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Diplomarbeit DIPLOMARBEIT Titel der Diplomarbeit „Zum Spannungsfeld von traditioneller und Neuer Volksmusik in Bayern und Österreich seit den 1980er Jahren“ Verfasserin Sophie Maria Susanna Rastl angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2010 Studienkennzahl lt. Studienblatt: A 316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuer: Ass.-Prof. Dr. Michael Weber 1 2 Inhaltsverzeichnis 1. Einleitung..................................................................................................................... 9 1.1 Persönlicher Zugang zum Thema ............................................................................ 9 1.2 Zielsetzung der Arbeit .......................................................................................... 11 1.2.1 Volksmusik kategorisieren........................................................................... 11 1.2.2 Neue Volksmusik als Spannungsfeld der Volksmusikforschung .................. 12 1.2.2.1 Tonträger......................................................................................... 13 1.2.3 Persönliche Beobachtungen in Wien und München...................................... 13 1.3 Quellen und Arbeitstechnik ................................................................................... 15 1.4 Begriffserklärungen............................................................................................... 16 1.4.1 Tradition...................................................................................................... 16 1.4.2 Musiker ....................................................................................................... 17 1.4.3 Musikant ..................................................................................................... 18 2. Allgemeines zum Thema Volksmusik ....................................................................... 18 2.1 Einleitung.............................................................................................................. 18 2.2 Traditionelle Volksmusik ...................................................................................... 19 2.2.1 Volkstanz .................................................................................................... 20 2.2.2 Instrumentale Volksmusik ........................................................................... 21 2.2.3 Volkslied..................................................................................................... 22 2.3 Volksmusikforschung............................................................................................ 24 2.4 Resümee................................................................................................................ 25 3. Volksmusik auf der Bühne........................................................................................ 26 3.1 Einleitung.............................................................................................................. 26 3.2 Preissingen in Egern am Tegernsee ....................................................................... 27 3.2.1 Rundfunk..................................................................................................... 28 3.2.2 Darauf folgende Veranstaltungen................................................................. 29 3.3 Exkurs: Tourismus und Volksmusik...................................................................... 30 3 4. Innovation und Veränderung in der traditionellen Volksmusik ............................. 31 4.1 Einleitung ............................................................................................................. 31 4.2 Allgemeines zur Innovationen in traditioneller Volksmusik .................................. 32 4.2.1 künstlerischer Faktor................................................................................... 33 4.2.2 gesellschaftlicher Faktor.............................................................................. 33 4.3 Beispiele von Innovationen in der traditionellen Volksmusik ................................ 33 4.3.1 Die enge Dreistimmigkeit............................................................................ 34 4.3.2 Das chromatische Hackbrett........................................................................ 35 4.3.3 Die Stubenmusi........................................................................................... 35 4.4 Parameter der Innovation ...................................................................................... 36 4.4.1 Wiederbelebung .......................................................................................... 37 4.4.2 Funktionswandel ......................................................................................... 37 4.4.3 Übernahme von Erscheinungen aus anderen Bereichen ............................... 38 4.4.4 Neuschöpfung ............................................................................................. 38 5. Neue Volksmusik: ein Begriff, viele Inhalte ............................................................. 39 5.1 Einleitung ............................................................................................................. 39 5.2 Der Terminus........................................................................................................ 41 5.3 Die allgemeine Deutung des Begriffes .................................................................. 41 5.4 Begriffsbeschreibung: Neue Volksmusik............................................................... 45 5.4.1 Die Auswirkungen innerhalb der Musikerszene........................................... 47 5.5 Unterschiedliche Schreibweisen............................................................................ 48 5.5.1 Volxmusik .................................................................................................. 48 5.5.2 Tradimix ..................................................................................................... 49 5.5.3 Die Problematik der Bezeichnungen............................................................ 50 5.6 Einflüsse des Genres Neue Volksmusik ................................................................ 50 5.6.1 Folk............................................................................................................. 51 5.6.1.1 68er-Bewegung ............................................................................... 52 5.6.1.2 Folk Revival.................................................................................... 53 5.6.2 Rock- und Popularmusikeinflüsse ............................................................... 54 5.6.2.1 Alpenrock und Austropop ............................................................... 55 5.6.3 Weltmusik................................................................................................... 55 4 5.6.4 Resümee...................................................................................................... 56 5.7 Neue Volksmusik aus Bayern und Österreich........................................................ 57 5.7.1 Gruppen aus Österreich ............................................................................... 57 5.7.1.1 Aniada a Noar.................................................................................. 58 5.7.1.2 Wilfried Scheutz.............................................................................. 62 5.7.1.3 Hubert von Goisern ......................................................................... 64 5.7.1.4 Exkurs: Broadlahn........................................................................... 66 5.7.1.5 Roland Neuwirth und die Extremschrammeln.................................. 67 5.7.2 Gruppen aus Bayern .................................................................................... 70 5.7.2.1 Biermösl Blosn................................................................................ 71 5.7.2.2 Weitere Interpreten.......................................................................... 73 5.7.3 Resümee...................................................................................................... 74 5.8 Neue Volksmusik in der heutigen Generation........................................................ 74 5.8.1 Musikhochschulen....................................................................................... 75 5.8.1.1 Volksmusikabteilungen in den Musikuniversitäten .......................... 76 5.8.2 Musikantenwoche/ Musikkurse ................................................................... 77 5.8.2.1 Hermann Härtel............................................................................... 78 5.8.2.2 Rudolf Pietsch ................................................................................. 79 5.9 Fehlinterpretationen von Neuer Volksmusik.......................................................... 80 5.9.1 Internetrecherche zum Thema Neue Volksmusik ......................................... 81 5.9.1.1 Sucheingabe: „Neue Volksmusik“ ................................................... 82 5.9.1.2 Sucheingabe: „Volxmusik“.............................................................. 83 6. Neue Volksmusik-Gruppen in Österreich und Bayern ............................................ 86 6.1 Aufstrich............................................................................................................... 86 6.1.1 Besetzung.................................................................................................... 86 6.1.2 Triovial ......................................................................................................
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