24307 Hon. Joseph Crowley

Total Page:16

File Type:pdf, Size:1020Kb

24307 Hon. Joseph Crowley October 6, 1999 EXTENSIONS OF REMARKS 24307 Tallchief helped put an American stamp on UNITED NATIONS’ POPULATION structions and a razor blade to cut the um- classical ballet, until recent decades a pri- FUND (UNFPA) WORK IN KOSOVO bilical cord; marily European discipline, Clinton said. Delivery equipment—for use by trained The 1999 winners of the National Medal of HON. JOSEPH CROWLEY personnel to deal with both normal and com- the Arts are: plicated deliveries, as well as referral-level OF NEW YORK equipment to be used in hospitals to perform —Arts patron Irene Diamond, who gave IN THE HOUSE OF REPRESENTATIVES Caesarean sections and to resuscitate moth- more than $73 million to the arts through ers and babies; foundations and personal gifts. Wednesday, October 6, 1999 Sexually transmitted diseases (STD) kit— —Franklin, the ‘‘Queen of Soul’’ who has Mr. CROWLEY. Mr. Speaker, I would like to intended to diagnose and treat STDs and ex- won 17 Grammys. call attention to the work UNFPA is doing in plain how to prevent contraction; Safe blood transfusion equipment; —Designer and architect Michael Graves, Kosovo. UNFPA is helping Kosovo rebuild Then, in early May, UNFPA sent an expert who created some of century’s most admired from the war, improving medical care for men, on the treatment of sexual violence and war structures, including the Riverbend Music women and children, making deliveries safer, trauma to assess the needs of women victims Center in Cincinnati. and providing a full range of healthcare serv- of such violence. Interviews with them —Odetta, the ‘‘Queen of American Folk ices. While the war is over, UNFPA is con- showed that a considerable degree of sexual Music,’’ who created a groundbreaking sound tinuing its work to improve the quality of life violence had occurred and that there were with her voice and guitar. and healthcare for Kosovar Albanians. urgent needs for the treatment and counsel- —The Juilliard School of performing arts Mr. Speaker, to answer critics who are ling of women, their families and commu- in New York, which includes among its questioning their work and commitment in nities. UNFPA set up a training programme for health and relief workers of non-govern- alumni comedian-actor Robin Williams, cel- Kosovo, I submit the following explanation of list Yo-Yo Ma and jazz and classical trum- mental organizations (NGOs) working with their work into the CONGRESSIONAL RECORD. peter and composer Wynton Marsalis. refugees and for international and national UNFPA’S WORK IN KOSOVO medical staff in Albania and the former —Writer and director Norman Lear, who Yugoslav Republic of Macedonia. created some of the century’s most popular The United Nations Population Fund television social comedies, including ‘‘All in (UNFPA) is working in Kosovo as part of the REHABILITATION OF KOSOVO the Family,’’ ‘‘Good Times’’ and ‘‘The Jeffer- United Nations humanitarian and develop- Following the cessation of hostilities and sons.’’ ment effort. The United Nations has set up a the return of refugees to Kosovo, UNFPA, civil administration in the province of along with other United Nations agencies, —Actress and producer Rosetta LeNoire, Kosovo, under Security Council Resolution quickly established an office in Pristina, the who boasts a more than 60-year career that 1244 (1999) of 10 June 1999. UNFPA is working capital of the province. As part of the civil includes numerous movies, Broadway pro- along with other United Nations agencies in administration authorized by the United Na- ductions and TV shows, including ‘‘Family Kosovo and is a cooperative partner in the tions Security Council, UNFPA is a member Matters’’ and ‘‘Amen.’’ health sector under the leadership of the of the Joint Civil Commission on Health, —Arts administrator Harvey Lichtenstein, World Health Organization (WHO). As in all which is responsible for developing health who was president of the Brooklyn Academy its programmes, UNFPA strictly adheres to policy and which includes representatives of Music for 32 years and established it as a internationally agreed human rights conven- from the United Nations and from all of the leading arts center. tions and standards and to the Programme of communities in Kosovo. UNFPA heads the —Singer Lydia Mendoza, who brought Action of the International Conference on Reproductive Health Policy Task Force of Mexican-American music to the public’s at- Population and Development, held in Cairo the Joint Civil Commission and the Repro- tention and became famous in Latin Amer- in 1994. ductive Health Coordination Committee, ica with her signature song, ‘‘Mal Hombre.’’ UNFPA’S EMERGENCY RELIEF OPERATIONS which includes representatives of all the United Nations bodies, NGOs and bilateral When the refugee crisis in Kosovo began, —Sculptor George Segal, who made a ca- aid agencies working in reproductive health. UNFPA responded quickly to ensure that reer of sculpting environments, including a The Policy Task Force has worked with the those fleeing the province had access to crit- life-sized bread line at the Franklin Delano Kosovo Institute of Public Health, a local or- ical reproductive health services. The Office Roosevelt Memorial in Washington. ganization, to draw up a Reproductive of the United Nations High Commissioner for Health Policy, which will guide the work of —Tallchief, who was the New York City Refugees (UNHCR), the lead United Nations all organizations as they undertake the reha- Ballet’s longtime prima ballerina. agency responsible for refugees, formally bilitation of the province. The 1999 winners of the National Human- asked UNFPA to serve as co-ordinator for re- ities Medals are: productive health service. The Fund con- UNFPA’S PRIORITY AREAS —Librarian Patricia M. Battin, who orga- ducted a rapid needs assessment from 6 to 13 The main concern of the United Nations in nized a national campaign to save millions April 1999; sent materials, supplies and the area of health is to help reestablish the of decaying books by putting their content equipment for safe delivery, safe blood trans- public health system in the province in order on microfilm. fusion, treatment of sexually transmitted to meet the health needs of all the people of diseases, management of miscarriages, and Kosovo. The overall needs throughout the —Pulitzer Prize-winning writer and jour- treatment for victims of sexual violence. province are overwhelming, and most of the nalist Taylor Branch, whose books, including Also, a total of 350,000 packets of sanitary health infrastructure has not been properly ‘‘Parting the Waters: America in the King towels and 14,000 pairs of underwear were maintained; much of it was destroyed or re- Years,’’ made him an authority on the civil purchased for distribution during the crisis. moved during the recent hostilities. Equip- rights movement. In essence, UNFPA’s major contribution to ment in hospitals is either obsolete and/or —New South scholar Jacquelyn Dowd Hall, meeting the needs of the Kosovo refugees broken, including such basic equipment as who founded the Southern Oral History was to supply emergency reproductive health washing machines and incubators for pre- Project at the University of North Carolina- kits and other reproductive health equip- mature babies. Many health facilities have Chapel Hill. ment to refugee camps in Albania and the been left in decay, with broken windows, use- former Yugoslav Republic of Macedonia and less heating systems, and little or no func- —Keillor, best-selling author and radio to maternity hospitals throughout Albania. tioning equipment. host of ‘‘A Prairie Home Companion.’’ UNFPA procured emergency reproductive The maternity, obstetric and gyneco- —Television anchor and editor Jim Lehrer, health kits to meet the needs of approxi- logical clinic in Pristina delivers some 30 to host of a public television news program mately 350,000 people for a period of 3 to 6 40 babies per day; it is on target to deliver named for him. months. In Albania, emergency reproductive 12,000 babies in the coming year, which —Political philosopher and author John health kits were supplied to refugee camps in would give it the largest number of deliv- Rawls, renowned for his views on justice, Kukes, Korca and Elbasan and to a total of eries of any hospital in Europe. It is achiev- basic rights and equal opportunity. 10 hospitals and maternity clinics. In addi- ing this with one broken-down washing ma- tion, UNFPA facilitated the donation of two chine and a shortage of sheets, gowns, incu- —Academy Award-winning filmmaker ultrasound machines from a private com- bators and ultrasound machines. On par- Spielberg. pany to the Albanian Ministry of Health. ticular busy days, it does not have enough —Pulitzer Prize-winning playwright Wil- UNFPA’s emergency reproductive health cribs in which to put the newborns, even son whose plays, including ‘‘The Piano Les- supplies included: when they are doubled up. Many of the deliv- son’’ and ‘‘Fences,’’ explore the black experi- Individual clean delivery kits for use if eries are premature, born to women who suf- ence in America. Wilson is formerly of St. medical facilities are unavailable. The kit fered great trauma and stress during the hos- Paul. includes soap, plastic sheeting, pictorial in- tilities. The World Health Organization VerDate jul 14 2003 14:10 May 28, 2004 Jkt 069102 PO 00000 Frm 00019 Fmt 0689 Sfmt 0634 E:\BR99\E06OC9.000 E06OC9 24308 EXTENSIONS OF REMARKS October 6, 1999 (WHO) estimates that almost 50 percent of socio-economic and reproductive health sur- to be a man possessed of great skill and a premature infants born in the Pristina Hos- vey of the province. wealth of knowledge. He has truly been an in- pital do not survive. Other problems related f to the effects of the hostilities are a higher- valuable resource for all Ohioans and for us in Northwest Ohio.
Recommended publications
  • Hispanic Archival Collections Houston Metropolitan Research Cent
    Hispanic Archival Collections People Please note that not all of our Finding Aids are available online. If you would like to know about an inventory for a specific collection please call or visit the Texas Room of the Julia Ideson Building. In addition, many of our collections have a related oral history from the donor or subject of the collection. Many of these are available online via our Houston Area Digital Archive website. MSS 009 Hector Garcia Collection Hector Garcia was executive director of the Catholic Council on Community Relations, Diocese of Galveston-Houston, and an officer of Harris County PASO. The Harris County chapter of the Political Association of Spanish-Speaking Organizations (PASO) was formed in October 1961. Its purpose was to advocate on behalf of Mexican Americans. Its political activities included letter-writing campaigns, poll tax drives, bumper sticker brigades, telephone banks, and community get-out-the- vote rallies. PASO endorsed candidates supportive of Mexican American concerns. It took up issues of concern to Mexican Americans. It also advocated on behalf of Mexican Americans seeking jobs, and for Mexican American owned businesses. PASO produced such Mexican American political leaders as Leonel Castillo and Ben. T. Reyes. Hector Garcia was a member of PASO and its executive secretary of the Office of Community Relations. In the late 1970's, he was Executive Director of the Catholic Council on Community Relations for the Diocese of Galveston-Houston. The collection contains some materials related to some of his other interests outside of PASO including reports, correspondence, clippings about discrimination and the advancement of Mexican American; correspondence and notices of meetings and activities of PASO (Political Association of Spanish-Speaking Organizations of Harris County.
    [Show full text]
  • ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
    ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious.
    [Show full text]
  • MEREDITH MONK and ANN HAMILTON: Aaron Copland Fund for Music, Inc
    The House Foundation for the Arts, Inc. | 260 West Broadway, Suite 2, New York, NY 10013 | Tel: 212.904.1330 Fax: 212.904.1305 | Email: [email protected] Web: www.meredithmonk.org Incorporated in 1971, The House Foundation for the Arts provides production and management services for Meredith Monk, Meredith Monk & Vocal Ensemble, and The House Company. Meredith Monk, Artistic Director • Olivia Georgia, Executive Director • Amanda Cooper, Company Manager • Melissa Sandor, Development Consultant • Jahna Balk, Development Associate • Peter Sciscioli, Assistant Manager • Jeremy Thal, Bookkeeper Press representative: Ellen Jacobs Associates | Tel: 212.245.5100 • Fax: 212.397.1102 Exclusive U.S. Tour Representation: Rena Shagan Associates, Inc. | Tel: 212.873.9700 • Fax: 212.873.1708 • www.shaganarts.com International Booking: Thérèse Barbanel, Artsceniques | [email protected] impermanence(recorded on ECM New Series) and other Meredith Monk & Vocal Ensemble albums are available at www.meredithmonk.org MEREDITH MONK/The House Foundation for the Arts Board of Trustees: Linda Golding, Chair and President • Meredith Monk, Artistic Director • Arbie R. Thalacker, Treasurer • Linda R. Safran • Haruno Arai, Secretary • Barbara G. Sahlman • Cathy Appel • Carol Schuster • Robert Grimm • Gail Sinai • Sali Ann Kriegsman • Frederieke Sanders Taylor • Micki Wesson, President Emerita MEREDITH MONK/The House Foundation for the Arts is made possible, in part, with public and private funds from: MEREDITH MONK AND ANN HAMILTON: Aaron Copland Fund for
    [Show full text]
  • “I'm Rare As Affordable Health Care...Or Going to Wealth
    Media RepresentationsAugust of Poverty 2020 “I’M RARE AS AFFORDABLE HEALTH CARE...OR GOING TO WEALTH FROM WELFARE” * Poverty & Wealth Narratives in Popular Culture INTERIM SUMMARY OF RESEARCH PREPARED FOR: Bill & Melinda Gates Foundation PREPARED BY: USC Annenberg Norman Lear Center Erica L. Rosenthal, Veronica Jauriqui, Shawn Van Valkenburgh, Dana Weinstein, and Emily Peterson *The title of this report comes from lyrics in the song, “Big Bank,” www.learcenter.org by YG, featuring 2 Chainz, Big Sean and Nicki Minaj. Interim Summary of Research TABLE OF CONTENTS 3 INTRODUCTION 6 MERITOCRACY: THE DOMINANT NARRATIVE 10 DEPICTING THE LIMITATIONS OF MERITOCRACY 13 HIGHLIGHTING SYSTEMIC BARRIERS AS THE REASON MERITOCRACY FAILS 16 DISCUSSING THE ROLE OF RACISM 19 SHOWING ALTRUISTIC SOLUTIONS AND RESILIENCE 22 MODELING SYSTEMIC SOLUTIONS 24 TWO CRISES 25 RECOMMENDATIONS FOR STORYTELLERS AND ADVOCATES 28 REFERENCES 32 APPENDIX: METHODOLOGY Interim Summary Report page 2 Interim Summary of Research INTRODUCTION The USC Annenberg Norman Lear Center — with funding from the Bill & Melinda Gates Foundation (the foundation) — is conducting a cultural audit of poverty narratives. A cultural audit is a method of gaining a deeper understanding of priority audiences by understanding the pop culture narratives they consume. The project has two overarching goals. The first is to provide evidence-based insights to the foundation’s Voices for Economic Opportunity grantee cohort, a group of organizations who are designing new narratives of poverty to correct misconceptions and address systemic barriers to mobility. The second is to establish a baseline of existing narratives for longitudinal tracking by Harmony Labs, another foundation grantee. The formative research summarized in this report examines how poverty and wealth are constructed in the pop culture narratives in which media consumers are immersed — specifically scripted TV and film, popular music, and top-selling video games.1 In later stages, the Lear Center will expand this analysis to TV news and unscripted content.
    [Show full text]
  • A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE to BROOKLYN Judith E
    L(30 '11 II. BROOKLYN ACADEMY OF MUSIC BOARD OF TRUSTEES Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison, Paul Lepercq, Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman, I. Stanley Kriegel, Ame Vennema, Franklin R. Weissberg, Vice Chairmen; Harvey Lichtenstein, President and Chief Executive Officer; Harry W. Albright, Jr., Henry Bing, Jr., Warren B. Coburn, Charles M. Diker, Jeffrey K. Endervelt, Mallory Factor, Harold L. Fisher, Leonard Garment, Elisabeth Gotbaum, Judah Gribetz, Sidney Kantor, Eugene H. Luntey, Hamish Maxwell, Evelyn Ortner, John R. Price, Jr., Richard M. Rosan, Mrs. Marion Scotto, William Tobey, Curtis A. Wood, John E. Zuccotti; Hon. Henry Geldzahler, Member ex-officio. A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE TO BROOKLYN Judith E. Daykin Executive Vice President and General Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development IN HONOR OF THE 100th ANNIVERSARY Micheal House Vice President for Marketing and Promotion ADMINISTRATIVE OFFICE STAFF OF THE Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager David Perry Mail Clerk BROOKLYN BRIDGE FINANCE Perry Singer Accountant Tuesday, November 30, 1982 Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION Marketing Nancy Rossell Assistant to Vice President Susan Levy Director of Audience Development Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative Diana Robinson Press Assistant PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership Denis Azaro Development Officer Philip Bither Development Officer Sharon Lea Lee Office Manager Aaron Frazier Administrative Assistant MANAGEMENT INFORMATION Jack L.
    [Show full text]
  • The Keystone
    THE KEYSTONE SOUTHWESTERN WRITERS COLLECTION | WITTLIFF GALLERY OF SOUTHWESTERN & MEXICAN PHOTOGRAPHY FALL 2006 | SPECIAL COLLECTIONS AT THE ALKEK LIBRARY | WWW. LIBRARY. TXSTATE. EDU/ SPEC- COLL UNIVERSITY SAN MARCOS A member of the Texas State University System from the CURATOR (right) Raymond, ¡Saludos! are extensively represented in the Wittliff Gallery, tells the (left) Sally Wittliff, 1991, Keith Carter The power of art in life is a story of a cleaning woman who said to him that in the the Bill Wittliff, Dawn Jones, Tommy Lee recurring motif here at the building where she worked there was one of his pictures— Jones, Sam Shepard, THANK YOU Collections, vividly set an old blind man petting a bunch of tiny kittens that were in & John Graves to all contributors forth once again by Graci- his lap and crawling over his shirt—eyes not open yet, blind of (seated)* who made gifts ela Iturbide in her book, like him. An edgy, unsentimental portrait that nevertheless Spirit (center) Emcee this fiscal year for Evan Smith, editor- Eyes to Fly With, upcoming reaches into every single chamber of your heart. She told general support or in-chief of TEXAS in the Wittliff Gallery Keith that she looked at it each day before she started work MONTHLY** to sponsor specific Series (p. 12). In the rare because it made her feel so good. anniversary gala projects: Place (below) revelatory text she ex- The life-changing power of art is not for the practition- Debbie & Jim # Azadoutioun Epperson, president plains how, after the death ers of art alone—it’s for all of us.
    [Show full text]
  • Imes I Wonder What "Wrang with Me. I Keep Hearing People Soy That They Have Changed Jobs Because Five Or Ten Years in a Job Is Enough
    BROOKLYN ACADEMY OF MUSIC Letter from the President ~imes I wonder what "wrang with me. I keep hearing people soy that they have changed jobs because five or ten years in a job is enough. And here I am after 25 years, still at it, and still, for the most part, enjoying the ride. BAM has changed over the years and yet remains steadily on course. The outpouring of new work by some of our "old-timers" and by young, developing artists trying their wings, and the pursuit of several new initiatives, plus the stimulation of my BAM colleagues, have managed to keep me (or part of me) virgin, available and interested. The first major attraction of my initial season at BAM was Sarah Caldwell's newly formed American National Opera Company, which featured the first staged production in New York of Alban Berg's LULU. The next season, in 1968, had the return of The living Theater in four productions new to New York. In 1969, we introduced Jerzy Grotowski's Polish laboratory Theatre in three productions, and also Twyla Tharp's company on the Opera House stage, with the audience also onstage, seated on three sides. Robert Wilson's LIFE AND TIMES OF SIGMUND FREUD also appeared at BAM in 1969. What is the point of view that informed those early years and that is still operative today? It may seem to be contemporary work by artists outside the mainstream. I think it is deeper and more inclusive than that. For me, it is the application of a critical approach informed by a contemporary sensibility, to what is being produced for the stage today.
    [Show full text]
  • 31295018689751.Pdf (8.512Mb)
    ^M'-^Ki'm-r- --' •« >i^'?fi O^t LQG The Design for a School of Art 'mi The Depot District Lubbock, Texas Robyn Giuiro^a '^^mX'> m KfiB^i?»5!^ppii|M^|(!f|?s Fall 1999 I^^^S-"* • . .M by Robyn Qulroqa A Thesis Architecture Submitted to the Architecture faculty of the College of Architecture of Texas Tech University in Partial Fulfillment for The Degree of MASTERS OF ARCHITECTURE Jarfcesl White, Dean. College of Architecture December 1999 ii 5 2 a037cQ.L'J> /9 <^ r- •] ^r.^^ wt\' ~^Kitlft ii^ A^^m oj ii N (iW/!>«n#»ij%) 11 J IAB »? s; of IINSSI^ ' 04 THEORY 05 THEORY GOALS AND OBJECTIVES oe BACI^GROUND INFORMATION ON COLLAGE 24 THEORY ISSUES 25 THEORY ISSUE NUMBER ONE 26 THEORY ISSUE NUMBER TWO 27 THEORY ISSUE NUMBER THREE 26 THEORY CASE STUDIES 29 THEORY CASE STUDY NUMBER ONE: THE ANTHENEUM BY RICHARD MEIER THEORY CASE STUDY NUMBER TWO: ADDISON CONFERENCE AND THEATRE CENTRE 33 FACILITY TYPE 34 MISSION STATEMENT 35 ACTIVITY ANALYSIS 37 FACILITY PERFORMANCE REQUIREMENTS 40 SPATIAL ANALYSIS 56 SPATIAL SUMMARY 60 FACILITY TYPE CASE STUDIES 61 FACILITY TYPE CASE STUDY NUMBER ONE: CENTRE FOR THE VISUAL ARTS BY FRANK GEHRY 67) FAr:il ITY TYPE CASE STUDY NUMBER TWO: ART SCHOOL BY KUOVO & PARTANEN ARCHITECTS 111 OS i|Nii9D^ DESIGN PROCESS SCHEMATIC REVIEW DESIGN DEVELOPMENT COHCEFTONE CONCEPT TWO COHCEFTTHREE DESIGN RESPONSE RESPONSE TO THEORY ISSUES RESPONSE TO FACILITY TYPE PERFORMANCE REQUIREMENTS RESPONSE TO CONTEXT ISSUES IV -"" IABIH OJ ilNiSSiip 102 DOCUMENTATION 103 Overall Presentation Layout 104 Courtyard Level Plan if: 105 First Floor Plan 106 East and North Elevations 107 West and South Elevations 106 Transverse and Longitudinal Sections 109 Structural Axon 110 Site Plan and Mechanical Flans 111 Interior Perspective 112 Exterior Perspective 113 Mode! Photos 114 Conclusion 115 LIST OF ILLUTRATIONS 125 BIBLIOGRAPHY l£s iHaAgT 'AK I£s fiQABT The theory of artistic collage as an architectural design tool will be used in the design process.
    [Show full text]
  • ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
    Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • Marlon Riggs Papers, 1957-1994 M1759
    http://oac.cdlib.org/findaid/ark:/13030/kt8v19s4ch No online items Marlon Riggs Papers, 1957-1994 M1759 Finding aid prepared by Lydia Pappas Department of Special Collections and University Archives Green Library 557 Escondido Mall Stanford, California, 94305-6064 [email protected] 2011-12-05 Marlon Riggs Papers, 1957-1994 M1759 1 M1759 Title: Marlon Riggs Papers Identifier/Call Number: M1759 Contributing Institution: Department of Special Collections and University Archives Language of Material: English Physical Description: 112.0 Linear feet(37 manuscript boxes, 5 half-boxes, 3 card boxes, 34 flat boxes, 28 cartons, 1 oversize box) Date (inclusive): 1957-1994 Abstract: This collection documents the life and career of the documentary director, Marlon Troy Riggs, 1957-1994. The majority of the materials in the Collection are from the period between 1984 and Riggs' death in 1994, the decade of his concentrated film-making activity, as well as some more personal materials from the late 1970s onwards. The papers include correspondence, manuscripts, subject files, teaching files, project files, research, photographs, audiovisual materials, personal and biographical materials created and compiled by Riggs. General Physical Description note: Audio/Visual material housed in 90 cartons containing: 16 Film reels, 149 VHS videotapes, 437 Umatic videotapes, 602 Betacam videotapes, 50 Digibeta videotapes, I Betamax videotape, 1 D8 tape, 6 micro cassette tapes, 2 DARS tapes, 14 Hi-8 tapes, 10 DAT tapes, 8 reels 2inch video, 27 reels 1inch video, 49 DVDs, 108 audio cassettes, 48 audio reels, 2 compact discs; Computer Media: 1 floppy disc 8inch, 171 floppy discs 5.25inch, 190 3.5-inch floppy discs, and papers housed in 77 boxes, 62 flat boxes, and 11 half boxes.
    [Show full text]
  • Juilliard Dance
    Juilliard Dance Senior Graduation Concert 2019 Welcome to Juilliard Dance Senior Graduation Concert 2019 Tonight, you will experience the culmination of a transformative four-year journey for the senior class of Juilliard Dance. Through rigorous physical training and artistic and intellectual exploration, all of the fourth-year dancers have expanded the possibilities of their movement abilities, stretching beyond what they thought possible when entering the program as freshmen. They have accepted the challenge of what it means to be a generous citizen artist and hold that responsibility close to their hearts. Chosen by the dancers, the solos and duets presented tonight have been commissioned for this evening or acquired from existing repertory and staged for this singular occasion. The works represent the manifestation of an evolution of growth and the discovery of their powerfully unique artistic voices. I am immensely proud of each and every fourth-year artist; it has been a joy and an honor to get to know the senior class, a group of individuals who will inevitably change the landscape of the field of dance as it exists today. Please join me for a standing ovation, cheering on the members of the class of 2019 as they take the stage for the last time together in the Peter Jay Sharp Theater. Well done, dancers—we thank you for your beautiful contributions to our Juilliard community and to the world beyond our campus. Sincerely, Little mortal jump Alicia Graf Mack Director, Juilliard Dance Cover: Alejandro Cerrudo's This page: Collaboration
    [Show full text]