Southern Illinois University Carbondale OpenSIUC

March 1974

3-11-1974 The aiD ly Egyptian, March 11, 1974 Daily Egyptian Staff

Follow this and additional works at: http://opensiuc.lib.siu.edu/de_March1974 Volume 55, Issue 121

Recommended Citation , . "The aiD ly Egyptian, March 11, 1974." (Mar 1974).

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Daily 'Egyptian 'Magazine Southern llJinois University

I I

I . ?-: Beautiful books for students

lIy " Uansa Dagley" Comstock House of Virginia City and San Francisco also adopt the 5', by 5' , inch format. are printed on good quality paper. and at­ Pathfinders Library, a six-book has developed a series of well-desJgned. low-priced (X)()ks to deal with a range of mystic and phi.'orophic sub­ tractively designed by John Richard series Jects within the Oriental tradition. KU lich. The Self God : A We stern by Master Subramuniya The Monday Magazine 01 rhe Daily Egyptian thanks Mystic's Insight into Sf'If·realitation Comstock House for fumlshing the color reproductions was originally a talk given by the master Comstock House. 48 pp. each. 51 each. shown on the cover. The color presswork was done by in 1959 to a small group of devotees at SIeve Robinson and Wayne Pa/flck ai/he Daily Egyptian. the temples in San Francisco. It is a Master Subramuniya claims to be "a summary of his teachings of the western ." He was born and raised timeless. causeless. formless Self. It is in California on the shores of Fallen Leaf claimed that, " Man is not man. Man is Lake near Tahoe. After getting some 5uggeslions are offered about diet. needs. he suggests the key that makes relaxation and how to breathe. what to God ." In order to attain this mystical training in performing and mystical arts th em work. " I >

". 2. Doily £uypIion. _ 11. 197<

" 7' of the inner ~pirit

Raja Yoga SC IOUS. subsubconsclous. subsupercon· SCIOUS a nd s uperconsclOus, Any schola r by Master Subramuniya of ps ychology or p hilosophical psy('hoiogy may be left wondering Comslock Houst'. 216 pp .. 55 paper. SI about their meanmgs, The openmg hnl's hardbound. of this s(*oC lion read : " S~H\'a Siddhanta HlIldUism. man 's Thi ~ attract i n~ book-Ihl.' color ('0\'(\ spiritual: philosopNcal a nd d('\'oll onal shows h..-o poet·sages engaged In di s ... laws and g uide liOE.'s leads him through cussian- is intended as a down-to· pra(' lI Cl' 10 lhe uill ma t(' Wllhll1 himself. earth m anual on splril ua l ('on · For man\' Ih uusands uf \'l'al'S ('a('h sciousncss with ad\'anct.>d rn t..tdi tatiuns Sal\'ltl' Guru h ... s illu (, ld alt'd' l>o rl lUns v r on purificall(m. e nt.-'rgy transmulallon all of thesl' systl'ma lk It'adllngs Iu IllS and the rive states of mind. One won­ clOSt.'SI di sdpJ(~ , thus addmg 10 11ll' ders how any well-read person in [ndian wealth of Hinduism, philosophy or culture will be able to "Tht.' fi\'e sliU('S uf mind a nd 11ll' baSI(' understandabl\' s wallow these la ws of transmutation hl're agalll transmutations a nd the use of otherwise outline ror tI!C.. 50d.cc.nN'ded knowl('d to be a vi brat ur~ ' ralt' of each slate uSlOg tht'm classical and eminently practical as a road map of ttl(' ,,'uhin III know manual for the seeker in the tradition of ;i'~e:s~ } 'OU art.~ in consciousnt's.o;; a t all the Saiva Siddhanl school of Hinduism . in which the maSI('r is said to ha\'e bt..~n Te rms likl' tlml'. Spa('l'. ('ausation trained, But to a person ramiliar with etc" han' a specifi c ml'anlOg and Usagl' the technical \'ocabularv or the Hindu in tl1(" common lanJZ,u,agt' . Thl' dillms tlf tradit iun a nd with the yoga system of reali z in~ s OIllt't lll ng " bt'yunel a ll phil osu ph~ ', th(' language of Ihis work aspecls of mind . lilllt.' , Spal'(' anci will a ppear lu be not only strange, am­ causati on " Ill't..'t· salel urdlllanl\' Ihal . ll'(·III'· m ys tif~ ' ing l'Xprt.'ssluns 'may mislead ding III Sal\'a Slcldh.tn!.:l · III' Ach ·a ll a· 'I'll., It'rlll Uhanna, 11l.'r~ ll h · and .. I nc· 1J ~ ldl y , hut nil Ih.' ullll'r h.md II I!o' \'t'ry lhem iut o \'l'rV unusual itnd m\'sterious yuga " Man IS nul man. Man IS (;oc1 , " II.\' :-- pt'"k ln g . fll" , Hl :-- ':lIul \' " "I' ( 11 ~gu~ llIl J.! III Iwlt' thai ~ ' Cl ga' s meditations I" scar('h uf Ihe 'mvstical Tht, Il'rm " m.:ln " IS nul l'tIUl\'alt'nl lu " whalt'\·.,!' lint ' IIUI-:III I II rill .. II , int' ~ IJnl ,.. ~ ~ l t'l1l;1 l ll' "IIIIII:--lI ph,\' a nd st'll'nl lflc knowlt..odgc, . "self" or Alman and Brahman. nt'lIlwl' 1ll't·t·s.... ~ln l~ · Ih·t'(l ~ I (jud . 1( 'lIhl'l' In t ilt' c!J!'ol'lp llllt' It II' :--d l·I't'ahi'.. a llull a nd St' lf­ Of l' O U~ , unt.· IS fre{' ltt uffer one's l.s Sl'If..(iod , a ml'anmgtul l'(lul\'alt'n! 0 1 :-;:1 011., It l Samadhi lilt' cli SI IIH' ll un IWI ­ rulrillm"111 I ~ ht·llIJ.! C.'v lIlllll'rt·aall\, l'X ' own vi ews and tnl erprl'talions of yoga. Brahman, II must ht' n.' I11l'mht·I't"f1 Ihal "'l'f.' 11 (;ud and .. uu l dill'" nul I' \I ~ I plullt'(l III lIIan,\ "·.:I .\·s h.\· JIllt'I't'SIt-d pt'r ­ but a caution must be laken "'hen one IS "(;00" In Ihc.· Wl"SIt'rn St.·nSt' a:-- a Pl" '­ Hl'nl·t ', t h., U!'o(' til Iht· It' rr11 " I'l'!JguJIl" !'o4tn:-- .In(1 J,.!l'uup:-- , Many s('lf-sty h'd talking aboul things that ha\'e a precise sonal Gvd vI' IlWll lll hl'lsm IS al'l't'plt'(h lUI' Iht' pral'l lt·.,:-- III r!~ .. rm .. I~ JHI~:--Ih h ' (;u r u ~ an' ufft'nng \\'hall'\"'" Iht,y want mea ning a nd have been dlscusst..'d with unl~ ' III soml' typt.-s uf ~ ' uga s .mel ways .. f tln l ~ ' h.\' ('>.11'11:--11111 a nd wllh t'ilUIlUIl III Inl ht, nantt' uf yuga , II IS surprising care in many Original te xt s , se lf - r~aIi7.all un . In ,JalntSI11 . t'al'h' Bud­ H,,"'t'\,t'I' , II 1Il ~ 1 .\ Iw !'o< IIc1 lhal a ll l'It'!'-( · Ihal lilt, '\m('l'u'an .-dul'aIlClnal svsl ...·m For example. the four cunditiuns ur dhism and Sl'\'l'ral sdwuls IIf \ 't-danla II nuuklt·1!'o an' 11111 I1W .. 111 III IH' ~dlll l.lrI\' h,a:-- nul lakt'll !'>t'I'IUUS t·lIgllli'''H1t't· of Ihls states of human l'xperience I waking. IS cunsldl'n'CI nul un l\' lIul 1ll"('t'SS.i.ln' hut and Sll'll'l I,\' 1' 11I 14I:--lIphw:11 TIlt',\' an' II;" fat·!. Mllllnn:-- III ~ ' lIunJ.! Int'n and WOml'n dreaming, det.,p sleep and Turiya I have a ls" un ly a prudut" Ill' Ignlll:a nn' Ihcr~t ' whll a n ' IIlh'!'t'stt'(l III IIwdllallfill .11'1' It'll til Iht' IIIt·rt'.\' Clf unqualifil"CI been analyzl."d and discuSSt.:.d in th(~ I Aridya t which must bt' Irans('('ndl-cl If III h,' u!'ol'(1 a~ a ha:--I:" J.!uldt,. Tht'n, II It'adll'r:-- III \'IIj.!;J II I' SW;Jffill'S and Upanishads a nd in the tradition tha t lhe final state of re lease freedom, li­ tX"(:lInH':-- d.'al' Ih.11 Ih.·\ an' adctn·!'o.... t'(l (;UI' U:-- . hc.,t'au:--·t' 1111 gCM,o J)rogram!'i an' follows. The author of this book talks beration. moksha or hirvana IS to be tu a n'l'talli klOcilll lful i\'l(lual whit !'>t'(':-­ ((" \'t'I"I K'(1 III thl' l'ullt.'J.!l"S ann unl\·l'r· about '''The Five States of Mind" in Ihl' attained. In Ihl' light lIf enliJ.!hlt'nrnt'nt . Ihl :-- klOcI IIf htt'rillun' III aid In Ih., :--II It':-- . same st\'le. A direct refere nce is also m~' lhi c al ghusts uf a nlhrulNtmUrplm' lH'l'I lmlllary ~ IOJI-:t '~ Itl nwdllallun. S" II 1:-;: huptd that an a llt'rnpl 10 sttl\'(, made to'the Hindu tradition. The states rt'ligion. "'ha lt'\,l'r ht' th"I!' nalllt' and lung a:-- tlll :-- l!'i hllrn.· III 111Ind , Iht'st, Iht, IJI, thl"1II Will h,' madl' bt'fun' II IS enume rall"CI art.> conscious, subcon- rorm . must vanish, h"ctk~ " '111 ht, ht'ipful 11M' laft- II c.·an unl\' Ilt.' said that m· Twu ,tlhl'r h'MJk s II'um Co m :-- lcH,:k ul\'Idual :-;:ludt'nI S must prot·t.'f.."CI with Huu!'o(' an' Tht' Wailua Slory II ht' sllII,\' l'4.lullun ",ht,1t Iht'll' Iifl' - SI~' It ' IS in of a ~"Op~ e who i1 vt' t ", ' o-I h~rd s with,"', qUt'Sllun . and Splntual ('ommunih' (;uidr ror Norlh America : A ' New Age " Han..,a Dagl~y" is the pen nam~ ?f a Travelers ' Handbook, Thl' nal":~ or India and a coUege...&.eact.cr or " Guide " IS <-'ul o rful and "Urac· yoga . ...orid....,ligion and philosophy in tlvt'i'\·Jit-:--lgnt'(l . II l"fIOl aln:-- IIllurmallUIi thf" Unitt'd Stal~ . ahuu\?Jllan':--, JK "II j)It-, ... hllp~ and j.!urus. mandala:-- a nd a ~ lnI J Ilj.!~ ' , t'll'. In Ihl' l 'nlll'tl Sl alt':-- arnl Can ... d4.1 Th ~ Wailua Story I~ .1 handtlf M,k III Wallua l lnl vt'r. 'Daily'E/!y prian :--lIy wt1ldl "'.1:-- Iltundt.'(j bv ~l aS Ic. 'r Pu Dh ~(I ,n lhe JO""n Oll I, s m ..... (1 EQ)PI ••r Suhramunl.\'a (.nt·c.' knuwn a:-- I tll' L..1C.Of "' ~ ~ :rw00..9" .Joif 1Jll ~ ~ mr HlmaI4.l~· an At'4.l c.!t-my , Wallua n(l~ ' ha:-­ '>CJ"l(W>I ,coY e_cep OJ'ng 11"10 ""f',' ... ~.J()I'I ~ e __ndocr ~ ..a It-q,ll "ohl»ys. 0, So..«hetn nlnl' Sd UM,ls and I ~' CI tt'mplt-s 11I' ''' _~"", _!ooOf', Gomm",,,- I J()I'IB..tIO.ng ~iIP Thl' handhuuk INllnl :-- oul " t\t'iulc.-m a· 111 , ... _ 10 6:'901 5e<:.un(l 1,1' ,11 DOlo-I.tge paoa .. c.bot'I c.l t·gn't·:-- art' nlll J,.!1\'t'n al Wallua , nur du ~ 1I 1tnoo1l So.a!.c" ~ O'I' ''l"" , . JJ per~. Of S300pet~f!I Wl' alll'mpl III pn':-- ('111 :'.!O.\'lhlOg t'Xn'pl Pui oe:,e, of ~ 'l.. ., €Qypl ," .e fN' ' e~bI "l) o· Ih,' IOnt'r 't'adllng ~ arnl Ihl' rl'ltlttod lift, ~ ~'D'1I 5111 .-.mIll ~sneo (t) nor ,1Pf-=c !hi COno(J'\ of The .. ""$I , aIC)"l O< anI ~ 01 " St-yll' Watlua 1:-- nul SUhslllult· fur ""'\0'8\oJr, <.'(~k'"'g.t' and prundt':-- nu pn'para tlon fur ' [ 0 100'011 ~ tl.os.ot'IP!03. Ofhch IOCMed ,n Corn. lyufl'sslClnal can·t·r:-- .. ","",Cal "" P _lOng "01h w,ng J1t1or,e ~ 1I AI a IIml' whl'n , 10 m ...'t. ·1 thl' Sln{'l'n' '"'Oooo. d R t.D"IQ EoIO' MId f:iKoII Qrfc .. AGla'I /'Iltt'rl'st of pt."Upll' II"! yoga and st'lf- ~lJ~~=":~ ~ , W'9 MiNge> 9\a-'(In w..., Clas5itl8Cl ..."... I "'"9 ~Jfa"lC.""'"Ofttoe~Ft.1 r:a~~'i t~ltl~~n::!I~~~ri:;.a:'c~~~ J'te PrtO..cIO"1 Supen~ 9Nt Ac:tI:wt$on springing up and many are of­ "", PI'

By Da\'e Stearns slruments he "TII('S for. " As far as li steners' p<'rc('pllon of tlmt'. Chamberlin's {'ol11posllmnal abllitl('s Starr Writer st~' les of musIc go. they' (£" up for grabs. Som£' cntlcs may pass off the im­ han' landt:>d tUIll a teachlllg posItion at But I likl~ to compose strictly controlled prO\'lS3lOry and chanC(' tt.~hl1lq u ('S Ihat \\\'bswr Colll'~t.· III St. LoUIS . By " Cn."CP Into th~ \'agina of a h\'ing pl("Ces " 'lIh somt' Improvisation In· many young composers, including a ll owlll~ )1101 10 l'umpoS{' while h{' isn't Whill~. " reads the performance direc· voln'd And rhythm means absolute time, play your horns.' " rl'putalion and has won a ft,w pnzes. ht.· by Ijterally crawling into a living how long the piece will take to perform : BUI no matter how well thought~ut a l.'an obtalll a numht'r of l'lJnlllllSSlUns whale's vagina. And nothing clsc. Those real time, ho"! many hours, dars or piece is. lhere IS always a chance thai which will bl' (' nough fo r bn.'ad and I'l:'rformance inst ructions ARE weeks it takes to compose the pit'C.'e: unforeseen thing ... may pop up .. waler, A In'nd Ih~tI IS beglllnlll)! now IS " Danger Music for Dick Higgins:' Kind and most importantly, imaginary lime, "Once a pit.oc(' of mine was beIng per­ Ihal of cities palronlZlng a ('ompuSt.'r Iu of an X-rated Pinnochio. how the composition cont~ formeii , which featured a hidden pru\,ld{' musk for ('I\' !t' al't l\' lI ll'S. na rrator speaking through a speaker whl<.'h Will bt.' a slgillficani dlangt' If 11 mounted on S::!gl'. I invited the ('alcht>S un," a udien<.'(> to participate in the pit"('e. and Bul 11ll'r(' art' ulht'" wa\'s uf making one guy walked onstage yell ing 'Cham­ l11unt'\' un IllUSH' - nun~' uf \~' hldl berlin. \'ou're a fraud : and slickang hiS prollll'SI,'S nl'lws Small pnn's l'an ot' tongue 'oUI at me, Tht.~ n ht' rapp('(i the ublalOl'Ci from pubhshl'rs , bUI frolll Iht' wires off thl.' speakt:r and carril" '. a n;lllh' whwh \~a s ('ollwd friJnkl~· .. "Ii was all appropnatt' lhlOg Iv la :o.l \\' II1It'r III 11ll' PIl't·t'. "(;ra.' :'Ilad · happl'n un Ih;11 Il ar ll{'ular l·om· f1t ':o.:o. " " III It, willeh W;I!'> hurr'o\t'toel posllI un." frullI ~I dl':o. lTIPilUil 01 l·arhund.J!c' Son1l' til l'hamtJl'rllI1's lIlutt' fl'('l'nl \\l'alht'r II.' PI;III0 '.)I·oll':o.sur \\' "t'l1l and St'rlUUS ('O mpuslllUns ha\ l' eun· \\'t'rrwr 13111t"(l .h'wlsh IIIll'S and prugr"II11 !" ­ Hmn'\'t'r, Tn'bur :'\lIn'hmaht' ha!" nil \\'llIl'Il !"l't'ms unhkt'lv S IIll't' hl' 1:0. lilt' sun IJall-t'-..(IUt' :o.l'Iul.tlphn'l1Il· eOlUlolallUlI:o. IIf a Luthl'!'i1l1 m lOlSIt'r . · .. It Just hOI!'> an 1I11.'n'sllng pundl Itt II. " 1 bt'<:allH.' t.'xtrl.'ml'l\, Intt'I'l'!'>ll-d III Thn't' III 111\ Tn'hur :'\lln'hm:t11l' l·OI1l · ,Judaism aftt'r lilt' In(' ld~'nl al 1Ill' Olym· PII:o'IlICIII :o. . 'Small Curd l'ft'am l'ullal!c' PK'S last summt.'r. II made nit' \'t.'ry Chl-est' t Willdl was scored un blut' angry that something as ndl('ulous as papt' r I. ' In\' l' rtl'd I'."ralilld lur that was happening. I rt.·acted Kl'\'buanJ' and "TriO St.·lIana · Iwh ldll!'> Composer &b (,hambenin plays the t.'molionally to what was happening S('~n'd And thai carries wilh it a douhlt' "And II onl\' luok nw twu "lOd OJ half bt..osidt.,:o. thuse of l\'hlt.~ DavIs and Thrl'l' huurs 10 l'O Il1PuS{' Ihl·OI ." ht' said. llog Night. puut·h. " Cha mbt~ rlin said . " Danger mU5U ..' IS a fragmt.'ntary IIlUV('ml'nt of Iht· Fluxus Group, ..... Iuch l'unSISIS of composers whu stn'ss dangt.·r and bon'dom as Ihe aestht,tically important \"alu(':o. in arl," For the kids, Prokofiev and Britten Slid Hubert Chamberlin, a compoSt.·r and Sill alumni. I.n diS<.'us.."iing nt'W B~' Tim Ransom It't'nd.. uf music. Onl~ of tht' more bortng aspt."(·ls IIf Fluxu:-. I ~ an unfinished plt'ct" ...... hle ..· h Prokofiev'S Peter and the Wolf, s tand for different c haracters In the I.amont Young has bt'f'n laboring O\'er (Narrated by Mia Farrow) : Bril­ drama of how Iitlle Pater caught the fllr tht., past five years- and ..... helll'om­ len's The Young Person's Guide 10 wolf. and one test of the ('ommand "I('h-d , "'ill lakt' Ihret' months III pt.'r­ the Orchestra, (Narrated by Andre l'ondu<.' tor and pla\'ers han' o\'er the fCII·m . Yt'l untitled.lhe compusitlun con­ music IS how convincingly th£'y can :o.ISt!" of two tOOl'S Ihal lifl~t.'r al an inter­ Previn ). infuse the stor t' with dislinct per· \'01.1 of a nllnor third for a ft'w da\'s then The London Sy mphony Orchestra, sonillities Both pass 10 lhis case. helped perhaps s,",1tch to a major se\·t~ nlh and Andre Previn, Conductor. by E~ lr s sharp but ambient recording then perhaps switch to 3 " pi<"k -up And Mia FalTOW filling in lhe fal'ls is l'\'er"bod v"s memor\' of an t, i~~ I ,~?:n~1 will bt, marktotahle on t.'ablt· Prokofiev and Bl'Ilten both ha\'e endearingly Iiie rate babysitter ' 'I\ul Ihen.> aren't ver\' man\' l'Um - written music mor ~ ambitious and If ltK~ "G Uide '" comcs orr less ('[. post'r:o. in IhlS fragm{~n lary group," technically Inl e r~ ting than ~t'u>r and feclivel), . the reason may be organic 10 Olambt-rlin assertt..od . " Probably the the" \\'otr and Thr \ ' oun~ Prrsou's (iuidr thl" work itself. at least in Ihls narrated main Irl'nd th~ da'Vs in muSic is ell. to lhr Orchrstra. but nobod\' over 10 \'ersion. i'\arratioll is optional. and the \1ronmental control ' with multi-mc-dia should fet'l himsclf too sophislicated to a nal\'l1 c {'ff('(.' t of an o\'{'rla id \·oice. ('\'('n de\'ices. This is not nt'w- Scriabin .... an- enjoy these sure charmers. 1\10'0 of tht' with' Prl~\ ' IO'S ease. tends 10 3ccentuatt' 01(' famil~ ·by·family SC'C lioning o\'er the tt.'lr orl' h('s tra In · \'i ronment and the s(>nses of tht, which \'alul.'S a music rooted deep In a structl\'f..'i\' dlsst..'Ctt'' In cIiscussilII his own music, Olam- hu,nor aptly serve his pnmary desire. berlin said the fust thing to consider is I,e " to reach 2 kui(lIe-audience. the practical limitations or the in- I' Instruments or groups or Instruments .-,. Pogo., a.ty ~."...... " 11 , m. ------::'/' ;r­ An from the fire

By Linda Upman Slaff Wriler Outside the sun is hot but the day is not "arm. The brisk air and the open fields make you feel like "you're away from it all." But inside", vour cheeks turn red for another reason. Three 'sunken gas furnaces are .fiery red. melting down one thousand pounds of ingot and scrap \ Phorography bronze in less than four hours. The SIU Foundry. hidden south of com pus in a tin hut across from Evergreen Terrace. is the . 'best b,' . equipped University foundry in the Midwest." gradu­ ate student and sculptor Hancel Gill proclaimed. Comfortably dressed in blue jeans and workshirt. Richard N. Lninc Gill picked up a ceramic shell mold and watched the silicon (sand·based mixture I crumble onto the noor. " You sure get dirty in this business." he smiled. Gill teaches metal sculpture to about 20 students this quarter. The class is taught in the relic Goodluck Glove factory. a lso off campus. but the students pre· pare their small models at the foundry . learning each step in the process of making the wax mold become a creative work of art in bronze. aluminum or brass. SIU is one of few uni\'ersities to use the ceramic shell process in metal sculpture. because the process is relatively new . Gill explained. The plaster molds are typical. In the ceramic shell process. a \\'ax pattern is construed in any shape. The beginning students' molds are usua lly under a foot long _The wax figure is Ele\'en pic('es from th(' lhen dipped in slurry, a combination of silicon and (·t-ramie s hE'll prpc.'ess sand, ,' fin e sand is then applied to the surface, which were "'eJdE'd lOgf'lher to ad her: s to the slurry. This process is repealed. so produ<.'t' tbis bronze c.. ast ·'there are several lavers of the same sluff in different b~· st' ni or J anu's Rourkt'. consistencies," Gill explained. He turned the fan back lon , so the 2O-some models on Ihe table would drv. At this point. the models a re funny-lOOking to a layman - tryslallized chunks with styrofoam cups hanging at one end of 'each pi ece. The wax is lal er Bred out at temperatures exceeding 300 degrees and melted through the cup. The system is basically for sma ller pieces, bUI larger models I rour feet or more I may use th e ceramic shell mold process, if done in pie<..'es and laler welded together. Gill walked to tht~ ba t'k of th e hut. stepping over large sand blocks and cracked plaster. I{'rl from molds which had bee ll used and (·ra(:kt.:od open, In Ihis room . three gradua lt' Sludt'nt s wert' preparing larger pil"(.' es_ One studt' lll was in tht.' "wax stagc" of a slightly smaller th an li fe -s ize head. TIl(' other Iwo girls were combining lilt' sand mixture on iwo abst ract pi eces. When enough ccra mie shell molds arc fi nis hed Hht· wax bur~L>d au! , and the (:ur ~ el1lon~ I, .the sluden~"i have a 'pour. The meta IS healed In <.I "crUCI' blc", foundry lingo for GO - 10 12U-pound melting pol Sl, Not all three furna{'cs are lit if the students plan a small pour. as they han' this quarter , !\Ictal is getting ha rder to COlnt' by. Gi ll sa Id . a rld " we do try to cons{'rvt' energy . :\"a lura 1 gas is kin d of expens i\"e." The ceramic shell molds arc expcnsiv {' , too, Gi ll said. The finished mold costs bl"' twt'{'n $1.2.-') and Sl.50 per pound. Bill said scveraJ graduale students set th(' furmlces . under supervision of one ~'rt faculty membt'r. and pour tht~ metal into the casts. When til(' nu'tal hardens - \"oila ~ - the mold is t:r a t· kt~ d , and til(' metal figure stands alol1e. Th" sand ('an not be reused and is hauled (;radualt· Thuma!'> ."~ · uwirl awav . puur... slum' un hi!'> (,(·ramie.­ E.at'h mold lends itsc:Jf to a different form. The sht'li mold, ·Thl· two sl\"roroam larger OIlt~ S may bC' mad{' in the sand mold prcX' t~ SS (·up!'> . afit"r M'rying tht·ir drain­ The pattern is ('ompacted within a sand bloc k_ Wh t~ n agl' fum"ion. "-·ill lah'r tH' n'· th{' meta l is poured. the sand mold must be " buried" 010\· ...1 . so it docsn·1 ('xplode , The sand mold is a sand-packed box around a reli cl form . Two bl ocks of sand fit inlo each olher and holes , are drilled to pour the metal through. " Ynu have to be able to think in re\'crsC' to make posilh'c a nd n{'gati\'(~ patterns:' Gill explained. Art for art's sake '! Student s at the SIl' Foundrv learn (~ach step in tht~ process for ··artistic reasons .:' Gill said. In a coml1l C' rcial foundry. th e dra ft sman performs only ont' step in the proc'css, "uf say. making firepl ac(' implemt'nts _" The commercial foundry ca sts Iron in S(' n ' ralmolds tht'n manufactures S{'\'{'ralthousand of the sam{' pi('(.·e (n a ('omm{'rciai a rt foundr\" . the' pi('{'es arc l'ast on a consignment basis. Gill (·xplaim:."

8y Madelon Golden Schilpp vain little girl ... I used to long for possessIOns . , . dolls ss and trade in a newspapers I, academic staff and gov­ entries. each with a wavering fake of The Nobel committee cited White for I!rnment regulatory agencies, A strong affection mixed with attack, are superb. his "epic and psychological narrative monetized economv, case can be mad ~ that tht're are many Dorothy and Basil want to uproot their art . , , I and his) . , , unbroken creative A !lumber o~ 'thought provokans questions are raised , la I tht.' relation· In all six of these groups in 1974 whose mother (from what is comfortably power. an ever deeper restlessness and actions. in the mind of society memo home ) to eXp'ire a little faster in a "re­ seeking urge, an onslaught against vila I ship between the regulated tbanks I and problems that have never ceased to their rCf ulalors I Federal Reserve bers. do not merit this trust. Mavbe an tirement VIllage" thereby rescuing analYSis of alternatives to gua'rantee some dwindling cash. engage him in a wrestling with the Bank, Federal DePOSit Insurance Cor­ language." poration and the Com ptroller I, Does the public against either overt or covert malevolence should have high priority, " I do think it's sweet of you both to pay this lead to a game of "foolSV" and Madelon Golden Schilpp 01 Car· ''hanky pauk?" Ib I The rt"lalionship The author does nol indicate are· me a YlSll - and leU me wbat you're cognition M any relationship between arrart(!ing for me," says the old mother bondale is a fOrlner starr ~' rikr for the between the Federal Reserve Bank and the Treasury Depart ment , Does Ihis money supply. credit. goods and ser- ~;~nJi~t~ : ,:'l'm ready to die when you Oaicago Sun-Times and the Oli..cago Tri­ bune Sunday magazine. r independent Fed lead to policies in con­ index niet with national policy'" Is an IOde- ~~C~a:~dt~~sn:;::£ , m~:r~s!}u~~ Two chapters are de\'oted to The children's blstant conniving about Congressman Pal man and his dt"ter· the legacy and their lack of any real maned ef~orls to k~ banks responsive feeling for her is painful ; at the same Old contl"Ollel"S)' time she recognizes the truth that these to the ':llItle person" uhf.' majority of 8y Loyd E , Grim .. our sOC'lely l, Mr , Patman also wrote children, "barbs in her womb" in retro­ Ihe foreword to the book, spec:t, ,nc'/er experienced steady or Bankers genera lly Will fault thiS book conhDumg love from her any more than I Led Three Lives had her "sainUy': husband. by Herbert A. Philbrick for being biased and anti-bank, Others "'i ll find supporl for their belief Ihal The Cap1l01 Hill Press, 300 pp .. $7.95 banks are less than perft'Ct , Th('re are a Although one nurseaecries Mrs. Hunt­ number of suggeslions as to W3\'S to im· er as an "old bitch" and Dorothy de­ prove the banking system. but "th ere is c1uc:s her "an evil heutless old Herbert Philbrick's book"'is a first· r:llte adventure story, Manv who recall nol unanimity among business and aca­ wo~maD•• the author reveals her reo demic leaders as to lhe validlt\· of his morsel 'de. the decade of the 1940s ro ~' ered in this volume "ill remember )hose controver­ "road 10 progress." . sial days. However. mare of us may re­ This book needs 10 be read b\' man\' wnerous nash-backs we see call the long-running ' tele\'ision series people who will be

< Thfman from Missouri as reported from tapes- an Englishwoman. Me. Truman added : Dean Acheson and Harry Hopkins. can complain that his meaning is ob· By OIarles Clayton " I don't like Eisenho"·er. 1 nf'vE'r have, Two facets of Mr. Truman's charac­ scure. but one of the last things I did as ter are revealed. One is his lifelong For example Mr. Truman's opmion of Pres ident , I got thos e letters slUdy of hislory. which frequenlly Plain Speaking: An Oral Biography Prt'sidenl Nixon is crvslal clear : " All I Ei s enhowe r 's and Marshall's enabled him '0 confound the experts. of Harry S Truman thE' lime rYe bee-n In' polltl('s . thert> 's bhstl>nng rt."ply ) from his file in the The other is hi s confession that because by Merle Miller only two peopl E' I halt'. and he's Pentagon and I destroyed them." hE' had to wear glasses he was a "kind one ... i\lxon is a shlfty-<,yt'd goddamn Merle Millt'r spent a good part of 1961 of sissy," and if there was a ny danger lJar ...H e IS ont" of the few In tht.~ hlstorv Berkley Publishing Corp .. 19R ~8 pp .. and 1962 In Independence. Mo " as a of gelling anto a fight. I always ran." It $8 .95 of thiS country 10 run (or high office nTlt{'r and ':gt'i':eral organizer" of a could n{'ver be said that he ever ran talking out of both sid es uf hIS mouth at prnje(.'ted s erit."~ uf filmt~ tt'le\'ision 10- away from a fight as a public servant. 11Olt'. lYing After a year of de-vlous doublet ....k . thE." same and out tlf both tervit,Jws with tht,J forml"r Prt'Sident. This reviewer . who was privileged 10 evasion. denials and denoucemenls Sides," The proJ('ct latt'r was abandoned wht'n kno"' Mr, Truman personally and who by ThiS quotation is U IW uf Ilw Iwu which engendered the Watergate scandals. nom~ of the 1E'1t'\'lsion nt'tworks wer(' in ­ followed his career in public life as a it is a welcome respite to read about a wert> publicIZed e\'t" n bdore th{' book len >s tt'(j but Miller kept his tapes and nt'wspaper obsen'er. can attest to the was published, ThE." s{'('ond IS his President who always believed tht> notes whi ch are presenled, with his 0"11 \'eracit \' of that statement . re\'eiallon that the lale PreSident buck stopped a. his desk and who ex · cumment s. In Guestion and ans wer Dean' Acheson. "'ho was interviE."wed pressed himself in plain unequi\'ocal Eisenhower wrote to General Gt"Orgt· C, form . by the au.hor. said of Mr. Truman: ··1 Marshall asking to be relie\'ed of dut~' words. This comment is not a partisan Inler\'lt'ws wlln otht~ r nwmbt>rs of the han' read over that he was an ordinary observation. Not aU readers will share so he could return to the United Slates Truman family and nt'lghbors make up man .. 1 consldt'r him one- of the most ex­ Harry Truman's convictions. but no one and d i \'or~senhower tu marry thiS Intimate. warm and frankly par­ traordinary human beings who ever tisan "oral biography" . It IS the most hved," Thl' Quo«ation aptly sums up impressive when Mr. Truman spt'aks thiS " ural biography." for himself in his own salty, uninhibited Mr. Miller is the author of several "givt' 'l' m hell" languagt'. He had no nO\ ' l'l~ as wl' lI as books of non-fiction. Communicators become toleranct· for Mr. and Mrs. Henry Luct,:' . Hl' \I.'as a ('ombat ('urrespondent in the father of John F Kt'nnt.ad~ ' . Ct'n. World Wal' II and lall'r served as an Douglas MacArthur and t,:'Vl'ryone \4'ho ltdllor for Timl' and for Harper's. lost in their message dartod cast slurs on his "'Ife or hiS daughtt'r. Ht~ h ~ d profound respt."C'1 for (,harit's Clavton is a professor Gem'ral Marshall . St.'(' n·lar~ ' of Statl' f'mt"rilus o( journalism, By William Eo"'" " You 're right. Author­ i.y should be eamed. When J was Your Age - STOP It 's not a divine right. " By Edmond C. Hallberg and GO William G. Thomas Apparently thiS book was written to call attention to Ihe communications The Free Press. 1973. 219 pp .. 55.95 problem and suggest Ihat it is Ih(.' cen­ tral issue in the generation gap. It does This book was written to describe the succeed in making this point. It fails . Rroblem of communication bet ween however, in making any other points : it s descriptions of the youth culture and those over ~ years of age and those un­ der 30. Being exac.ly 30 years of age I it s attempt al coining new tl.'rm s likt, am of a class of persons best qualified "acapohs," tu describe the uni\· el ' sit~ · to objcctively review such a book, community are poorl~ ' dt'n'lopl"C1 . often The authors, both of whom are over confusing . and In the last analYSIS wnh· JO and therefore potent ially suspect. out much meaning.lht' Idt' a Ihat good each hold university positions that re­ communica tion requirt's a\'oldalll'l' til' quire them to counsel and ad\'ise stu­ stereotype thinking IS Important. Unfor· dents and that experience has appar­ tunatel\,. the mcSS3"w gt'ls lost m tht' ently made them sympathetic to stu­ travelug ue through yuuth ('ultun'. A slow walk down illinOiS An'nul' un a dents and the problems younger peoph,~ encounter in communicating "'ilh older warm da\' would bt· murt' IIlSI rUl'lI\'t' people. especially tht."ir parents, The Ihan Ihls . book , central problem in communication, as suggested by the authors , seems to be William Eaton is an assistant pro­ fessor in the Department of Education­ the tendency of both parties 10 thmk In aJ Administration and Foundations, stereotyJX>S . Thuse under 30 re ~ard their parents as hypocritical. o\'er ­ nourished, prudish, war-Io\'ing , Archw Bunker tyJX>s, whilt' those over 30 coun­ Noisy ,\lilloritr ter with stereolypt's of their 0"11 thai regard anyune undl'r Iht' magiC' agl' as an anarchiSt. dirty long-hairl's an t;'xct'llt'nt Job of dlS<.'usslng Cunn I'ap,,·r . $7 95 Indian (ed Ing , art and religion. It may thing. do t'n~' rythlOg . (.'ommunlsm . but dOl'sn 't do a :-; wt'll on Tantr", art ('x prl's.... t· ~ a n ohs{'ure m~ · rt'all\' tx.. understood, in the last resort, feel {"n·rythinl! . and bt· anarchy. This is not surprrslng. as tht, stl('al strain of thought and Iwlrefs cher · oy People whu are prepared to un­ t~ \ · erythlng . I may ('n'n anar{'hi sts themst'l\,es disagr.t_'t· on'r Is h{'d h\' t'{' rtaln Hindu a nd Huddhisl dc.·rtak(, inner meditative action. There JOin tht' 't!ays' .. STOP what anarch\' I.S, HIS diSCUSSIOn uf St'n , Sl·t't ~ with an nngin pl'rhaps three thou- can lx.' no quick and easy definitions. suahsm IS largt'ly a n'\'lt'W 01 •.10 uld ~nd \'l.'ars old y{.t. al.T ordlng 10 the au- Thl.'\, ha \'{' htoe n tried , but they eitht>r Tht.'St' lil1ll' STOP ~ Ign ~ art· Ju~t onl' fl'ud bt'twt't'n hlmSt'lf and thl' It'adt'r uf thur. 'r antra art h a ~ o{oc n known to Wl'st· lum' out 10 oe so broad and general if kind of IJ, lmml('k t'mpluYlod b~ ' Ihl' thiS mO\'l' m{'nl. phll u ~ph .. 'r Hl·rtwrt l'rnt·rs no longl'r than len Y('ars Tantra th{'y art' expressed in Indian words that authors : th<.·y alsopnnt tht' flrsl paID:' uf Marc uSt' Itself ha s oe{'n undt'r th(' ~ t' rulln \' of they ('an scarcely mean anything to the t'\'ery chaptl.'r at a .as-dt'gn'l.· anglt'. and Schwarz l'xplaln:.o. tht' dlfft·rt·O(·.. · l)t·t · . "'l'stern schola rs no mort' than IwO 'gen· Westerner, or so narrow that they are inje<"t thl' "'Ords tu l.' ontl'mporar~ · songs Wl"t.·n i'J j.!ltat lon and propaganda. Pho\l. ..A.' rations onl)' truc.' (or a ~ part of the enonnous and b~' such. pt.'rfornll'O; as Frank l.appa Ihl' Communrsls rt' j.!ard :\tarxl ~ m - /' In hi S last journal. Thomas Merton reo diffuse reality. There are many varia­ and Bob D\·lan. Tht, ~hu rs tt'nd 10 du Lt'nlOI sm a" a S<:ll·nl.... · and thl'mSt·l\·t'!'o ; ports (.·ontacts ""lIh ASian religious pea. tions of practice and belief. However, Ihe lallt'r \"ilt'ne\'t' r t ' cont{'nl gl'l s a s adminis trato r s of a P01tIH:al pic who furthered hi S e xplorat!o~ of .here IS only one thread that can guide thin - and thai I.S freq tly, technology. Iht' USt' or S4..·x ual IIl't·nSt· a. Eastern contemplatl\,e monastiCism. .hrough .he labyrin.h: all tbe differ-enl AfI(~ ~t-' \'oting .mtJoIM.-L.r tht> book to a pohll('al wt'apon. and a host uf uthl- r :'\It'rton writes again and again In his manifestations of Tantra can be strung on II. This lhread is the idea that Tanlra =~~. ~::~~r';1! Sl~~~ ~}or~~t~ ~~~~~; ~~~~~I\4~'~~t'~:n~~:' S to undl'r :-; tandl!1g ~l~~~~u~I~~~S ~~o~~t t~a~r~d :;at~~ IS a cull of ecstacy. focused on a vision 0{ culture and American culle~t' life In Ht' accomplisht>d hiS goal of people and Tanlra are .two cosmic sexuality. Life-styJes, ritual. - general. tht" authors employ a' m('f{' 16 prodUCing a good , rt.'adable layman's terms Iwhich .have religious meamngs magic. myth. philosophy and a complex pages to ask ho,,' belle-.r communl.callon guide to the re\'olutionary movt;'mt'nts as weil l apph~ to the art forms of of signs and emotive symbols conv~e can t~ke , plac~ , 1nelf co.nclusl,on, - v.t1ich rt!'<'ently wert' so acll\'e and may Tanlra. The media range from complete upon that version. The basic texts tIJ filled In ~'th . brlef case- sluciles -IS th~ ~ march agai!". This book, alre~dy in its t~mpledesjgns throug~s.tone , meta~ and " 'hich these are conveyed are also caJled commu lcallon would best be st'n' second prrntlng, may eclipse hi S ~ooded scwv.ture, palntmgs, draWIngs, Tanlras ... by "iuj, .bey .erm ··GO·· phrases su previous best ...1I~r . You CaD Trust the a rock or p11~ oC rocks . . . even the as: ,/ Com.lIJIilts (To Be Commwaists I. human body. HRL tlIaly~ . Moren 11 . 1174. Poga 7 ;) Notable publishing event: unveiling of the new BE By C .A nne Prescott The hea\,\,weight Macropedia con­ SlaHWril.er !.ains -12.000 longer articles. some which run up to 200.000 words. though the aver­ A radically new concept in encycl~e ­ age length is i.500 words. dias. involving Ii years of planni,g. The Propaedia . however. with its 5_000 people and S32 million. premieJied book·length essays on 10 areas of human to days ago when the 15th edition of the Encyclopedia Brilannica was un\'ciled . ~~\\i~~~: :t~~rre~e~~I~~~~ i~~~~f~~: Variously heralded as " the largest tionary in its concept. It is the brainchild single project in the history of publish­ of Mortimer J . Adler. famous for his ing" and "a milestone in publishing creation of the Great Books of the West Sen. William Benton, now deceased, de­ history." the new EB rocks the tradi­ World and the accompanying Syntopi­ cided that the t5th edition should be ~~:d~~:~ ' ":~~~ ~O~os:s! i~~~'~~:Caes~~~ tional encyclopedia structure with its con. the guide to the range of SUbjects published with its new concept and however, lhat she would consider buying three-in-one concept. co,·ered. The key to the Propaedia IS its updated information. By 1965 EB began it " if we get a lot of demand ," "Britannica 3." as ils creators call it. purpose :~' t slr'ves to present a structure expanding its ,!.aff so that at its peak. A limited budget was the "o\"erriding is composed of 30 volumes split into a to­ of knowl ge abOu subject rather than about 385 people working on the 15th consideration" ror education librarian volume Micropaedia. a 19-vo)ume separate unrelated acts. it discusses the were processing an average of 400.000 Ruth Bauner. " We don 't bu\" e" en' edi­ Macropaedia and a one-volume Pro­ whole and not merely the parts. words a week and studying more than tion that comes out. " she said, "\\'e de· paedia. billed as an "inventory of the Indeed. this synopsis of the Propaedia one million piec~ o( art,,'ork considered finitely won 't buy \the new E8l this whole terrain of human knowledge." could apply to the whole concept of this for illustration. The finaltallv shows vear. " brand new EB. For perhaps the first The Micropaedia. subtitled " Ready that 19 .3 23 photography. 1.li4 maps. . Social studi es librarian John Clifford Reference and Index:' contains more time in its two-cenlury hislory. EB has 3.582 drawings and 160 color insert wa~ skeptical aboul the new concept. then too.OOO brief articles tup to i50 plates were published. saymg he preferred the traditional A-Z words I on subjects you'd expect to find r:~~~~d a~~ ~~~il~~S ~~~h f-:;'~~~':n~~:th The cost of the new edition. needless to able. structure because he's "round too mam' in an encyclopedia - battles. population say. appropria1ely reflects the prodi­ college students who can't get past A ." figures. birth dates. etc. It also includes This radical departure from a gious expenditure of money and man­ The new E8 is not a " Iu xury Item " to straightforward A-Z concept dates back power. The new EB will cost $>48 in humanities librarian Alan Cohn. but his ~f;:r ?!u~r:~s~~. ~he~ ·~~7 ~~:efe~ a:~~ to 1957 . the time when the 14th edition. standard bindillg and 5648 and Si48 for budget is "loo tight" to accommodate more than 18.000 pictures. many of them first published in 1929. was under contin­ more luxurious ones. If you want to view the rush order that " ideally ['d like to in color. ual updating and revision. EB publisher one ror rree, however. you may have to place." . journey to EB's Chicago headquarters. The most pessimistic note came from since neither the SlU nor Carbondale li ­ Charles Perdue. head of the Carbondale braries intend to buy a set in lhe near (u ­ Public Libran·. wh o indicated that the From out of Red China ture. new EB wouldn't si t on their shelves Tight budgets and a listless altitude until 1m. " We have a '72 edition." he toward the t5thedition have combined to said. " If ours was fivc years old, (or sure make a wait ·d "'Tht.' Geni· A stunnmg show or archl'Ological us or Chi na:' is clearly labeled to g Uide Ireasures unt.'anhed In n,I('en! \'ears has the vil'wer Ihrough the (.'o mplic3led been senl on lour by Ihl' PeOple's Re­ maze of China's long history or artistic public of China. It is no\\,' al ttl(' Hoyal an'umphshmcnts, which art" astound- Academ\'. and IS 10 tra\'el to the Unllro 109 . Stales on an as vel unannounced il iner­ Thl' burnishro black poltt.'ry eX(.'a\'at ­ ary, The exhibit'i on spans a period from t"'d almost to slone· bUI (he public as well, and Ihere ha\'e ware temperatures cardully con~rcd been waiting IInL"S al Ihl' Academv t'ver with a f("ldspatlu(.' /.:la1.l' - no a('('ldent since it opened. One of the spt..~tacular uf melting wood ash IOSldl' Ihl' kiln . finds, the s<"Cond ('enlur\, B.C. tombs of This earl \" and rt.'\'olutionar\' 1O\'enllon the Western H:ln Dynasty prince, Liu by the Ch'i nese uf hl~h·firt' bcX1il·s. h,~ l ds­ 91eng, and his (.'Onson , Princess To\' pathic glazes and SOphl sllcall-d kilns Wan, has pro\'lded lilt' most dramatic de\"elopt.-d gradually tuward Ih,,' gn'al highhghl uf Ih" show. Thl' royal couple procelains and rt.-dU('lIon glau's of til(' are- 10 bunal custunll'S of armor·likl' Sung Dynasty pollers. Il'chnlqut's shrouds cm'el"ing Iht· t:'ntirt:' body and unknown in Europt· and nul 1In1latlod l'Onslructt.od of thousands of jadt.~ tablels unlil the t.'lghlt..ocnth ('("ntury . faslened together with go ld wire. Along with th(' dl'\'('lopnll'llt of pul· Taoist ma~ician s of the period be· ten ' and clOSt'''' rl'latt-d to Il " 'as Ihl' lieved jade could pre\'ent decay of the app~nlnt suddt.=n dt' \ ' c.·lopl11(.'~t of the body. Jad~ ..... as e\'t~n ground and eal(.'n , hig hly skilled bronZt.' metallurgy thai The traditional association of jade "'ith produ<'l.od t'arl ~ ' 10 tht' Shang Dynasty death and immortality goes back 10 superbly crafll:od bronl,{' cert'monial neolithic times, and small piC'Ces of \'essels in which thiS shuw abounds, f-. jade and gold were often placed on the These bro'l1.l's Wl'f(' ('ast dlnl('th' inlO pr(>ssIV(' ruins ('XCl'pt ror th(' un · ate Ihe show. Ther(~ arc bears, leo. nine orifices of the body in preparalion can 'ed and fin.'s rrom India g~1~ ' al Europeans, Yo'as a btmign sym- , below floor le\'el in a dark red room. green glazes IS atlribull>d to thiS aim, with Iht' enln' of Buddhism 10 the St'(> Glowingly lighted and covered with a However. thl' famous Sunl;! Dynasty n'· and century ·A.D. and Iranian designs BUI th(' aOimal Ihal dominates Ihe transparent cone. the form lookS like a ladon glazes were admin-d in part fur inlroduced (liang the great Silk roule shoYo' is the horse, the " celestial horse" strange and ancient astronaut resting their resemblanCE' to jade-. In aQtuallly lhat flOUri shed unl il thl~ Arabs of the West introduced into China bv after a celest!al trip on a mythical dr.- - copper al1d iron oxides from wtllCV conquered iran 10 Ihe 5e\'enlh centur~ ·. Emperor Wu-Ti in the first century B.C. gon. green glazes-art' dl:'\'elopt>d ar(' read'(y QlInest' literature. language, the visual There are the great Tang Dvnastv hor­ Chinese antiquaria~' sm dates back at found in nature, So also in China ",.. as an arls and crafts. III turn, influenced an ses, multi~lazed , long familiar in the least to the pre· Han riod before 200 abundance of highly plastic white The symbol of the show is th. bronze itional rites as a stabilizing force in s0- These early boonze. vessels, decorat­ compared to those of Egypt. Greece figure of a nyi ng horse at full galiop. its ciety. Sung Dynasty antiquarians of the ed in a linear style characteristic of in­ and Rome in the West. neck arched. a hind hoof lightly resting eleventh and twelfth centuries. when ner Asian art fonns, were made in spc· , The cont inuing thread that runs on a swallow's back. This sculpture there was a strong official revival of ciat hieratic shapes for grain, wine. through Chinese artJrom its early trad­ from the Eastern Han Dynasty is 1800 Confucianism as a force against PIe in· meat or human sacrifices. and these ition of a non·realistic. rormalizing an years old , and its freshness. filtration of ' 'foreign'' BuddIIism~. id forms Were strictly adhered to. An to the gr~at change lhat occurred in the epitomizing the new exuberance in !.heJoundations of archeological e- used primarily in sacrifice. in connec· first ct"fltury B,C, toward a livelier rea· Otinese art. is a joy. lhOds ~ to an:i';y in the W for lion with the d""d and immortality, re­ listic art is the absorption in and depict­ The MoDday Magazl~thub the 51 . maay centuries. 1be udy and dissemi. minds one 01 Egypt and the ancient ing nature. whether stylized or not. LouIs Poot-Dilpatdt and Patrida De­ ution 01 !.he llori 01 the past as a civilizations ol the Americas. but the Plants. nowers. birds. landscapes and geDer for permissioD 10 repriDt thU ar­ I8IifyiQs cultural force is fully under· OUnese, building with wood . left no ex- especially animals in abundance decor· ticle...... ~~~ .., •. !W. I -- 'Lyi~ surfaces bearing honors By Dan Stearns one of the best oi nt.> productions in beoen reslructured to clarif\' Alan's tum a n opport unity 10 Increase his Daily Egyptian Staff Writ~r Ihe American College Thealer intffillOOS 10 show Enc Ihal·lll.· COl1ld oon('("ntrat ion and faclhty as an ac­ Fest i\'al. held earlier this year III lx" attracled to olht'r flwn bt"Sid('S tor - as ht> got himself into the rolt> Never one to la\' low for \'t"rv ~liI waukee . ConsequL"f'It ly . "Lying Paul:' added Ms . \\'a~n ..·r. of Eric night after nighl. long. Lane Bateman's " Lying in in Slate" ""i ll be perform~ in tht~ ClaYlo n was a sl:;s.y· halln~ "Bul tilt:> problem is. how to be in State" ....1 11 come ond an Irn..> sanw lim('. M tL'" Wt' gOl back But this lim£>, the original play an 'a uch ence capacity of 1.000. TQ \,1t.·l1h>n t of ('on('t-' rn U\','r 111:-: from ~ hlwaukt'(' wt· found that ",,'e about four homosexuals contending gi\,e Ihe feel of playing .IE a largl'r l-!Irlfrii"fld. Justln(·. wt'f'e 1\\'0 wt"t.oks bt-h ind in our '4ilh a homophobia!' society has house ~ to lest SC ript rt" 'ISlons I. " Tht.· "l'lars' mh"rpl''''lalluns of d Ol SS('S . " 5e\'eral honors altachl'd to it - not the u m ing SIU pt'rformanC'l"S Iht'lr rolt.'S InOUl"fU't.-d. LaO(' a ~n'at Tu.'k('( s art.' il\" Hl ab!t.' a t the ( 0 mention its extended soJd-out run ""ill be ht:'ld m tht> SOO lines. bUI t ~ t~ pl~yt.'r~d13n~lrl o\'('r thl' paSI ft'w munth~ • Eyes Examined ~Irol tbt· ~udlerl('l·. S 1~~J! I,Ut'f' ~s bt'l'auSC,' of my pt.·rson~1 J.!1·u"",h ,,':';;1 • Complete Optical Repoir ""ell as th~ "COU ld I". Iht.' ~ mallt.'r pt'r:oiCm:' Klappt....- said. • Glasses Fitted Irish liter(l/llre Lab 1lleal4..Y. stlt' sa id. " 11ll' play has bt. ... ·n ~I lunJ.! ~11I\l' • Lenses Duplicated Tht' play IS tx'trlg 1'~ I Ol' k t.-d ... nd pr'OC.'l·SS of hbt'f''''IIUfl Ii", ;,11 ue U:o.. I Irish plaY" 'righl and critic J ohn • Frames Replaced Bo\'d will lecture on " Drama and tht> sets art' belOg rnodifil'Ci 10 s un... thmk." .3ddt.-d ~1,:.; . WaJ.!lIt·r . Fiction in Ireland Tooay: ' at 8 p.m. proSl'('OI urn stagt.'. &TIIII c:han).!t'S. KlaJlpt'r. wlllll't"t.'t.'i\·t...:1 tht' l'Ulllh'l'­ • 24-Hour Contoct Lenses wh icn han' bt'l."f1 oc.'CurrmJ.! SIO('l· tll\' up bl~t ~lt'1I1I ' a\\,~lrd ul' lilt' nllclw~ 's t March II in 1m' Studio Thea ter in Polishing Service play's IJrt.>mil'f'(, in :'\o\·.. ·mbt.·r. III · 1't.'j.!1U1l for hl ~ pl" 'fJII'nHIIH'l' III Pulliam Hall. elude thrl'C ..diml'n siunal quall1ll's " I.YIllJ.! III St~lh' . " ('UIIlIIIl'lUl"Cl Ih;1I Ji", Wllif. Boyd's lalC'sl play. "The Flats: ' IS ~i\'t'Tl 10 tbt.· prt.·\·luusly flat dmra ..·· till' Ill;IY ·:' mall." l)t'f'fll rlll: llu "' ~ j.!;I\'" N.I." 1I.~10" currently lwing pt'rfornwd by ttl(' lors of .o\.Jan and l' 1 ~YlOn . Ollie. Mg,. Drama J)cparlmt'nl of the l ' ni· O,fiei." .. AI .... 1 was IlUlI't· til ;1 ~ nlllt\ · v!'fsi(\' of Kan!>I'I .. "'d!t .....I ••>u,' .. "' ~ through 31 in t he St udt.>n t Center environment. , .,"h.I..· ... . · .... Auditorium. -.·_ ... _·.... 0. A Grumman IS gre .. t fun Midwest Population Center" 1-- ' ' ; (0. _0.0 •• - g reat exerCise - and It'S E llen Nem eth. head of the SGAC I , l b'~1<1 1.-11 11 built to last a lifet ime. Read 11· ·L",l.h... fi lm committee, said St U will be one , of only J.I .u nh·ersities throughout the warranty. the United Slates in 19;" 10 get the 5:1 ...... US CI I -,,,tkl. I. '- IlIIl award ·winning film . T he God fat he r IS th ..· bigges t MONDAY & TUESDAY money·making mo\'ie in thl' history ARE of the L .S. Admission pril"(, for the WANT ADS AHE WHERE THE BARGAINS ARE ! sho""'ing al SI t: will Ix'SI. "Beef Of Baron" Nights 5:00-9:00 Liberia follows U.S. on coins WASH I:-\GT":-\ IAP I- St'\'C'ral na t ions han' .. dopt('d dl... · lmal cur r('nc \' S\'s l('ms and now issul' dolla rs. but LUx'r ia is Ih,· only ontO 10 '1I,"ioil Model, use exaclh' Ihe samC' coin cknominatioris as Ih(' Cniled Slales. FOWlded by freed A m~rica n sla\Oes Choice Standing Texas ~I . in 1822. Liberia has man\' of its coins struck by the L' .S. Mini: a nd linited Cooked to a perfect juicy center Stales currency cin'ulales fr(-ely in its natural juices and carved at ~h e M ric.. n counlQ . table. Dr. Lee H. JaTre .. B.... r or Baron" S .... daJ In· :'Iuc h,:-, uur nt'w Salad. . OPTOMETRIST 'hIHl·t· IIf Pota to a nd Hot 606 S. 11-1 Ave. omeo m .. d ... 8~ad . • Eyes Examined This is an opportunity to gain experience build your portfolio or attempt something you have alway ~anted ·Glasses Fitted­ to tr)'. Male and female models are n~ .to be ·Children's Visu photographed ~r i ng the latest fash ions. Models w ill Problems receive prints of their fashion photos and /In oppor· tunlty to appear on the Dai Iy Egvptian Spri,n9 Fashion HOURS : Issue. . I And ... SECONDS.ARE Non. 8:30am - 8:00pm ; "ON THE HOUSE" Tues. We

r.eceive FREE Mat Board (30- x 40" any color) With Purch... Of ..., Cutler Buy 2 PADS of NEWSPRINT••• Receive 1 Pad FREE Mrs. Sarah Geiselman of the Carterville Newcomers Club and JeIT France of the Advertising Design and JIIustration Club of the SIU School of Technical · LI MITED Art affair Careers (srcl discuss plans for an art fair to be held May 5 4 and 5. The SUPPLY ewcomers Club will hold a Sidewalk Art Gallery from 10 a .m. to 4 p.m . May 4 ~TILE~ in downtown Carterville. The src art fair will be held from 9 a .m . to 5 p .rn Office EcMxnent, Inc. Carbondale May 4 and 1 p.m. to 4 p.m. on the STC campus. r------~--====~====~~=-=-~-==~ Cancellations Holland's Penny-Pincher Treat 10 oz. mug of Hein e lc e n A could damage and Lum Dog $ 1 .00 w ith coupon 1111· future concerts '- (good thru March 19,1974) ~ E. Main 549-5632 By Unda Lipman does cancel. the ma nage;. might Daily Egyptian StaU Writrr postpone the mnrerl, cancel it all ------logether or send another group of Two "'reeks ... t\4'O concerts ... can­ equal caliber in .their place. plus a FREE Bar Plaque celed. But a 101 d problems come up " Students are going to wait until during the negotiating stage or with a mug Hur ry, s upply the night of llK> concert to buy Lhcir booking a shO\o\'. Slavik said. A of Heineken is limited! tickets from nov.' on. And ..... e·re not group may get a contract and hold going to kno ..... if the show will sell on to it . waiting 10 see ir something out." J im Slavik. dliarman or better- is going to be offered them. cultural affairs. said. " We usually wait until we have a Slavik ..... as referring to his an­ signed contract before we start ad­ ticipation of student reaction regar­ \·ertising and seiling tickets. It"s Wailace's Bookstore ding the canceling of two concerts \'ery rare a group " i lJ cancel after on campus. But two concerts that they' ve signed : ' he said. Wishes You a Happy Spring Break were scheduled by two The Arena management ..... as organizations. using two different .....aiting for a return on 3 contract. methods, in t'NO different facilities when J . Geils decided 10 cancel and canceled for two different themselves. " We had sent the con­ reasons. tract and were waiting for the group Slavik said SJU " lucked out" in to return it signed. Since the dale was ooming up soon , ..-e had to stan '~m: ::~~r ==,c/~~ advertising and selling tickets:· concert that was scheduled for Justice explained. Shryock Audilorium on Feb. 23 . "More professional" entertainers The Arena situation was slighUy will make a \'erbal commitment different. For the J . Geils Band con­ stick. For the Geils Band ooncert. a cert scheduled for March 9, the personal problem of the lead singer. Arena management had receivt!d caused the group 10 cancel. only only a verbal ogreem... 1 the mncert lhroe days before the ooncerl on the would take place Dean Justice, basis they would reschedule. Arena manag... said. "In the long run, if a group " A phony fleetwood Mac was decides 10 canoe. ",,' ... betler oCr """edllled to , ....., and there was no letling them oCr tho hook ." he said. The Arena ties up in excess of .= 1;,,~~~ I:'.'::'st~ $3,000 in advance preparation for a wore happy we canceled thorn. II', mncert. If the group resdl

4151. S. III . Ave: f All Shirts 20% OFF ephone 457 -4919 " and Jackets I,.e;.#i,. , i• • f. ex.... ti ••• _ e•• ',,' Iut•• ~ I. Ol'ie., I.'~*t. Wallac·e 'sBook s tor 823 S. III. Mon. - Thltr, . I-I 549-7 325 fr •• & S.t. 10- 5

~' Final 'K illers' segment will probe cancer

"1be KiUers" will examine cancer. Program Group under a grant (rom Also, in what is believed to be a ducted at centers across the nation, '1'be Killers" series, the fmal in· a disease that wiU strike '''"0 out of Bristol· Myers Company. \~dll fi rst ror national tele\'ision , a " What we've learned as we've put stallmertl. "cancer: 11le Cell that ...-very three American families. al 7 examine aU kinds oC cancer. but will woman ".'i ll demonstrate how this program together ," Prowiu ad, Won't Die" "ill be followed with p.m . Monday 00 WSIU-TV . focus on the kinds of cancer. that women can check themselves rOl" ded , 'is that the country is nOl local programs examining local "People (ear cancer more than can be detected early aoo treated. breast cancer, making the best use 0( the treat- cancer problems and treatment. any other disease," David Prowiu. 1be program will show the work The program_ tiUed "Cancer : The ment that's currently a\·ailable. Ir Charles T. Lynch will host executive producer of " The oC doctors and. rJ5Urchers al St . Cell That Won 't Die," also will in , you get cancer in one part of the " lnqu.ir)'," at 8:30 p,m, to follow up Killers:' explained. Jude's Hospital 1. Mempllis. where dude a candid and mO\'lng conver· oounLry , you may receive excellent to the cancer shOVo', Vie\\.'ers are in­ About 53 million Americans ",tlo young leukemics are successfully sation \\'1th a NN' York housewire treatment, It aU depends on where vited to call in questions 0( the are now living ..viU eventually ha~ treated by radiation. who has a very advanced cilse or you live and whether or not you can guests, . cancer. and this year alone . 350. In addition. the documentary will cancer. and a look at a hospital that get to a cancer specialist. Americans VlliU die 01 the disease. visit a therapy sessioo in New York is successfully treating cancer in " New Cancer Centers are opening ''''Ibe alanning thing," Prowilt Cit,)' where ""omen who have had animals, across the nation," Prowilt noted. added. 'is that.so few Corms of can· mastectomies to remove breast can· Prowiu said the program .., .. ill "and we'll lr)' to give the viewers cer can be prevented. and only ten oe.r are talking with a therapist examine diagnostic techniques. some straight an5\I.'ers on. what they per cent ci all the ~ple who get about their surgery. A young existing methods of treatment and can expect from the new facilities." cancer get one of the kinds that doc - woman, who underwent a mastec· the latest research that is being coo- Like the other four programs in tcrs can do something abouL" tamy several years ago, will explain The 9O-minute documentary. ~. she and her husband-to-be produced by the WNET Science reacted to the surgery_ ft'

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