YOKOHAMA and KOBE, JAPAN
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Tokyo: the Birth of an Imperial Capital
1 Ben-Ami Shillony Tokyo: The Birth of an Imperial Capital Ben-Ami Shillony Introduction By the middle of the nineteenth century Edo was the political, military and administrative capital of Japan, the largest city in the country, one of the largest cities in the world, and the seat of the shogun and his government. Nevertheless, until 1868 it had never been an imperial capital, the city in which the emperor resides. In the seventh century, when Japan adopted the Chinese model of a capital, the first imperial capital, Fujiwara, lasted for only 16 years, from 694 until 710. The second imperial capital, Nara, lasted for 74 years, from 710 until 784. The third capital, Nagaoka, lasted for only 10 years, from 784 until 794. But then the fourth capital, Heian-kyō (Kyoto), lasted for more than a thousand years, from 794 until 1868. During this long period, the emperors stayed in Kyoto, despite the fact that from the twelfth century political power shifted to the shoguns and the samurai class, and for almost half of that time the wielders of real power resided in the eastern part of Japan, in Kamakura and later in Edo. No one of the military rulers tried to move the emperor out of Kyoto to the place where they resided. Kyoto remained the "capital" (miyako) although its primacy was only nominal. The imperial palace stayed in Kyoto even when the city was torn by internal warfare and the palace was impoverished. Going to Kyoto was all the time called "going up" (noboru) and going from Kyoto was all the time called "going down" (sagaru). -
Emperor Hirohito (1)” of the Ron Nessen Papers at the Gerald R
The original documents are located in Box 27, folder “State Visits - Emperor Hirohito (1)” of the Ron Nessen Papers at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Ron Nessen donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 27 of The Ron Nessen Papers at the Gerald R. Ford Presidential Library THE EMPEROR OF JAPAN ~ . .,1. THE EMPEROR OF JAPAN A Profile On the Occasion of The Visit by The Emperor and Empress to the United States September 30th to October 13th, 1975 by Edwin 0. Reischauer The Emperor and Empress of japan on a quiet stroll in the gardens of the Imperial Palace in Tokyo. Few events in the long history of international relations carry the significance of the first visit to the United States of the Em peror and Empress of Japan. Only once before has the reigning Emperor of Japan ventured forth from his beautiful island realm to travel abroad. On that occasion, his visit to a number of Euro pean countries resulted in an immediate strengthening of the bonds linking Japan and Europe. -
JAPAN's MOST UNFORGETTABLE SHRINES Relaxing Is One Thing
JAPAN’S MOST UNFORGETTABLE SHRINES Relaxing is one thing, but to feel at peace, you need to step away from the neon signs and busy streets and explore the spiritual side of Japan. Shrines are an integral part of Japanese cultural tapestry. You will find these places of worship hidden in forest sandwiched between office towers on busy streets or clinging into mountain tops visiting them can be a spiritual experience, a chance to gain insights into Japanese tradition and history, or simply enjoy serene escape from the busy city life. Shrines are considered to be the residences of Kami (Shinto gods) and are used as places of worship. The names of Shinto shrines in Japan can end in –jinja, jingu (for Imperial shrines), or taisha. Shrines are built to serve the Shinto religious tradition and are characterized by a Torii gate at the entrance decorated with vermillion, and are guarded by fox, dog, or other animal statues. The architecture of a shrine typically includes a main sanctuary (honden), where the shrine’s sacred object is kept, and a worship hall (haiden), where people make prayers and offerings. Some shrines may have treasury buildings and stages for dance or theatre performances. There are close to 80,000 Shinto shrines in Japan and are of several different categories like: • Sengen shrines- dedicated to the Shinto deity of Mt. Fuji • Hachiman shrines- dedicated to the Kami of war • Inari shrines- dedicated to the Kami of huge harvest of grains • Kumano shrines - dedicated to the twelve Kami, three Grand Shrines in the three Kumano mountains • Tenjin shrines- dedicated to the Kami of Sugawara No Michizane, a politician and scholar FUSHIMI INARI SHRINE Fushimi Inari Shrine (伏見稲荷大社, Fushimi Inari Taisha) is an important Shinto shrine in southern Kyoto. -
Analysis of Japanese and Finnish Furniture
University of Lapland, Faculty of Art and Design Name of the Pro gradu thesis: ANALYSIS OF JAPANESE AND FINNISH FURNITURE DESIGN: A consideration for product identity and the relativity of industrial development and cultural context Writer: Akiko Nakatani Degree programme: Industrial Design Type of the work: Pro gradu thesis Number of pages: 97 pages, 3 attachments Year: Spring 2011 Summary In a globalized product design market, firms take national identity into consideration to survive among the competitors, because a particular identifying feature can be the decision making factor for customers to buy a particular product. In such a situation, you may realize something as “Japanese-like” or “Finnish-like” in designs as you hold the product in your hand. But why do you think like that? The aim of this study is to clarify the factors that characterize these ideas, in terms of furniture design, with a focus on industrial development and the cultural contexts of Japan and Finland. The study is twofold, with a theoretical framework and an empirical framework. The theoretical analysis works with cultural industrial context and also argues that the transition of industrial development significantly affects national product design orientation and helps characterize products. The empirical analysis works with questionnaires concerning product image. The results conceptualize cultural references in both Japanese and Finnish furniture design. However, the results also present the realistic difficulty of recognizing products. The paper concludes by arguing that factors affecting customer’s decision making are also influenced by not only product design but the socio-culture they belong to. Therefore, measuring product image is not the only way to define national product identity, and the image is formed by both customers and product design factors. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Patricia Shehan Campbell, Chair Jeffrey M. Perl Christina Sunardi Paul S. Atkins Program Authorized to Offer Degree: Music ii ©Copyright 2017 Michiko Urita iii University of Washington Abstract In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita Chair of the Supervisory Committee: Professor Patricia Shehan Campbell Music This dissertation explores the essence and resilience of the most sacred and secret ritual music of the Japanese imperial court—kagura taikyoku and kagura hikyoku—by examining ways in which these two songs have survived since their formation in the twelfth century. Kagura taikyoku and kagura hikyoku together are the jewel of Shinto ceremonial vocal music of gagaku, the imperial court music and dances. Kagura secret songs are the emperor’s foremost prayer offering to the imperial ancestral deity, Amaterasu, and other Shinto deities for the well-being of the people and Japan. I aim to provide an understanding of reasons for the continued and uninterrupted performance of kagura secret songs, despite two major crises within Japan’s history. While foreign origin style of gagaku was interrupted during the Warring States period (1467-1615), the performance and transmission of kagura secret songs were protected and sustained. In the face of the second crisis during the Meiji period (1868-1912), which was marked by a threat of foreign invasion and the re-organization of governance, most secret repertoire of gagaku lost their secrecy or were threatened by changes to their traditional system of transmissions, but kagura secret songs survived and were sustained without losing their iv secrecy, sacredness, and silent performance. -
團號逢星期三出發wednesday Departure 雙人TWIN 小童CHILD 單
逢星期三出發 單人差價 團號 雙人 TWIN 小童 CHILD 暢遊:東京、箱根、富士山、京都、 CODE Wednesday Departure SGL SUPP. 大阪、和歌山 團費 LAND ONLY AJCW8 Visit: Tokyo, Hakone, Fuji Mountain, 3/1 – 12/31/2015 1299 1099 +799 Kyoto, Osaka, Wakayama 上列費用均以美元每位計算。The above tour fares are based on US Dollar. 小童費用適用於 2 至 11 歲小孩不佔床。Child fare applies to children from 2 to 11 years old, no extra bed. 中、英語 導遊 重點推介 Special Features Chinese or ★世界遺產「和歌山」紀伊山地,如熊野古道、那智 Visit the UNESCO English Tour 熊野大社、那智瀑布(日本三大)、串本海中公園、 Wakayama, Kiyomizudera Guide 千疊敷、三段壁等 Shrine, and the historical ★歷史遺跡–「大阪城」 Osaka Castle ★世界歷史遺產–「京都」清水寺 Enjoy the magnificent Lake 機 。 稍 後 前 Ashi on cruise ship 往 新 宿 名 店 特色行程 Visit the traditional 大 道 及 電 器 ★乘坐特色觀光船遊覽「蘆之湖」,欣賞富士 山及箱 Japanese seafood market 根之美景 中 心 自 由 購 Tore Tore Market ★參觀日本大型海鮮市場–ToreTore 市場,增廣 見聞 Shopping hot spots such 物 , 午 餐 於 as Ginza, Dotonbori, 市 內 餐 廳 , 潮流熱點 Shinsaibashi, Kabukicho 晚 餐 享 用 任 ★暢遊東京及大阪至 IN 至潮景點 –台場彩虹橋、銀 District, and Shijuku 食 Shabu 座、新宿熱門購物點、歌舞伎町及道頓崛美 食街等 Shabu 牛肉火 Hotel: Guarantee 5 stars 全程豪華住宿 accommodations at Tokyo 鍋 , 餐 後 更 ★保證入住東京及大阪 5 星級酒店,及安排入住兩晚 and Osaka, and 2 nights in a 可前往歌舞伎町領略日本璀璨迷人的夜生 特色溫泉酒店 traditional hot spring hotel 活。 (早/晚餐) 酒店/Hotel : Dome Hotel 或同級 地道美食 Delicious cuisines ★特別安排享用京都名物–「山水豆腐料理」。 品嚐 including Shabu-Shabu, 日本多種地道美食、如 Shabu-Shabu 牛肉火鍋、宴 Tapanyaki buffet, Sushi and 會料理、自助鐵板燒、壽司等 the famous Kyoto Tofu Ryori. 1 原居地 東京 成田山新勝寺 - 台場 - 彩虹橋 - 1 Hometown Tokyo 33 Palette Town - Mega Web- 銀座購物區 是日由原居地出發,乘航機飛往日本首都- (Blue Label 專門店、Fancl 大樓、玩具 東京。 博品館) - 新宿 - 名店大道 -Big Depart from home city for Tokyo, the capital city of Camara 電器中心 - 歌舞伎町 Japan. -
Delft University of Technology Tatami
Delft University of Technology Tatami Hein, Carola Publication date 2016 Document Version Final published version Published in Kyoto Design Lab. Citation (APA) Hein, C. (2016). Tatami. In A. C. de Ridder (Ed.), Kyoto Design Lab.: The tangible and the intangible of the Machiya House (pp. 9-12). Delft University of Technology. Important note To cite this publication, please use the final published version (if applicable). Please check the document version above. Copyright Other than for strictly personal use, it is not permitted to download, forward or distribute the text or part of it, without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license such as Creative Commons. Takedown policy Please contact us and provide details if you believe this document breaches copyrights. We will remove access to the work immediately and investigate your claim. This work is downloaded from Delft University of Technology. For technical reasons the number of authors shown on this cover page is limited to a maximum of 10. TATAMI Inside the Shōkin-tei, located in the garden of the Katsura Imperial Villa. A joint of three tatami. Tatami Carola Hein Use of the tatami mat reportedly goes back to the 8th century (the Nara period in Japan) when single mats began to be used as beds, or brought out for a high-ranking person to sit on. Over centuries it became a platform that has hosted all facets of life for generations of Japanese. From palaces to houses, from temples to spaces for martial art, the tatami has served as support element for life. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits. -
Japan's Population Has Started to Shrink and Polarize Geographically
Mizuho Economic Outlook & Analysis April 5, 2016 Japan’s population has started to shrink and polarize geographically The census reveals the concentration of people in large cities and city centers < Summary > ◆ The preliminary report on the 2015 population census of Japan was released on February 26, 2016. The report shows that Japan’s population declined for the first time since World War II, marking the advent of a depopulating society. ◆ Regional populations are moving further in the direction of polarization. While the populations of urban areas other than Tokyo, Osaka and Nagoya continue to plunge, populations are rising in metropolitan areas functioning as local economic hubs. ◆ Population polarization is striking even among the three major metropolitan areas, with the tendency of people to return to city centers. The overall population of Osaka Prefecture dropped for the first time in 68 years, but the population surged in central Osaka City. Mizuho Research Institute Ltd. Yutaka Okada, Senior Researcher, Research Department – Public Policy [email protected] This publication is compiled solely for the purpose of providing readers with information and is in no way meant to encourage readers to buy or sell financial instruments. Although this publication is compiled on the basis of sources which Mizuho Research Institute Ltd. (MHRI) believes to be reliable and correct, MHRI does not warrant its accuracy and certainty. Readers are requested to exercise their own judgment in the use of this publication. Please also note that the contents of this publication may be subject to change without prior notice. 1. The census recorded Japan’s first population decline since World War II The total population of Japan in 2015 was 127.11 million, representing the first decline since World War II (Chart 1). -
Cultural Properties for Future Generations 〜Outline of the Cultural Administration of Japan〜
Cultural Properties for Future Generations 〜Outline of the Cultural Administration of Japan〜 Agency for Cultural Affairs, JAPAN Cultural Properties in Japan Monuments Types of Cultural Properties in Japan Monuments include shell mounds, tumuli, sites of fortified capitals, sites of forts or castles, and monumental houses, which are of high Our cultural properties have been created, developed, and preserved historical or scientific value. They also include gardens, bridges, throughout Japan’s long history. They have been passed down from one gorges, seashores, mountains, and other places of scenic beauty which generation to another, and they are now precious assets of the Japanese are of high artistic or scenic value. Moreover they include animals, people. plants, and geological and mineral formations which are of high Cultural properties include (i) structures such as shrines, temples, scientific value. and private houses, (ii) Buddhist statues, (iii) paintings, (iv) Cultural Landscapes calligraphy, (v) other skills called waza such as performing arts and Cultural landscapes are defined as those that have evolved with craft techniques, and (vi) traditional events and festivals. Natural the modes of life or livelihoods of people in Japan and with the landscapes that remain after many years of history, historic villages, geo-cultural features of the region. They are indispensable to the and townscapes are also regarded as our cultural properties. understanding of the lifestyles and/or livelihoods of the people of Under the Law for the Protection of Cultural Properties, these Japan. cultural properties are categorized as follows: Groups of Traditional Buildings Tangible Cultural Properties Groups of traditional buildings are defined as those that have high Tangible cultural properties consist of (a) those of high historical value and form historic scenery together with their surroundings.