium, Boyden Hall Pop Vocal Ensemble Student Recital-Jiaying (Iris) Zhu Friday, April 22nd, 7:00pm, Horace Mann Auditorium Prof. Heather Holland, Director Chris DiBenedetto, Piano Voice Studio Recital/Opera Ensemble Sunday, April 24th, 3:00pm & 6:00pm, Horace Mann Auditorium Austin DeAndrade, Guitar Vocal Ensemble Patrick Wroge, Bass Guitar Monday, April 25th, 8:00pm, Horace Mann Auditorium Lee Dias, Drums Student Recital-Killian Kerrigan & Austin DeAndrade Tuesday, April 26th, 8:00pm, Maxwell Library Lecture Hall, Room 013 African Drumming Concert Thursday, April 28th, 8:00pm, Horace Mann Auditorium Voice Studio Recital-Prof. Leschishin & Prof. Ferrante Friday, April 29th, 7:00pm, Horace Mann Auditorium Spring Chorale Concert Sunday, May 1st, 3:00pm, Oliver Ames HS, North Easton, MA Jazz Band Concert Monday, May 2nd, 8:00pm, Horace Mann Auditorium FRIENDS OF MUSIC In order to assist talented students in the pursuit of their musical studies and professional goals, the Department of Music has established the Tuesday, April 19, 2016 Music Scholarship Fund. 8:00 pm We welcome donations of any amount for this important undertaking! Please make checks payable to BSU Foundation Horace Mann Auditorium with a note in the memo line: “Friends of Music.” Boyden Hall Mailing address: Bridgewater State University Foundation PO Box 42 Bridgewater, MA 02325 Program Bright Maureen McDonald Kate Morin and Nirorokis Guerrero Blue Skies Irving Berlin Better With A Man Steven Lutvak Full Ensemble Arranged by Roger Emerson from A Gentlemens Guide to Love and Murder Brian Kenny and Killian Kerrigan Home J. -
New York City Center Announces Re‐Opening for In‐Person Performances with Full Calendar of Programs for 2021 – 2022 Season
FOR IMMEDIATE RELEASE: New York City Center announces re‐opening for in‐person performances with full calendar of programs for 2021 – 2022 season Dance programming highlights include Fall for Dance Festival, TWYLA NOW, and the launch of two new annual dance series Additional artistic team members for Encores! 2022 season include choreographers Camille A. Brown for The Life and Jamal Sims for Into the Woods Tickets start at $35 or less and go on sale for most performances Sep 8 for members; Sep 21 for general public July 13, 2021 (New York, NY) – New York City Center President & CEO Arlene Shuler today announced a full calendar of programming for the 2021 – 2022 season, reopening the landmark theater to the public in October 2021. This momentous return to in‐person live performances includes the popular dance and musical theater series audiences have loved throughout the years and new programs featuring iconic artists of today. Manhattan’s first performing arts center, New York City Center has presented the best in music, theater, and dance to generations of New Yorkers for over seventy‐five years. “I am delighted to announce a robust schedule of performances for our 2021 – 2022 season and once again welcome audiences to our historic theater on 55th Street,” said Arlene Shuler, President & CEO. “We have all been through so much in the past sixteen months, but with the support of the entire City Center community of artists, staff, and supporters, we have upheld our legacy of resilience and innovation, and we continue to be here for our loyal audience and the city for which we are proudly named. -
Brussels Guit Progr Color High
KONINKLIJK CONSERVATORIUM BRUSSEL Brussels Guitar www.brusselsartsplatform.be Laboratory Rethinking the six-string Icon 27, 28 & 29 April 2018 KONINKLIJK CONSERVATORIUM BRUSSEL Brussels Guitar Laboratory Rethinking the Six-String Icon An initiative of guitar professor Antigoni Goni, the KCB Research Department, and Brussels Arts Platform 27, 28 & 29 April 2018 KONINKLIJK CONSERVATORIUM BRUSSEL Dear friends and music lovers, It is with great pride and joy that we present to you the Brussels Guitar Laboratory. From the 27th to the 29th of April, our inspiring, innovative, and daring doctoral students will share with you their research journeys, through which curiosity, passion, and creativity have been their compass. In their hands our instrument unfolds its full potential, which is bound to surprise even the most seasoned aficionado. Join us for three days of recitals and workshops to feel the thrill of discovery and be transported by the guitar’s unique allure. Antigoni Goni Professor of Guitar Koninklijk Conservatorium Brussel Brussels Guitar Laboratory | 3 KONINKLIJK CONSERVATORIUM BRUSSEL Brussels Guitar Laboratory Rethinking the Six-String Icon After decades as a popular icon, shedding new light on the guitar should cast some interesting shadows. In a series of concerts and workshops, PhD students and researchers of the Brussels Royal Conservatory’s guitar studio beat unconventional tracks to and from their beloved instrument. Gut strings, motion sensors, excavations of mechanical debris, imagined bows, and symbiotic choreography. -
Guitar Soundings, V.58
Guitar Soundings A PUBLICATION OF THE SEATTLE CLassIC GUITAR SOCIETY Volume 58, Number #2 Established 1958 March/April 2017 SCGS 2016–2017 INTERNATIONAL CONCERT SERIES PRESENTS ANTigONI GONI All performances take place at the Illsley Ball Nordstrom Recital Hall at Benaroya Hall, 7:30 PM ANTIGONI GONI (GREECE) – SATURDAY, MAY 6TH, 7:30 PM SCGS is thrilled to bring Antigoni Goni to our International Con- cert Series for the first time! The Greek guitarist Antigoni Goni enjoys a truly international career, having performed extensively in Europe, Russia, North and South America and the far East, both as a recitalist and soloist. Antigoni Goni’s career blossomed in the mid ‘90s when she added to her long list of competition prizes the First Prize of the Guitar Foundation of America Competition, becoming thus the first and only Greek to ever win it. Her victory resulted in some 65 concerts in North America and a contract with Naxos Records, for whom she has recorded three highly successful CDs. Antigoni Goni regularly performs in concert halls such as the Con- certgebouw in Amsterdam, the Covent Garden and the Wigmore Hall in London, Gasteig Hall in Munich, the Athens Megaron and the Odeon of Herodes Atticus in Acropolis (Athens) as well as the Philharmonic and the Cappella Sale in St. Petersburg and the Bolshoi Theater in Moscow. Across the Atlantic her US engagements bring Ms. Goni every year to concert halls such as the Weill Recital Hall in Carnegie Hall, Alice Tully Hall and the Juilliard Theater in New York City, Spivey Hall in Atlanta, Benaroya Hall in Seattle and Herbst Theatre in San Francisco. -
Saison 2013/2014 Grußwort
Saison 2013/2014 Grußwort Liebe Musikfreunde, liebe Konzertbesucher, unsere Konzertreihe im Von-Busch-Hof gibt es nun schon mehr als zehn Jahre. Wir freuen uns über den hohen Bekannt- heitsgrad der Konzertreihe weit über die engere Region hinaus. In jeder Saison ist es uns gelungen, mit erstklassigen Künstlern beeindruckende Konzerte zu veranstalten. Von Anfang an spielte Kammermusik eine wichtige Rolle: Unsere Besucher konnten immer wieder faszinierend schöne klassische Musik erleben. Mit Schuberts “Forellenquintett” und dem Liederzyklus “Die Winterreise” erklingen in dieser Saison zwei der bekanntesten Werke der klassischen Musik. Aber auch für das Amüsement in der Neujahrsgala beim Hören und Wiedererkennen von beliebten Schlagern und von brillant gespielter Filmmusik des letzten Jahrhunderts schwärmen viele. Das fabelhafte Schellack-Orchester mit seinen Solisten entfes- selt dabei jedesmal Beifallsstürme. Interessante Kinderkonzerte, eines im November, das andere im Februar, fehlen auch in dieser Saison natürlich nicht. Ganz sicher werden Joseph Moog am Klavier und das Busch- Hof Consort im abschließenden Open Air Konzert der Saison mit der Darbietung von drei Klavierkonzerten einen triumpha- len Schlusspunkt setzen. Die gute Akustik im Saal und im Innenhof, dazu das stilvolle und behagliche Ambiente des Von-Busch-Hofs wird von vielen Besuchern gerühmt und ist eine angenehme und erfreuliche Beigabe zu den Konzerten. Künstler, die bei uns auftreten, sind immer wieder angetan von dem charmanten Veranstaltungsort, aber in demselben Maße auch von dem interessierten und aufmerksamen Publikum. Wir sind stolz auf das Erreichte. Unser Bestreben ist, auch in Zukunft unsere Zuhörerschaft mit einem anspruchsvollen Programm zu begeistern. Wir wünschen Ihnen schöne und erquickliche Stunden im Von-Busch-Hof. -
Simon Powis, Guitar (Australia) New Opportunities for a Twenty-First Century Guitarist 6:00 - 7:15 P.M
The 16th Annual Cleveland International Classical Guitar Festival June 3 - 5, 2016 Vieaux, USA SoloDuo, Italy Poláčková, Czech Republic Gallén, Spain De Jonge, Canada North, England Powis, Australia Davin, USA Beattie, Canada Presented by UITARS NTERNATIONAL G I in cooperation with the GUITARSINT.COM CLEVELAND, OHIO USA 216-752-7502 Grey Fannel HAUTE COUTURE Fait Main en France • Hand Made in France www.bamcases.com Welcome Welcome to the sixteenth annual Cleveland International Classical Guitar Festival. In pre- senting this event it has been my honor to work closely with Jason Vieaux, 2015 Grammy Award Winner and Cleveland Institute of Music Guitar Department Head; Colin Davin, recently appointed to the Cleveland Institute of Music’s Conservatory Guitar Faculty; and Tom Poore, a highly devoted guitar teacher and superb writer. Our reasons for presenting this Festival are fivefold: (1) to help increase the awareness and respect due artists whose exemplary work has enhanced our lives and the lives of others; (2) to entertain; (3) to educate; (4) to encourage deeper thought and discussion about how we listen to, perform, and evaluate fine music; and, most important, (5) to help facilitate heightened moments of human awareness. In our experience participation in the live performance of fine music is potentially one of the highest social ends towards which we can aspire as performers, music students, and audience members. For it is in live, heightened moments of musical magic—when time stops and egos dissolve—that often we are made most conscious of our shared humanity. Armin Kelly, Founder and Artistic Director Cleveland International Classical Guitar Festival Acknowledgements We wish to thank the following for their generous support of this event: The Cleveland Institute of Music: Gary Hanson, Interim President; Lori Wright, Director, Concerts and Events; Marjorie Gold, Concert Production Manager; Gina Rendall, Concert Facilities Coordinator; Susan Iler, Director of Marketing and Communications; Lynn M. -
Creating Timeless Classics
PENTATONE LIMITED CREATING TIMELESS CLASSICS Sit back and enjoy Creating timeless classics Around the start of the new suffering. But PENTATONE’s founders For all their diversity, the artists We don’t dabble in technology for millennium, three music enthusiasts were unwilling to compromise their featured on PENTATONE have one technology’s sake – we believe it’s came together to launch a new vision, so convinced were they of the thing in common. They all put their the only way to truly appreciate music label that promised to new technology that they launched heart and soul into the music, these great works of art. redefine the way people listen to their own label in 2001. drawing on every last drop of classical music. creativity, skill, and determination As we celebrate 13 years of After a somewhat rocky start, to perfect their compositions. PENTATONE and prepare for a Their vision was crystal clear: to the label quickly began adding changing of the guard, it is time to offer an unrivalled classical music talented artists to its roster. Now, PENTATONE exists to extract reflect on our achievements and experience through superior audio 13 years later, PENTATONE enjoys everything that went into creating look toward the future. technology. a reputation for excellence, its these timeless classics and put it catalogue comprising some of the before the listener with a resolution This release – the first to feature The introduction of 5-channel very best that classical music has to and crispness not found anywhere the label’s new visual identity – surround sound which made this offer. -
Limited Edition 150 Th Anniversary of the Moscow Tchaikovsky Conservatory
Limited Edition 150 th Anniversary of the Moscow Tchaikovsky Conservatory This production is made possible by the sponsorship of BP Это издание стало возможным благодаря спонсорской помощи компании BP Richter Live in Moscow Conservatory 1951 – 1965 20 VOLUMES (27 CDs) INCLUDES PREVIOUSLY UNRELEASED RECORDINGS VOLUME 1 0184/0034 A D D MONO TT: 62.58 VOLUME 2 0184/0037A A D D MONO TT: 59.18 Sergey Rachmaninov (1873 – 1943) Ludwig van Beethoven (1770 – 1827) Twelve Preludes: Piano Concerto No. 1 in C major, op. 15 1 No. 2 in F sharp minor, op. 23 No. 1 3.43 1 1. Allegro con brio 16.40 2 No. 20 in A major, op. 32 No. 9 2.25 2 2. Largo 11.32 3 No. 21 in B minor, op. 32 No. 10 5.15 3 3. Rondo. Allegro scherzando 8.50 4 No. 23 in G sharp minor, op. 32 No. 12 2.10 Sergey Prokofiev (1891 – 1953) 5 No. 9 in A flat major, op. 23 No. 8 2.54 Piano Concerto No. 5 in G major, op. 55 6 No. 18 in F major, op. 32 No. 7 2.03 4 1. Allegro con brio 5.07 7 No. 12 in C major, op. 32 No. 1 1.12 5 2. Moderato ben accentuato 3.54 8 No. 13 in B flat minor, op. 32 No. 2 3.08 6 3. Toccata. Allegro con fuoco 1.52 9 No. 3 in B flat major, op. 23 No. 2 3.13 7 4. Larghetto 6.05 10 No. -
Broadway Bound with Garrett Stack Free of Charge at Public Radio Exchange, > Prx.Org > Broadway Bound *Playlist Is Listed by Show (Disc), Not in Order of Play
Originating on WMNR Fine Arts Radio [email protected] Playlist* Program is archived 24-48 hours after broadcast and can be heard Broadway Bound with Garrett Stack free of charge at Public Radio Exchange, > prx.org > Broadway Bound *Playlist is listed by show (disc), not in order of play. Show #: 261 Broadcast Date: Oct. 29, 2016 Time: 16:00 - 18:00 # Selections: 23 Broadway Power Ballads + Random Fun Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 4:02 Stephen Sondheim Everybody Ought to Have a Maid Stadlen, L.J. + Nathan Lane, Mark A Funny Thing Happened On The Way To The Angel 1996 4/18/1996 - 1/4/1998. 715 Perf. One 1996 Tony Award: Best Actor - Nathan Lane. CDS Funny 8 1996 1/30/10 10/29/16 7:13 Ahlert/Young; Carmichael/Loesser; Finale: I'm Gonna Sit Right Down...; Two Sleepy People; I've Got My Company: Ken Page, Amelia McQueen, Nell Ain'tForum Misbehavin' - 1996 Revival Original Broadway Broadway Cast Cast-Disc 2 RCA 5/9/1978 - 2/21/1982. 1604 perf. Three 1978 Tony Awards: Best Musical; Best CDS Aint 0:04 10/14/067/7/07 1/17/09 3/27/10 11/26/113/15/14 10/29/16 Fingers Crossed;I Can't give You Anything…; It's a Sin To Linn-Baker, Ernie Sabella 1978 2/12 McHugh/Koehler; D Fields; Mayhew; Tell…;Honeysuckle Rose. Carter, Charlene Woodard, Andre De Shields Featured Actress - Nell Carter; Best Direction.