Tokyo & Vicinity
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Himeji Castle, Hyōgo
Himeji Castle, Hyōgo Location: Hyōgo Prefecture Date: Original construction dates from 1333, but the current structure was built between 1580-1610 Patron: Toyotomi Hideyoshi and enlarged c 1610 by Ikeda Terumasa. Scale: 140m (east-west axis) x 125m (north-south axis). 91m above sea level. Stone wall of the main keep 15m high; the main keep is 31.5m high. There are 27 towers, 11 wells and 21 gates. Scope of work: WAR; Architecture beyond the European tradition. Materials: primarily wood and stone Style/Period: Renritsu/Azuchi–Momoyama Art History in Schools CIO | Registered Charity No. 1164651 | www.arthistoryinschools.org.uk Himeji Castle, Hyōgo Introduction Japan’s most magnificent castle, a Unesco World Heritage Site and one of only a handful of original castles remaining. Nicknamed the ‘White Egret Castle’ for its spectacular white exterior and striking shape emerging from the plain. Himeji is a hill castle, that takes advantage of the surrounding geography to enhance its defensive qualities. There are three moats to obstruct the enemy and 15m sloping stone walls make approaching the base of the castle very difficult. Formal elements Viewed externally, there is a five-storey main tenshu (keep) and three smaller keeps, all surrounded by moats and defensive walls. These walls are punctuated with rectangular openings (‘sama’) for firing arrows and circular and triangular openings for guns. These ‘sama’ are at different heights to allow for the warrior to be standing, kneeling or lying down. The main keep’s walls also feature narrow openings that allowed defenders to pour boiling water or oil on to anyone trying to scale the walls. -
Decoration Day. I
I Railed from Oravotend 15'h AAelaM*. Howai, Col"uel "ar* them to command; Post Rankin. Vo. 10. O. A. I-ewig; Pout >®1 .-chr C'h'-rub, K.itclier, Uardluer lor New York, with Capetown: lfith, tlanslne, lor Charleston. men , wner-: tlerai udTtriuiru 6a® been in existence only rtven >eiirs. May 17. Arr.veu, Oazello, Bruno, lialtl- No. Post No. 84, J it th^W^litwVJ?,8 Cemetery, luiniier ti> I >< Ci eo.i . Losnjonuaaar, *'ratik lltd'l. 1(5; Malley, nave also charge of the , nioru. DECORATION DAY. I. Parley. At H\<t o'clock. Hunter, #x-Muyor 1,18 *r»ve« amid p,o- ?astor,tie I'assiouist Pattern ctir <: Koitero, I* letcher, Bordlngnam (or New York, N«« Mayor nun.t liie w ,u th<«ii county Almshouse and 1'enttentiary at snake Hill. io » I i.uuox. May ».Arrived, Mariana* III, Santoi. booth, I'revident James s. T. Strana mil, super- Ioanuluunu euenea® *rl! *£n.UPtUHobokeu Cem-terv wiili lumber J ri'ad. w At three o'clock iu the afternoon the ltisnop .chr I''111 r A Shut. Nutter. Bangor for New York, York. vl->or a. It. Imtcuer, John F. Henrv. Captain Tanner u"kl7ereii,'on?£ Licata, April SO.Arrived, 8 P Thurlow, Tabblttt, Me« l.° 10 St. iiridiret'-, church, oi whlcu thn with lumber to Simpson Jk Co. and l'r. Justin 1). la,ton iooi. their positions on ra'oVr'A-W' "y Mr- ->lu«t.enie. t tie proceeded New aiii i lau l lirll May 8 for N» w York). -
Japan: Castles, Armor & the Art of the Samurai
MUSEUM TRAVEL ALLIANCE Japan: Castles, Armor & the Art of the Samurai May 30–June 9, 2019 MUSEUM TRAVEL ALLIANCE Dear Travelers and Friends, Japan has one of the oldest, richest, and most complex aesthetic traditions in the world– a tradition that is inextricably connected to the legacy of the samurai. Join the Museum Travel Alliance for a journey that explores the history, spiritual practices, and warrior arts of Japan. As we travel together, we will visit castles, museums, and temples that tell a fascinating story of Japanese military, political, and artistic history. We begin in Tokyo, where we discover the still-vital world of traditional swordsmithing with a visit to the studio of a master sword polisher. We also get an inside look at two authentic Japanese martial arts, sumo and kendo, as we tour training centers to observe practice drills and discuss these rich traditions with senseis and practitioners. Explorations of nearby temples will reveal connections between spiritual practice and martial and aesthetic traditions, and visits to museums will provide numerous opportunities to experience the spectacular creations of Japanese artists throughout the centuries. In Kyoto, we visit ancient Zen temples and Shinto shrines, set off by the natural beauty of mountains, foothills, and forests. This journey from Tokyo to KyotoRUSSIA will reveal some of the most astounding works of art, architecture, and arms and armor on Earth. Throughout this trip, led by a curator who is an authority in arms and armor, you will meet talented craftspeople and experts in the arts. And you will enjoy traveling in the congenial company of members from a number of museums and cultural institutions. -
JAPAN's MOST UNFORGETTABLE SHRINES Relaxing Is One Thing
JAPAN’S MOST UNFORGETTABLE SHRINES Relaxing is one thing, but to feel at peace, you need to step away from the neon signs and busy streets and explore the spiritual side of Japan. Shrines are an integral part of Japanese cultural tapestry. You will find these places of worship hidden in forest sandwiched between office towers on busy streets or clinging into mountain tops visiting them can be a spiritual experience, a chance to gain insights into Japanese tradition and history, or simply enjoy serene escape from the busy city life. Shrines are considered to be the residences of Kami (Shinto gods) and are used as places of worship. The names of Shinto shrines in Japan can end in –jinja, jingu (for Imperial shrines), or taisha. Shrines are built to serve the Shinto religious tradition and are characterized by a Torii gate at the entrance decorated with vermillion, and are guarded by fox, dog, or other animal statues. The architecture of a shrine typically includes a main sanctuary (honden), where the shrine’s sacred object is kept, and a worship hall (haiden), where people make prayers and offerings. Some shrines may have treasury buildings and stages for dance or theatre performances. There are close to 80,000 Shinto shrines in Japan and are of several different categories like: • Sengen shrines- dedicated to the Shinto deity of Mt. Fuji • Hachiman shrines- dedicated to the Kami of war • Inari shrines- dedicated to the Kami of huge harvest of grains • Kumano shrines - dedicated to the twelve Kami, three Grand Shrines in the three Kumano mountains • Tenjin shrines- dedicated to the Kami of Sugawara No Michizane, a politician and scholar FUSHIMI INARI SHRINE Fushimi Inari Shrine (伏見稲荷大社, Fushimi Inari Taisha) is an important Shinto shrine in southern Kyoto. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Patricia Shehan Campbell, Chair Jeffrey M. Perl Christina Sunardi Paul S. Atkins Program Authorized to Offer Degree: Music ii ©Copyright 2017 Michiko Urita iii University of Washington Abstract In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita Chair of the Supervisory Committee: Professor Patricia Shehan Campbell Music This dissertation explores the essence and resilience of the most sacred and secret ritual music of the Japanese imperial court—kagura taikyoku and kagura hikyoku—by examining ways in which these two songs have survived since their formation in the twelfth century. Kagura taikyoku and kagura hikyoku together are the jewel of Shinto ceremonial vocal music of gagaku, the imperial court music and dances. Kagura secret songs are the emperor’s foremost prayer offering to the imperial ancestral deity, Amaterasu, and other Shinto deities for the well-being of the people and Japan. I aim to provide an understanding of reasons for the continued and uninterrupted performance of kagura secret songs, despite two major crises within Japan’s history. While foreign origin style of gagaku was interrupted during the Warring States period (1467-1615), the performance and transmission of kagura secret songs were protected and sustained. In the face of the second crisis during the Meiji period (1868-1912), which was marked by a threat of foreign invasion and the re-organization of governance, most secret repertoire of gagaku lost their secrecy or were threatened by changes to their traditional system of transmissions, but kagura secret songs survived and were sustained without losing their iv secrecy, sacredness, and silent performance. -
Harvesting Tradition
VOLUME 7 NO. 16 SEPTEMBER 11 – SEPTEMBER 17, 2020 SUBMIT STORIES TO: [email protected] STRIPESJAPAN.COM FACEBOOK.COM/STRIPESPACIFIC FREE INSIDE INFO HARVESTING ZAMA VETS GAIN TRUST WITH FURRY FRIENDS, HUMANS PAGE 3 TRADITIONDig deep into Japan’s lesser-known fall holidays Speakin’ Japanese Pages 8-9 AUTUMN AUDIBLES PAGE 4 WHY JAPANESE LUCKY CHARMS ARE AMAZING! PAGES 6-7 LIMITING PLASTIC USE IN JAPAN PAGES 10-11 Midnight and Mt.Fuji, full moon. Barbecues help Yokota’s new MELON PAN airmen get through quarantine MADNESS BY SETH ROBSON, U.S. personnel arriving in Japan must PAGES 12-13 STARS AND STRIPES spend 14 days in quarantine, which the Published: September 4, 2020 military calls “restriction of movement” or ROM, that’s designed to stop them YOKOTA AIR BASE — Some summer spreading the coronavirus to others at barbecues at the home of U.S. Forces Ja- their new home. pan in western Tokyo are To make sure the ex- a little out of the ordinary EXCLUSIVE NEWS FROM: Business cards, flyers, perience doesn’t feel like invitations and more! this year. a short stint in jail, the Contact The events for newly Air Force has come up arrived airmen are cho- with all sorts of things to printshop.stripes.com reographed affairs where 042-552-2510 (extension77315) amuse quarantined single airmen, in- the guests of honor don masks and keep cluding fortnightly barbecues. 227-7315 Volunteers dish out comfort food to quarantined service members at Yokota Air Base. their distance from the folks cooking Photo by Theron Godbold, Stars and Stripes their food. -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits. -
Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2015 Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon Eric Teixeira Mendes Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Asian History Commons, Buddhist Studies Commons, and the History of Religions of Eastern Origins Commons Recommended Citation Mendes, Eric Teixeira, "Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon" (2015). Master's Theses. 626. https://scholarworks.wmich.edu/masters_theses/626 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON by Eric Teixeira Mendes A thesis submitted to the Graduate College in partial fulfillment of the requirements for the degree of Master of Arts Comparative Religion Western Michigan University August 2015 Thesis Committee: Stephen Covell, Ph.D., Chair LouAnn Wurst, Ph.D. Brian C. Wilson, Ph.D. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON Eric Teixeira Mendes, M.A. Western Michigan University, 2015 This thesis offers an examination of modern Japanese amulets, called omamori, distributed by Buddhist temples and Shinto shrines throughout Japan. As amulets, these objects are meant to be carried by a person at all times in which they wish to receive the benefits that an omamori is said to offer. In modern times, in addition to being a religious object, these amulets have become accessories for cell-phones, bags, purses, and automobiles. -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
Sites of Japan's Meiji Industrial Revolution : Selection of Memories
Hyunmi Kim s2104768 Master Thesis Asian Studies 60EC Thesis Supervisor: Prof. Ivo Smits Sites of Japan’s Meiji Industrial Revolution : Selection of Memories and the Inscription Process of UNESCO World Heritage Academic year 2017-2018 Leiden University Humanities Faculty, MA Asian Studies Track History, Arts and Culture of Asia Specialization Critical Heritage Studies of Asia and Europe Index Introduction ................................................................................................... 1 Research questions ............................................................................................................................ 2 Theoretical Framework / Preceding Research .................................................................................. 2 Methodology ...................................................................................................................................... 5 Heritage Making in Japan ............................................................................... 6 Industrial Heritage in Japan ............................................................................................................... 6 Inscription History of the Sites of Japan’s Meiji Industrial Revolution ............................................ 7 Nomination File and Justification ...................................................................................................... 8 Contextualized Memories ............................................................................................................... -
Cultural Properties for Future Generations 〜Outline of the Cultural Administration of Japan〜
Cultural Properties for Future Generations 〜Outline of the Cultural Administration of Japan〜 Agency for Cultural Affairs, JAPAN Cultural Properties in Japan Monuments Types of Cultural Properties in Japan Monuments include shell mounds, tumuli, sites of fortified capitals, sites of forts or castles, and monumental houses, which are of high Our cultural properties have been created, developed, and preserved historical or scientific value. They also include gardens, bridges, throughout Japan’s long history. They have been passed down from one gorges, seashores, mountains, and other places of scenic beauty which generation to another, and they are now precious assets of the Japanese are of high artistic or scenic value. Moreover they include animals, people. plants, and geological and mineral formations which are of high Cultural properties include (i) structures such as shrines, temples, scientific value. and private houses, (ii) Buddhist statues, (iii) paintings, (iv) Cultural Landscapes calligraphy, (v) other skills called waza such as performing arts and Cultural landscapes are defined as those that have evolved with craft techniques, and (vi) traditional events and festivals. Natural the modes of life or livelihoods of people in Japan and with the landscapes that remain after many years of history, historic villages, geo-cultural features of the region. They are indispensable to the and townscapes are also regarded as our cultural properties. understanding of the lifestyles and/or livelihoods of the people of Under the Law for the Protection of Cultural Properties, these Japan. cultural properties are categorized as follows: Groups of Traditional Buildings Tangible Cultural Properties Groups of traditional buildings are defined as those that have high Tangible cultural properties consist of (a) those of high historical value and form historic scenery together with their surroundings.