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Symphonies. Fa Majeur. No 6. Op. 68
1/22 Data Symphonies. Fa majeur. No 6. Op. 68 Ludwig van Beethoven (1770-1827) Genre ou forme de l’œuvre : Œuvres musicales Date 1808 Fin de création : Note : Dédicace au prince Franz Joseph von Lobkowitz et au comte Andreas von Rasumowsky. - Date de composition : été 1807 - juin 1808. - 1re exécution : Vienne, Theater an der Wien, 22 décembre 1808. - 1re éd. : Leipzig : Breitkopf & Härtel, 1809 Domaines : Musique Autres formes du titre : Symphonie pastorale (français) Sinfonia pastorale (italien) Pastorale : Symphonie (français) Détails du contenu (2 ressources dans data.bnf.fr) Contenu dans (1) Symphonies , Ludwig van Beethoven (1801) (1770-1827) Voir l'œuvre musicale (1) Transcriptions. Piano. LW , Franz Liszt (1811-1886) A37c, no 6. Symphonie no 6, op. 68. Beethoven, Ludwig van (1863) data.bnf.fr 2/22 Data Éditions de Symphonies. Fa majeur. No 6. Op. 68 (504 ressources dans data.bnf.fr) Enregistrements (413) Symphonie n ° 6 , Ludwig van Beethoven SYMPHONIE PASTORALE N , Ludwig van Beethoven "Pastorale" en fa majeur (1770-1827), S.l. : s.n. , s.d. °6 EN FA MAJEUR OP. 68 (1770-1827), S.l. : s.n. , s.d. opus 68 SYMPHONIE N °6 OP. 68 , Ludwig van Beethoven SYMPHONIE N °6 , Ludwig van Beethoven (PASTORALE) (1770-1827), S.l. : s.n. , s.d. "PASTORALE" EN LA (1770-1827), S.l. : s.n. , s.d. MAJEUR OP. 68 extrait : SYMPHONIE N °5 , Ludwig van Beethoven SYMPHONIE N °6 EN FA , Ludwig van Beethoven "LE DESTIN" EN UT MINEUR (1770-1827), S.l. : s.n. , s.d. MAJEUR OP. 68, (1770-1827), S.l. : s.n. -
"Isabelle Faust Is Praised for Her Phenomenal Bowing Technique, Her Constant Search for Meaning And, Above All, for the Freshness She Brings to Any Repertoire
"Isabelle Faust is praised for her phenomenal bowing technique, her constant search for meaning and, above all, for the freshness she brings to any repertoire. ,It’s as if I'd never heard the piece before‘ is a frequent comment from reviewers." Amanda Holloway, The Strad, January 2019 ISABELLE FAUST VIOLIN Biography Isabelle Faust captivates her audience with her compelling interpretations. She dives deep into every piece considering the musical historical context, historically appropriate instruments and the greatest possible authenticity according to a contemporary state of knowledge. Thus, she manages to constantly illuminate and passionately perform the repertoire of a wide variety of composers. After winning the renowned Leopold Mozart Competition and the Paganini Competition at a very young age, she soon gave regular performances with the world’s major orchestras including the Berlin Philharmonic Orchestra, the Boston Symphony Orchestra, the NHK Symphony Orchestra Tokyo, the Chamber Orchestra of Europe and the Baroque Orchestra Freiburg. This led to close and sustained cooperation with conductors like Claudio Abbado, Giovanni Antonini, Frans Brüggen, Sir John Eliot Gardiner, Bernard Haitink, Daniel Harding, Philippe Herreweghe, Andris Nelsons and Robin Ticciati. Isabelle Faust’s vast artistic curosity includes all eras and forms of instrumental cooperation. Thus she never considers music as an end in itself but rather advances the piece’s essence in a devoted, subtle and conscientious way. In addition to big symphonic violin concertos this includes for instance Schubert’s octet with historical instruments as well as György Kurtág’s "Kafka Fragments" with Anna Prohaska or Igor Stravinsky’s "L’Histoire du Soldat" with Dominique Horwitz. -
Saison 2013/2014 Grußwort
Saison 2013/2014 Grußwort Liebe Musikfreunde, liebe Konzertbesucher, unsere Konzertreihe im Von-Busch-Hof gibt es nun schon mehr als zehn Jahre. Wir freuen uns über den hohen Bekannt- heitsgrad der Konzertreihe weit über die engere Region hinaus. In jeder Saison ist es uns gelungen, mit erstklassigen Künstlern beeindruckende Konzerte zu veranstalten. Von Anfang an spielte Kammermusik eine wichtige Rolle: Unsere Besucher konnten immer wieder faszinierend schöne klassische Musik erleben. Mit Schuberts “Forellenquintett” und dem Liederzyklus “Die Winterreise” erklingen in dieser Saison zwei der bekanntesten Werke der klassischen Musik. Aber auch für das Amüsement in der Neujahrsgala beim Hören und Wiedererkennen von beliebten Schlagern und von brillant gespielter Filmmusik des letzten Jahrhunderts schwärmen viele. Das fabelhafte Schellack-Orchester mit seinen Solisten entfes- selt dabei jedesmal Beifallsstürme. Interessante Kinderkonzerte, eines im November, das andere im Februar, fehlen auch in dieser Saison natürlich nicht. Ganz sicher werden Joseph Moog am Klavier und das Busch- Hof Consort im abschließenden Open Air Konzert der Saison mit der Darbietung von drei Klavierkonzerten einen triumpha- len Schlusspunkt setzen. Die gute Akustik im Saal und im Innenhof, dazu das stilvolle und behagliche Ambiente des Von-Busch-Hofs wird von vielen Besuchern gerühmt und ist eine angenehme und erfreuliche Beigabe zu den Konzerten. Künstler, die bei uns auftreten, sind immer wieder angetan von dem charmanten Veranstaltungsort, aber in demselben Maße auch von dem interessierten und aufmerksamen Publikum. Wir sind stolz auf das Erreichte. Unser Bestreben ist, auch in Zukunft unsere Zuhörerschaft mit einem anspruchsvollen Programm zu begeistern. Wir wünschen Ihnen schöne und erquickliche Stunden im Von-Busch-Hof. -
Creating Timeless Classics
PENTATONE LIMITED CREATING TIMELESS CLASSICS Sit back and enjoy Creating timeless classics Around the start of the new suffering. But PENTATONE’s founders For all their diversity, the artists We don’t dabble in technology for millennium, three music enthusiasts were unwilling to compromise their featured on PENTATONE have one technology’s sake – we believe it’s came together to launch a new vision, so convinced were they of the thing in common. They all put their the only way to truly appreciate music label that promised to new technology that they launched heart and soul into the music, these great works of art. redefine the way people listen to their own label in 2001. drawing on every last drop of classical music. creativity, skill, and determination As we celebrate 13 years of After a somewhat rocky start, to perfect their compositions. PENTATONE and prepare for a Their vision was crystal clear: to the label quickly began adding changing of the guard, it is time to offer an unrivalled classical music talented artists to its roster. Now, PENTATONE exists to extract reflect on our achievements and experience through superior audio 13 years later, PENTATONE enjoys everything that went into creating look toward the future. technology. a reputation for excellence, its these timeless classics and put it catalogue comprising some of the before the listener with a resolution This release – the first to feature The introduction of 5-channel very best that classical music has to and crispness not found anywhere the label’s new visual identity – surround sound which made this offer. -
Concerto 05.04
Mercoledì 30 novembre 2016 ore 20.15 CICLO B Auditorium C. Pollini, Padova ALEXANDER LONQUICH , pianoforte Un pianoforte per Padova Steinway grancoda della Fondazione Cassa di Risparmio di Padova e Rovigo messo a disposizione della città (2004) AMICI DELLA MUSICA DI PADOVA PROGRAMMA Robert Schumann Sei Intermezzi op. 4 (1810 – 1856) Allegro quasi maestoso - Presto a capriccio - Allegro marcato - Allegretto semplice - Allegro moderato - Allegro Fantasiestücke op. 12 I. Des Abends – Sehr innig zu spielen II. Aufschwung – Sehr rasch III. Warum? – Langsam und zart IV. Grillen – Mit Humor V. In der Nacht – Mit Leidenschaft VI. Fabel – Langsam VII. Traumes Wirren – Aeusserst lebhaft VIII. Ende vom Lied – Mit gutem Humor * * * 2 AMICI DELLA MUSICA DI PADOVA Etüden in Form freier Variationen über ein Thema von Beethoven Anh. F25 Davidsbündlertänze , 18 Charakterstücke op. 6 Lebhaft - Innig - Mit humor - Ungeduldig - Einfach – Sehr rasch - Nicht schnell - Frisch - Lebhaft - Balladenmässig. Sehr rasch - Einfach - Mit Humor - Wild und lustig - Zart und singend - Frisch - Mit gutem Humor - Wie aus der Ferne - Nicht schnell 3 AMICI DELLA MUSICA DI PADOVA ALEXANDER LONQUICH Alexander Lonquich è nato a Trier (Treviri), in Germania. Nel 1977 ha vinto il Primo Premio al Concorso Casagrande dedicato a Schubert. Da allora ha tenuto concerti in Giappone, Stati Uniti e nei principali centri musicali europei. La sua attività lo vede impegnato con direttori d’orchestra quali Claudio Abbado, Kurt Sanderling, Ton Koopman, Emmanuel Krivine, Heinz Holliger, Marc Minkowski. Particolare in tal senso è stato il rapporto mantenuto con Sandor Vègh e la Camerata Salzburg, di cui è tuttora regolare ospite nella veste di direttore-solista. -
New on Naxos the World’S Leading Classical Music Label
25years NEW ON NAXOS The World’s Leading Classical Music Label FEBRUARY 2012 Also Available on Blu-ray Audio This Month’s Other Highlights © Mark Dellas © 2012 Naxos Rights International Limited · Contact Us: [email protected] www.naxos.com · www.classicsonline.com · www.naxosmusiclibrary.com NEW ON NAXOS | FEBRUARY 2012 8.572441 Playing Time: 76:45 Edvard GRIEG (1843-1907) String Quartet in G minor Op 27 (arr Alf Årdal) String Quartet in F major (arr Alf Årdal) Arne NORDHEIM (1931-2010) • Rendezvous Oslo Camerata • Stephan Barratt-Due Grieg’s String Quartet in G minor has long established itself as one of the finest such works of the second half of the nineteenth century. The distinction of its thematic material, and its use in cyclical form, is reinforced by an ultimately victorious motto theme. The F major Quartet was written later, but remained unfinished, but it too is a fertile creation with a strong dance profile. Both works are heard in Alf Årdal’s imaginative arrangements for string orchestra. Arne Nordheim, Norway’s leading living composer, wrote Rendezvous as a quartet but expanded it in 1986. It is an intense, moving, and beautifully crafted work. Stephan Barratt-Due has been artistic director of the Barratt Due Institute of Music since 1985, a conservatory in Oslo founded in 1927 by his grandparents and now one of the main educational institutions of music in Norway. Barratt-Due is among the leading violin professors in Scandinavia, and under his leadership the Oslo Camerata has become increasingly in demand both nationally and internationally. -
Violin Concertos Orchestra Mozart Isabelle Faust Claudio Abbado Franz Liszt Violin Concertos
BERG • BEETHOVEN VIOLIN CONCERTOS ORCHESTRA MOZART ISABELLE FAUST CLAUDIO ABBADO FRANZ LISZT VIOLIN CONCERTOS ALBAN BERG (1885-1935) Violin Concerto ‘To the Memory of an Angel’ “À la mémoire d’un ange” / “Dem Andenken eines Engels” 1 | I. Andante - Allegretto 11’51 2 | II. Allegro - Adagio 16’07 LUDWIG VAN BEETHOVEN (1770-1827) Violin Concerto in D major op.61 Ré majeur / D-Dur 3 | I. Allegro ma non troppo - Adagio 22’55 4 | II. Larghetto 9’21 5 | III. Rondo allegro 8’34 Isabelle Faust, violin Orchestra Mozart Claudio Abbado Orchestra Mozart Flutes Chiara Tonelli, Mattia Petrilli Oboes Lucas Macias Navarro, Miriam Olga Pastor Burgos Clarinets Giammarco Casani, Maria Francesca Latella (Berg: bass clarinet) Erik Masera*, Manuela Vettori*” Alto saxophone* Alda Dalle Lucche Bassoons Guilhaume Santana, Zeynep Koyuoglu Contrabassoon Klaus Lohrer* Horns Alessio Allegrini, Giuseppe Russo, José Castello, Geremia Iezzi Trumpets Alexander Kirn, Jakob Gollien Trombones* Andrea Conti, Federico Gerato, Martin Schippers Tuba* Alessandro Fossi Timpani Robert Kendell Percussion* Giovanni Franco, Gabriele Lattuada Harp* Nabila Chajai Violins 1 Raphael Christ, Lorenza Borrani, Yunna Shevchenko, Henja Semmler Francesco Senese, Manuel Kastl, Giacomo Tesini, Tilman Büning Claudia Schmidt, Timoti Fregni, Andrea Mascetti, Gabrielle Shek Lavinia Morelli, Tim Summers Violins 2 Etienne Abelin, Gisella Curtolo, Michal Duris, Paolo Lambardi Nicola Bignami, Gian Maria Lodigiani, Jo Marie Sison, Federica Vignoni Jana Kuhlmann, Massimiliano Canneto, Gunilla Kerrich, -
Download Booklet
572441bk Grieg:570034bk Hasse 24/11/11 12:47 PM Page 4 Oslo Camerata Artistic Director: Stephan Barratt-Due The Oslo Camerata was established in 1998 and is much in demand in Norway and abroad. Regular tours have taken them GRIEG to prestigious festivals and concert-series in several European countries, India and South America. They have made recordings for Naxos as well as television recordings for the Norwegian National Channel. The repertoire of the ensemble spans from baroque to contemporary music, with commissioned works from both young and established composers. The String Quartets Oslo Camerata has collaborated with artists such as Mischa Maisky, Julian Rachlin, Truls Mørk, Christian Lindberg, Henning Kraggerud, Lidia Baich and Jeremy Menuhin, and is ensemble-in-residence at the renowned Barratt Due Institute of Music in Oslo. From 2008 the ensemble has, through funding by the Norwegian Ministry of Foreign Affairs, been involved in Arranged for String Orchestra Projeto Aprendiz in Niteroi, Brazil, a music project for children and young people in the favelas. The internationally renowned cellist Truls Mørk and violinist Henning Kraggerud are associated with the orchestra as principal guest leaders. www.oslocamerata.no NORDHEIM 1st violin: Stephan Barratt-Due, Camilla Kjøll, Carl Guido Gärtner, Henrik Myreng, Magnhild Skomedal Torvanger, Lina Marie Årnes • 2nd violin: Bård Monsen, Margrete Pettersen, Eleonore Darmon, Christiane Eidsten Dahl, Miriam Helms Ålien • Viola: Soon Mi Chung, Madelene Berg, Maria Syre, Eivind Holtsmark Ringstad Rendezvous Cello: Øystein Birkeland, Ole Eirik Ree, Tiril Dørum Bengtsson • Double bass: Natalie Radzik Stephan Barratt-Due Oslo Camerata • Stephan Barratt-Due Stephan Barratt-Due is a third generation violinist in a family with long musical traditions. -
Oslokammermusikkfestival.No › Pdf › Program › 2018.Pdf OSLO KAMMER MUSIKK FESTIVAL
17.–26. AUGUST 2018 OSLO KAMMER MUSIKK FESTIVAL PROGRAM KONSERTOVERSIKT Symfonisk åpning Strenger & tangenter Klassisk aften Trippel på lystslottet Fredag 17. august kl. 18.00 med Vilde Frang og venner med Hagen Quartett Lørdag 25. august kl. 12.00 Universitetets aula .................................... 11 Søndag 19. august kl. 17.00 Onsdag 22. august kl. 19.30 Oscarshall ................................................. 36 Gamle Logen ............................................. 19 Universitetets aula .................................... 27 For Formiddag på Lystslottet Dans i Edvard Griegs verden barn Lørdag 18. august kl. 14.00 Mat & musikk Bellmanns univers Lørdag 25. august kl. 14.00 Oscarshall slott ......................................... 13 Søndag 19. august kl. 20.00 Torsdag 23. august kl. 12.00 Oslo Konserthus ....................................... 39 Sporten på Frognerseteren ...................... 20 Roklubben, Bygdøy ................................... 29 En skandinavisk aften Breaking Bach Lørdag 18. august kl. 18.00 Galla- Lørdag 25. august kl. 20.00 Bach & Fauré Vill jubel konsert Oslo Konserthus ....................................... 15 Mandag 2. august kl. 18.00 Torsdag 23. august kl. 18.00 Oslo Domkirke .......................................... 41 Dronning Sonja KunstStall ....................... 21 Gamle Logen ............................................. 30 Tango! Ut av Oslo Lørdag 18. august kl. 21.00 Lyrikk & Musikk I Slottsbesøk med Mørk & Gimse Søndag 26. august kl. 13.00 Kavakava .................................................. -
Alexander Melnikov Piano / Fortepiano
ALEXANDER MELNIKOV PIANO / FORTEPIANO Alexander Melnikov graduated from the Moscow Conservatory under Lev Naumov. His most formative musical moments in Moscow include an early encounter with Svjatoslav Richter, who thereafter regularly invited him to festivals in Russia and France. He was awarded important prizes at eminent competitions such as the International Robert Schumann Competition in Zwickau (1989) and the Concours Musical Reine Elisabeth in Brussels (1991). Known for his often-unusual musical and programmatic decisions, Alexander Melnikov developed his career-long interest in historically informed performance practice early on. His major influences in this field include Andreas Staier and Alexei Lubimov. Melnikov performs regularly with distinguished period ensembles including the Freiburger Barockorchester, Musica Aeterna and Akademie fur̈ Alte Musik Berlin. As a soloist, Alexander Melnikov has performed with orchestras including the Royal Concertgebouw Orchestra, Gewandhausorchester Leipzig, Philadelphia Orchestra, NDR Elbphilharmonie Orchester, HR-Sinfonieorchester, Munich Philharmonic, Rotterdam Philharmonic and BBC Philharmonic, under conductors such as Mikhail Pletnev, Teodor Currentzis, Charles Dutoit, Paavo Jarvï and Valery Gergiev. Together with Andreas Staier, Alexander Melnikov recorded a unique all-Schubert programme of four-hand pieces, which they have also performed in concert. An essential part of Melnikov’s work is intensive chamber music collaboration with partners including cellist Jean-Guihen Queyras. Alexander Melnikov’s association with the label harmonia mundi arose through his regular recital partner, violinist Isabelle Faust, and in 2010 their complete recording of the Beethoven sonatas for violin and piano won a Gramophone Award. This album, which has become a landmark recording for these works, was also nominated for a Grammy. -
Franz Schubert
FRANZ SCHUBERT oktett ISABELLE FAUST ANNE KATHARINA SCHREIBER | DANUSHA WASKIEWICZ | KRISTIN VON DER GOLTZ JAMES MUNRO | LORENZO COPPOLA | JAVIER ZAFRA | TEUNIS VAN DER ZWART FRANZ LISZT FRANZ SCHUBERT (1797-1828) Oktett D. 803 for clarinet, horn, bassoon, 2 violins, viola, cello and double bass F major / Fa majeur / F-Dur 1 | I. Adagio. Allegro 15’09 2 | II. Adagio 11’24 3 | III. Allegro vivace - Trio 5’51 4 | IV. Andante - Var. I-VII 12’10 5 | V. Menuetto. Allegretto - Trio 7’16 6 | VI. Andante molto - Allegro - Andante molto - Allegro molto 9’05 Fünf Menuette mit sechs Trios D. 89 Arrangement for octet by Oscar Strasnoy 7 | No. 3 5’21 8 | No. 5 3’50 Isabelle Faust, violin A. Stradivarius “Sleeping Beauty”, 1704 Anne Katharina Schreiber, violin anon., Holland, c. 1700 Danusha Waskiewicz, viola anon., Bohemia, c. 1860 Kristin von der Goltz, cello anon., Vienna, c. 1800 James Munro, double bass G. Panormo, London, 1827 Lorenzo Coppola, clarinets, 11-key B flat clarinet after A. Rorarius, Vienna, c. 1820; copy by Agnès Guéroult, Paris, 2010 - 6-key C clarinet after J. B. Merklein, Vienna, c. 1810; copy by Agnès Guéroult, Paris, 2010 Teunis van der Zwart, horn Courtois neveu aîné, Paris, 1802 Javier Zafra, bassoon W. Triebert, Paris, 1805 , l’Andante est un mouvement à variations. Schubert en emprunte le thème au duo no 12, “Gelagert unter’m Per aspera ad astra : hellen Dach der Bäume” (“Étendu dessous le couvert lumineux des arbres”), de son Singspiel Die Freunde von l’Octuor D. 803 de Schubert et le “chemin vers la grande symphonie” Salamanka D. -
8Th International German Piano Award 2018 OFFICIAL OPENING CONCERT of the FRANKFURT MUSIC FAIR April 7Th to April 9Th 2018 Great Hall · Alte Oper Frankfurt M U R O F
8th International German Piano Award 2018 OFFICIAL OPENING CONCERT OF THE FRANKFURT MUSIC FAIR April 7th to April 9th 2018 Great Hall · Alte Oper Frankfurt m u r o F o n a i P l a n o i t a n r e t n I | r e u e M a n n A © · 7 1 0 2 U L C I R E e t a e r u a L , t r u f k n a r F r e p O e t l A l l a h t a e r G VALERY GERGIEV ARTISTIC PATRON OF THE INTERNATIONAL PIANO FORUM Ladies and Gentlemen, Both countries, Germany and Russia, are con- nected to the deep, magnificent and won- derful roots of classical music. Like no other language, music brings people, cultures and generations together. It is understood across all national borders. Its inexhaustible power, beauty and purity give me the inner strength to stand up for cultural identity, friendship and peace. Which is why it is a great honour for me to act as the cultural patron of the International Piano Forum, which awards the International German Piano Award every year. The International Piano Forum promotes brilliant piano talents worldwide with great dedication and supports them in making an international stage career – a challenge I am pleased to accompany. Through the connection between the Tchaikovsky Competition and the International German Piano Award, even more musical bridges will be built between the two countries. The secret of music lies in always making it sound alive, allowing everyone to feel the warmth and life hidden within it and creating from it an emotional story.