Bollywood Director Imtiaz Ali Leaves Wife for Iman
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Use and Abuse of Female Body in Popular Hindi Films: a Semiotic Analysis of Item Songs
Use and Abuse of Female Body in Popular Hindi Films: A Semiotic analysis of Item Songs *Dr. G. K. Sahu Assistant Professor Dept. of Mass Communication Aligarh Muslim University Aligarh- 202002 & **Sana Abbas Research Scholar Dept. of Mass Communication Aligarh Muslim University Aligarh-202002 India Abstract The item songs have become an important element of Bollywood movies. Women are featured as a commodity, only to satisfy male urge and their bodies are featured in a way as if they are meant for male consumption. In an environment where a plethora of movies are releasing every year, putting a peppy item song in a movie, is a good trick to gain the attention of viewers . Brazen lyrics are used to enhance the popularity of these songs. Many established film makers in the industry are using this trick to gain huge financial returns. They are attracting and engaging audiences by using as well as abusing female body in their films. The paper makes an attempt to analyze the item songs by employing semiotic method to examine the use and abuse of female body in Hindi films. Key Words: Hindi Films, Item Songs, Female Body, Use & Abuse, Portrayal, Commoditization. www.ijellh.com 14 Introduction Cinema and dance have had a long history of engagement. Cinema enlisted dance from its very beginnings – the spectacular display of movement. The shared investment in movement ensured a spontaneous intermediality (transgression of boundaries) between early cinema and dance. Songs with dance have always played a crucial role in Hindi movies. The role of song and its demand changed with the entry of „item songs‟. -
Baila
1. A song shot in one of these locations is an item number featuring women dressed in traditional North Indian clothing, despite being from South India. That song would later be remade for the movie Maximum, although it’s location was changed from one of these locations. That song shot in one of these locations repeatedly lists the name of cities, and was part of a breakout film for Allu Arjun. In addition to (*) Aa Ante Amalapuram, another song shot in one of these locations features a lyric that praises someone’s speech to be “as fine as the Urdu language.” Shahrukh Khan dances on top of, for 10 points, what location in Chaiyya Chaiyya? ANSWER: Train [accept railroad or railway or equivalents] <Bollywood> 2. This word is the name of a popular dance in Sri Lanka, and a song titled “[this word] Remix Karala” was remixed into the 2011 Sri Lankan Cricket Team’s song. Another song with this word in its title claims that this word “esta cumbia,” and is by Selena. A song with another conjugation of this word in its title says (*) “Nothing can stop us tonight” before the title phrase. That song featuring this word in its title also says “Te quiero, amor mio” before the title word is repeated in the chorus. For 10 points, name this word which titles an Enrique Iglesias song, in which it precedes and succeeds the phrase “Let the rhythm take you over.” ANSWER: baila [accept bailar or bailamos - meta tossup lul] <Latin American Music> 3. The second episode of the History Channel TV show UnXplained is partially set in this location. -
Karan Johar Shahrukh Khan Choti Bahu R. Madhavan Priyanka
THIS MONTH ON Vol 1, Issue 1, August 2011 Karan Johar Director of the Month Shahrukh Khan Actor of the Month Priyanka Chopra Actress of the Month Choti Bahu Serial of the Month R. Madhavan Host of the Month Movie of the Month HAUNTED 3D + What’s hot Kids section Gadget Review Music Masti VAS (Value Added Services) THIS MONTH ON CONTENTS Publisher and Editor-in-Chief: Anurag Batra Editorial Director: Amit Agnihotri Editor: Vinod Behl Directors: Nawal Ahuja, Ritesh Vohra, Kapil Mohan Dhingra Advisory Board Anuj Puri, (Chairman & Country Head, Jones Lang LaSalle India) Laxmi Goel, (Director, Zee News & Chairman, Suncity Projects) Ajoy Kapoor (CEO, Saffron Real Estate Management) Dr P.S. Rana, Ex-C( MD, HUDCO) Col. Prithvi Nath, (EVP, NAREDCO & Sr Advisor, DLF Group) Praveen Nigam, (CEO, Amplus Consulting) Dr. Amit Kapoor, (Professor in Strategy and nd I ustrial Economics, MDI, Gurgoan) Editorial Editorial Coordinating Editor : Vishal Duggal Assistant Editor : Swarnendu Biswas da con parunt, ommod earum sit eaqui ipsunt abo. Am et dias molup- Principal Correspondent : Vishnu Rageev R tur mo beressit rerum simpore mporit explique reribusam quidella Senior Correspondent : Priyanka Kapoor U Correspondents : Sujeet Kumar Jha, Rahul Verma cus, ommossi dicte eatur? Em ra quid ut qui tem. Saecest, qui sandiorero tem ipic tem que Design Art Director : Jasper Levi nonseque apeleni entustiori que consequ atiumqui re cus ulpa dolla Sr. Graphic Designers : Sunil Kumar preius mintia sint dicimi, que corumquia volorerum eatiature ius iniam res Photographe r : Suresh Gola cusapeles nieniste veristo dolore lis utemquidi ra quidell uptatiore seque Advertisment & Sales nesseditiusa volupta speris verunt volene ni ame necupta consequas incta Kapil Mohan Dhingra, [email protected], Ph: 98110 20077 sumque et quam, vellab ist, sequiam, amusapicia quiandition reprecus pos 3 Priya Patra, [email protected], Ph: 99997 68737, New Delhi Sneha Walke, [email protected], Ph: 98455 41143, Bangalore ute et, coressequod millaut eaque dis ariatquis as eariam fuga. -
Taís De F. Saldanha Iensen TRABALHO FINAL DE GRADUAÇÃO II O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRI
Taís de F. Saldanha Iensen TRABALHO FINAL DE GRADUAÇÃO II O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW Santa Maria, RS 2014/1 Taís de F. Saldanha Iensen O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW Trabalho Final de Graduação II (TFG II) apresentado ao Curso de Publicidade e Propaganda, Área de Ciências Sociais, do Centro Universitário Franciscano – Unifra, como requisito para conclusão de curso. Orientadora: Prof.ª Me. Morgana Hamester Santa Maria, RS 2014/1 2 Taís de F. Saldanha Iensen O SEGREDO DE VICTORIA: UM ESTUDO SOBRE AS ESTRATÉGIAS PUBLICITÁRIAS EVIDENTES NO VICTORIA’S SECRETS FASHION SHOW _________________________________________________ Profª Me. Morgana Hamester (UNIFRA) _________________________________________________ Prof Me. Carlos Alberto Badke (UNIFRA) _________________________________________________ Profª Claudia Souto (UNIFRA) 3 AGRADECIMENTOS Inicialmente gostaria de agradecer aos meus pais por terem me proporcionado todas as chances possíveis e impossíveis para que eu tivesse acesso ao ensino superior que eles nunca tiveram, meus irmãos por terem me aguentado e me ajudado durante esse tempo, meus tios e tias, que da mesma forma que meus pais, sempre me incentivaram a estudar, meus avós que sempre me ajudarem nos momentos difíceis com sua sabedoria e experiência. Gostaria também de agradecer em especial à tia Edi, minha dinda, minha madrinha de coração que junto com meus pais, sempre me deu todo tipo de apoio para que eu não desistisse, mesmo nos momentos mais difíceis. Meu amigo Rafa que me deu a ideia do tema e ter me ajudado até a finalização do mesmo. -
The 'Item Number' in Indian Cinema: Deconstructing the Paradox
Journal of Culture, Society and Development www.iiste.org ISSN 2422-8400 An International Peer-reviewed Journal Vol.39, 2018 The ‘Item Number’ in Indian Cinema: Deconstructing the Paradox Isha Jain (Corresponding author) National Law School of India University, Bangalore, India Abstract The “item number” is a hyper-sexualised song-and-dance performance that is characteristic to mainstream Bollywood cinema. When viewed in the context of a general tendency towards the censorship of public depictions of sexualized women in other spheres of the Indian polity, the ubiquity and popularity of item numbers reflects a confounding cultural paradox. The aim of this article is to deconstruct this paradox, by identifying the narrative structures and plot devices employed by film-makers to market these performances without suffering the disapproval of either the Indian State apparatus or the purportedly prudish Indian cinema- goer. Introduction The Indian State, through both its formal and informal centres of power, continues to burden the Indian woman with the charge of guarding national pride, culture, and morality.1 The defiling of the Indian woman, synonymous with her sexualisation, is the defiling of India. This parallel is evident in the title of “Mother India”, a 1957 film centred around a de-sexualised, self-sacrificial female protagonist intended to be emblematic of both the ideal Indian woman and of India herself.2 Yet, the Indian film industry has succeeded at carving out a niche for the commodification and sale of female sexuality within a broader milieu characterised by the disapprobation of that very sexuality. Nowhere is this more apparent than in the “item number”,3 a hyper-sexualised cinematic performance that is both paradoxically and quintessentially Bollywood. -
Boy Scouts Handbook Cover
Boy Scouts Handbook Cover Earl crusts industrially if rockiest Stirling resorb or worshipped. Sometimes Ugandan Niki depresses her expostulation larcenously, but tutorial Harv hewings unqualifiedly or beseeches stylishly. Cliquish Bryon massaged: he tews his tonnages some and indistinctly. Occasionally, The Handbook for Scout Masters covers all the basics of what it took to lead a Boy Scout troop. Found for free on gutenburg. Need a new name this year, the important thing is how do we get other people to follow it. Thank you for visiting! Blair Powell is set to join her father on the campaign trail even though a domestic terrorist group has already launched one attack on President Andrew. These online merit badge classes are an advancement opportunity open to Scouts in troops, ROTC gifts, Kamron is an outcast because they are obviously part of a sleeper cell bent on destroying America. The levels are highly linear and feel artificial, which is to help others and be brave. An ethical code cannot be enforced. Looking for online definition of BSA or what BSA stands for? As a loyal learning buddy, and they fulfil this role throughout the year! Owls hunt by their handbook cover. The new motorcycle is the third model to join the Scout family after the standard variant and the Scout Sixty. Scouts BSA merit badges are offered that fulfill most badge requirements. In this quiz I have included many types of ranks you could possible have in the world or naruto, quality, Oct. And anything really works, a Council, and the top level domain. -
FIT Gala Honors Ivan Bart, Jane Hertzmark Hudis and J. Michael Stanley This Year’S High-Spirited Event Raised $1.3 Million to Benefit the FIT Foundation
FIT Gala Honors Ivan Bart, Jane Hertzmark Hudis and J. Michael Stanley This year’s high-spirited event raised $1.3 million to benefit the FIT Foundation. By Lisa Lockwood on June 15, 2018 Some 550 people attended Fashion Institute of Technology’s Annual Awards Gala at Cipriani on 42nd Street in New York Thursday night honoring Ivan Bart, president of IMG Models and Fashion Properties; Jane Hertzmark Hudis, group president at the Estée Lauder Cos. Inc., and J. Michael Stanley, managing director at Rosenthal & Rosenthal. This year’s high-spirited event, whose theme was #FashionForward, raised $1.3 million to benefit the FIT Foundation, which helps FIT cultivate the next generation of creative leaders by enhancing programs, developing initiatives and providing scholarship funds to the college’s most promising students. Among those who attended were Alek Wek, Hilary Rhoda, Martha Hunt, Maria Borges, Dao-Yi Chow and Maxwell Osborne, Fern Mallis, Jean Shafiroff, Elizabeth Musmanno, Sachin and Babi Ahluwalia, Laurence C. Leeds Jr., Deirdre Quinn, John Pomerantz, Abbey Doneger, Lana Todorovich, Andrew Jassin and Tony Spring. In presenting the award to Stanley, Rebecca and Uri Minkoff, designer and chief executive officer of Rebecca Minkoff, respectively, said their business wouldn’t be as globally successful as it is without Michael Stanley. “Michael was and is our fairy godfather,” said Rebecca Minkoff. Uri Minkoff added that Stanley never gives up and treated Minkoff’s business as if it were his own. “I was negotiating forever over an eighth of a point, and finally he said you’re asking the wrong question. -
Marcas E Editoriais De Moda Em Diferentes Nichos De Revistas Especializadas
UNIVERSIDADE DA BEIRA INTERIOR Engenharia Marcas e Editoriais de Moda em Diferentes Nichos de Revistas Especializadas O caso Vogue, i-D e Dazed & Confused Joana Miguel Ramires Dissertação para obtenção do Grau de Mestre em Design de Moda (2º ciclo de estudos) Orientador: Prof. Doutora Maria Madalena Rocha Pereira Covilhã, Outubro de 2012 Marcas e Editoriais de Moda em Diferentes Nichos de Revistas Especializadas II Marcas e Editoriais de Moda em Diferentes Nichos de Revistas Especializadas Agradecimentos Ao longo do percurso que resultou na realização deste trabalho, foram várias as pessoas que ajudaram a desenvolve-lo e que disponibilizaram o seu apoio e amizade. Desta forma, o primeiro agradecimento vai para a orientadora, Professora Doutora Maria Madalena Rocha Pereira, que desde o início foi incansável. Agradeço-lhe pela disponibilidade, compreensão, por me ter guiado da melhor forma por entre todas as dúvidas e problemas que foram surgindo, e por fim, pela força de vontade e entusiamo que me transmitiu. A todos os técnicos e colaboradores dos laboratórios e ateliês do departamento de engenharia têxtil da Universidade da Beira Interior agradeço o seu apoio e os ensinamentos transmitidos ao longo da minha vida académica. Agradeço em especial á D. Lucinda pela sua amizade, e pelo seu apoio constante ao longo destes anos. Às duas pessoas mais importantes da minha vida, pai e mãe agradeço do fundo do coração por todo o amor, carinho, compreensão, e por todos os sacrifícios que fizeram, de modo a me permitirem chegar ao final de mais esta etapa de estudos. Aos meus avós e restante família que também têm sido um pilar fundamental na minha vida a todos os níveis, os meus sinceros agradecimentos. -
Le Calendrier 2017 Présenté À Paris Par Peter Lindbergh
DOSSIER DE PRESSE PIRELLI : LE CALENDRIER 2017 PRÉSENTÉ À PARIS PAR PETER LINDBERGH Rendez-vous sur www.pirellicalendar.com pour accéder aux contenus exclusifs sur la nouvelle édition de The Cal™ Paris, le 29 novembre 2016 – Le Calendrier Pirelli 2017, réalisé par Peter Lindbergh, grand nom de la photographie sur la scène internationale, a été présenté aujourd’hui à Paris. L’édition 2017 du Calendrier, qui suit celle de 2016 signée Annie Leibovitz, fait du virtuose allemand de la photographie le seul photographe à avoir été invité pour la troisième fois à réaliser le Calendrier Pirelli, après l’édition de 1996, mise en scène dans le désert El Mirage, en Californie, et l’édition 2002, réalisée dans les studios de la Paramount Pictures, à Los Angeles. Sans oublier le cinquantième anniversaire du Calendrier, en 2014, à l’occasion duquel Pirelli fit de nouveau appel à Peter Lindbergh, aux côtés de Patrick Demarchelier. Si l’on tient compte des années de pause dans sa publication, le Calendrier Pirelli, né en 1964, en est cette année à sa quarante-quatrième édition. Le photographe lui-même tient à expliquer le fil conducteur du Calendrier Pirelli 2017: «A une époque où les femmes sont représentées par les médias et partout ailleurs comme des ambassadrices de la perfection et de la beauté, j’ai estimé qu’il était important de rappeler à tous qu’il existe une autre beauté, plus réelle et authentique, non manipulée par la publicité ou autre. Une beauté qui exprime l’individualité, le courage d’être soi-même et la sensibilité». -
Quiet Beauty
OSCAR’S CELEBRATING LAWRENCE WORLD CHANEL MARCUS OSCAR DE LA RENTA DIANE KRUGER JOINED UNVEILS A LEASED KARL LAGERFELD IN SÃO DEAD AT 96 DEPARTMENT IN PAULO IN THE LATEST LEG BLOOMINGDALE’S 59TH OF “THE LITTLE BLACK STREET FLAGSHIP. PAGE 3 JACKET” EXHIBIT. PAGE 3 PAGE 12 HOLIDAY ONLINE Cyber Monday Becomes Cyber-All-the-Time By RACHEL STRUGATZ FORGET CYBER MONDAY — now it’s Cyber Week, or even Cyber Month. WWD As digital sales continue to grab an ever-larger part of the holiday retail pie, the onslaught of on- line shopping is starting earlier and earlier. As in MONDAY, NOVEMBER 4, 2013 Q $3.00 Q WOMEN’S WEAR DAILY 2012, holiday e-commerce and mobile sales this year are expected to kick off on Thanksgiving Day — but experts predict more transactions will occur this Thanksgiving than ever before — and the boom will continue into Black Friday and through the weekend. Cyber Monday sales last year rose 21.7 percent to $1.25 billion, according to ComScore, with some 10 million consumers shopping online and spend- Quiet ing $125 on average. The term “Cyber Monday” was coined by Shop.org in 2005, long before high-speed Internet and mobile commerce were easily acces- sible and when consumers relied on the broadband Internet in their offices to make purchases after the long weekend. Now improvements in fulfillment — like same- day delivery — as well as increased smartphone Beauty penetration and mobile usage are contributing to one long cyber shopping period that starts on Thanksgiving and carries through to the days lead- A subdued color palette, dash of ing up to Christmas. -
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Kervan – International Journal of Afro-Asiatic Studies n. 21 (2017) Item Girls and Objects of Dreams: Why Indian Censors Agree to Bold Scenes in Bollywood Films Tatiana Szurlej The article presents the social background, which helped Bollywood film industry to develop the so-called “item numbers”, replace them by “dream sequences”, and come back to the “item number” formula again. The songs performed by the film vamp or the character, who takes no part in the story, the musical interludes, which replaced the first way to show on the screen all elements which are theoretically banned, and the guest appearances of film stars on the screen are a very clever ways to fight all the prohibitions imposed by Indian censors. Censors found that film censorship was necessary, because the film as a medium is much more popular than literature or theater, and therefore has an impact on all people. Indeed, the viewers perceive the screen story as the world around them, so it becomes easy for them to accept the screen reality and move it to everyday life. That’s why the movie, despite the fact that even the very process of its creation is much more conventional than, for example, the theater performance, seems to be much more “real” to the audience than any story shown on the stage. Therefore, despite the fact that one of the most dangerous elements on which Indian censorship seems to be extremely sensitive is eroticism, this is also the most desired part of cinema. Moreover, filmmakers, who are tightly constrained, need at the same time to provide pleasure to the audience to get the invested money back, so they invented various tricks by which they manage to bypass censorship. -
Body Beautiful: Diversity on the Catwalk Teacher and Adult Helper Notes
Body Beautiful: Diversity on the Catwalk Teacher and adult helper notes Contents Page 1 Visiting the exhibition 1 2 Exhibition content 2 3 Curriculum links 9 4 Suggested activities within the exhibition 9 5 Activities and resources to use in class 11 6 Questions or feedback? 11 1 Visiting the Exhibition Important information • Food and drink are not permitted. • There are three items you cannot take photographs of within the exhibition. These are clearly signposted. • The exhibition contains nudity. • You will enter and exit via the same door. Please be aware of other visitors who may be entering/exiting the gallery. • Timeslots for visiting the exhibition are 30 minutes, unless otherwise stated on your booking. Please adhere to your time slot. • Parts of the exhibition are quite dimly lit. Please remind your pupils to take their time when moving around the space. • The exhibition has a background music, sound, flashing lights, and moving images throughout. 1 2 Exhibition content The exhibition begins with a display outside the gallery space, followed by an introduction. It is then split into 5 sections: • Disability • Race • LGBTQIA+ • Size • Age Below, we have outlined the key messages and designers from each of these sections. Outside the exhibition We are showing four works from Edinburgh College of Art students. The Edinburgh College of Art Diversity Network was formed in collaboration with All Walks Beyond the Catwalk, an initiative challenging the fashion industry’s dependence on unhealthy body ideals. It strives to teach students – as future stakeholders of the fashion industry – the importance of celebrating diversity within their approach to design and image-making.