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February 1920
ii^^ir^?!'**i r*sjv^c ^5^! J^^M?^J' 'ir ^M/*^j?r' ?'ij?^'''*vv'' *'"'**'''' '!'<' v!' '*' *w> r ''iw*i'' g;:g5:&s^ ' >i XA. -*" **' r7 i* " ^ , n it A*.., XE ETT XX " " tr ft ff. j 3ty -yj ri; ^JMilMMIIIIilllilllllMliii^llllll'rimECIIIimilffl^ ra THE lot ARC HIT EC FLE is iiiiiBiicraiiiEyiiKii! Vol. XLVII. No. 2 FEBRUARY, 1920 Serial No. 257 Editor: MICHAEL A. MIKKELSEN Contributing Editor: HERBERT CROLY Business Manager: ]. A. OAKLEY COVER Design for Stained Glass Window FAGS By Burton Keeler ' NOTABLE DECORATIVE SCULPTURES OF NEW YOKK BUILDINGS _/*' 99 .fiy Frank Owen Payne WAK MEMORIALS. Part III. Monumental Memorials . 119 By Charles Over Cornelius SOME PRINCIPLES OF SMALL HOUSE DESIGN. Part IV. Planning (Continued) .... .133 By John Taylor Boyd, Jr. ENGLISH ARCHITECTURAL DECORATION. Part XIII. 155 By Albert E. Bullock PORTFOLIO OF CURRENT ARCHITECTURE . .169 ST. PHILIP'S CHURCH, Brunswick County, N. C. Text and Meas^ ured Drawings . .181 By N. C. Curtis NOTES AND COMMENTS . .188 Yearly Subscription United States $3.00 Foreign $4.00 Single copies 35 cents. Entered May 22, 1902, as Second Class Matter, at New York, N. Y. Member Audit Bureau of Circulation. PUBLISHED MONTHLY BY THE ARCHITECTURAL RECORD COMPANY 115-119 FOFvIlt I i I IStt I, NEWINCW YORKTUKN WEST FORTIETHM STREET, H v>^ E. S. M tlli . T. MILLER, Pres. W. D. HADSELL, Vice-Pres. J. W. FRANK, Sec'y-Treas. DODGE. Vice-Pre* ' "ri ti i~f n : ..YY '...:.. ri ..rr.. m. JT i:c..."fl ; TY tn _.puc_. ,;? ,v^ Trrr.^yjL...^ff. S**^ f rf < ; ?SIV5?'Mr ^7"jC^ te :';T:ii!5ft^'^"*TiS t ; J%WlSjl^*o'*<JWii*^'J"-i!*^-^^**-*''*''^^ *,iiMi.^i;*'*iA4> i.*-Mt^*i; \**2*?STO I ASTOR DOORS OF TRINITY CHURCH. -
Read Ebook {PDF EPUB} Field Guide to the Water Life
Read Ebook {PDF EPUB} Field Guide To The Water Life Of Britain by Reader's Digest Association Britain's Butterflies A Field Guide to the Butterflies of Great Britain and Ireland. Britain’s Butterflies is a comprehensive and beautifully designed photographic field guide to the butterflies of Britain and Ireland. Containing hundreds of stunning colour photographs, the fourth edition has been extensively revised and updated, and provides the latest information on every species ever recorded. It covers in detail the identification of all 59 butterfly species that breed regularly, as well as four former breeders, 10 rare migrants and one species of unknown status. The easy-to-use format will enable butterfly watchers – beginners or experts – to identify any species they encounter. Produced in association with Butterfly Conservation, the fourth edition features new introductory sections on the identification of more difficult groups; revised maps that show the latest distributions recorded by the UK Butterfly Monitoring Scheme; expanded sections on food plants and on recording and monitoring; a new section on climate change; and a revised species order reflecting the latest taxonomy. Customer Reviews. Biography. David Newland has been a butterfly enthusiast since boyhood. He is the author of Discover Butterflies in Britain and the coauthor of Britain's Day- flying Moths (both WILDGuides). Robert Still , the cofounder of WILDGuides, is an ecologist and graphic artist, and has designed more than thirty of its titles. Andy Swash , the managing director of WILDGuides, is an ecologist and wildlife photographer. Swash and Still are the coauthors of a number of books, including Britain's Habitats , Britain's Dragonflies , Britain's Day-flying Moths and Britain's Sea Mammals (all WILDGuides). -
Broadway Triangle Redevelopment Project Williamsburg, Brooklyn, New York
BROADWAY TRIANGLE REDEVELOPMENT PROJECT WILLIAMSBURG, BROOKLYN, NEW YORK PHASE IA CULTURAL RESOURCE ASSESSMENT Prepared For: New York City Department of Housing Preservation and Development New York, New York Prepared By: The Louis Berger Group, Inc. New York, New York February 2009 BROADWAY TRIANGLE REDEVELOPMENT PROJECT, WILLIAMSBURG, BROOKLYN, NEW YORK PHASE IA CULTURAL RESOURCE ASSESSMENT Prepared For: New York City Department of Housing Preservation and Development New York, New York Prepared By: Tina Fortugno, RPA Zachary J. Davis, RPA Deborah Van Steen The Louis Berger Group, Inc. New York, New York February 2009 EXECUTIVE SUMMARY The New York City Department of Housing Preservation and Development (HPD) is seeking discretionary actions in order to facilitate the redevelopment of a nine-block area known as Broadway Triangle, located in Williamsburg, Brooklyn. The Proposed Action includes zoning map amendments to generally rezone the existing M1-2 Manufacturing District to Residential and Commercial Districts; zoning text amendments to establish Inclusionary Housing in the proposed R6A and R7A zoning districts; the disposition of City-owned properties; Urban Development Action Area Projects designation; the modification of an Urban Renewal Plan; and City Acquisition through eminent domain. The Project Area encompasses approximately 31 acres and is generally bounded by Flushing Avenue to the south, Throop Avenue to the east, Lynch Street to the north, and Union Avenue, Walton Street, and Harrison Avenue to the west. As part of this action, the HPD is undertaking an Environmental Impact Statement (EIS) for the proposed Broadway Triangle Redevelopment Project. Consideration for cultural resources, including both archaeological and historic architectural resources, must be undertaken as part of the City Environmental Quality Review (CEQR) process. -
Non -Destructive Entry Magazine
#3#3 Non-Destructive Entry Magazine Medecoder ABUS Plus Ingersoll Tiger Team And More! MayMay FOR LOCKSPORT! 20082008 WelcomeWelcome For Locksport! I received a message the other night. It was Amanda, a friend of mine who has recently taken up lockpicking. She was complaining that the challenge lock I left at her house had pricked her with a metal splinter. I told her I was sorry, she simply replied: “I HAVE BLED FOR LOCKSPORT!” I have too actually, when I first tried to make my own picks. In fact, in an informal survey I found that 100% of NDE readers who were surveyed have bled for locksport. A staggering percentage! We give our blood to these locks and it’s worth remembering what they give to us. Locks provide us not just with physical safety, but with peace of mind. They are a staple of the civilized world. A lock says “someone owns this, it’s not for you.” It’s the dividing line between the public and the private. And for the lockpicker? A lock presents a chal- lenge, a never-ending supply of new puzzles and as our hobby grows. Fueled as every- thing is now, by the internet, we see more collaboration, faster progress and ever more clever solutions to the problems the locks pose. However, there are new challenges that we should have seen coming. Specifically, how to disclose this information. The trouble is, when we get excited at our discovery and bound off to tell as many people as we can, we are celebrating what a lock means for us, it’s been conquered, the puzzle solved, the code deciphered. -
The Lock Collector from Tony Beck January/March 2006 Issue No
The Lock Collector From Tony Beck January/March 2006 Issue No. 10 All Ri ghts Reserved. Copyright ©, R. A. Beck 2006. Editor’s Note: This issue extends the miserly single page biography of Edwin C otterill included in the last one! He stands highly amongst the greatest English lock inventors, particularly for his Climax Det ector lock patented in 1846. This issue contains Part 2: His Middle Age and Lock Inventions. The final Part 3 will follow next i ssue. Most of us will know of Willenhall Lock Museum’s demise and transformation to The Locksmith’s House. All this involved co nsiderable change when the Black Country Living Museum became the new owners in May 2003. Richard Hopkins, who helped them to de al with the complexities of cataloguing the Locks, Keys and Archive material, has kindly contributed an article setting out what was involved. I do hope it will be found interesting, and perhaps some questions will arise. Like - will an Inventory of all the locks, keys and archives be sometime available to view? Does the Museum intend to consult with lock collectors on what items are to be exhibited in the Locksmith’s House apart from those initially on show? Also what plans are there to introduce the Museum’s exhibits held in BCLM’s Dudley store to public view? It’s certainly sad to see the opportunity lost that might have seen finance being provided to expand and create a fine Museum dedicated to locks and keys; like there is in Austria, France, German y, Holland, U.S.A., etc. -
Fine Books and Manuscripts Books Fine
Wednesday 21 March 2018 21 March Wednesday FINE BOOKS AND MANUSCRIPTS FINE BOOKS AND MANUSCRIPTS | Knightsbridge, London | Wednesday 21 March 2018 24633 FINE BOOKS AND MANUSCRIPTS Wednesday 21 March 2018 at 10am Knightsbridge, London BONHAMS ENQUIRIES Please see page 2 for bidder Montpelier Street Matthew Haley information including after-sale Knightsbridge Simon Roberts collection and shipment. London SW7 1HH Luke Batterham www.bonhams.com Sarah Lindberg Please see back of catalogue +44 (0) 20 7393 3828 for important notice to bidders VIEWING +44 (0) 20 7393 3831 Sunday 18 March ILLUSTRATIONS 11am - 3pm Shipping and Collections Front cover: Lot 83 Monday 19 March Leor Cohen Back cover: Lot 245 9am - 4.30pm +44 (0) 20 7393 3841 Tuesday 20 March +44 (0) 20 7393 3879 Fax 9am - 4.30pm [email protected] Please note that Bonhams will be closed Friday 30 March BIDS PRESS ENQUIRIES 2018 – Monday 2 April 2018 +44 (0) 20 7447 7447 [email protected] for the Easter Holiday. +44 (0) 20 7447 7401 fax [email protected] CUSTOMER SERVICES To bid via the internet Monday to Friday please visit www.bonhams.com 8.30am – 6pm +44 (0) 20 7447 7447 New bidders must also provide proof of identity when submitting LIVE ONLINE BIDDING IS bids. Failure to do this may result AVAILABLE FOR THIS SALE in your bids not being processed. Please email [email protected] with “Live bidding” in the subject Please note that bids should be line up to 48 hours before the submitted no later than 4pm on auction to register for this service. -
The Spectacle of Security: Lock-Picking Competitions and the Security Industry in Mid-Victorian Britain
This is a repository copy of The spectacle of security: lock-picking competitions and the security industry in mid-Victorian Britain. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/83078/ Version: Accepted Version Article: Churchill, D (2015) The spectacle of security: lock-picking competitions and the security industry in mid-Victorian Britain. History Workshop Journal, 80 (1). 52 - 74. ISSN 1363-3554 https://doi.org/10.1093/hwj/dbv018 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Spectacles of Security: Lock-Picking Competitions and the Emergence of the British Security Industry in the Mid-Nineteenth Century David Churchill [This article is forthcoming in the History Workshop Journal.] Despite decades of research on the history of crime, policing and punishment, historical work on security remains in its infancy. -
Dick Polich in Art History
ww 12 DICK POLICH THE CONDUCTOR: DICK POLICH IN ART HISTORY BY DANIEL BELASCO > Louise Bourgeois’ 25 x 35 x 17 foot bronze Fountain at Polich Art Works, in collaboration with Bob Spring and Modern Art Foundry, 1999, Courtesy Dick Polich © Louise Bourgeois Estate / Licensed by VAGA, New York (cat. 40) ww TRANSFORMING METAL INTO ART 13 THE CONDUCTOR: DICK POLICH IN ART HISTORY 14 DICK POLICH Art foundry owner and metallurgist Dick Polich is one of those rare skeleton keys that unlocks the doors of modern and contemporary art. Since opening his first art foundry in the late 1960s, Polich has worked closely with the most significant artists of the late 20th and early 21st centuries. His foundries—Tallix (1970–2006), Polich of Polich’s energy and invention, Art Works (1995–2006), and Polich dedication to craft, and Tallix (2006–present)—have produced entrepreneurial acumen on the renowned artworks like Jeff Koons’ work of artists. As an art fabricator, gleaming stainless steel Rabbit (1986) and Polich remains behind the scenes, Louise Bourgeois’ imposing 30-foot tall his work subsumed into the careers spider Maman (2003), to name just two. of the artists. In recent years, They have also produced major public however, postmodernist artistic monuments, like the Korean War practices have discredited the myth Veterans Memorial in Washington, DC of the artist as solitary creator, and (1995), and the Leonardo da Vinci horse the public is increasingly curious in Milan (1999). His current business, to know how elaborately crafted Polich Tallix, is one of the largest and works of art are made.2 The best-regarded art foundries in the following essay, which corresponds world, a leader in the integration to the exhibition, interweaves a of technological and metallurgical history of Polich’s foundry know-how with the highest quality leadership with analysis of craftsmanship. -
September/October 2010 Issu E 24 – $14.00 TILJ Janfeb10:TILJ 1/20/10 12:38 PM Page 2
The I nde pe nd en t September/October 2010 L Issue 24 – $14.00 o c k s m i t h h h J J J o o o u u u r r r n n n a a a l l l TILJ_JanFeb10:TILJ 1/20/10 12:38 PM Page 2 PETERSON DOES IT AGAIN! Introducing the PCT-7: Peterson Carbide Coring Tool Peterson’s new set of vending lock penetration tools make quick work of vending type lock openings including VAN lock, ABA DUO, ABLOY, BATON, 380 Tubular, 360 Tubular and 340 Tubular. The adaptor guides to a preset cutting dept insuring success every time! www.ThinkPeterson.com Standard Price: $224.95 585-264-1199 585-586-2425 (fax) Special Offer: ONLY $179.95 10am-6pm Eastern Time (Special pricing ends April 1, 2010) WE will open them — But YOU have to put them back together! TILJ_JanFeb10:TILJ 1/20/10 12:38 PM Page 3 TILJ_JanFeb10:TILJ 1/20/10 12:38 PM Page 3 NOTE FROM THE EDITOR'S DESK Greetings from the editor’s desk!!! Note From The Editor’s Desk There is a lot of news in this issue. First I would like to give a great vote of thanks for the efforts of Mike Pecorella as he substituted for Don DennisNote after Don’s From sudden health The issues. (Don Editor’s still struggles at times,Desk but I happily notice continued improvement in him). Season’s greetings from the Editor’s desk! I hope all of our readers had a safe and enjoyable Mike Season’sstepped up greetingsto the plateholiday. -
Rare Books, Autographs & Maps
RARE BOOKS, AUTOGRAPHS & MAPS Wednesday, April 17, 2019 NEW YORK RARE BOOKS, AUTOGRAPHS & MAPS AUCTION Wednesday, April 17, 2019 at 10am EXHIBITION Saturday, April 13, 10am – 5pm Sunday, April 14, Noon – 5pm Monday, April 15, 10am – 7pm Tuesday, April 16, 10am – 4pm LOCATION Doyle 175 East 87th Street New York City 212-427-2730 www.Doyle.com INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Printed & Manuscript Americana 1 - 50 Marian Clark Adolphson, CT Maps 51 - 57 Frances “Peggy” Brooks Autographs 58 - 70 Elizabeth and Donald Ebel Manuscripts 71 - 74 Elizabeth H. Fuller Early Printed Books 75 - 97 Robin Gottlieb Fine Bindings 98 - 107 Arnold ‘Jake’ Johnson Automobilia 108 - 112 George Labalme, Jr. Color Plate & Plate Books Including 113 - 142 Peter Mayer Science & Natural History Suzanne Schrag Travel & Sport 143 - 177 Barbara Wainscott Children’s Literature 178 - 192 Illustration Art 193 - 201 20th Century Illustrated Books 202 - 225 19th Century Illustrated Books 226 - 267 INCLUDING PROPERTY FROM Modern Literature 268 - 351 A Gentleman A Palm Beach Collector Glossary I A Maine Collector Conditions of Sale II The Collection of Rudolf Serkin Terms of Guarantee IV Information on Sales & Use Tax V Buying at Doyle VI Selling at Doyle VIII Auction Schedule IX Company Directory XI Absentee Bid Form XII Lot 167 Printed & Manuscript Americana 1 4 AMERICAN FLAG A large 35 star American Flag. Cotton or linen flag, the canton [CALIFORNIA - BANKING] with 35 stars, likely Civil War era, approximately 68 x 136 inches or Early and rare ledger of the Exchange Bank of Elsinore. 5 1/2 x 11 feet (172 x 345 cm); the canton 36 x 51 inches (91 x 129 cm), August 1889-November 1890. -
About Locks and Ways to Low Tech Hack Them 3
CHAPTER More about locks and ways to low tech hack them 3 INFORMATION IN THIS CHAPTER • A Little More about Locks and Lock Picking • Forced Entry—And Other Ways to Cheat! • Let’s Break into a Semi–High Security Room • Keys and Key Control • Bait and Switch War Story That Could Happen to You • Some Places to Go to Learn and Have Some Fun • More about Keys and How to Make One If You Don’t Have One • Ways to Make a Key If You Didn’t Bring a Key Machine • One Final Lock to Talk about and Then We’re Done As I was preparing to write this chapter, I found myself thinking back over the past 45 years of my life. I consider myself one of the most blessed people on the planet when I think about all the things that I’ve been able to do and learn. I be- came somewhat of a techno geek while attending vocational-technical high school back in the mid-sixties. I’ve found electronics to be absolutely fascinating. In my senior year I was able to design a variable-speed (computerized) control for a synchronous motor using a handful of transistors. It was considered by the school to be their first computerized control of an AC synchronous motor. When I visited the school about 10 years later, I was pleasantly surprised to see that they were still using the training manual that I had written describing how to construct this comput- erized control. It had taken me weeks to figure out how to do this. -
Form Vision Hans Theys
Form Vision Hans Theys Form Vision Artists on Art Tornado Editions 2019 To Tamara Van San In 1983, a fellow student handed me this Banda copy, suggesting it might be interesting for me – as an aficionado of art and literature – to study the writings of Kafka without interpreting them. The origin of the book you are holding now lies within this generous gesture. Thirty years later, when I accidently rediscovered it, I realised that the text quotes a book by Susan Sontag, translated and typewritten by an unknown hand. Everyone has a sort of individual form vision. In all the greatest artists the seeds of this form vision has been present even in their early work, and to some extent their work has been a gradual unfolding of this rhythm throughout. (…) It’s something the artist can’t control – it’s his make up. (…) The less conscious you are of your own individual form rhythm, the more likely it is, I think, to get richer and fuller and develop. Henry Moore, 1941 What is important now is to recover our senses. We must learn to see more, to hear more, to feel more. Our task is not to find the maximum amount of content in a work of art, much less to squeeze more content out of the work than is already there. Our task is to cut back content so that we can see the thing at all. (…) The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.