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BIS-CD-435 Booklet Scan.Pdf-5316Ff BIS-CD-435 D D D Total playing time: 70'30 BRITTEN, Benjamin (q31s76) Variationson a Theme of Frank Bridgefor stringorchestra 30,41 I lntroductionand Theme 2,14 E Rdaeio 3,oo I varch 1'o7 @ Romance 1,5t) I nria ltaliana 1'17 I Bourr6eClassique 1'17 [l] Wiener Walzer 3'15 E Voto Perpetuo 1'O7 I FuneralMarch 4'tg @ Chant t's2 f, Fugu" and Finale B'41 les llluminations pour sop]ano et orchestre i cordes 23',26 Po€siespar Arthur Rimbaud lit Fanta re 2',11 tr Villei 2',32 E Phra se 0'55 tr Antrqr.re 2',06 @ Royaut6 1',41 FZMarine .1',03 @ Interl ude 2',36 @ BeingBeauteous 4'23 @ Parade 2'52 E Depart 2'30 CHRISTINA HOGMAN, soprano @ lachrymae 15'09 Reflectionson a Songof Dowlandfor violaand stringorchestra 221 1. Lento 2'35 221 2. Allegretto,andante molto 1'07 221 3. Animato 1'16 2il 4. franouillo 1'57 221 5. Allegro con moto 0'51 221 6. Largamente 0'40 221 7. Appassionato 0'53 221 8. Alla valse moderato 0'43 221 9. Allegro marcia 0'41 22l10. Lento 0'39 22l11.L'istesso temoo 3'40 NItS-ERIK SPARF, viola Orchestralsoloists: Ulf Forsberg,violin l; Annette Mannheimer, violin ll; Ulf Ekl6f, viola; Daniel Holst, 'cello New StockholmChamber Orchestra PfTERCsABA, conductor Publlsher: Boosey & Haukes The Variationson a Theme of Frank Bridge for string orchestra,Op 10, by Benjamin Britten was one of the first great successesfor the then young composer. Frank Bridge had been his teacher, and Britten composed the Variationsbefore he was 25 yearsold. They were written for the then very famous Boyd Neel StringOrchestra and f irst performedwith greatsuccess at the Salzburg Festivalin 1937 The theme derivesfrom an ldyll for string quartet by Frank Bridge, and Britten'scomposition has, with its hunrour, becomehighly popular. First of all the theme ispresented in f ragmentaryf orm and thenwe hearten variationsof all possiblekinds: alongside slow sections we f ind a marchand a Viennesewaltz. Lesllluminations for sopranoand stringorchestra, Op.1B, was composedin 1939 to a many-facetedand hard-to-understandtext by the symbolistArthur Rimbaud.The title might best be understoodas "Visions" or "the light of truth"; the varied musical style lendsgreat freedom to the words. lt is also possibleto enjoy the musicalrnterpretation completely without the text - as the poet himselfsays at the beginning,he and he alone holdsthe key to the whole caboodleI Brittenconcerned himself with earlymusic and earlypoets in many of his works; his love for this type of thing was evident. An example of this is Lachrymae(Ref lections on a Songof Dowland for viola and stringorchesrra;, Op.4Ba.The completetitle of the work is Lachrymaeor SevenTeares Figured in seven PassionatePavans - and moreoverthis is the title of the original composition by John Dowland (1563-1626).Dowland, who was one of the most outstandingIutenists not just in Englandbut also in the whole world, publishedthis piece in Londonin 1604.Britten chose one of the piecesas the theme for hisvariations, which were f irstperformed at the AldeburghFestival in 1950by the violistWilliam Primrose(the dedicatee) with Brittenhimself at the piano.The originalsong is entitled"lf my Complaintscould Passions move" (availableon BIS-CD-430)and the work is a sort of inverted set of - variationsin which the originaltheme does not appearuntil the end the sametechnique used also in the Nocturnal, Op 70,for sologurtar (BlS LP 31 ) CHR/ST/NAHOCMAN Die Frank-Bridge-Variationenvon Benjamin Britten war eines der ersten grossenErf olgsstticke des damals jungen Komponisten. Frank Bridge war sern Lehrergewesen, und er komponiertedie Variationenbevor er noch 25;anre alt gewordenwar. Sie wurden fLirdas in der damaligenZeit sehr berr"ihmte Streichorchestervon Boyd Neel geschrieben und bei den Salzburger Festspielen1937 mit grossem Erfolg uraufgefLihrt.Das Thema entstammt einem /dyl/ von Frank Bridgefiir Streichquartett,und mit seinemHumor ist Brittens Strick sehr beliebt geworden. Zundchst wird das Thema fragmentarischgebracht, dann folgen zehn Variationen in allenerdenklichen Arten, neben langsamenSiitzen finden wir auch einen Marsch und einen WienerWalzer. '1 Les llluminationswurden 939 komponiert zu einem vielschichtigenund nicht leichtverstiindlichen Text des SymbolistenArthur Rimbaud.Der Titel dLirftevielleicht als,,Visionen" oder,,Licht der Wahrheit"zu verstehensern. Der abwechslungsreichemusikalische Stil verleihtder Spracheeine grosse Freiheit.Man kann aber auch ohneden Textdie musikalischeInterpretation voll geniessen- wie der Textdichteranfangs sagt, besitzt er, und nur er allein,den Schliisselzu dieserCaukeleil In mehrerenseiner Werke beschiiftigte sich Britten mit alterMusik und mit altenDichtern; seine Liebe frir dieseSparte ist offensichtlich. Dies trifft auch bei den Lachrymaezu. Der kompletteTitel desWerkes ist Lachrymae or Seven TearesFigured in sevenPassionate Pavans - vielmehr ist dies der Titel des Originalwerkesvon John Dowland (1563-1626).In deutscherSprache mtisste man den Titel r,ibersetzen:Lachrymae oder SiebenTrlinen, ausgemalt in sieben passioniertenPavanes. Dowland, der einer der hervorragendstenLautenisten nicht nur in Englandsondern wohl auch in der ganzenWelt war, gab diese Stiickein London1604 heraus.Britten wdhlte einesder Strickeals Themafiir seineVariationen, die 1950 beim Festivalin Aldeburghvom Bratschisten William Primrosezur Urauffiihrunggebracht wurden. lhm wurde das Werk gewidmet,Britten selbst sassam Klavier.Das Originalliedheisst /l mv Complaintscould Passionsmove (BlS-CD-430),und das Werk ist - wie dre Nocturnal Op 70 f tir Sologitarre(BlS-LP-31) - eine Art umgekehrte Variationen,wo dasOriginal erst am Endeerscheint Per 5kans N/1s-fR/KSPARF LesVariations sur un thime de FrankBridge op.-10 fut un des premiersgrands succdsdu jeune compositeurBenjamin Britten. Frank Bridge avait ete son professeuret Brittencomposa les Variationsavant d'avoir25 ans.Elles f urent ecritespour l'Orchestred cordesde Boyd Neel * alors trds r6pute - et la premidref ut un grandsuccds au Festivalde Salzbourgen 1937.Le theme provientd'une ldylle pour quatuordr cordes de FrankBridge et la composition de Britten,avec son humour,devint immens6mentpopulaire. Le thdme est d'abord present6sous forme fragmentaireet nous entendons ensuite 10 variationsde toutesles sortesoossibles: une marcheet une valseviennoise c6toient des sectionslentes. Les llluminations op.1B pour soprano et orchestre ir cordes f urent composeesen 1939sur un textecomplexe et difficiledu symbolisteArthur Rimbaud.Le texte peut 6tre comprisau mieux comme "Visions"ou "la lumierede la libert6";le style musicalvari6 laisseaux mots beaucoupde liberte.ll est aussipossible d'app16cier I'interp16tation musicale tout d fait sansle texte - comme le podtele dit lui-m€meau debut,iuiet luiseul a Ia "clef de cette parade". Brittens'interessa d la musique ancienneet aux podtesanciens dans plusieursde sesoeuvres; de toute 6vidence,il aimait beaucoupcette p6riode. Lachrymaeen est un exemple(R6flexions sur une chansonde Dowlandpour afto et orchestreir cordesop.48a). Le titre complet de l'oeuvreestLachtymae or SevenTeares Figured in seven PassionatePavans - et ceci est aussi le titre de la compositionoriginale de John Dowland (1563-1626).Dowland, qui etait un des luthistesles plus 6minentsnon seulementen Angleterremais ausst dansle mondeentier, publia cette piece d Londresen-1 604. Britten choisit un desmorceaux comme thdme pour ses variations qui furentjou6es au Festival d'Aldeburgh en 1950 par l'altiste William Primrose (le d6dicataire) accompagn6au pianopar Brittenlui-m€me. La chanson originale porte le titre de lf my Complaintscould Passionsrnove (BlS-CD-430)et l'oeuvreest une sortede serieinversee de variationsou le themen'apparait qu'd la fin - la m€me techniquefut aussiutilisee dans le Nocturnalop.70 pour guitaresolo (Brs-LP-31) er.t:z*&7"" &aT'T*'::' BEN/AMiNBR/TTTN ChristinaHiigman grew up in Uppsala,Sweden. She studied music and art at Uppsala Universityand then qualified as a music teacher and studied singingat the State Collegeof Music in Stockholm.During this periodshe was a member of the Swedish RadioChamber Choir led by Eric Ericson,and of the Adolf FredrikBach Choir led by AndersOhrwall. She continued her studies at the StateOpera School in Stockholm,ano made her d6but with the RoyalStockholm Opera as Laurettain Pergolesi's"ll Maestro -1985. di Musica" at the DrottningholmCourt Theatrein September ChristinaHogman has given song recitals in churchesand elsewhere.In 1986she was engagedby the Hamburg StateOpera, where she has been singingCherubino in "The Marriageof Figaro",Mercedes in "Carmen", Lisingaand Agla6 in HerbertWernicke's productionof the two Cluck operas"Le Cinesi"and "Echo et Narcisse"and 16lesrn "Elektra","Parsif al" and "Rigoletto".She has also perf ormed at the Operadu Rhin,the Festivalde Printempsin Monte Carloand the Festivalin Schwetzingen.She has made 3 other BIS records. ChristinaHiigman wuchs in Uppsala,Schweden, auf. Sie studiertean der dortigen UniversitetMusik und Kunst,absolvierte die Schulmusikpriifungund studierteCesang an der Kgl. HfM zu Stockholm.Wzihrend jener Zeit war sieMitglied des Kammerchors des SchwedischenRundfunks unter Eric Ericsonund des Adolf Fredrik Bach-Chores unterAnders Ohrwall. Sie setzte ihre Studien an der StockholmerOpernschule fort und debtitiertemit der Kgl. StockholmerOper als Laurettain Pergolesis,,llmaestro di musica" am Hoftheater zu Drottningholmim September1985. ChristinaHdgman konzertiertein Kirchen und anderswo.1986 wurde sie an die HamburgerStaatsoper verpf lichtet. Dort sang sie Cherubinoin ,,FigarosHochzeit",
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