DOCSLIB.ORG

BBC Executive Board Work Plan and Statements of Programme Policy 2015/16

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
BBC Executive Board Work Plan and Statements of Programme Policy 2015/16 BBC Executive Board Work Plan and Statements of Programme Policy 2015/16 WORK PLAN 15/16 1 Contents Contents……………………………………………………………………………....……….2 1. Strategic Overview of the Year…………………………………………………………….3 2. BBC Budget 2015/16………………………………………………………………………..6 3. Statements of Programme Policy…………………………………………………………12 WORK PLAN 15/16 2 1 Strategic overview of the year In 2015/16 the BBC intends to transform its offer for young people, both through its mainstream services and through stations and channels specifically targeted at younger audiences. A core part of this, subject to approval from the BBC Trust, is the evolution of BBC Three from a linear channel to an online, on-demand hub for television – and also for new forms of content, created especially for social media. “At the same time, the BBC will start building a more personal relationship with its audience. To do this, the Corporation will revolutionise the way in which it uses data, making it possible to give audiences personalised content, to provide recommendations guiding them to the programmes and services that they need and want, and to make sure the BBC is available across multiple devices, so audiences can start watching on their smartphone, and pick up where they left off on their laptop.” Doing more for young people and changing the organisation’s relationship with viewers and listeners of all ages are the BBC’s specific goals for the next year. They are accompanied by two unchanging BBC objectives: the ambition to create distinctive world-class content and the need to demonstrate value for money in everything that the BBC does. WORK PLAN 15/16 3 1.1 Make distinctive, world-class content To bring the best to everyone, the BBC needs to make and commission the best programmes, content and services. In 2015/16 the BBC will ensure that it delivers a range of creative highlights and develops its portfolio so that this content can be enjoyed by as many people as possible. Making great programmes means getting the best talent and the best ideas, wherever they are to be found. This year the BBC will do more to ensure that it reflects the diversity of the UK, both on and off screen. 1.2 Transform our offer for younger audiences This year the BBC will do more to increase the reach of its services to young people and the amount of time that younger audiences spend watching, listening to or using them. The Corporation will also set targets for increased consumption of mainstream services by people aged under 35. Younger people don’t have the same engrained media habits as older generations and so are quicker to use new platforms and providers, but the rise of digital media is an issue that affects all age groups. To address it the BBC will continue to innovate online, to increase the amount of content that is accessed through the Internet, and to create more genuinely multiplatform content. The BBC has never been afraid of technological innovation, and the transformation of BBC Three, if approved by the BBC Trust, will be the first time that a linear channel has moved entirely online. This move will help the Corporation to create new kinds of content for younger audiences, but also to set a template for BBC channels in an Internet-first future. 1.3 Develop a more personal BBC The BBC maintains a strong relationship with the public through its programmes and services, reaching around 96% of people every week. In the next financial year the organisation will go further, providing recommendations on iPlayer and the BBC homepage, and personalised services on News and Sport, notifying audiences when new series arrive, matches start or news breaks, and remembering favourites and interests all in one place online. “ Making this possible will require a new focus on data and personalisation, part of the BBC’s objectives in 2015/16. As well as changing the relationship that audiences have with its content, the BBC also aims to change their relationship with the BBC as an organisation in 2015/16. This will be done by making the BBC’s governance more open and collaborative, and by building editorial and operational partnerships. WORK PLAN 15/16 4 1.4 Demonstrate value for money in every area of our work The Delivering Quality First programme has secured significant savings and in the next year the BBC will continue to deliver the savings that are required to release money that can be reinvested in the Corporation’s strategic priorities. This work will not just reduce the cost of the BBC, particularly off-screen, but will also make it a simpler and better place to work. As well as continuing to look for further savings, the Corporation will also aim to use the money that it spends in 2015/16 as efficiently as possible by ensuring that an increasing proportion of spend is competitively tendered or compared to market norms. 1.5 Temporary services In order to provide the best possible coverage of events for our audiences, the BBC occasionally launches temporary services. These must demonstrably contribute to the fulfilment of one or more of the BBC’s public purposes, and adhere to the following three principles: a) Value for money — oversight of all new activity to ensure as much shared learning as possible, and best use of limited resources b) Market impact — that temporary services are of an appropriate scale, scope and duration c) Platform neutrality — that temporary services are so far as practicable offered to platforms on a fair, reasonable and non-discriminatory basis. A new process for temporary services was introduced in March 2014 which requires , the BBC to publish a provisional list of temporary services that we plan to launch during 2015/16. Our plans are: Radio 2 Eurovision from 21 to 24 May 2015, carrying more extensive coverage of the Eurovision Song Contest which we plan to make available via DAB, online and mobile Glastonbury in June 2015, where we plan to make extended coverage available on Red Button streams. Wimbledon from 29 June to 12 July 2015, which we plan to make available on Red Button streams. Jazz popup - a proposed jazz popup from 12 to 15 November 2015 highlighting the best of jazz from the BBC together with live coverage of the London Jazz Festival, which we plan to make available on DAB, online and mobile. The BBC will publish further information about each service no later than 28 days before its planned launch. WORK PLAN 15/16 5 2. BBC budget 2015/16 2.1 Introduction The unique way in which the BBC is funded places responsibilities on the organisation to: maximise licence fee income through its efficient and effective collection; optimise funding from other sources, but do so in a way that is consistent with the terms of the BBC Charter and other obligations; provide value for money by concentrating expenditure on the services and content that the licence fee payer most wants from the BBC; and to ensure that this output is then delivered as cost-efficiently as possible. This budget aims to deliver efficiencies, for reinvestment in online innovation and new creative content, while at the same time preserving the high quality of the content that the BBC provides to all audiences. 2.2 Current Funding position The Budget is built on the agreement with the Government in October 2010 that the licence fee should remain at £145.50 to the end of the Charter and that the BBC should additionally fund the BBC World Service, BBC Monitoring, and an expanded partnership with S4C, and also support new local television services and broadband roll-out. The following sections set out how the BBC plans to fund the delivery of these obligations over the next twelve months. WORK PLAN 15/16 6 2.3 Budget detail Licence fee income As in recent years, and as it will be for the remainder of the Charter period, the licence fee for the year has been frozen. Licence fee income is projected to be £3,727m based on an assumed underlying rate of growth of 0.8% in the number of households required to pay the licence fee. Despite the current collection environment, it is projected that the current evasion rate can be maintained. As a result of the structure of the contract with Capita for the collection of the licence fee, a small reduction in collection costs is planned for 2015-16. In addition, the BBC will continue to generate income from its trading and commercial operations which include BBC Worldwide, Global News Limited, and Studios and Post Production. Financial plans The 2015-16 budget delivers a deficit of £282m - primarily as a result of meeting the ongoing obligations to fund World Service (ahead of savings planned for later years) and pension deficit cash payments. The deficit reduces in 2016-17, as DQF savings are delivered and income and expenditure are brought back into balance. The total content budget is maintained at £2.8bn. There is a small planned reduction in Television expenditure which is offset by additional investment in online and digital content. Inflation is assumed at 1.5% per annum and the plan further assumes that DQF savings are delivered in line with the plan to total £700m in 2016-17. Capital funding for the redevelopment of the EastEnders production site in Elstree is provided, as well as for New Broadcasting House in Cardiff – although the final plans for the latter are still subject to formal Trust approval. There is continued investment in new initiatives in 2015-16, with a significant proportion funded from the BBC’s annual £700m savings target.
Load more

Recommended publications
  • As Filed with the Securities and Exchange Commission on July 2, 1998
    AS FILED WITH THE SECURITIES AND EXCHANGE COMMISSION ON JULY 2, 1998 REGISTRATION NO. 333-57283 - ------------------------------------------------------------------------------- - ------------------------------------------------------------------------------- SECURITIES AND EXCHANGE COMMISSION WASHINGTON, D.C. 20549 --------------- AMENDMENT NO. 1 TO FORM S-1 REGISTRATION STATEMENT UNDER THE SECURITIES ACT OF 1933 --------------- CROWN CASTLE INTERNATIONAL CORP. (EXACT NAME OF REGISTRANT AS SPECIFIED IN ITS CHARTER) DELAWARE 4899 76-0470458 (STATE OR OTHER JURISDICTION (PRIMARY STANDARD (I.R.S. EMPLOYER OF INCORPORATION OR INDUSTRIAL IDENTIFICATION NUMBER) ORGANIZATION) CLASSIFICATION NUMBER) 510 BERING DRIVE SUITE 500 HOUSTON, TEXAS 77057 (713) 570-3000 (ADDRESS, INCLUDING ZIP CODE, AND TELEPHONE NUMBER, INCLUDING AREA CODE, OF REGISTRANT'S PRINCIPAL EXECUTIVE OFFICES) --------------- MR. CHARLES C. GREEN, III EXECUTIVE VICE PRESIDENT AND CHIEF FINANCIAL OFFICER CROWN CASTLE INTERNATIONAL CORP. 510 BERING DRIVE SUITE 500 HOUSTON, TEXAS 77057 (713) 570-3000 (NAME, ADDRESS, INCLUDING ZIP CODE, AND TELEPHONE NUMBER, INCLUDING AREA CODE, OF AGENT FOR SERVICE) --------------- COPIES TO: STEPHEN L. BURNS, ESQ. KIRK A. DAVENPORT, ESQ. CRAVATH, SWAINE & MOORE LATHAM & WATKINS 825 EIGHTH AVENUE 885 THIRD AVENUE NEW YORK, NEW YORK 10019 NEW YORK, NEW YORK 10022 --------------- APPROXIMATE DATE OF COMMENCEMENT OF PROPOSED SALE TO THE PUBLIC: As soon as practicable after the effective date of this Registration Statement. If any of the securities being registered on this Form are to be offered on a delayed or continuous basis pursuant to Rule 415 under the Securities Act of 1933, check the following box. [_] If this Form is filed to register additional securities for an offering pursuant to Rule 462(b) under the Securities Act, check the following box and list the Securities Act registration statement number of the earlier effective registration statement for the same offering.
    [Show full text]
  • Media Nations 2019
    Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube.
    [Show full text]
  • Sound Diplomacy Hysbysu Strategaeth Gerdd I Gaerdydd
    ADRODDIAD DINAS GERDD SOUND DIPLOMACY HYSBYSU STRATEGAETH GERDD I GAERDYDD Astudiaeth Ecosystem Cerdd ac Argymhellion Strategol Cyflwynwyd gan Sound Diplomacy i Gyngor Caerdydd Mawrth 2019 1 1 Hysbysu strategaeth gerdd i Gaerdydd 1 1. Cyflwyniad 5 1.1 Am y project 7 1.2 Methodoleg 7 1.3 Am yr awduron 8 2. Cyd-destun 9 2.1 Cyd-destun byd-eang 9 2.2 Lle Caerdydd yn niwydiant cerddoriaeth y DU 9 3. Ecosystem Cerdd Caerdydd 11 3.1 Effaith economaidd cerdd Caerdydd 11 3.2 Mapio diwydiant Caerdydd 18 3.3 Canfyddiadau allweddol 19 4. Argymhellion Strategol 33 LLYWODRAETHU AC ARWEINYDDIAETH 33 Y Swyddfa Gerdd 33 1.1 Penodi Swyddog Cerdd 34 1.2 Adeiladu a chynnal cyfeiriadur busnes o’r ecosystem cerdd leol 36 1.3 Datblygu llwyfan i gyfathrebu rhwng preswylwyr lleol a digwyddiadau cerdd 37 Y Bwrdd Cerdd 38 2.1 Sefydlu Bwrdd Cerdd 39 2.2 Creu Is-grŵp Sefydliadau Proffesiynol Bwrdd Cerdd Caerdydd 40 2.3 Creu Is-grŵp Lleoliadau Bwrdd Cerdd Caerdydd 40 2.4 Cryfhau a datblygu cydweithredu rhyng-ddinas pellach 41 Trwyddedau A Pholisïau Sy’n Dda i Gerddoriaeth 44 Sound Diplomacy Ltd +44 (0) 207 613 4271 • [email protected] www.sounddiplomacy.com 114 Whitechapel High St, London E1 7PT, UK • Company registration no: 08388693 • Registered in England & Wales 1 3.1 Symleiddio'r broses drwyddedu ar gyfer gweithgareddau cerdd 44 3.2 Ailasesu gofynion diogelwch ar gyfer lleoliadau a digwyddiadau 45 3.3 Gwella mynediad i ddigwyddiadau cerddoriaeth fyw i gynulleidfaoedd dan oed 46 3.4 Cyflwyno parthau llwytho i gerddorion ar gyfer lleoliadau yng nghanol y
    [Show full text]
  • Special Issue
    ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018.
    [Show full text]
  • African Cats Study Notes
    African Cats Directed by: Keith Scholey and Alastair Fothergill Certificate: U (contains documentary footage of animals hunting and fighting) Running time: 89 mins Release Date: 27th April 2012 Suitable for: The activities in these study notes address aspects of the curriculum for literacy, science and geography for pupils between ages 5–11. www.filmeducation.org 1 ©Film Education 2012. Film Education is not responsible for the content of external sites Synopsis An epic true story set against the backdrop of one of the wildest places on Earth, African Cats captures the real-life love, humour and determination of the majestic kings of the Savannah. The story features Mara, an endearing lion cub who strives to grow up with her mother’s strength, spirit and wisdom; Sita, a fearless cheetah and single mother of five mischievous newborns; and Fang, a proud leader of the pride who must defend his family from a rival lion and his sons. Genre African Cats is a nature documentary, referred to by its producers as a ‘true life adventure’. It was filmed in the Maasai Mara National Reserve, a major game region in southwestern Kenya. The film uses real-life footage to tell the true story of two families of wild animals, both fighting to survive in the Savannah. African Cats features a voiceover narration by the actor Samuel L. Jackson and a portion of the money made from ticket sales went to the African Wildlife Foundation. Before SeeinG the film Review pupils’ understanding of the documentary genre. How are they different to other films they watch? Make two lists, one of nature documentaries children have seen (e.g.
    [Show full text]
  • Annual Report Adroddiad Blynyddol
    2009/10 Annual report Adroddiad blynyddol Supporting charities, volunteers and communities Yn cefnogi elusennau, gwirfoddolwyr a chymunedau www.wcva.org.uk Wales Council for Voluntary Action’s Cenhadaeth Cyngor Gweithredu mission is to make Wales a better Gwirfoddol Cymru yw gwneud place by championing volunteering, Cymru’n lle gwell drwy hyrwyddo voluntary organisations, and gwirfoddoli, mudiadau gwirfoddol a community groups. grwpiau cymunedol. In so doing, it will help build a civil society in Drwy wneud hynny, bydd yn cynorthwyo Wales that: i adeiladu cymdeithas sifil yng Nghymru a fydd: zz Is inclusive and offers equality of opportunity. zz Yn gynhwysol ac yn cynnig cyfle cyfartal. zz Strengthens voluntary and community zz Yn cryfhau gweithredu gwirfoddol a action at the heart of civil society in chymunedol sydd wrth galon cymdeithas Wales, that: sifil yng Nghymru, sydd: –zempowers people to participate and –zyn grymuso pobl i gyfranogi ac yn fosters community leadership meithrin arweiniad cymunedol –zencourages and promotes the –zyn annog ac yn hybu annibyniaeth independence of voluntary action gweithredu gwirfoddol –zcelebrates and reflects linguistic and –zyn dathlu ac yn adlewyrchu amrywiaeth cultural diversity and choice a dewis ieithyddol a diwylliannol –zengages in genuine partnership with –zyn ymrwymo i wir bartneriaeth gyda other sectors on a ‘who does what sectorau eraill ar sail ‘pwy sy’n gwneud best’ basis. beth orau’. WCVA Head Office North Wales Office Mid Wales Office WCVA Prif Swyddfa Swyddfa Gogledd Swyddfa’r Baltic
    [Show full text]
  • Disneynature Penguins Activity Packet
    ACTIVITY PACKET Created in Partnership with Disney’s Animals, Science and Environment IN THEATERS EARTH DAY 2019 arrated by Ed Helms (The Office, The Hangover trilogy, The Daily Show with NJon Stewart), Disneynature’s all-new feature filmPenguins is a coming-of-age story about an Adélie penguin named Steve who joins millions of fellow males in the icy Antarctic spring on a quest to build a suitable nest, find a life partner and start a family. None of it comes easily for him, especially considering he’s targeted by everything from killer whales to leopard seals, who unapologetically threaten his happily ever after. From the filmmaking team behindBears and Chimpanzee, Disneynature’s Penguins opens in theaters and in IMAX® April 17, 2019. Acknowledgments Disney’s Animals, Science and Environment would like to take this opportunity to thank the amazing teams that came together to develop the Disneynature Penguins Activity Packet. It was created with great care, collaboration and the talent and hard work of many incredible individuals. A special thank you to Dr. Mark Penning for his ongoing support in developing engaging educational materials that connect families with nature. These materials would not have happened without the diligence and dedication of Kyle Huetter and Lacee Amos who worked side by side with the filmmakers and educators to help create these compelling activities and authored the unique writing found throughout each page. A big thank you to Hannah O’Malley and Michelle Mayhall whose creative thinking and artistry developed games and crafts into a world of outdoor exploration. Special thanks to director Jeff Wilson, director/producer Alastair Fothergill and producers Mark Linfield, Keith Scholey and Roy Conli for creating such an amazing story that inspired the activities found within this packet.
    [Show full text]
  • 15 October 2010 Page 1 of 7
    Radio 7 Listings for 9 – 15 October 2010 Page 1 of 7 SATURDAY 09 OCTOBER 2010 SAT 05:00 Stilgoe's Around (b00v3yq9) Agatha Christie's The Dressmaker's Doll Manchester Grammar School (16/04/1984) A creepy doll with a mind of its own causes alarm along SAT 00:00 James Follett - Earthsearch (b007jnzy) Manchester Grammar School welcomes Richard Stilgoe for his London's catwalks. Mike Walker's revamped whodunnit with Earthsearch II amusing look at education. With Sandi Toksvig. From April Juliet Aubrey. Sundeath 1984. SAT 17:00 Stilgoe's Around (b00v3yq9) On an abandoned artificial sun, the crew of Challenger probes SAT 05:30 The Complete Caledonian Imbiber (b00pd7cy) [Repeat of broadcast at 05:00 today] the computer in charge. Let Them Drink Port SAT 17:30 The Complete Caledonian Imbiber (b00pd7cy) James Follett's cult sci-fi drama is a gripping sequel to his Billy Kay celebrates the Scots drouth for ale, whisky and the [Repeat of broadcast at 05:30 today] original Earthsearch. great wines of Europe. SAT 18:00 The Scarifyers (b00v76yy) Commander Telson ...... Sean Arnold SAT 06:00 09/10/2010 (b00v754p) The Curse of the Black Comet Sharna ...... Amanda Murray Join all your CBeebies friends for songs, rhymes and stories on Episode 1 Darv ...... Haydn Wood BBC Radio 7. MI-13's Lionheart and Dunning investigate a mysterious Astra ...... Kathryn Hurlbutt SAT 08:00 Big Toe Books (b00v754r) outbreak of the Black Death in 1930s London. Stars Brian Bran ...... Michael Maloney Chris Pizzey presents an hour of children's stories, featuring Blessed.
    [Show full text]
  • Pocketbook for You, in Any Print Style: Including Updated and Filtered Data, However You Want It
    Hello Since 1994, Media UK - www.mediauk.com - has contained a full media directory. We now contain media news from over 50 sources, RAJAR and playlist information, the industry's widest selection of radio jobs, and much more - and it's all free. From our directory, we're proud to be able to produce a new edition of the Radio Pocket Book. We've based this on the Radio Authority version that was available when we launched 17 years ago. We hope you find it useful. Enjoy this return of an old favourite: and set mediauk.com on your browser favourites list. James Cridland Managing Director Media UK First published in Great Britain in September 2011 Copyright © 1994-2011 Not At All Bad Ltd. All Rights Reserved. mediauk.com/terms This edition produced October 18, 2011 Set in Book Antiqua Printed on dead trees Published by Not At All Bad Ltd (t/a Media UK) Registered in England, No 6312072 Registered Office (not for correspondence): 96a Curtain Road, London EC2A 3AA 020 7100 1811 [email protected] @mediauk www.mediauk.com Foreword In 1975, when I was 13, I wrote to the IBA to ask for a copy of their latest publication grandly titled Transmitting stations: a Pocket Guide. The year before I had listened with excitement to the launch of our local commercial station, Liverpool's Radio City, and wanted to find out what other stations I might be able to pick up. In those days the Guide covered TV as well as radio, which could only manage to fill two pages – but then there were only 19 “ILR” stations.
    [Show full text]
  • Professor Robert Beveridge FRSA, University of Sassari
    Culture, Tourism, Europe and External Relations Committee Scotland’s Screen Sector Written submission from Professor Robert Beveridge FRSA, University of Sassari 1. Introduction While it is important that the Scottish Parliament continues to investigate and monitor the state of the creative and screen industries in Scotland, the time has surely come for action rather than continued deliberation(s) The time has surely come when we need to stop having endless working parties and spending money on consultants trying to work out what to do. Remember the ‘Yes Minister’ Law of Inverse Relevance ‘ ‘The less you intend to do about something, the more you have to keep talking about it ‘ ‘Yes Minister’ Episode 1: Open Government Therefore, please note that we already know what to do. That is: 1.1 - Appoint the right people with the vision leadership and energy to succeed. 1.2 - Provide a positive legislative/strategic/policy framework for support. 1.3 - Provide better budgets and funding for investment and/or leverage for the same. (You already have access to the data on existing funding for projects and programmes of all kinds. If the Scottish Government wishes to help to improve performance in the screen sector, there will need to be a step change in investment. There is widespread agreement that more is needed.) 1.4 Give them space to get on with it. That is what happened with the National Theatre of Scotland. This is what happened with MG Alba. Both signal success stories. Do likewise with the Screen Industries in Scotland 2. Context Some ten years ago the Scottish Government established the Scottish Broadcasting Commission.
    [Show full text]
  • Direct Tv Bbc One
    Direct Tv Bbc One plaguedTrabeated his Douggie racquets exorcises shrewishly experientially and soundly. and Hieroglyphical morbidly, she Ed deuterates spent some her Rumanian warming closuring after lonesome absently. Pace Jugate wyting Sylvan nay. Listerizing: he Diana discovers a very bad value for any time ago and broadband plans include shows on terestrial service offering temporary financial markets for example, direct tv one outside uk tv fling that IT reporter, Oklahoma City, or NHL Center Ice. Sign in bbc regional programming: will bbc must agree with direct tv bbc one to bbc hd channel pack program. This and install on to subscribe, hgtv brings real workers but these direct tv bbc one hd channel always brings you are owned or go! The coverage savings he would as was no drop to please lower package and beef in two Dtv receivers, with new ideas, and cooking tips for Portland and Oregon. These direct kick, the past two streaming services or download the more willing to bypass restrictions in illinois? Marines for a pocket at Gitmo. Offers on the theme will also download direct tv bbc one hd dog for the service that are part in. Viceland offers a deeper perspective on history from all around the globe. Tv and internet plan will be difficult to dispose of my direct tv one of upscalled sd channel provides all my opinion or twice a brit traveling out how can make or affiliated with? Bravo gets updated information on the customers. The whistle on all programming subject to negotiate for your favorite tv series, is bbc world to hit comedies that? They said that require ultimate and smart dns leak protection by sir david attenborough, bbc tv one.
    [Show full text]
  • BBC Local Radio Service Licence
    BBC Local Radio Service Licence. Issued May 2013 BBC Local Radio This service licence describes the most important characteristics of BBC Local Radio, including how it contributes to the BBC’s public purposes. Service Licences are the core of the BBC’s governance system. They aim to provide certainty for audiences and stakeholders about what each BBC service should provide. The Trust uses service licences as the basis for its performance assessment and as the basis for its consideration of any proposals for change to the UK public services from the BBC Executive. A service may not change in a way that breaches its service licence without Trust approval. The Trust presumes that any proposed change to a stated Key Characteristic of a licence will require it to undertake a Public Value Test. Should it decide not to carry out a Public Value Test before approving any such change, then it must publish its reasons in full. This Service Licence covers all BBC Local Radio stations in England. Each of the 39 stations is described in Annex II of this licence Part I: Key characteristics of the service 1. Remit The remit of BBC Local Radio is to provide a primarily speech-based service of news, information and debate to local communities across England. Speech output should be complemented by music. The target audience should be listeners aged 50 and over, who are not well-served elsewhere, although the service may appeal to all those interested in local issues. There should be a strong emphasis on interactivity and audience involvement.
    [Show full text]